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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 27 106 170 it is the complementary color RGB 228 149 85. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 27 106 170. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 27 106 170 shade: RGB 32 106 165, RGB 49 124 184, RGB 66 142 203, RGB 83 160 222 and RGB 100 178 241

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 27 106 170. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 27 106 170 shade: RGB 27 106 170, RGB 10 88 151, RGB 0 70 132, RGB 0 52 113 and RGB 0 34 94

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 27 106 170 shade: RGB 26 107 172, RGB 26 67 172, RGB 26 28 172, RGB 64 26 172 and RGB 103 26 172

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 27 106 170 shade: RGB 26 107 172, RGB 26 67 172, RGB 26 28 172 and RGB 26 26 172

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 27 106 170 shade matches the following richer shades: RGB 26 107 172 and RGB 10 108 188

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 27 106 170 shade: RGB 26 107 172, RGB 42 105 155, RGB 59 103 139, RGB 75 102 123 and RGB 91 100 107

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 27 106 170 shade: RGB 26 172 157, RGB 26 147 172, RGB 26 109 172, RGB 26 70 172 and RGB 26 31 172

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 27 106 170 shade: RGB 15 62 100, RGB 21 84 136, RGB 26 107 172, RGB 32 129 207 and RGB 57 149 224

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 27 106 170 shade: RGB 27 106 170, RGB 118 26 172 and RGB 167 172 26

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 27 106 170 shade: RGB 27 106 170, RGB 172 26 109 and RGB 109 172 26

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 27 106 170 shade: RGB 27 106 170, RGB 118 26 172, RGB 172 89 26 and RGB 80 172 26

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 27 106 170 shade: RGB 27 106 170, RGB 162 26 172, RGB 172 89 26 and RGB 36 172 26

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 84 / 38 / 0 / 33

HEX #1B6AAA

RGB 27 106 170

HSL 206.85, 0.73%, 0.39%

LAB 43.42, 0.56, -40.72

 

Complementary color

CMYK 0 / 35 / 63 / 11

HEX #E49555

RGB 228 149 85

HSL 26.85, 0.73%, 0.61%

LAB 68.49, 23.71, 45.42

 

CMYK 81 / 36 / 0 / 35

HEX #206AA5

RGB 32 106 165

HSL 206.62, 0.68%, 0.39%

LAB 43.26, -0.88, -38.03

 

CMYK 73 / 33 / 0 / 28

HEX #317CB8

RGB 49 124 184

HSL 206.67, 0.58%, 0.46%

LAB 50.13, -2.64, -38.22

 

CMYK 67 / 30 / 0 / 20

HEX #428ECB

RGB 66 142 203

HSL 206.72, 0.57%, 0.53%

LAB 56.9, -3.99, -38.37

 

CMYK 63 / 28 / 0 / 13

HEX #53A0DE

RGB 83 160 222

HSL 206.76, 0.68%, 0.6%

LAB 63.55, -5.05, -38.51

 

CMYK 59 / 26 / 0 / 5

HEX #64B2F1

RGB 100 178 241

HSL 206.81, 0.83%, 0.67%

LAB 70.11, -5.89, -38.65

 

CMYK 84 / 38 / 0 / 33

HEX #1B6AAA

RGB 27 106 170

HSL 206.85, 0.73%, 0.39%

LAB 43.42, 0.56, -40.72

 

CMYK 93 / 42 / 0 / 41

HEX #0A5897

RGB 10 88 151

HSL 206.81, 0.88%, 0.32%

LAB 36.51, 3.22, -40.44

 

CMYK 100 / 47 / 0 / 48

HEX #004684

RGB 0 70 132

HSL 208.18, 1%, 0.26%

LAB 29.53, 6.69, -40.03

 

CMYK 100 / 54 / 0 / 56

HEX #003471

RGB 0 52 113

HSL 212.39, 1%, 0.22%

LAB 22.47, 11.06, -39.44

 

CMYK 100 / 64 / 0 / 63

HEX #00225E

RGB 0 34 94

HSL 218.3, 1%, 0.18%

LAB 15.23, 15.88, -38.81

 

CMYK 85 / 38 / 0 / 33

HEX #1A6BAC

RGB 26 107 172

HSL 206.71, 0.74%, 0.39%

LAB 43.82, 0.63, -41.27

 

CMYK 85 / 61 / 0 / 33

HEX #1A43AC

RGB 26 67 172

HSL 223.15, 0.74%, 0.39%

LAB 32.29, 26.96, -59.87

 

CMYK 85 / 84 / 0 / 33

HEX #1A1CAC

RGB 26 28 172

HSL 239.18, 0.74%, 0.39%

LAB 23.77, 50.31, -73.92

 

CMYK 63 / 85 / 0 / 33

HEX #401AAC

RGB 64 26 172

HSL 255.62, 0.74%, 0.39%

LAB 26.18, 53.69, -69.84

 

CMYK 40 / 85 / 0 / 33

HEX #671AAC

RGB 103 26 172

HSL 271.64, 0.74%, 0.39%

LAB 30.88, 58.22, -61.93

 

CMYK 85 / 38 / 0 / 33

HEX #1A6BAC

RGB 26 107 172

HSL 206.71, 0.74%, 0.39%

LAB 43.82, 0.63, -41.27

 

CMYK 85 / 61 / 0 / 33

HEX #1A43AC

RGB 26 67 172

HSL 223.15, 0.74%, 0.39%

LAB 32.29, 26.96, -59.87

 

CMYK 85 / 84 / 0 / 33

HEX #1A1CAC

RGB 26 28 172

HSL 239.18, 0.74%, 0.39%

LAB 23.77, 50.31, -73.92

 

CMYK 85 / 85 / 0 / 33

HEX #1A1AAC

RGB 26 26 172

HSL 240, 0.74%, 0.39%

LAB 23.46, 51.21, -74.43

 

CMYK 85 / 38 / 0 / 33

HEX #1A6BAC

RGB 26 107 172

HSL 206.71, 0.74%, 0.39%

LAB 43.82, 0.63, -41.27

 

CMYK 95 / 43 / 0 / 26

HEX #0A6CBC

RGB 10 108 188

HSL 206.97, 0.9%, 0.39%

LAB 44.83, 5.36, -49

 

CMYK 85 / 38 / 0 / 33

HEX #1A6BAC

RGB 26 107 172

HSL 206.71, 0.74%, 0.39%

LAB 43.82, 0.63, -41.27

 

CMYK 73 / 32 / 0 / 39

HEX #2A699B

RGB 42 105 155

HSL 206.55, 0.57%, 0.39%

LAB 42.71, -2.75, -32.97

 

CMYK 58 / 26 / 0 / 45

HEX #3B678B

RGB 59 103 139

HSL 207, 0.4%, 0.39%

LAB 41.99, -4, -24.48

 

CMYK 39 / 17 / 0 / 52

HEX #4B667B

RGB 75 102 123

HSL 206.25, 0.24%, 0.39%

LAB 41.89, -4.19, -14.91

 

CMYK 15 / 7 / 0 / 58

HEX #5B646B

RGB 91 100 107

HSL 206.25, 0.08%, 0.39%

LAB 41.84, -1.85, -5.13

 

CMYK 85 / 0 / 9 / 33

HEX #1AAC9D

RGB 26 172 157

HSL 173.84, 0.74%, 0.39%

LAB 63.47, -39.03, -2.52

 

CMYK 85 / 15 / 0 / 33

HEX #1A93AC

RGB 26 147 172

HSL 190.27, 0.74%, 0.39%

LAB 56.15, -22.26, -22

 

CMYK 85 / 37 / 0 / 33

HEX #1A6DAC

RGB 26 109 172

HSL 205.89, 0.74%, 0.39%

LAB 44.43, -0.61, -40.3

 

CMYK 85 / 59 / 0 / 33

HEX #1A46AC

RGB 26 70 172

HSL 221.92, 0.74%, 0.39%

LAB 33.09, 24.94, -58.56

 

CMYK 85 / 82 / 0 / 33

HEX #1A1FAC

RGB 26 31 172

HSL 237.95, 0.74%, 0.39%

LAB 24.25, 48.88, -73.11

 

CMYK 85 / 38 / 0 / 61

HEX #0F3E64

RGB 15 62 100

HSL 206.82, 0.74%, 0.23%

LAB 25.16, -0.36, -26.75

 

CMYK 85 / 38 / 0 / 47

HEX #155488

RGB 21 84 136

HSL 207.13, 0.73%, 0.31%

LAB 34.55, 0.51, -34.44

 

CMYK 85 / 38 / 0 / 33

HEX #1A6BAC

RGB 26 107 172

HSL 206.71, 0.74%, 0.39%

LAB 43.82, 0.63, -41.27

 

CMYK 85 / 38 / 0 / 19

HEX #2081CF

RGB 32 129 207

HSL 206.74, 0.73%, 0.47%

LAB 52.41, 1.06, -47.78

 

CMYK 75 / 33 / 0 / 12

HEX #3995E0

RGB 57 149 224

HSL 206.95, 0.73%, 0.55%

LAB 59.66, -2, -45.8

 

CMYK 84 / 38 / 0 / 33

HEX #1B6AAA

RGB 27 106 170

HSL 206.85, 0.73%, 0.39%

LAB 43.42, 0.56, -40.72

 

CMYK 31 / 85 / 0 / 33

HEX #761AAC

RGB 118 26 172

HSL 277.81, 0.74%, 0.39%

LAB 33.07, 60.41, -58.26

 

CMYK 3 / 0 / 85 / 33

HEX #A7AC1A

RGB 167 172 26

HSL 62.05, 0.74%, 0.39%

LAB 67.87, -17.79, 65.86

 

CMYK 84 / 38 / 0 / 33

HEX #1B6AAA

RGB 27 106 170

HSL 206.85, 0.73%, 0.39%

LAB 43.42, 0.56, -40.72

 

CMYK 0 / 85 / 37 / 33

HEX #AC1A6D

RGB 172 26 109

HSL 325.89, 0.74%, 0.39%

LAB 38.92, 61.37, -9.63

 

CMYK 37 / 0 / 85 / 33

HEX #6DAC1A

RGB 109 172 26

HSL 85.89, 0.74%, 0.39%

LAB 64.02, -41.48, 61.05

 

CMYK 84 / 38 / 0 / 33

HEX #1B6AAA

RGB 27 106 170

HSL 206.85, 0.73%, 0.39%

LAB 43.42, 0.56, -40.72

 

CMYK 31 / 85 / 0 / 33

HEX #761AAC

RGB 118 26 172

HSL 277.81, 0.74%, 0.39%

LAB 33.07, 60.41, -58.26

 

CMYK 0 / 48 / 85 / 33

HEX #AC591A

RGB 172 89 26

HSL 25.89, 0.74%, 0.39%

LAB 46.96, 29.79, 48.36

 

CMYK 53 / 0 / 85 / 33

HEX #50AC1A

RGB 80 172 26

HSL 97.81, 0.74%, 0.39%

LAB 62.75, -50.99, 59.44

 

CMYK 84 / 38 / 0 / 33

HEX #1B6AAA

RGB 27 106 170

HSL 206.85, 0.73%, 0.39%

LAB 43.42, 0.56, -40.72

 

CMYK 6 / 85 / 0 / 33

HEX #A21AAC

RGB 162 26 172

HSL 295.89, 0.74%, 0.39%

LAB 40.24, 67.86, -46.31

 

CMYK 0 / 48 / 85 / 33

HEX #AC591A

RGB 172 89 26

HSL 25.89, 0.74%, 0.39%

LAB 46.96, 29.79, 48.36

 

CMYK 79 / 0 / 85 / 33

HEX #24AC1A

RGB 36 172 26

HSL 115.89, 0.74%, 0.39%

LAB 61.62, -60.4, 57.99

 

Description

Color code: RGB 27 106 170 | qconv.com Color code: RGB 27 106 170 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 27 red, 106 green and 170 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
27 106 170 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 84 cyan, 38 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
84% 38% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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