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Color name
RGB 239 115 111

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 239 115 111 it is the complementary color RGB 16 140 144. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 239 115 111. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 239 115 111 shade: RGB 244 115 106, RGB 255 133 125, RGB 255 151 144, RGB 255 169 163 and RGB 255 187 182

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 239 115 111. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 239 115 111 shade: RGB 239 115 111, RGB 222 97 92, RGB 205 79 73, RGB 188 61 54 and RGB 171 43 35

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 239 115 111 shade: RGB 239 116 112 and RGB 239 112 112

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 239 115 111 shade: RGB 239 116 112, RGB 239 150 112, RGB 239 184 112, RGB 239 218 112 and RGB 225 239 112

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 239 115 111 shade matches the following richer shades: RGB 239 116 112 and RGB 251 104 99

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 239 115 111 shade: RGB 239 116 112, RGB 226 128 125, RGB 213 140 138, RGB 200 152 151 and RGB 188 164 163

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 239 115 111 shade: RGB 239 112 178, RGB 239 112 144, RGB 239 114 112, RGB 239 148 112 and RGB 239 182 112

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 239 115 111 shade: RGB 230 44 38, RGB 235 80 75, RGB 239 116 112, RGB 243 152 149 and RGB 247 188 186

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 239 115 111 shade: RGB 239 115 111, RGB 211 239 112 and RGB 112 161 239

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 239 115 111 shade: RGB 239 115 111, RGB 112 239 114 and RGB 114 112 239

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 239 115 111 shade: RGB 239 115 111, RGB 211 239 112, RGB 112 237 239 and RGB 140 112 239

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 239 115 111 shade: RGB 239 115 111, RGB 173 239 112, RGB 112 237 239 and RGB 178 112 239

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 52 / 54 / 6

HEX #EF736F

RGB 239 115 111

HSL 1.88, 0.8%, 0.69%

LAB 63.14, 47.39, 25.05

 

Complementary color

CMYK 89 / 3 / 0 / 44

HEX #108C90

RGB 16 140 144

HSL 181.88, 0.8%, 0.31%

LAB 52.82, -28.69, -10.97

 

CMYK 0 / 53 / 57 / 4

HEX #F4736A

RGB 244 115 106

HSL 3.91, 0.86%, 0.69%

LAB 63.78, 48.79, 28.84

 

CMYK 0 / 48 / 51 / 0

HEX #FF857D

RGB 255 133 125

HSL 3.69, 1%, 0.75%

LAB 69.12, 45.48, 25.59

 

CMYK 0 / 41 / 44 / 0

HEX #FF9790

RGB 255 151 144

HSL 3.78, 1%, 0.78%

LAB 73.16, 38.18, 20.57

 

CMYK 0 / 34 / 36 / 0

HEX #FFA9A3

RGB 255 169 163

HSL 3.91, 1%, 0.82%

LAB 77.45, 30.93, 16.14

 

CMYK 0 / 27 / 29 / 0

HEX #FFBBB6

RGB 255 187 182

HSL 4.11, 1%, 0.86%

LAB 81.93, 23.86, 12.21

 

CMYK 0 / 52 / 54 / 6

HEX #EF736F

RGB 239 115 111

HSL 1.88, 0.8%, 0.69%

LAB 63.14, 47.39, 25.05

 

CMYK 0 / 56 / 59 / 13

HEX #DE615C

RGB 222 97 92

HSL 2.31, 0.66%, 0.62%

LAB 56.93, 48.51, 27.24

 

CMYK 0 / 61 / 64 / 20

HEX #CD4F49

RGB 205 79 73

HSL 2.73, 0.57%, 0.55%

LAB 50.75, 49.58, 29.8

 

CMYK 0 / 68 / 71 / 26

HEX #BC3D36

RGB 188 61 54

HSL 3.13, 0.55%, 0.47%

LAB 44.65, 50.47, 32.8

 

CMYK 0 / 75 / 80 / 33

HEX #AB2B23

RGB 171 43 35

HSL 3.53, 0.66%, 0.4%

LAB 38.74, 50.99, 36.26

 

CMYK 0 / 51 / 53 / 6

HEX #EF7470

RGB 239 116 112

HSL 1.89, 0.8%, 0.69%

LAB 63.35, 46.99, 24.76

 

CMYK 0 / 53 / 53 / 6

HEX #EF7070

RGB 239 112 112

HSL 0, 0.8%, 0.69%

LAB 62.6, 48.92, 23.76

 

CMYK 0 / 51 / 53 / 6

HEX #EF7470

RGB 239 116 112

HSL 1.89, 0.8%, 0.69%

LAB 63.35, 46.99, 24.76

 

CMYK 0 / 37 / 53 / 6

HEX #EF9670

RGB 239 150 112

HSL 17.95, 0.8%, 0.69%

LAB 70.41, 29.63, 33.98

 

CMYK 0 / 23 / 53 / 6

HEX #EFB870

RGB 239 184 112

HSL 34.02, 0.8%, 0.69%

LAB 78.35, 11.66, 43.93

 

CMYK 0 / 9 / 53 / 6

HEX #EFDA70

RGB 239 218 112

HSL 50.08, 0.8%, 0.69%

LAB 86.83, -5.93, 54.14

 

CMYK 6 / 0 / 53 / 6

HEX #E1EF70

RGB 225 239 112

HSL 66.61, 0.8%, 0.69%

LAB 91.19, -21.88, 58.94

 

CMYK 0 / 51 / 53 / 6

HEX #EF7470

RGB 239 116 112

HSL 1.89, 0.8%, 0.69%

LAB 63.35, 46.99, 24.76

 

CMYK 0 / 59 / 61 / 2

HEX #FB6863

RGB 251 104 99

HSL 1.97, 0.95%, 0.69%

LAB 62.77, 55.83, 31.67

 

CMYK 0 / 51 / 53 / 6

HEX #EF7470

RGB 239 116 112

HSL 1.89, 0.8%, 0.69%

LAB 63.35, 46.99, 24.76

 

CMYK 0 / 43 / 45 / 11

HEX #E2807D

RGB 226 128 125

HSL 1.78, 0.64%, 0.69%

LAB 64.23, 37.37, 18.31

 

CMYK 0 / 34 / 35 / 16

HEX #D58C8A

RGB 213 140 138

HSL 1.6, 0.47%, 0.69%

LAB 65.54, 27.55, 12.56

 

CMYK 0 / 24 / 25 / 22

HEX #C89897

RGB 200 152 151

HSL 1.22, 0.31%, 0.69%

LAB 67.25, 17.81, 7.49

 

CMYK 0 / 13 / 13 / 26

HEX #BCA4A3

RGB 188 164 163

HSL 2.4, 0.16%, 0.69%

LAB 69.39, 8.58, 3.73

 

CMYK 0 / 53 / 26 / 6

HEX #EF70B2

RGB 239 112 178

HSL 328.82, 0.8%, 0.69%

LAB 64.28, 56.02, -11.55

 

CMYK 0 / 53 / 40 / 6

HEX #EF7090

RGB 239 112 144

HSL 344.88, 0.8%, 0.69%

LAB 63.3, 51.94, 6.44

 

CMYK 0 / 52 / 53 / 6

HEX #EF7270

RGB 239 114 112

HSL 0.94, 0.8%, 0.69%

LAB 62.97, 47.96, 24.26

 

CMYK 0 / 38 / 53 / 6

HEX #EF9470

RGB 239 148 112

HSL 17.01, 0.8%, 0.69%

LAB 69.97, 30.68, 33.41

 

CMYK 0 / 24 / 53 / 6

HEX #EFB670

RGB 239 182 112

HSL 33.07, 0.8%, 0.69%

LAB 77.86, 12.71, 43.34

 

CMYK 0 / 81 / 83 / 10

HEX #E62C26

RGB 230 44 38

HSL 1.88, 0.79%, 0.53%

LAB 50.41, 68.28, 49.9

 

CMYK 0 / 66 / 68 / 8

HEX #EB504B

RGB 235 80 75

HSL 1.88, 0.8%, 0.61%

LAB 56, 59.31, 36.22

 

CMYK 0 / 51 / 53 / 6

HEX #EF7470

RGB 239 116 112

HSL 1.89, 0.8%, 0.69%

LAB 63.35, 46.99, 24.76

 

CMYK 0 / 37 / 39 / 5

HEX #F39895

RGB 243 152 149

HSL 1.91, 0.8%, 0.77%

LAB 72.01, 33.76, 16.01

 

CMYK 0 / 24 / 25 / 3

HEX #F7BCBA

RGB 247 188 186

HSL 1.97, 0.79%, 0.85%

LAB 81.45, 20.94, 9.26

 

CMYK 0 / 52 / 54 / 6

HEX #EF736F

RGB 239 115 111

HSL 1.88, 0.8%, 0.69%

LAB 63.14, 47.39, 25.05

 

CMYK 12 / 0 / 53 / 6

HEX #D3EF70

RGB 211 239 112

HSL 73.23, 0.8%, 0.69%

LAB 90.21, -27.32, 57.55

 

CMYK 53 / 33 / 0 / 6

HEX #70A1EF

RGB 112 161 239

HSL 216.85, 0.8%, 0.69%

LAB 65.88, 5.48, -44.14

 

CMYK 0 / 52 / 54 / 6

HEX #EF736F

RGB 239 115 111

HSL 1.88, 0.8%, 0.69%

LAB 63.14, 47.39, 25.05

 

CMYK 53 / 0 / 52 / 6

HEX #70EF72

RGB 112 239 114

HSL 120.94, 0.8%, 0.69%

LAB 85.2, -59.68, 49.46

 

CMYK 52 / 53 / 0 / 6

HEX #7270EF

RGB 114 112 239

HSL 240.94, 0.8%, 0.69%

LAB 53.38, 34.87, -64.02

 

CMYK 0 / 52 / 54 / 6

HEX #EF736F

RGB 239 115 111

HSL 1.88, 0.8%, 0.69%

LAB 63.14, 47.39, 25.05

 

CMYK 12 / 0 / 53 / 6

HEX #D3EF70

RGB 211 239 112

HSL 73.23, 0.8%, 0.69%

LAB 90.21, -27.32, 57.55

 

CMYK 53 / 1 / 0 / 6

HEX #70EDEF

RGB 112 237 239

HSL 180.94, 0.8%, 0.69%

LAB 87.12, -34.1, -11.6

 

CMYK 41 / 53 / 0 / 6

HEX #8C70EF

RGB 140 112 239

HSL 253.23, 0.8%, 0.69%

LAB 55.48, 40.43, -60.54

 

CMYK 0 / 52 / 54 / 6

HEX #EF736F

RGB 239 115 111

HSL 1.88, 0.8%, 0.69%

LAB 63.14, 47.39, 25.05

 

CMYK 28 / 0 / 53 / 6

HEX #ADEF70

RGB 173 239 112

HSL 91.18, 0.8%, 0.69%

LAB 87.87, -41.33, 54.22

 

CMYK 53 / 1 / 0 / 6

HEX #70EDEF

RGB 112 237 239

HSL 180.94, 0.8%, 0.69%

LAB 87.12, -34.1, -11.6

 

CMYK 26 / 53 / 0 / 6

HEX #B270EF

RGB 178 112 239

HSL 271.18, 0.8%, 0.69%

LAB 59.24, 49.56, -54.31

 

Description

Color code: RGB 239 115 111 | qconv.com Color code: RGB 239 115 111 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 239 red, 115 green and 111 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
239 115 111 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 52 magenta, 54 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 52% 54% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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