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Color name
RGB 239 127 172

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 239 127 172 it is the complementary color RGB 16 128 83. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 239 127 172. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 239 127 172 shade: RGB 244 127 167, RGB 255 145 186, RGB 255 163 205, RGB 255 181 224 and RGB 255 199 243

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 239 127 172. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 239 127 172 shade: RGB 239 127 172, RGB 222 109 153, RGB 205 91 134, RGB 188 73 115 and RGB 171 55 96

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 239 127 172 shade: RGB 239 127 172, RGB 239 127 142 and RGB 239 127 127

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 239 127 172 shade: RGB 239 127 172, RGB 239 127 202, RGB 239 127 232, RGB 215 127 239 and RGB 185 127 239

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 239 127 172 shade matches the following richer shades: RGB 239 127 172 and RGB 250 116 170

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 239 127 172 shade: RGB 239 127 172, RGB 227 139 174, RGB 216 151 177, RGB 204 162 179 and RGB 193 174 181

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 239 127 172 shade: RGB 239 127 233, RGB 239 127 204, RGB 239 127 174, RGB 239 127 144 and RGB 239 140 127

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 239 127 172 shade: RGB 230 54 125, RGB 234 91 148, RGB 239 127 172, RGB 243 164 196 and RGB 248 201 220

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 239 127 172 shade: RGB 239 127 172, RGB 239 215 127 and RGB 127 218 239

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 239 127 172 shade: RGB 239 127 172, RGB 174 239 127 and RGB 127 174 239

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 239 127 172 shade: RGB 239 127 172, RGB 239 215 127, RGB 127 239 192 and RGB 127 152 239

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 239 127 172 shade: RGB 239 127 172, RGB 230 239 127, RGB 127 239 192 and RGB 137 127 239

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 47 / 28 / 6

HEX #EF7FAC

RGB 239 127 172

HSL 335.89, 0.78%, 0.72%

LAB 66.91, 47.97, -4.26

 

Complementary color

CMYK 88 / 0 / 35 / 50

HEX #108053

RGB 16 128 83

HSL 155.89, 0.78%, 0.28%

LAB 47.2, -40.42, 16.37

 

CMYK 0 / 48 / 32 / 4

HEX #F47FA7

RGB 244 127 167

HSL 339.49, 0.84%, 0.73%

LAB 67.43, 49, -0.59

 

CMYK 0 / 43 / 27 / 0

HEX #FF91BA

RGB 255 145 186

HSL 337.64, 1%, 0.78%

LAB 72.93, 46.15, -2.98

 

CMYK 0 / 36 / 20 / 0

HEX #FFA3CD

RGB 255 163 205

HSL 332.61, 1%, 0.82%

LAB 77.2, 39.6, -7.13

 

CMYK 0 / 29 / 12 / 0

HEX #FFB5E0

RGB 255 181 224

HSL 325.14, 1%, 0.85%

LAB 81.67, 33.15, -10.78

 

CMYK 0 / 22 / 5 / 0

HEX #FFC7F3

RGB 255 199 243

HSL 312.86, 1%, 0.89%

LAB 86.29, 26.87, -14.02

 

CMYK 0 / 47 / 28 / 6

HEX #EF7FAC

RGB 239 127 172

HSL 335.89, 0.78%, 0.72%

LAB 66.91, 47.97, -4.26

 

CMYK 0 / 51 / 31 / 13

HEX #DE6D99

RGB 222 109 153

HSL 336.64, 0.63%, 0.65%

LAB 60.58, 48.77, -3.01

 

CMYK 0 / 56 / 35 / 20

HEX #CD5B86

RGB 205 91 134

HSL 337.37, 0.53%, 0.58%

LAB 54.22, 49.53, -1.54

 

CMYK 0 / 61 / 39 / 26

HEX #BC4973

RGB 188 73 115

HSL 338.09, 0.46%, 0.51%

LAB 47.87, 50.16, 0.24

 

CMYK 0 / 68 / 44 / 33

HEX #AB3760

RGB 171 55 96

HSL 338.79, 0.51%, 0.44%

LAB 41.59, 50.52, 2.45

 

CMYK 0 / 47 / 28 / 6

HEX #EF7FAC

RGB 239 127 172

HSL 335.89, 0.78%, 0.72%

LAB 66.91, 47.97, -4.26

 

CMYK 0 / 47 / 41 / 6

HEX #EF7F8E

RGB 239 127 142

HSL 351.96, 0.78%, 0.72%

LAB 66.12, 44.38, 11.58

 

CMYK 0 / 47 / 47 / 6

HEX #EF7F7F

RGB 239 127 127

HSL 0, 0.78%, 0.72%

LAB 65.8, 42.86, 19.6

 

CMYK 0 / 47 / 28 / 6

HEX #EF7FAC

RGB 239 127 172

HSL 335.89, 0.78%, 0.72%

LAB 66.91, 47.97, -4.26

 

CMYK 0 / 47 / 15 / 6

HEX #EF7FCA

RGB 239 127 202

HSL 319.82, 0.78%, 0.72%

LAB 67.87, 52.22, -19.67

 

CMYK 0 / 47 / 3 / 6

HEX #EF7FE8

RGB 239 127 232

HSL 303.75, 0.78%, 0.72%

LAB 69.01, 57.08, -34.58

 

CMYK 10 / 47 / 0 / 6

HEX #D77FEF

RGB 215 127 239

HSL 287.14, 0.78%, 0.72%

LAB 66.41, 51.59, -42.7

 

CMYK 23 / 47 / 0 / 6

HEX #B97FEF

RGB 185 127 239

HSL 271.07, 0.78%, 0.72%

LAB 63.11, 43.35, -48.12

 

CMYK 0 / 47 / 28 / 6

HEX #EF7FAC

RGB 239 127 172

HSL 335.89, 0.78%, 0.72%

LAB 66.91, 47.97, -4.26

 

CMYK 0 / 54 / 32 / 2

HEX #FA74AA

RGB 250 116 170

HSL 335.82, 0.93%, 0.72%

LAB 66.3, 56.6, -3.84

 

CMYK 0 / 47 / 28 / 6

HEX #EF7FAC

RGB 239 127 172

HSL 335.89, 0.78%, 0.72%

LAB 66.91, 47.97, -4.26

 

CMYK 0 / 39 / 23 / 11

HEX #E38BAE

RGB 227 139 174

HSL 336.14, 0.61%, 0.72%

LAB 67.91, 38, -4.07

 

CMYK 0 / 30 / 18 / 15

HEX #D897B1

RGB 216 151 177

HSL 336, 0.45%, 0.72%

LAB 69.4, 28.17, -3.69

 

CMYK 0 / 21 / 12 / 20

HEX #CCA2B3

RGB 204 162 179

HSL 335.71, 0.29%, 0.72%

LAB 70.82, 18.2, -2.85

 

CMYK 0 / 10 / 6 / 24

HEX #C1AEB5

RGB 193 174 181

HSL 337.89, 0.13%, 0.72%

LAB 72.86, 8.05, -1.09

 

CMYK 0 / 47 / 3 / 6

HEX #EF7FE9

RGB 239 127 233

HSL 303.21, 0.78%, 0.72%

LAB 69.05, 57.25, -35.06

 

CMYK 0 / 47 / 15 / 6

HEX #EF7FCC

RGB 239 127 204

HSL 318.75, 0.78%, 0.72%

LAB 67.94, 52.53, -20.68

 

CMYK 0 / 47 / 27 / 6

HEX #EF7FAE

RGB 239 127 174

HSL 334.82, 0.78%, 0.72%

LAB 66.96, 48.23, -5.3

 

CMYK 0 / 47 / 40 / 6

HEX #EF7F90

RGB 239 127 144

HSL 350.89, 0.78%, 0.72%

LAB 66.17, 44.6, 10.52

 

CMYK 0 / 41 / 47 / 6

HEX #EF8C7F

RGB 239 140 127

HSL 6.96, 0.78%, 0.72%

LAB 68.49, 36.21, 23.26

 

CMYK 0 / 77 / 46 / 10

HEX #E6367D

RGB 230 54 125

HSL 335.8, 0.78%, 0.56%

LAB 52.89, 70.3, 2.38

 

CMYK 0 / 61 / 37 / 8

HEX #EA5B94

RGB 234 91 148

HSL 336.08, 0.77%, 0.64%

LAB 59.08, 60.28, -2.1

 

CMYK 0 / 47 / 28 / 6

HEX #EF7FAC

RGB 239 127 172

HSL 335.89, 0.78%, 0.72%

LAB 66.91, 47.97, -4.26

 

CMYK 0 / 33 / 19 / 5

HEX #F3A4C4

RGB 243 164 196

HSL 335.7, 0.77%, 0.8%

LAB 75.82, 33.63, -4.4

 

CMYK 0 / 19 / 11 / 3

HEX #F8C9DC

RGB 248 201 220

HSL 335.74, 0.77%, 0.88%

LAB 85.45, 19.59, -3.11

 

CMYK 0 / 47 / 28 / 6

HEX #EF7FAC

RGB 239 127 172

HSL 335.89, 0.78%, 0.72%

LAB 66.91, 47.97, -4.26

 

CMYK 0 / 10 / 47 / 6

HEX #EFD77F

RGB 239 215 127

HSL 47.14, 0.78%, 0.72%

LAB 86.25, -3.1, 46.24

 

CMYK 47 / 9 / 0 / 6

HEX #7FDAEF

RGB 127 218 239

HSL 191.25, 0.78%, 0.72%

LAB 82.32, -21.77, -18.74

 

CMYK 0 / 47 / 28 / 6

HEX #EF7FAC

RGB 239 127 172

HSL 335.89, 0.78%, 0.72%

LAB 66.91, 47.97, -4.26

 

CMYK 27 / 0 / 47 / 6

HEX #AEEF7F

RGB 174 239 127

HSL 94.82, 0.78%, 0.72%

LAB 88.1, -39.35, 47.51

 

CMYK 47 / 27 / 0 / 6

HEX #7FAEEF

RGB 127 174 239

HSL 214.82, 0.78%, 0.72%

LAB 70.19, 1.53, -37.34

 

CMYK 0 / 47 / 28 / 6

HEX #EF7FAC

RGB 239 127 172

HSL 335.89, 0.78%, 0.72%

LAB 66.91, 47.97, -4.26

 

CMYK 0 / 10 / 47 / 6

HEX #EFD77F

RGB 239 215 127

HSL 47.14, 0.78%, 0.72%

LAB 86.25, -3.1, 46.24

 

CMYK 47 / 0 / 20 / 6

HEX #7FEFC0

RGB 127 239 192

HSL 154.82, 0.78%, 0.72%

LAB 87.02, -42.78, 12.93

 

CMYK 47 / 36 / 0 / 6

HEX #7F98EF

RGB 127 152 239

HSL 226.61, 0.78%, 0.72%

LAB 64.32, 14.07, -46.53

 

CMYK 0 / 47 / 28 / 6

HEX #EF7FAC

RGB 239 127 172

HSL 335.89, 0.78%, 0.72%

LAB 66.91, 47.97, -4.26

 

CMYK 4 / 0 / 47 / 6

HEX #E6EF7F

RGB 230 239 127

HSL 64.82, 0.78%, 0.72%

LAB 91.72, -18.61, 52.78

 

CMYK 47 / 0 / 20 / 6

HEX #7FEFC0

RGB 127 239 192

HSL 154.82, 0.78%, 0.72%

LAB 87.02, -42.78, 12.93

 

CMYK 43 / 47 / 0 / 6

HEX #897FEF

RGB 137 127 239

HSL 245.36, 0.78%, 0.72%

LAB 58.72, 31.06, -55.36

 

Description

Color code: RGB 239 127 172 | qconv.com Color code: RGB 239 127 172 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 239 red, 127 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
239 127 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 47 magenta, 28 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 47% 28% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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