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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 239 145 232 it is the complementary color RGB 16 110 23. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 239 145 232. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 239 145 232 shade: RGB 244 145 227, RGB 255 163 246, RGB 255 181 255, RGB 255 199 255 and RGB 255 217 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 239 145 232. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 239 145 232 shade: RGB 239 145 232, RGB 222 127 213, RGB 205 109 194, RGB 188 91 175 and RGB 171 73 156

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 239 145 232 shade: RGB 239 143 231, RGB 239 143 206, RGB 239 143 180, RGB 239 143 154 and RGB 239 143 143

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 239 145 232 shade: RGB 239 143 231, RGB 220 143 239, RGB 194 143 239, RGB 168 143 239 and RGB 143 143 239

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 239 145 232 shade matches the following richer shades: RGB 239 143 231 and RGB 249 133 240

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 239 145 232 shade: RGB 239 143 231, RGB 228 153 223, RGB 218 164 214, RGB 208 174 205 and RGB 197 184 196

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 239 145 232 shade: RGB 194 143 239, RGB 219 143 239, RGB 239 143 232, RGB 239 143 207 and RGB 239 143 181

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 239 145 232 shade: RGB 228 71 217, RGB 233 107 224, RGB 239 143 231, RGB 244 179 239 and RGB 249 215 246

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 239 145 232 shade: RGB 239 145 232, RGB 239 168 143 and RGB 143 239 207

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 239 145 232 shade: RGB 239 145 232, RGB 232 239 143 and RGB 143 232 239

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 239 145 232 shade: RGB 239 145 232, RGB 239 168 143, RGB 143 239 149 and RGB 143 213 239

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 239 145 232 shade: RGB 239 145 232, RGB 239 197 143, RGB 143 239 149 and RGB 143 184 239

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 39 / 3 / 6

HEX #EF91E8

RGB 239 145 232

HSL 304.47, 0.75%, 0.75%

LAB 72.51, 48.08, -29.16

 

Complementary color

CMYK 85 / 0 / 79 / 57

HEX #106E17

RGB 16 110 23

HSL 124.47, 0.75%, 0.25%

LAB 40.12, -43.43, 38.56

 

CMYK 0 / 41 / 7 / 4

HEX #F491E3

RGB 244 145 227

HSL 310.3, 0.82%, 0.76%

LAB 72.91, 48.75, -25.76

 

CMYK 0 / 36 / 4 / 0

HEX #FFA3F6

RGB 255 163 246

HSL 305.87, 1%, 0.82%

LAB 78.52, 46.18, -27.39

 

CMYK 0 / 29 / 0 / 0

HEX #FFB5FF

RGB 255 181 255

HSL 300, 1%, 0.85%

LAB 82.66, 38.44, -25.9

 

CMYK 0 / 22 / 0 / 0

HEX #FFC7FF

RGB 255 199 255

HSL 300, 1%, 0.89%

LAB 86.67, 29, -19.82

 

CMYK 0 / 15 / 0 / 0

HEX #FFD9FF

RGB 255 217 255

HSL 300, 1%, 0.93%

LAB 90.83, 19.56, -13.56

 

CMYK 0 / 39 / 3 / 6

HEX #EF91E8

RGB 239 145 232

HSL 304.47, 0.75%, 0.75%

LAB 72.51, 48.08, -29.16

 

CMYK 0 / 43 / 4 / 13

HEX #DE7FD5

RGB 222 127 213

HSL 305.68, 0.59%, 0.68%

LAB 66.15, 48.81, -28.64

 

CMYK 0 / 47 / 5 / 20

HEX #CD6DC2

RGB 205 109 194

HSL 306.88, 0.49%, 0.62%

LAB 59.72, 49.52, -28.03

 

CMYK 0 / 52 / 7 / 26

HEX #BC5BAF

RGB 188 91 175

HSL 308.04, 0.42%, 0.55%

LAB 53.24, 50.17, -27.31

 

CMYK 0 / 57 / 9 / 33

HEX #AB499C

RGB 171 73 156

HSL 309.18, 0.4%, 0.48%

LAB 46.74, 50.68, -26.41

 

CMYK 0 / 40 / 3 / 6

HEX #EF8FE7

RGB 239 143 231

HSL 305, 0.75%, 0.75%

LAB 72.07, 48.93, -29.29

 

CMYK 0 / 40 / 14 / 6

HEX #EF8FCE

RGB 239 143 206

HSL 320.63, 0.75%, 0.75%

LAB 71.18, 44.78, -16.88

 

CMYK 0 / 40 / 25 / 6

HEX #EF8FB4

RGB 239 143 180

HSL 336.88, 0.75%, 0.75%

LAB 70.38, 40.91, -3.62

 

CMYK 0 / 40 / 36 / 6

HEX #EF8F9A

RGB 239 143 154

HSL 353.13, 0.75%, 0.75%

LAB 69.7, 37.56, 9.91

 

CMYK 0 / 40 / 40 / 6

HEX #EF8F8F

RGB 239 143 143

HSL 0, 0.75%, 0.75%

LAB 69.45, 36.3, 15.7

 

CMYK 0 / 40 / 3 / 6

HEX #EF8FE7

RGB 239 143 231

HSL 305, 0.75%, 0.75%

LAB 72.07, 48.93, -29.29

 

CMYK 8 / 40 / 0 / 6

HEX #DC8FEF

RGB 220 143 239

HSL 288.13, 0.75%, 0.75%

LAB 70.24, 44.72, -36.68

 

CMYK 19 / 40 / 0 / 6

HEX #C28FEF

RGB 194 143 239

HSL 271.88, 0.75%, 0.75%

LAB 67.54, 37.13, -41.1

 

CMYK 30 / 40 / 0 / 6

HEX #A88FEF

RGB 168 143 239

HSL 255.63, 0.75%, 0.75%

LAB 65.12, 29.81, -45.06

 

CMYK 40 / 40 / 0 / 6

HEX #8F8FEF

RGB 143 143 239

HSL 240, 0.75%, 0.75%

LAB 63.11, 23.21, -48.37

 

CMYK 0 / 40 / 3 / 6

HEX #EF8FE7

RGB 239 143 231

HSL 305, 0.75%, 0.75%

LAB 72.07, 48.93, -29.29

 

CMYK 0 / 47 / 4 / 2

HEX #F985F0

RGB 249 133 240

HSL 304.66, 0.91%, 0.75%

LAB 71.69, 58.38, -34.71

 

CMYK 0 / 40 / 3 / 6

HEX #EF8FE7

RGB 239 143 231

HSL 305, 0.75%, 0.75%

LAB 72.07, 48.93, -29.29

 

CMYK 0 / 33 / 2 / 11

HEX #E499DF

RGB 228 153 223

HSL 304, 0.58%, 0.75%

LAB 72.63, 38.89, -24.16

 

CMYK 0 / 25 / 2 / 15

HEX #DAA4D6

RGB 218 164 214

HSL 304.44, 0.42%, 0.75%

LAB 73.75, 28.11, -17.63

 

CMYK 0 / 16 / 1 / 18

HEX #D0AECD

RGB 208 174 205

HSL 305.29, 0.27%, 0.75%

LAB 74.88, 17.65, -11.09

 

CMYK 0 / 7 / 1 / 23

HEX #C5B8C4

RGB 197 184 196

HSL 304.62, 0.1%, 0.75%

LAB 76.15, 6.77, -4.41

 

CMYK 19 / 40 / 0 / 6

HEX #C28FEF

RGB 194 143 239

HSL 271.88, 0.75%, 0.75%

LAB 67.54, 37.13, -41.1

 

CMYK 8 / 40 / 0 / 6

HEX #DB8FEF

RGB 219 143 239

HSL 287.5, 0.75%, 0.75%

LAB 70.13, 44.43, -36.86

 

CMYK 0 / 40 / 3 / 6

HEX #EF8FE8

RGB 239 143 232

HSL 304.38, 0.75%, 0.75%

LAB 72.11, 49.1, -29.78

 

CMYK 0 / 40 / 13 / 6

HEX #EF8FCF

RGB 239 143 207

HSL 320, 0.75%, 0.75%

LAB 71.21, 44.93, -17.38

 

CMYK 0 / 40 / 24 / 6

HEX #EF8FB5

RGB 239 143 181

HSL 336.25, 0.75%, 0.75%

LAB 70.41, 41.05, -4.14

 

CMYK 0 / 69 / 5 / 11

HEX #E447D9

RGB 228 71 217

HSL 304.2, 0.74%, 0.59%

LAB 58.05, 75.58, -43.46

 

CMYK 0 / 54 / 4 / 9

HEX #E96BE0

RGB 233 107 224

HSL 304.29, 0.74%, 0.67%

LAB 64.34, 63.48, -37.46

 

CMYK 0 / 40 / 3 / 6

HEX #EF8FE7

RGB 239 143 231

HSL 305, 0.75%, 0.75%

LAB 72.07, 48.93, -29.29

 

CMYK 0 / 27 / 2 / 4

HEX #F4B3EF

RGB 244 179 239

HSL 304.62, 0.75%, 0.83%

LAB 80.57, 33.12, -20.6

 

CMYK 0 / 14 / 1 / 2

HEX #F9D7F6

RGB 249 215 246

HSL 305.29, 0.74%, 0.91%

LAB 89.58, 17.01, -10.76

 

CMYK 0 / 39 / 3 / 6

HEX #EF91E8

RGB 239 145 232

HSL 304.47, 0.75%, 0.75%

LAB 72.51, 48.08, -29.16

 

CMYK 0 / 30 / 40 / 6

HEX #EFA88F

RGB 239 168 143

HSL 15.63, 0.75%, 0.75%

LAB 75.04, 23.13, 23.38

 

CMYK 40 / 0 / 13 / 6

HEX #8FEFCF

RGB 143 239 207

HSL 160, 0.75%, 0.75%

LAB 88.01, -35.58, 6.6

 

CMYK 0 / 39 / 3 / 6

HEX #EF91E8

RGB 239 145 232

HSL 304.47, 0.75%, 0.75%

LAB 72.51, 48.08, -29.16

 

CMYK 3 / 0 / 40 / 6

HEX #E8EF8F

RGB 232 239 143

HSL 64.38, 0.75%, 0.75%

LAB 92.07, -16.24, 45.58

 

CMYK 40 / 3 / 0 / 6

HEX #8FE8EF

RGB 143 232 239

HSL 184.38, 0.75%, 0.75%

LAB 86.89, -24.92, -11.81

 

CMYK 0 / 39 / 3 / 6

HEX #EF91E8

RGB 239 145 232

HSL 304.47, 0.75%, 0.75%

LAB 72.51, 48.08, -29.16

 

CMYK 0 / 30 / 40 / 6

HEX #EFA88F

RGB 239 168 143

HSL 15.63, 0.75%, 0.75%

LAB 75.04, 23.13, 23.38

 

CMYK 40 / 0 / 38 / 6

HEX #8FEF95

RGB 143 239 149

HSL 123.75, 0.75%, 0.75%

LAB 86.87, -46.29, 34.86

 

CMYK 40 / 11 / 0 / 6

HEX #8FD5EF

RGB 143 213 239

HSL 196.25, 0.75%, 0.75%

LAB 81.65, -15.41, -19.68

 

CMYK 0 / 39 / 3 / 6

HEX #EF91E8

RGB 239 145 232

HSL 304.47, 0.75%, 0.75%

LAB 72.51, 48.08, -29.16

 

CMYK 0 / 18 / 40 / 6

HEX #EFC58F

RGB 239 197 143

HSL 33.75, 0.75%, 0.75%

LAB 81.98, 7.82, 32.68

 

CMYK 40 / 0 / 38 / 6

HEX #8FEF95

RGB 143 239 149

HSL 123.75, 0.75%, 0.75%

LAB 86.87, -46.29, 34.86

 

CMYK 40 / 23 / 0 / 6

HEX #8FB8EF

RGB 143 184 239

HSL 214.38, 0.75%, 0.75%

LAB 73.77, -0.03, -31.72

 

Description

Color code: RGB 239 145 232 | qconv.com Color code: RGB 239 145 232 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 239 red, 145 green and 232 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
239 145 232 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 39 magenta, 3 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 39% 3% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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