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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 239 83 181 it is the complementary color RGB 16 172 74. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 239 83 181. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 239 83 181 shade: RGB 244 83 176, RGB 255 101 195, RGB 255 119 214, RGB 255 137 233 and RGB 255 155 252

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 239 83 181. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 239 83 181 shade: RGB 239 83 181, RGB 222 65 162, RGB 205 47 143, RGB 188 29 124 and RGB 171 11 105

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 239 83 181 shade: RGB 238 82 180, RGB 238 82 138, RGB 238 82 96 and RGB 238 82 82

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 239 83 181 shade: RGB 238 82 180, RGB 238 82 222, RGB 212 82 238, RGB 170 82 238 and RGB 128 82 238

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 239 83 181 shade matches the following richer shades: RGB 238 82 180 and RGB 254 67 184

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 239 83 181 shade: RGB 238 82 180, RGB 223 97 176, RGB 208 112 172, RGB 193 128 168 and RGB 177 143 165

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 239 83 181 shade: RGB 212 82 238, RGB 238 82 223, RGB 238 82 181, RGB 238 82 139 and RGB 238 82 98

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 239 83 181 shade: RGB 218 20 144, RGB 235 44 164, RGB 238 82 180, RGB 242 120 196 and RGB 245 157 213

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 239 83 181 shade: RGB 239 83 181, RGB 238 171 82 and RGB 82 238 233

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 239 83 181 shade: RGB 239 83 181, RGB 181 238 82 and RGB 82 181 238

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 239 83 181 shade: RGB 239 83 181, RGB 238 171 82, RGB 82 238 139 and RGB 82 150 238

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 239 83 181 shade: RGB 239 83 181, RGB 238 218 82, RGB 82 238 139 and RGB 82 103 238

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 65 / 24 / 6

HEX #EF53B5

RGB 239 83 181

HSL 322.31, 0.83%, 0.63%

LAB 59.77, 68.86, -20.09

 

Complementary color

CMYK 91 / 0 / 57 / 33

HEX #10AC4A

RGB 16 172 74

HSL 142.31, 0.83%, 0.37%

LAB 61.75, -57.89, 39.69

 

CMYK 0 / 66 / 28 / 4

HEX #F453B0

RGB 244 83 176

HSL 325.34, 0.88%, 0.64%

LAB 60.39, 69.58, -16.21

 

CMYK 0 / 60 / 24 / 0

HEX #FF65C3

RGB 255 101 195

HSL 323.38, 1%, 0.7%

LAB 65.36, 67.82, -19.34

 

CMYK 0 / 53 / 16 / 0

HEX #FF77D6

RGB 255 119 214

HSL 318.09, 1%, 0.73%

LAB 68.97, 62.59, -24.48

 

CMYK 0 / 46 / 9 / 0

HEX #FF89E9

RGB 255 137 233

HSL 311.19, 1%, 0.77%

LAB 72.91, 57.02, -28.93

 

CMYK 0 / 39 / 1 / 0

HEX #FF9BFC

RGB 255 155 252

HSL 301.8, 1%, 0.8%

LAB 77.12, 51.3, -32.79

 

CMYK 0 / 65 / 24 / 6

HEX #EF53B5

RGB 239 83 181

HSL 322.31, 0.83%, 0.63%

LAB 59.77, 68.86, -20.09

 

CMYK 0 / 71 / 27 / 13

HEX #DE41A2

RGB 222 65 162

HSL 322.93, 0.7%, 0.56%

LAB 53.94, 68.6, -18.2

 

CMYK 0 / 77 / 30 / 20

HEX #CD2F8F

RGB 205 47 143

HSL 323.54, 0.63%, 0.49%

LAB 48.25, 67.78, -15.83

 

CMYK 0 / 85 / 34 / 26

HEX #BC1D7C

RGB 188 29 124

HSL 324.15, 0.73%, 0.43%

LAB 42.8, 66.12, -12.83

 

CMYK 0 / 94 / 39 / 33

HEX #AB0B69

RGB 171 11 105

HSL 324.75, 0.88%, 0.36%

LAB 37.69, 63.28, -8.97

 

CMYK 0 / 66 / 24 / 7

HEX #EE52B4

RGB 238 82 180

HSL 322.31, 0.82%, 0.63%

LAB 59.44, 68.85, -20.04

 

CMYK 0 / 66 / 42 / 7

HEX #EE528A

RGB 238 82 138

HSL 338.46, 0.82%, 0.63%

LAB 58.08, 64.12, 2.37

 

CMYK 0 / 66 / 60 / 7

HEX #EE5260

RGB 238 82 96

HSL 354.62, 0.82%, 0.63%

LAB 57.13, 60.69, 25.69

 

CMYK 0 / 66 / 66 / 7

HEX #EE5252

RGB 238 82 82

HSL 0, 0.82%, 0.63%

LAB 56.9, 59.84, 33.47

 

CMYK 0 / 66 / 24 / 7

HEX #EE52B4

RGB 238 82 180

HSL 322.31, 0.82%, 0.63%

LAB 59.44, 68.85, -20.04

 

CMYK 0 / 66 / 7 / 7

HEX #EE52DE

RGB 238 82 222

HSL 306.15, 0.82%, 0.63%

LAB 61.21, 74.73, -41.19

 

CMYK 11 / 66 / 0 / 7

HEX #D452EE

RGB 212 82 238

HSL 290, 0.82%, 0.63%

LAB 58.23, 71.47, -55.11

 

CMYK 29 / 66 / 0 / 7

HEX #AA52EE

RGB 170 82 238

HSL 273.85, 0.82%, 0.63%

LAB 52.68, 62.45, -64.32

 

CMYK 46 / 66 / 0 / 7

HEX #8052EE

RGB 128 82 238

HSL 257.69, 0.82%, 0.63%

LAB 48, 54.23, -72.12

 

CMYK 0 / 66 / 24 / 7

HEX #EE52B4

RGB 238 82 180

HSL 322.31, 0.82%, 0.63%

LAB 59.44, 68.85, -20.04

 

CMYK 0 / 74 / 28 / 0

HEX #FE43B8

RGB 254 67 184

HSL 322.46, 0.99%, 0.63%

LAB 60.38, 78.49, -20.68

 

CMYK 0 / 66 / 24 / 7

HEX #EE52B4

RGB 238 82 180

HSL 322.31, 0.82%, 0.63%

LAB 59.44, 68.85, -20.04

 

CMYK 0 / 57 / 21 / 13

HEX #DF61B0

RGB 223 97 176

HSL 322.38, 0.66%, 0.63%

LAB 59.32, 57.83, -18.14

 

CMYK 0 / 46 / 17 / 18

HEX #D070AC

RGB 208 112 172

HSL 322.5, 0.51%, 0.63%

LAB 59.87, 45.33, -15.2

 

CMYK 0 / 34 / 13 / 24

HEX #C180A8

RGB 193 128 168

HSL 323.08, 0.34%, 0.63%

LAB 61.31, 31.12, -10.92

 

CMYK 0 / 19 / 7 / 31

HEX #B18FA5

RGB 177 143 165

HSL 321.18, 0.18%, 0.63%

LAB 63.1, 16.56, -6.72

 

CMYK 11 / 66 / 0 / 7

HEX #D452EE

RGB 212 82 238

HSL 290, 0.82%, 0.63%

LAB 58.23, 71.47, -55.11

 

CMYK 0 / 66 / 6 / 7

HEX #EE52DF

RGB 238 82 223

HSL 305.77, 0.82%, 0.63%

LAB 61.25, 74.88, -41.68

 

CMYK 0 / 66 / 24 / 7

HEX #EE52B5

RGB 238 82 181

HSL 321.92, 0.82%, 0.63%

LAB 59.48, 68.98, -20.56

 

CMYK 0 / 66 / 42 / 7

HEX #EE528B

RGB 238 82 139

HSL 338.08, 0.82%, 0.63%

LAB 58.11, 64.22, 1.82

 

CMYK 0 / 66 / 59 / 7

HEX #EE5262

RGB 238 82 98

HSL 353.85, 0.82%, 0.63%

LAB 57.17, 60.82, 24.57

 

CMYK 0 / 91 / 34 / 15

HEX #DA1490

RGB 218 20 144

HSL 322.42, 0.83%, 0.47%

LAB 48.78, 76.38, -15.4

 

CMYK 0 / 81 / 30 / 8

HEX #EB2CA4

RGB 235 44 164

HSL 322.3, 0.83%, 0.55%

LAB 54.18, 77.92, -18.8

 

CMYK 0 / 66 / 24 / 7

HEX #EE52B4

RGB 238 82 180

HSL 322.31, 0.82%, 0.63%

LAB 59.44, 68.85, -20.04

 

CMYK 0 / 50 / 19 / 5

HEX #F278C4

RGB 242 120 196

HSL 322.62, 0.82%, 0.71%

LAB 66.75, 55.65, -17.98

 

CMYK 0 / 36 / 13 / 4

HEX #F59DD5

RGB 245 157 213

HSL 321.82, 0.81%, 0.79%

LAB 75.03, 40.6, -14.86

 

CMYK 0 / 65 / 24 / 6

HEX #EF53B5

RGB 239 83 181

HSL 322.31, 0.83%, 0.63%

LAB 59.77, 68.86, -20.09

 

CMYK 0 / 28 / 66 / 7

HEX #EEAB52

RGB 238 171 82

HSL 34.23, 0.82%, 0.63%

LAB 74.77, 15.97, 54.31

 

CMYK 66 / 0 / 2 / 7

HEX #52EEE9

RGB 82 238 233

HSL 178.08, 0.82%, 0.63%

LAB 86.42, -41.19, -9.58

 

CMYK 0 / 65 / 24 / 6

HEX #EF53B5

RGB 239 83 181

HSL 322.31, 0.83%, 0.63%

LAB 59.77, 68.86, -20.09

 

CMYK 24 / 0 / 66 / 7

HEX #B5EE52

RGB 181 238 82

HSL 81.92, 0.82%, 0.63%

LAB 87.77, -40.56, 66.94

 

CMYK 66 / 24 / 0 / 7

HEX #52B5EE

RGB 82 181 238

HSL 201.92, 0.82%, 0.63%

LAB 70.19, -11.63, -36.95

 

CMYK 0 / 65 / 24 / 6

HEX #EF53B5

RGB 239 83 181

HSL 322.31, 0.83%, 0.63%

LAB 59.77, 68.86, -20.09

 

CMYK 0 / 28 / 66 / 7

HEX #EEAB52

RGB 238 171 82

HSL 34.23, 0.82%, 0.63%

LAB 74.77, 15.97, 54.31

 

CMYK 66 / 0 / 42 / 7

HEX #52EE8B

RGB 82 238 139

HSL 141.92, 0.82%, 0.63%

LAB 84.38, -62.05, 36.21

 

CMYK 66 / 37 / 0 / 7

HEX #5296EE

RGB 82 150 238

HSL 213.85, 0.82%, 0.63%

LAB 61.46, 5.85, -50.64

 

CMYK 0 / 65 / 24 / 6

HEX #EF53B5

RGB 239 83 181

HSL 322.31, 0.83%, 0.63%

LAB 59.77, 68.86, -20.09

 

CMYK 0 / 8 / 66 / 7

HEX #EEDA52

RGB 238 218 82

HSL 52.31, 0.82%, 0.63%

LAB 86.47, -8.38, 66.85

 

CMYK 66 / 0 / 42 / 7

HEX #52EE8B

RGB 82 238 139

HSL 141.92, 0.82%, 0.63%

LAB 84.38, -62.05, 36.21

 

CMYK 66 / 57 / 0 / 7

HEX #5267EE

RGB 82 103 238

HSL 231.92, 0.82%, 0.63%

LAB 49.09, 34.42, -70.51

 

Description

Color code: RGB 239 83 181 | qconv.com Color code: RGB 239 83 181 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 239 red, 83 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
239 83 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 65 magenta, 24 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 65% 24% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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