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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 239 112 182 it is the complementary color RGB 16 143 73. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 239 112 182. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 239 112 182 shade: RGB 244 112 177, RGB 255 130 196, RGB 255 148 215, RGB 255 166 234 and RGB 255 184 253

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 239 112 182. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 239 112 182 shade: RGB 239 112 182, RGB 222 94 163, RGB 205 76 144, RGB 188 58 125 and RGB 171 40 106

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 239 112 182 shade: RGB 239 112 182, RGB 239 112 148, RGB 239 112 114 and RGB 239 112 112

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 239 112 182 shade: RGB 239 112 182, RGB 239 112 216, RGB 227 112 239, RGB 193 112 239 and RGB 159 112 239

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 239 112 182 shade matches the following richer shades: RGB 239 112 182 and RGB 251 99 183

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 239 112 182 shade: RGB 239 112 182, RGB 226 125 181, RGB 213 138 179, RGB 200 151 178 and RGB 188 163 177

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 239 112 182 shade: RGB 226 112 239, RGB 239 112 218, RGB 239 112 184, RGB 239 112 150 and RGB 239 112 116

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 239 112 182 shade: RGB 230 38 144, RGB 235 75 163, RGB 239 112 182, RGB 243 149 201 and RGB 247 186 220

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 239 112 182 shade: RGB 239 112 182, RGB 239 192 112 and RGB 112 234 239

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 239 112 182 shade: RGB 239 112 182, RGB 184 239 112 and RGB 112 184 239

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 239 112 182 shade: RGB 239 112 182, RGB 239 192 112, RGB 112 239 167 and RGB 112 159 239

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 239 112 182 shade: RGB 239 112 182, RGB 239 230 112, RGB 112 239 167 and RGB 112 121 239

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 53 / 24 / 6

HEX #EF70B6

RGB 239 112 182

HSL 326.93, 0.8%, 0.69%

LAB 64.42, 56.56, -13.63

 

Complementary color

CMYK 89 / 0 / 49 / 44

HEX #108F49

RGB 16 143 73

HSL 146.93, 0.8%, 0.31%

LAB 52.1, -48.14, 28.35

 

CMYK 0 / 54 / 27 / 4

HEX #F470B1

RGB 244 112 177

HSL 330.45, 0.86%, 0.7%

LAB 64.96, 57.44, -9.9

 

CMYK 0 / 49 / 23 / 0

HEX #FF82C4

RGB 255 130 196

HSL 328.32, 1%, 0.75%

LAB 70.32, 54.89, -12.41

 

CMYK 0 / 42 / 16 / 0

HEX #FF94D7

RGB 255 148 215

HSL 322.43, 1%, 0.79%

LAB 74.41, 48.76, -16.78

 

CMYK 0 / 35 / 8 / 0

HEX #FFA6EA

RGB 255 166 234

HSL 314.16, 1%, 0.83%

LAB 78.74, 42.6, -20.59

 

CMYK 0 / 28 / 1 / 0

HEX #FFB8FD

RGB 255 184 253

HSL 301.69, 1%, 0.86%

LAB 83.25, 36.51, -23.94

 

CMYK 0 / 53 / 24 / 6

HEX #EF70B6

RGB 239 112 182

HSL 326.93, 0.8%, 0.69%

LAB 64.42, 56.56, -13.63

 

CMYK 0 / 58 / 27 / 13

HEX #DE5EA3

RGB 222 94 163

HSL 327.66, 0.66%, 0.62%

LAB 58.21, 57.13, -12.32

 

CMYK 0 / 63 / 30 / 20

HEX #CD4C90

RGB 205 76 144

HSL 328.37, 0.56%, 0.55%

LAB 52.02, 57.51, -10.73

 

CMYK 0 / 69 / 34 / 26

HEX #BC3A7D

RGB 188 58 125

HSL 329.08, 0.53%, 0.48%

LAB 45.9, 57.55, -8.76

 

CMYK 0 / 77 / 38 / 33

HEX #AB286A

RGB 171 40 106

HSL 329.77, 0.62%, 0.41%

LAB 39.94, 57.03, -6.24

 

CMYK 0 / 53 / 24 / 6

HEX #EF70B6

RGB 239 112 182

HSL 326.93, 0.8%, 0.69%

LAB 64.42, 56.56, -13.63

 

CMYK 0 / 53 / 38 / 6

HEX #EF7094

RGB 239 112 148

HSL 342.99, 0.8%, 0.69%

LAB 63.41, 52.38, 4.29

 

CMYK 0 / 53 / 52 / 6

HEX #EF7072

RGB 239 112 114

HSL 359.06, 0.8%, 0.69%

LAB 62.64, 49.09, 22.67

 

CMYK 0 / 53 / 53 / 6

HEX #EF7070

RGB 239 112 112

HSL 0, 0.8%, 0.69%

LAB 62.6, 48.92, 23.76

 

CMYK 0 / 53 / 24 / 6

HEX #EF70B6

RGB 239 112 182

HSL 326.93, 0.8%, 0.69%

LAB 64.42, 56.56, -13.63

 

CMYK 0 / 53 / 10 / 6

HEX #EF70D8

RGB 239 112 216

HSL 310.87, 0.8%, 0.69%

LAB 65.67, 61.55, -30.87

 

CMYK 5 / 53 / 0 / 6

HEX #E370EF

RGB 227 112 239

HSL 294.33, 0.8%, 0.69%

LAB 65.08, 62.19, -44.69

 

CMYK 19 / 53 / 0 / 6

HEX #C170EF

RGB 193 112 239

HSL 278.27, 0.8%, 0.69%

LAB 60.92, 53.37, -51.54

 

CMYK 33 / 53 / 0 / 6

HEX #9F70EF

RGB 159 112 239

HSL 262.2, 0.8%, 0.69%

LAB 57.26, 44.88, -57.58

 

CMYK 0 / 53 / 24 / 6

HEX #EF70B6

RGB 239 112 182

HSL 326.93, 0.8%, 0.69%

LAB 64.42, 56.56, -13.63

 

CMYK 0 / 61 / 27 / 2

HEX #FB63B7

RGB 251 99 183

HSL 326.84, 0.95%, 0.69%

LAB 64.04, 66, -14.59

 

CMYK 0 / 53 / 24 / 6

HEX #EF70B6

RGB 239 112 182

HSL 326.93, 0.8%, 0.69%

LAB 64.42, 56.56, -13.63

 

CMYK 0 / 45 / 20 / 11

HEX #E27DB5

RGB 226 125 181

HSL 326.73, 0.64%, 0.69%

LAB 65.1, 45.93, -12.21

 

CMYK 0 / 35 / 16 / 16

HEX #D58AB3

RGB 213 138 179

HSL 327.2, 0.47%, 0.69%

LAB 66.2, 34.44, -9.61

 

CMYK 0 / 25 / 11 / 22

HEX #C897B2

RGB 200 151 178

HSL 326.94, 0.31%, 0.69%

LAB 67.74, 22.64, -6.89

 

CMYK 0 / 13 / 6 / 26

HEX #BCA3B1

RGB 188 163 177

HSL 326.4, 0.16%, 0.69%

LAB 69.51, 11.56, -3.85

 

CMYK 5 / 53 / 0 / 6

HEX #E270EF

RGB 226 112 239

HSL 293.86, 0.8%, 0.69%

LAB 64.95, 61.93, -44.9

 

CMYK 0 / 53 / 9 / 6

HEX #EF70DA

RGB 239 112 218

HSL 309.92, 0.8%, 0.69%

LAB 65.75, 61.86, -31.86

 

CMYK 0 / 53 / 23 / 6

HEX #EF70B8

RGB 239 112 184

HSL 325.98, 0.8%, 0.69%

LAB 64.48, 56.83, -14.66

 

CMYK 0 / 53 / 37 / 6

HEX #EF7096

RGB 239 112 150

HSL 342.05, 0.8%, 0.69%

LAB 63.46, 52.6, 3.22

 

CMYK 0 / 53 / 51 / 6

HEX #EF7074

RGB 239 112 116

HSL 358.11, 0.8%, 0.69%

LAB 62.68, 49.25, 21.59

 

CMYK 0 / 83 / 37 / 10

HEX #E62690

RGB 230 38 144

HSL 326.88, 0.79%, 0.53%

LAB 52.09, 76.02, -10.19

 

CMYK 0 / 68 / 31 / 8

HEX #EB4BA3

RGB 235 75 163

HSL 327, 0.8%, 0.61%

LAB 57.4, 68.59, -13.33

 

CMYK 0 / 53 / 24 / 6

HEX #EF70B6

RGB 239 112 182

HSL 326.93, 0.8%, 0.69%

LAB 64.42, 56.56, -13.63

 

CMYK 0 / 39 / 17 / 5

HEX #F395C9

RGB 243 149 201

HSL 326.81, 0.8%, 0.77%

LAB 72.74, 42.22, -11.72

 

CMYK 0 / 25 / 11 / 3

HEX #F7BADC

RGB 247 186 220

HSL 326.56, 0.79%, 0.85%

LAB 81.87, 27.16, -8.42

 

CMYK 0 / 53 / 24 / 6

HEX #EF70B6

RGB 239 112 182

HSL 326.93, 0.8%, 0.69%

LAB 64.42, 56.56, -13.63

 

CMYK 0 / 20 / 53 / 6

HEX #EFC070

RGB 239 192 112

HSL 37.8, 0.8%, 0.69%

LAB 80.3, 7.46, 46.33

 

CMYK 53 / 2 / 0 / 6

HEX #70EAEF

RGB 112 234 239

HSL 182.36, 0.8%, 0.69%

LAB 86.27, -32.69, -12.87

 

CMYK 0 / 53 / 24 / 6

HEX #EF70B6

RGB 239 112 182

HSL 326.93, 0.8%, 0.69%

LAB 64.42, 56.56, -13.63

 

CMYK 23 / 0 / 53 / 6

HEX #B8EF70

RGB 184 239 112

HSL 85.98, 0.8%, 0.69%

LAB 88.49, -37.41, 55.11

 

CMYK 53 / 23 / 0 / 6

HEX #70B8EF

RGB 112 184 239

HSL 205.98, 0.8%, 0.69%

LAB 72.2, -7.35, -34.28

 

CMYK 0 / 53 / 24 / 6

HEX #EF70B6

RGB 239 112 182

HSL 326.93, 0.8%, 0.69%

LAB 64.42, 56.56, -13.63

 

CMYK 0 / 20 / 53 / 6

HEX #EFC070

RGB 239 192 112

HSL 37.8, 0.8%, 0.69%

LAB 80.3, 7.46, 46.33

 

CMYK 53 / 0 / 30 / 6

HEX #70EFA7

RGB 112 239 167

HSL 145.98, 0.8%, 0.69%

LAB 85.99, -51.3, 24.34

 

CMYK 53 / 33 / 0 / 6

HEX #709FEF

RGB 112 159 239

HSL 217.8, 0.8%, 0.69%

LAB 65.34, 6.63, -44.99

 

CMYK 0 / 53 / 24 / 6

HEX #EF70B6

RGB 239 112 182

HSL 326.93, 0.8%, 0.69%

LAB 64.42, 56.56, -13.63

 

CMYK 0 / 4 / 53 / 6

HEX #EFE670

RGB 239 230 112

HSL 55.75, 0.8%, 0.69%

LAB 89.91, -11.93, 57.74

 

CMYK 53 / 0 / 30 / 6

HEX #70EFA7

RGB 112 239 167

HSL 145.98, 0.8%, 0.69%

LAB 85.99, -51.3, 24.34

 

CMYK 53 / 49 / 0 / 6

HEX #7079EF

RGB 112 121 239

HSL 235.75, 0.8%, 0.69%

LAB 55.43, 29.09, -60.73

 

Description

Color code: RGB 239 112 182 | qconv.com Color code: RGB 239 112 182 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 239 red, 112 green and 182 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
239 112 182 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 53 magenta, 24 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 53% 24% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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