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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 239 123 219 it is the complementary color RGB 16 132 36. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 239 123 219. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 239 123 219 shade: RGB 244 123 214, RGB 255 141 233, RGB 255 159 252, RGB 255 177 255 and RGB 255 195 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 239 123 219. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 239 123 219 shade: RGB 239 123 219, RGB 222 105 200, RGB 205 87 181, RGB 188 69 162 and RGB 171 51 143

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 239 123 219 shade: RGB 238 123 218, RGB 238 123 187, RGB 238 123 156, RGB 238 123 125 and RGB 238 123 123

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 239 123 219 shade: RGB 238 123 218, RGB 227 123 238, RGB 196 123 238, RGB 165 123 238 and RGB 134 123 238

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 239 123 219 shade matches the following richer shades: RGB 238 123 218 and RGB 250 111 226

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 239 123 219 shade: RGB 238 123 218, RGB 226 135 211, RGB 214 147 203, RGB 202 159 195 and RGB 190 171 187

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 239 123 219 shade: RGB 196 123 238, RGB 227 123 238, RGB 238 123 219, RGB 238 123 188 and RGB 238 123 157

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 239 123 219 shade: RGB 229 49 198, RGB 234 86 208, RGB 238 123 218, RGB 243 160 228 and RGB 247 196 239

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 239 123 219 shade: RGB 239 123 219, RGB 238 165 123 and RGB 123 238 211

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 239 123 219 shade: RGB 239 123 219, RGB 219 238 123 and RGB 123 219 238

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 239 123 219 shade: RGB 239 123 219, RGB 238 165 123, RGB 123 238 142 and RGB 123 196 238

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 239 123 219 shade: RGB 239 123 219, RGB 238 200 123, RGB 123 238 142 and RGB 123 161 238

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 8 / 6

HEX #EF7BDB

RGB 239 123 219

HSL 310.34, 0.78%, 0.71%

LAB 67.75, 56.85, -29.33

 

Complementary color

CMYK 88 / 0 / 73 / 48

HEX #108424

RGB 16 132 36

HSL 130.34, 0.78%, 0.29%

LAB 47.93, -49.51, 41.4

 

CMYK 0 / 50 / 12 / 4

HEX #F47BD6

RGB 244 123 214

HSL 314.88, 0.85%, 0.72%

LAB 68.21, 57.52, -25.79

 

CMYK 0 / 45 / 9 / 0

HEX #FF8DE9

RGB 255 141 233

HSL 311.58, 1%, 0.78%

LAB 73.67, 55.07, -27.77

 

CMYK 0 / 38 / 1 / 0

HEX #FF9FFC

RGB 255 159 252

HSL 301.88, 1%, 0.81%

LAB 77.92, 49.27, -31.55

 

CMYK 0 / 31 / 0 / 0

HEX #FFB1FF

RGB 255 177 255

HSL 300, 1%, 0.85%

LAB 81.8, 40.52, -27.22

 

CMYK 0 / 24 / 0 / 0

HEX #FFC3FF

RGB 255 195 255

HSL 300, 1%, 0.88%

LAB 85.76, 31.1, -21.19

 

CMYK 0 / 49 / 8 / 6

HEX #EF7BDB

RGB 239 123 219

HSL 310.34, 0.78%, 0.71%

LAB 67.75, 56.85, -29.33

 

CMYK 0 / 53 / 10 / 13

HEX #DE69C8

RGB 222 105 200

HSL 311.28, 0.64%, 0.64%

LAB 61.48, 57.44, -28.53

 

CMYK 0 / 58 / 12 / 20

HEX #CD57B5

RGB 205 87 181

HSL 312.2, 0.54%, 0.57%

LAB 55.21, 57.91, -27.55

 

CMYK 0 / 63 / 14 / 26

HEX #BC45A2

RGB 188 69 162

HSL 313.11, 0.47%, 0.5%

LAB 48.95, 58.13, -26.34

 

CMYK 0 / 70 / 16 / 33

HEX #AB338F

RGB 171 51 143

HSL 314, 0.54%, 0.44%

LAB 42.78, 57.94, -24.76

 

CMYK 0 / 48 / 8 / 7

HEX #EE7BDA

RGB 238 123 218

HSL 310.43, 0.77%, 0.71%

LAB 67.58, 56.39, -29.04

 

CMYK 0 / 48 / 21 / 7

HEX #EE7BBB

RGB 238 123 187

HSL 326.61, 0.77%, 0.71%

LAB 66.47, 51.67, -13.39

 

CMYK 0 / 48 / 34 / 7

HEX #EE7B9C

RGB 238 123 156

HSL 342.78, 0.77%, 0.71%

LAB 65.55, 47.62, 2.8

 

CMYK 0 / 48 / 47 / 7

HEX #EE7B7D

RGB 238 123 125

HSL 358.96, 0.77%, 0.71%

LAB 64.82, 44.32, 19.37

 

CMYK 0 / 48 / 48 / 7

HEX #EE7B7B

RGB 238 123 123

HSL 0, 0.77%, 0.71%

LAB 64.78, 44.13, 20.45

 

CMYK 0 / 48 / 8 / 7

HEX #EE7BDA

RGB 238 123 218

HSL 310.43, 0.77%, 0.71%

LAB 67.58, 56.39, -29.04

 

CMYK 5 / 48 / 0 / 7

HEX #E37BEE

RGB 227 123 238

HSL 294.26, 0.77%, 0.71%

LAB 67.03, 56.73, -41.08

 

CMYK 18 / 48 / 0 / 7

HEX #C47BEE

RGB 196 123 238

HSL 278.09, 0.77%, 0.71%

LAB 63.4, 48.24, -47.03

 

CMYK 31 / 48 / 0 / 7

HEX #A57BEE

RGB 165 123 238

HSL 261.91, 0.77%, 0.71%

LAB 60.19, 40.03, -52.32

 

CMYK 44 / 48 / 0 / 7

HEX #867BEE

RGB 134 123 238

HSL 245.74, 0.77%, 0.71%

LAB 57.47, 32.41, -56.82

 

CMYK 0 / 48 / 8 / 7

HEX #EE7BDA

RGB 238 123 218

HSL 310.43, 0.77%, 0.71%

LAB 67.58, 56.39, -29.04

 

CMYK 0 / 56 / 10 / 2

HEX #FA6FE2

RGB 250 111 226

HSL 310.36, 0.93%, 0.71%

LAB 67.41, 66.58, -33.61

 

CMYK 0 / 48 / 8 / 7

HEX #EE7BDA

RGB 238 123 218

HSL 310.43, 0.77%, 0.71%

LAB 67.58, 56.39, -29.04

 

CMYK 0 / 40 / 7 / 11

HEX #E287D3

RGB 226 135 211

HSL 309.89, 0.61%, 0.71%

LAB 68.17, 45.59, -24.38

 

CMYK 0 / 31 / 5 / 16

HEX #D693CB

RGB 214 147 203

HSL 309.85, 0.45%, 0.71%

LAB 69.09, 33.98, -18.65

 

CMYK 0 / 21 / 3 / 21

HEX #CA9FC3

RGB 202 159 195

HSL 309.77, 0.29%, 0.71%

LAB 70.38, 21.95, -12.39

 

CMYK 0 / 10 / 2 / 25

HEX #BEABBB

RGB 190 171 187

HSL 309.47, 0.13%, 0.71%

LAB 72, 9.71, -5.68

 

CMYK 18 / 48 / 0 / 7

HEX #C47BEE

RGB 196 123 238

HSL 278.09, 0.77%, 0.71%

LAB 63.4, 48.24, -47.03

 

CMYK 5 / 48 / 0 / 7

HEX #E37BEE

RGB 227 123 238

HSL 294.26, 0.77%, 0.71%

LAB 67.03, 56.73, -41.08

 

CMYK 0 / 48 / 8 / 7

HEX #EE7BDB

RGB 238 123 219

HSL 309.91, 0.77%, 0.71%

LAB 67.62, 56.56, -29.54

 

CMYK 0 / 48 / 21 / 7

HEX #EE7BBC

RGB 238 123 188

HSL 326.09, 0.77%, 0.71%

LAB 66.5, 51.81, -13.9

 

CMYK 0 / 48 / 34 / 7

HEX #EE7B9D

RGB 238 123 157

HSL 342.26, 0.77%, 0.71%

LAB 65.57, 47.74, 2.28

 

CMYK 0 / 79 / 14 / 10

HEX #E531C6

RGB 229 49 198

HSL 310.33, 0.78%, 0.55%

LAB 55, 79.58, -37.4

 

CMYK 0 / 63 / 11 / 8

HEX #EA56D0

RGB 234 86 208

HSL 310.54, 0.78%, 0.63%

LAB 60.52, 70.13, -34.42

 

CMYK 0 / 48 / 8 / 7

HEX #EE7BDA

RGB 238 123 218

HSL 310.43, 0.77%, 0.71%

LAB 67.58, 56.39, -29.04

 

CMYK 0 / 34 / 6 / 5

HEX #F3A0E4

RGB 243 160 228

HSL 310.84, 0.78%, 0.79%

LAB 75.94, 40.87, -21.69

 

CMYK 0 / 21 / 3 / 3

HEX #F7C4EF

RGB 247 196 239

HSL 309.41, 0.76%, 0.87%

LAB 84.73, 25.11, -14.31

 

CMYK 0 / 49 / 8 / 6

HEX #EF7BDB

RGB 239 123 219

HSL 310.34, 0.78%, 0.71%

LAB 67.75, 56.85, -29.33

 

CMYK 0 / 31 / 48 / 7

HEX #EEA57B

RGB 238 165 123

HSL 21.91, 0.77%, 0.71%

LAB 73.88, 22.28, 32.56

 

CMYK 48 / 0 / 11 / 7

HEX #7BEED3

RGB 123 238 211

HSL 165.91, 0.77%, 0.71%

LAB 87.03, -39.12, 3

 

CMYK 0 / 49 / 8 / 6

HEX #EF7BDB

RGB 239 123 219

HSL 310.34, 0.78%, 0.71%

LAB 67.75, 56.85, -29.33

 

CMYK 8 / 0 / 48 / 7

HEX #DBEE7B

RGB 219 238 123

HSL 69.91, 0.77%, 0.71%

LAB 90.62, -22.76, 53.12

 

CMYK 48 / 8 / 0 / 7

HEX #7BDBEE

RGB 123 219 238

HSL 189.91, 0.77%, 0.71%

LAB 82.4, -23.42, -18.1

 

CMYK 0 / 49 / 8 / 6

HEX #EF7BDB

RGB 239 123 219

HSL 310.34, 0.78%, 0.71%

LAB 67.75, 56.85, -29.33

 

CMYK 0 / 31 / 48 / 7

HEX #EEA57B

RGB 238 165 123

HSL 21.91, 0.77%, 0.71%

LAB 73.88, 22.28, 32.56

 

CMYK 48 / 0 / 40 / 7

HEX #7BEE8E

RGB 123 238 142

HSL 129.91, 0.77%, 0.71%

LAB 85.66, -52.51, 36.62

 

CMYK 48 / 18 / 0 / 7

HEX #7BC4EE

RGB 123 196 238

HSL 201.91, 0.77%, 0.71%

LAB 75.99, -11.64, -27.86

 

CMYK 0 / 49 / 8 / 6

HEX #EF7BDB

RGB 239 123 219

HSL 310.34, 0.78%, 0.71%

LAB 67.75, 56.85, -29.33

 

CMYK 0 / 16 / 48 / 7

HEX #EEC87B

RGB 238 200 123

HSL 40.17, 0.77%, 0.71%

LAB 82.33, 3.85, 43.33

 

CMYK 48 / 0 / 40 / 7

HEX #7BEE8E

RGB 123 238 142

HSL 129.91, 0.77%, 0.71%

LAB 85.66, -52.51, 36.62

 

CMYK 48 / 32 / 0 / 7

HEX #7BA1EE

RGB 123 161 238

HSL 220.17, 0.77%, 0.71%

LAB 66.42, 7.65, -42.69

 

Description

Color code: RGB 239 123 219 | qconv.com Color code: RGB 239 123 219 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 239 red, 123 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
239 123 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 8 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 8% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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