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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 27 45 170 it is the complementary color RGB 228 210 85. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 27 45 170. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 27 45 170 shade: RGB 32 45 165, RGB 49 63 184, RGB 66 81 203, RGB 83 99 222 and RGB 100 117 241

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 27 45 170. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 27 45 170 shade: RGB 27 45 170, RGB 10 27 151, RGB 0 9 132, RGB 0 0 113 and RGB 0 0 94

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 27 45 170 shade: RGB 26 45 172, RGB 47 26 172, RGB 86 26 172, RGB 126 26 172 and RGB 165 26 172

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 27 45 170 shade: RGB 26 45 172 and RGB 26 26 172

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 27 45 170 shade matches the following richer shades: RGB 26 45 172 and RGB 10 33 188

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 27 45 170 shade: RGB 26 45 172, RGB 42 57 155, RGB 59 69 139, RGB 75 81 123 and RGB 91 93 107

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 27 45 170 shade: RGB 26 123 172, RGB 26 84 172, RGB 26 46 172, RGB 46 26 172 and RGB 84 26 172

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 27 45 170 shade: RGB 15 26 100, RGB 21 35 136, RGB 26 45 172, RGB 32 54 207 and RGB 57 78 224

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 27 45 170 shade: RGB 27 45 170, RGB 172 26 162 and RGB 104 172 26

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 27 45 170 shade: RGB 27 45 170, RGB 172 26 46 and RGB 46 172 26

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 27 45 170 shade: RGB 27 45 170, RGB 172 26 162, RGB 172 152 26 and RGB 26 172 36

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 27 45 170 shade: RGB 27 45 170, RGB 172 26 118, RGB 172 152 26 and RGB 26 172 80

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 84 / 74 / 0 / 33

HEX #1B2DAA

RGB 27 45 170

HSL 232.45, 0.73%, 0.39%

LAB 26.77, 40.52, -67.74

 

Complementary color

CMYK 0 / 8 / 63 / 11

HEX #E4D255

RGB 228 210 85

HSL 52.45, 0.73%, 0.61%

LAB 83.57, -8.32, 62.29

 

CMYK 81 / 73 / 0 / 35

HEX #202DA5

RGB 32 45 165

HSL 234.14, 0.68%, 0.39%

LAB 26.45, 39.08, -65.24

 

CMYK 73 / 66 / 0 / 28

HEX #313FB8

RGB 49 63 184

HSL 233.78, 0.58%, 0.46%

LAB 33.28, 36.27, -65.33

 

CMYK 67 / 60 / 0 / 20

HEX #4251CB

RGB 66 81 203

HSL 233.43, 0.57%, 0.53%

LAB 40.17, 33.78, -65.14

 

CMYK 63 / 55 / 0 / 13

HEX #5363DE

RGB 83 99 222

HSL 233.09, 0.68%, 0.6%

LAB 47.02, 31.65, -64.84

 

CMYK 59 / 51 / 0 / 5

HEX #6475F1

RGB 100 117 241

HSL 232.77, 0.83%, 0.67%

LAB 53.8, 29.83, -64.52

 

CMYK 84 / 74 / 0 / 33

HEX #1B2DAA

RGB 27 45 170

HSL 232.45, 0.73%, 0.39%

LAB 26.77, 40.52, -67.74

 

CMYK 93 / 82 / 0 / 41

HEX #0A1B97

RGB 10 27 151

HSL 232.77, 0.88%, 0.32%

LAB 20.37, 43.44, -66.78

 

CMYK 100 / 93 / 0 / 48

HEX #000984

RGB 0 9 132

HSL 235.91, 1%, 0.26%

LAB 14.74, 45.13, -64.29

 

CMYK 100 / 100 / 0 / 56

HEX #000071

RGB 0 0 113

HSL 240, 1%, 0.22%

LAB 10.5, 43.45, -59.18

 

CMYK 100 / 100 / 0 / 63

HEX #00005E

RGB 0 0 94

HSL 240, 1%, 0.18%

LAB 7.3, 38.07, -51.95

 

CMYK 85 / 74 / 0 / 33

HEX #1A2DAC

RGB 26 45 172

HSL 232.19, 0.74%, 0.39%

LAB 26.95, 41.17, -68.65

 

CMYK 73 / 85 / 0 / 33

HEX #2F1AAC

RGB 47 26 172

HSL 248.63, 0.74%, 0.39%

LAB 24.71, 52.33, -72.32

 

CMYK 50 / 85 / 0 / 33

HEX #561AAC

RGB 86 26 172

HSL 264.66, 0.74%, 0.39%

LAB 28.63, 56.02, -65.71

 

CMYK 27 / 85 / 0 / 33

HEX #7E1AAC

RGB 126 26 172

HSL 281.1, 0.74%, 0.39%

LAB 34.3, 61.66, -56.2

 

CMYK 4 / 85 / 0 / 33

HEX #A51AAC

RGB 165 26 172

HSL 297.12, 0.74%, 0.39%

LAB 40.76, 68.41, -45.45

 

CMYK 85 / 74 / 0 / 33

HEX #1A2DAC

RGB 26 45 172

HSL 232.19, 0.74%, 0.39%

LAB 26.95, 41.17, -68.65

 

CMYK 85 / 85 / 0 / 33

HEX #1A1AAC

RGB 26 26 172

HSL 240, 0.74%, 0.39%

LAB 23.46, 51.21, -74.43

 

CMYK 85 / 74 / 0 / 33

HEX #1A2DAC

RGB 26 45 172

HSL 232.19, 0.74%, 0.39%

LAB 26.95, 41.17, -68.65

 

CMYK 95 / 82 / 0 / 26

HEX #0A21BC

RGB 10 33 188

HSL 232.25, 0.9%, 0.39%

LAB 26.11, 52.53, -79.6

 

CMYK 85 / 74 / 0 / 33

HEX #1A2DAC

RGB 26 45 172

HSL 232.19, 0.74%, 0.39%

LAB 26.95, 41.17, -68.65

 

CMYK 73 / 63 / 0 / 39

HEX #2A399B

RGB 42 57 155

HSL 232.04, 0.57%, 0.39%

LAB 28.86, 28.76, -55.19

 

CMYK 58 / 50 / 0 / 45

HEX #3B458B

RGB 59 69 139

HSL 232.5, 0.4%, 0.39%

LAB 31.92, 17.84, -40.39

 

CMYK 39 / 34 / 0 / 52

HEX #4B517B

RGB 75 81 123

HSL 232.5, 0.24%, 0.39%

LAB 35.62, 8.89, -24.59

 

CMYK 15 / 13 / 0 / 58

HEX #5B5D6B

RGB 91 93 107

HSL 232.5, 0.08%, 0.39%

LAB 39.77, 2.39, -8.23

 

CMYK 85 / 28 / 0 / 33

HEX #1A7BAC

RGB 26 123 172

HSL 200.14, 0.74%, 0.39%

LAB 48.72, -9.01, -33.54

 

CMYK 85 / 51 / 0 / 33

HEX #1A54AC

RGB 26 84 172

HSL 216.16, 0.74%, 0.39%

LAB 37, 15.52, -52.2

 

CMYK 85 / 73 / 0 / 33

HEX #1A2EAC

RGB 26 46 172

HSL 231.78, 0.74%, 0.39%

LAB 27.16, 40.57, -68.29

 

CMYK 73 / 85 / 0 / 33

HEX #2E1AAC

RGB 46 26 172

HSL 248.22, 0.74%, 0.39%

LAB 24.63, 52.27, -72.45

 

CMYK 51 / 85 / 0 / 33

HEX #541AAC

RGB 84 26 172

HSL 263.84, 0.74%, 0.39%

LAB 28.39, 55.78, -66.12

 

CMYK 85 / 74 / 0 / 61

HEX #0F1A64

RGB 15 26 100

HSL 232.24, 0.74%, 0.23%

LAB 14.18, 25.57, -44.51

 

CMYK 85 / 74 / 0 / 47

HEX #152388

RGB 21 35 136

HSL 232.7, 0.73%, 0.31%

LAB 20.59, 33.94, -57.08

 

CMYK 85 / 74 / 0 / 33

HEX #1A2DAC

RGB 26 45 172

HSL 232.19, 0.74%, 0.39%

LAB 26.95, 41.17, -68.65

 

CMYK 85 / 74 / 0 / 19

HEX #2036CF

RGB 32 54 207

HSL 232.46, 0.73%, 0.47%

LAB 32.81, 48.39, -79.61

 

CMYK 75 / 65 / 0 / 12

HEX #394EE0

RGB 57 78 224

HSL 232.46, 0.73%, 0.55%

LAB 40.74, 41.87, -76.29

 

CMYK 84 / 74 / 0 / 33

HEX #1B2DAA

RGB 27 45 170

HSL 232.45, 0.73%, 0.39%

LAB 26.77, 40.52, -67.74

 

CMYK 0 / 85 / 6 / 33

HEX #AC1AA2

RGB 172 26 162

HSL 304.11, 0.74%, 0.39%

LAB 41.4, 68.18, -38.37

 

CMYK 40 / 0 / 85 / 33

HEX #68AC1A

RGB 104 172 26

HSL 87.95, 0.74%, 0.39%

LAB 63.77, -43.27, 60.73

 

CMYK 84 / 74 / 0 / 33

HEX #1B2DAA

RGB 27 45 170

HSL 232.45, 0.73%, 0.39%

LAB 26.77, 40.52, -67.74

 

CMYK 0 / 85 / 73 / 33

HEX #AC1A2E

RGB 172 26 46

HSL 351.78, 0.74%, 0.39%

LAB 37.31, 56.68, 28.23

 

CMYK 73 / 0 / 85 / 33

HEX #2EAC1A

RGB 46 172 26

HSL 111.78, 0.74%, 0.39%

LAB 61.79, -58.86, 58.22

 

CMYK 84 / 74 / 0 / 33

HEX #1B2DAA

RGB 27 45 170

HSL 232.45, 0.73%, 0.39%

LAB 26.77, 40.52, -67.74

 

CMYK 0 / 85 / 6 / 33

HEX #AC1AA2

RGB 172 26 162

HSL 304.11, 0.74%, 0.39%

LAB 41.4, 68.18, -38.37

 

CMYK 0 / 12 / 85 / 33

HEX #AC981A

RGB 172 152 26

HSL 51.78, 0.74%, 0.39%

LAB 62.76, -5.11, 61.77

 

CMYK 85 / 0 / 79 / 33

HEX #1AAC24

RGB 26 172 36

HSL 124.11, 0.74%, 0.39%

LAB 61.53, -61.01, 55.05

 

CMYK 84 / 74 / 0 / 33

HEX #1B2DAA

RGB 27 45 170

HSL 232.45, 0.73%, 0.39%

LAB 26.77, 40.52, -67.74

 

CMYK 0 / 85 / 31 / 33

HEX #AC1A76

RGB 172 26 118

HSL 322.19, 0.74%, 0.39%

LAB 39.27, 62.36, -14.75

 

CMYK 0 / 12 / 85 / 33

HEX #AC981A

RGB 172 152 26

HSL 51.78, 0.74%, 0.39%

LAB 62.76, -5.11, 61.77

 

CMYK 85 / 0 / 53 / 33

HEX #1AAC50

RGB 26 172 80

HSL 142.19, 0.74%, 0.39%

LAB 61.92, -56.21, 36.97

 

Description

Color code: RGB 27 45 170 | qconv.com Color code: RGB 27 45 170 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 27 red, 45 green and 170 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
27 45 170 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 84 cyan, 74 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
84% 74% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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