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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 239 66 228 it is the complementary color RGB 16 189 27. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 239 66 228. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 239 66 228 shade: RGB 244 66 223, RGB 255 84 242, RGB 255 102 255, RGB 255 120 255 and RGB 255 138 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 239 66 228. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 239 66 228 shade: RGB 239 66 228, RGB 222 48 209, RGB 205 30 190, RGB 188 12 171 and RGB 171 0 152

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 239 66 228 shade: RGB 238 67 227, RGB 238 67 181, RGB 238 67 135, RGB 238 67 89 and RGB 238 67 67

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 239 66 228 shade: RGB 238 67 227, RGB 203 67 238, RGB 157 67 238, RGB 110 67 238 and RGB 67 67 238

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 239 66 228 shade matches the following richer shades: RGB 238 67 227

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 239 66 228 shade: RGB 238 67 227, RGB 222 83 213, RGB 205 100 198, RGB 189 116 184 and RGB 172 133 170

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 239 66 228 shade: RGB 155 67 238, RGB 201 67 238, RGB 238 67 230, RGB 238 67 184 and RGB 238 67 138

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 239 66 228 shade: RGB 205 17 193, RGB 235 29 222, RGB 238 67 227, RGB 241 105 233 and RGB 245 143 238

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 239 66 228 shade: RGB 239 66 228, RGB 238 110 67 and RGB 67 238 178

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 239 66 228 shade: RGB 239 66 228, RGB 230 238 67 and RGB 67 230 238

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 239 66 228 shade: RGB 239 66 228, RGB 238 110 67, RGB 67 238 75 and RGB 67 195 238

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 239 66 228 shade: RGB 239 66 228, RGB 238 161 67, RGB 67 238 75 and RGB 67 144 238

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 72 / 5 / 6

HEX #EF42E4

RGB 239 66 228

HSL 303.82, 0.84%, 0.6%

LAB 59.75, 81.24, -46.85

 

Complementary color

CMYK 92 / 0 / 86 / 26

HEX #10BD1B

RGB 16 189 27

HSL 123.82, 0.84%, 0.4%

LAB 66.96, -67.27, 62.47

 

CMYK 0 / 73 / 9 / 4

HEX #F442DF

RGB 244 66 223

HSL 307.08, 0.89%, 0.61%

LAB 60.3, 81.56, -43.12

 

CMYK 0 / 67 / 5 / 0

HEX #FF54F2

RGB 255 84 242

HSL 304.56, 1%, 0.66%

LAB 64.97, 80.94, -46.25

 

CMYK 0 / 60 / 0 / 0

HEX #FF66FF

RGB 255 102 255

HSL 300, 1%, 0.7%

LAB 68.01, 76.24, -48.63

 

CMYK 0 / 53 / 0 / 0

HEX #FF78FF

RGB 255 120 255

HSL 300, 1%, 0.74%

LAB 70.81, 68.59, -44.22

 

CMYK 0 / 46 / 0 / 0

HEX #FF8AFF

RGB 255 138 255

HSL 300, 1%, 0.77%

LAB 73.97, 60.22, -39.29

 

CMYK 0 / 72 / 5 / 6

HEX #EF42E4

RGB 239 66 228

HSL 303.82, 0.84%, 0.6%

LAB 59.75, 81.24, -46.85

 

CMYK 0 / 78 / 6 / 13

HEX #DE30D1

RGB 222 48 209

HSL 304.48, 0.73%, 0.53%

LAB 54.29, 79.95, -44.91

 

CMYK 0 / 85 / 7 / 20

HEX #CD1EBE

RGB 205 30 190

HSL 305.14, 0.74%, 0.46%

LAB 49.04, 77.82, -42.45

 

CMYK 0 / 94 / 9 / 26

HEX #BC0CAB

RGB 188 12 171

HSL 305.8, 0.88%, 0.39%

LAB 44.08, 74.59, -39.32

 

CMYK 0 / 100 / 11 / 33

HEX #AB0098

RGB 171 0 152

HSL 306.67, 1%, 0.34%

LAB 39.45, 70.1, -35.44

 

CMYK 0 / 72 / 5 / 7

HEX #EE43E3

RGB 238 67 227

HSL 303.86, 0.83%, 0.6%

LAB 59.65, 80.57, -46.46

 

CMYK 0 / 72 / 24 / 7

HEX #EE43B5

RGB 238 67 181

HSL 320, 0.83%, 0.6%

LAB 57.59, 74.26, -23.46

 

CMYK 0 / 72 / 43 / 7

HEX #EE4387

RGB 238 67 135

HSL 336.14, 0.83%, 0.6%

LAB 56.03, 69.28, 1.15

 

CMYK 0 / 72 / 63 / 7

HEX #EE4359

RGB 238 67 89

HSL 352.28, 0.83%, 0.6%

LAB 54.98, 65.81, 26.99

 

CMYK 0 / 72 / 72 / 7

HEX #EE4343

RGB 238 67 67

HSL 0, 0.83%, 0.6%

LAB 54.65, 64.7, 39.28

 

CMYK 0 / 72 / 5 / 7

HEX #EE43E3

RGB 238 67 227

HSL 303.86, 0.83%, 0.6%

LAB 59.65, 80.57, -46.46

 

CMYK 15 / 72 / 0 / 7

HEX #CB43EE

RGB 203 67 238

HSL 287.72, 0.83%, 0.6%

LAB 54.95, 75.21, -60.43

 

CMYK 34 / 72 / 0 / 7

HEX #9D43EE

RGB 157 67 238

HSL 271.58, 0.83%, 0.6%

LAB 48.7, 66.54, -70.84

 

CMYK 54 / 72 / 0 / 7

HEX #6E43EE

RGB 110 67 238

HSL 255.09, 0.83%, 0.6%

LAB 43.51, 58.95, -79.53

 

CMYK 72 / 72 / 0 / 7

HEX #4343EE

RGB 67 67 238

HSL 240, 0.83%, 0.6%

LAB 40.21, 53.87, -85.07

 

CMYK 0 / 72 / 5 / 7

HEX #EE43E3

RGB 238 67 227

HSL 303.86, 0.83%, 0.6%

LAB 59.65, 80.57, -46.46

 

CMYK 0 / 72 / 5 / 7

HEX #EE43E3

RGB 238 67 227

HSL 303.86, 0.83%, 0.6%

LAB 59.65, 80.57, -46.46

 

CMYK 0 / 63 / 4 / 13

HEX #DE53D5

RGB 222 83 213

HSL 303.88, 0.68%, 0.6%

LAB 58.53, 69.11, -40.5

 

CMYK 0 / 51 / 3 / 20

HEX #CD64C6

RGB 205 100 198

HSL 304, 0.51%, 0.6%

LAB 58.2, 54.64, -32.67

 

CMYK 0 / 39 / 3 / 26

HEX #BD74B8

RGB 189 116 184

HSL 304.11, 0.36%, 0.6%

LAB 58.76, 39.13, -23.97

 

CMYK 0 / 23 / 1 / 33

HEX #AC85AA

RGB 172 133 170

HSL 303.08, 0.19%, 0.6%

LAB 60.29, 21.36, -13.82

 

CMYK 35 / 72 / 0 / 7

HEX #9B43EE

RGB 155 67 238

HSL 270.88, 0.83%, 0.6%

LAB 48.46, 66.19, -71.25

 

CMYK 16 / 72 / 0 / 7

HEX #C943EE

RGB 201 67 238

HSL 287.02, 0.83%, 0.6%

LAB 54.66, 74.82, -60.91

 

CMYK 0 / 72 / 3 / 7

HEX #EE43E6

RGB 238 67 230

HSL 302.81, 0.83%, 0.6%

LAB 59.8, 81.02, -47.9

 

CMYK 0 / 72 / 23 / 7

HEX #EE43B8

RGB 238 67 184

HSL 318.95, 0.83%, 0.6%

LAB 57.71, 74.64, -25.01

 

CMYK 0 / 72 / 42 / 7

HEX #EE438A

RGB 238 67 138

HSL 335.09, 0.83%, 0.6%

LAB 56.11, 69.56, -0.5

 

CMYK 0 / 92 / 6 / 20

HEX #CD11C1

RGB 205 17 193

HSL 303.83, 0.85%, 0.44%

LAB 48.55, 80.16, -44.97

 

CMYK 0 / 88 / 6 / 8

HEX #EB1DDE

RGB 235 29 222

HSL 303.79, 0.84%, 0.52%

LAB 55.9, 87.93, -49.61

 

CMYK 0 / 72 / 5 / 7

HEX #EE43E3

RGB 238 67 227

HSL 303.86, 0.83%, 0.6%

LAB 59.65, 80.57, -46.46

 

CMYK 0 / 56 / 3 / 5

HEX #F169E9

RGB 241 105 233

HSL 303.53, 0.83%, 0.68%

LAB 65.5, 67.94, -40.57

 

CMYK 0 / 42 / 3 / 4

HEX #F58FEE

RGB 245 143 238

HSL 304.12, 0.84%, 0.76%

LAB 73.04, 51.94, -31.57

 

CMYK 0 / 72 / 5 / 6

HEX #EF42E4

RGB 239 66 228

HSL 303.82, 0.84%, 0.6%

LAB 59.75, 81.24, -46.85

 

CMYK 0 / 54 / 72 / 7

HEX #EE6E43

RGB 238 110 67

HSL 15.09, 0.83%, 0.6%

LAB 61.42, 46.66, 46.88

 

CMYK 72 / 0 / 25 / 7

HEX #43EEB2

RGB 67 238 178

HSL 158.95, 0.83%, 0.6%

LAB 84.77, -56.79, 16.8

 

CMYK 0 / 72 / 5 / 6

HEX #EF42E4

RGB 239 66 228

HSL 303.82, 0.84%, 0.6%

LAB 59.75, 81.24, -46.85

 

CMYK 3 / 0 / 72 / 7

HEX #E6EE43

RGB 230 238 67

HSL 62.81, 0.83%, 0.6%

LAB 90.95, -22.25, 76.59

 

CMYK 72 / 3 / 0 / 7

HEX #43E6EE

RGB 67 230 238

HSL 182.81, 0.83%, 0.6%

LAB 83.94, -38.11, -15.94

 

CMYK 0 / 72 / 5 / 6

HEX #EF42E4

RGB 239 66 228

HSL 303.82, 0.84%, 0.6%

LAB 59.75, 81.24, -46.85

 

CMYK 0 / 54 / 72 / 7

HEX #EE6E43

RGB 238 110 67

HSL 15.09, 0.83%, 0.6%

LAB 61.42, 46.66, 46.88

 

CMYK 72 / 0 / 68 / 7

HEX #43EE4B

RGB 67 238 75

HSL 122.81, 0.83%, 0.6%

LAB 83.36, -72.8, 63.65

 

CMYK 72 / 18 / 0 / 7

HEX #43C3EE

RGB 67 195 238

HSL 195.09, 0.83%, 0.6%

LAB 73.8, -21.13, -31.38

 

CMYK 0 / 72 / 5 / 6

HEX #EF42E4

RGB 239 66 228

HSL 303.82, 0.84%, 0.6%

LAB 59.75, 81.24, -46.85

 

CMYK 0 / 32 / 72 / 7

HEX #EEA143

RGB 238 161 67

HSL 32.98, 0.83%, 0.6%

LAB 72.28, 20.46, 58.4

 

CMYK 72 / 0 / 68 / 7

HEX #43EE4B

RGB 67 238 75

HSL 122.81, 0.83%, 0.6%

LAB 83.36, -72.8, 63.65

 

CMYK 72 / 39 / 0 / 7

HEX #4390EE

RGB 67 144 238

HSL 212.98, 0.83%, 0.6%

LAB 59.26, 7.17, -54.17

 

Description

Color code: RGB 239 66 228 | qconv.com Color code: RGB 239 66 228 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 239 red, 66 green and 228 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
239 66 228 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 72 magenta, 5 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 72% 5% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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