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Color name
RGB 239 114 175

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 239 114 175 it is the complementary color RGB 16 141 80. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 239 114 175. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 239 114 175 shade: RGB 244 114 170, RGB 255 132 189, RGB 255 150 208, RGB 255 168 227 and RGB 255 186 246

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 239 114 175. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 239 114 175 shade: RGB 239 114 175, RGB 222 96 156, RGB 205 78 137, RGB 188 60 118 and RGB 171 42 99

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 239 114 175 shade: RGB 239 112 174, RGB 239 112 140 and RGB 239 112 112

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 239 114 175 shade: RGB 239 112 174, RGB 239 112 208, RGB 235 112 239, RGB 201 112 239 and RGB 167 112 239

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 239 114 175 shade matches the following richer shades: RGB 239 112 174 and RGB 251 99 174

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 239 114 175 shade: RGB 239 112 174, RGB 226 125 174, RGB 213 138 175, RGB 200 151 175 and RGB 188 163 175

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 239 114 175 shade: RGB 234 112 239, RGB 239 112 209, RGB 239 112 175, RGB 239 112 142 and RGB 239 116 112

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 239 114 175 shade: RGB 230 38 132, RGB 235 75 153, RGB 239 112 174, RGB 243 149 195 and RGB 247 186 216

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 239 114 175 shade: RGB 239 114 175, RGB 239 201 112 and RGB 112 226 239

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 239 114 175 shade: RGB 239 114 175, RGB 175 239 112 and RGB 112 175 239

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 239 114 175 shade: RGB 239 114 175, RGB 239 201 112, RGB 112 239 175 and RGB 112 150 239

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 239 114 175 shade: RGB 239 114 175, RGB 239 239 112, RGB 112 239 175 and RGB 112 112 239

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 52 / 27 / 6

HEX #EF72AF

RGB 239 114 175

HSL 330.72, 0.8%, 0.69%

LAB 64.55, 54.69, -9.45

 

Complementary color

CMYK 89 / 0 / 43 / 45

HEX #108D50

RGB 16 141 80

HSL 150.72, 0.8%, 0.31%

LAB 51.54, -46.09, 23.84

 

CMYK 0 / 53 / 30 / 4

HEX #F472AA

RGB 244 114 170

HSL 334.15, 0.86%, 0.7%

LAB 65.1, 55.63, -5.72

 

CMYK 0 / 48 / 26 / 0

HEX #FF84BD

RGB 255 132 189

HSL 332.2, 1%, 0.76%

LAB 70.48, 52.98, -8.27

 

CMYK 0 / 41 / 18 / 0

HEX #FF96D0

RGB 255 150 208

HSL 326.86, 1%, 0.79%

LAB 74.59, 46.7, -12.66

 

CMYK 0 / 34 / 11 / 0

HEX #FFA8E3

RGB 255 168 227

HSL 319.31, 1%, 0.83%

LAB 78.93, 40.42, -16.5

 

CMYK 0 / 27 / 4 / 0

HEX #FFBAF6

RGB 255 186 246

HSL 307.83, 1%, 0.86%

LAB 83.46, 34.22, -19.88

 

CMYK 0 / 52 / 27 / 6

HEX #EF72AF

RGB 239 114 175

HSL 330.72, 0.8%, 0.69%

LAB 64.55, 54.69, -9.45

 

CMYK 0 / 57 / 30 / 13

HEX #DE609C

RGB 222 96 156

HSL 331.43, 0.66%, 0.62%

LAB 58.32, 55.32, -8.09

 

CMYK 0 / 62 / 33 / 20

HEX #CD4E89

RGB 205 78 137

HSL 332.13, 0.56%, 0.55%

LAB 52.1, 55.8, -6.45

 

CMYK 0 / 68 / 37 / 26

HEX #BC3C76

RGB 188 60 118

HSL 332.81, 0.52%, 0.49%

LAB 45.95, 55.98, -4.42

 

CMYK 0 / 75 / 42 / 33

HEX #AB2A63

RGB 171 42 99

HSL 333.49, 0.61%, 0.42%

LAB 39.94, 55.65, -1.84

 

CMYK 0 / 53 / 27 / 6

HEX #EF70AE

RGB 239 112 174

HSL 330.71, 0.8%, 0.69%

LAB 64.16, 55.5, -9.47

 

CMYK 0 / 53 / 41 / 6

HEX #EF708C

RGB 239 112 140

HSL 346.77, 0.8%, 0.69%

LAB 63.2, 51.52, 8.59

 

CMYK 0 / 53 / 53 / 6

HEX #EF7070

RGB 239 112 112

HSL 0, 0.8%, 0.69%

LAB 62.6, 48.92, 23.76

 

CMYK 0 / 53 / 27 / 6

HEX #EF70AE

RGB 239 112 174

HSL 330.71, 0.8%, 0.69%

LAB 64.16, 55.5, -9.47

 

CMYK 0 / 53 / 13 / 6

HEX #EF70D0

RGB 239 112 208

HSL 314.65, 0.8%, 0.69%

LAB 65.35, 60.31, -26.88

 

CMYK 2 / 53 / 0 / 6

HEX #EB70EF

RGB 235 112 239

HSL 298.11, 0.8%, 0.69%

LAB 66.12, 64.28, -42.98

 

CMYK 16 / 53 / 0 / 6

HEX #C970EF

RGB 201 112 239

HSL 282.05, 0.8%, 0.69%

LAB 61.86, 55.43, -49.99

 

CMYK 30 / 53 / 0 / 6

HEX #A770EF

RGB 167 112 239

HSL 265.98, 0.8%, 0.69%

LAB 58.07, 46.83, -56.24

 

CMYK 0 / 53 / 27 / 6

HEX #EF70AE

RGB 239 112 174

HSL 330.71, 0.8%, 0.69%

LAB 64.16, 55.5, -9.47

 

CMYK 0 / 61 / 31 / 2

HEX #FB63AE

RGB 251 99 174

HSL 330.39, 0.95%, 0.69%

LAB 63.74, 64.91, -9.9

 

CMYK 0 / 53 / 27 / 6

HEX #EF70AE

RGB 239 112 174

HSL 330.71, 0.8%, 0.69%

LAB 64.16, 55.5, -9.47

 

CMYK 0 / 45 / 23 / 11

HEX #E27DAE

RGB 226 125 174

HSL 330.89, 0.64%, 0.69%

LAB 64.88, 44.91, -8.58

 

CMYK 0 / 35 / 18 / 16

HEX #D58AAF

RGB 213 138 175

HSL 330.4, 0.47%, 0.69%

LAB 66.07, 33.81, -7.54

 

CMYK 0 / 25 / 13 / 22

HEX #C897AF

RGB 200 151 175

HSL 330.61, 0.31%, 0.69%

LAB 67.66, 22.13, -5.35

 

CMYK 0 / 13 / 7 / 26

HEX #BCA3AF

RGB 188 163 175

HSL 331.2, 0.16%, 0.69%

LAB 69.46, 11.2, -2.82

 

CMYK 2 / 53 / 0 / 6

HEX #EA70EF

RGB 234 112 239

HSL 297.64, 0.8%, 0.69%

LAB 65.99, 64.02, -43.2

 

CMYK 0 / 53 / 13 / 6

HEX #EF70D1

RGB 239 112 209

HSL 314.17, 0.8%, 0.69%

LAB 65.39, 60.46, -27.38

 

CMYK 0 / 53 / 27 / 6

HEX #EF70AF

RGB 239 112 175

HSL 330.24, 0.8%, 0.69%

LAB 64.19, 55.63, -9.99

 

CMYK 0 / 53 / 41 / 6

HEX #EF708E

RGB 239 112 142

HSL 345.83, 0.8%, 0.69%

LAB 63.25, 51.73, 7.51

 

CMYK 0 / 51 / 53 / 6

HEX #EF7470

RGB 239 116 112

HSL 1.89, 0.8%, 0.69%

LAB 63.35, 46.99, 24.76

 

CMYK 0 / 83 / 43 / 10

HEX #E62684

RGB 230 38 132

HSL 330.63, 0.79%, 0.53%

LAB 51.7, 74.9, -3.57

 

CMYK 0 / 68 / 35 / 8

HEX #EB4B99

RGB 235 75 153

HSL 330.75, 0.8%, 0.61%

LAB 57.07, 67.47, -7.98

 

CMYK 0 / 53 / 27 / 6

HEX #EF70AE

RGB 239 112 174

HSL 330.71, 0.8%, 0.69%

LAB 64.16, 55.5, -9.47

 

CMYK 0 / 39 / 20 / 5

HEX #F395C3

RGB 243 149 195

HSL 330.64, 0.8%, 0.77%

LAB 72.55, 41.32, -8.68

 

CMYK 0 / 25 / 13 / 3

HEX #F7BAD8

RGB 247 186 216

HSL 330.49, 0.79%, 0.85%

LAB 81.76, 26.51, -6.43

 

CMYK 0 / 52 / 27 / 6

HEX #EF72AF

RGB 239 114 175

HSL 330.72, 0.8%, 0.69%

LAB 64.55, 54.69, -9.45

 

CMYK 0 / 16 / 53 / 6

HEX #EFC970

RGB 239 201 112

HSL 42.05, 0.8%, 0.69%

LAB 82.54, 2.78, 49.03

 

CMYK 53 / 5 / 0 / 6

HEX #70E2EF

RGB 112 226 239

HSL 186.14, 0.8%, 0.69%

LAB 84, -28.88, -16.26

 

CMYK 0 / 52 / 27 / 6

HEX #EF72AF

RGB 239 114 175

HSL 330.72, 0.8%, 0.69%

LAB 64.55, 54.69, -9.45

 

CMYK 27 / 0 / 53 / 6

HEX #AFEF70

RGB 175 239 112

HSL 90.24, 0.8%, 0.69%

LAB 87.98, -40.63, 54.37

 

CMYK 53 / 27 / 0 / 6

HEX #70AFEF

RGB 112 175 239

HSL 210.24, 0.8%, 0.69%

LAB 69.71, -2.41, -38.14

 

CMYK 0 / 52 / 27 / 6

HEX #EF72AF

RGB 239 114 175

HSL 330.72, 0.8%, 0.69%

LAB 64.55, 54.69, -9.45

 

CMYK 0 / 16 / 53 / 6

HEX #EFC970

RGB 239 201 112

HSL 42.05, 0.8%, 0.69%

LAB 82.54, 2.78, 49.03

 

CMYK 53 / 0 / 27 / 6

HEX #70EFAF

RGB 112 239 175

HSL 149.76, 0.8%, 0.69%

LAB 86.14, -49.75, 20.43

 

CMYK 53 / 37 / 0 / 6

HEX #7096EF

RGB 112 150 239

HSL 222.05, 0.8%, 0.69%

LAB 62.92, 11.85, -48.8

 

CMYK 0 / 52 / 27 / 6

HEX #EF72AF

RGB 239 114 175

HSL 330.72, 0.8%, 0.69%

LAB 64.55, 54.69, -9.45

 

CMYK 0 / 0 / 53 / 6

HEX #EFEF70

RGB 239 239 112

HSL 60, 0.8%, 0.69%

LAB 92.24, -16.36, 60.43

 

CMYK 53 / 0 / 27 / 6

HEX #70EFAF

RGB 112 239 175

HSL 149.76, 0.8%, 0.69%

LAB 86.14, -49.75, 20.43

 

CMYK 53 / 53 / 0 / 6

HEX #7070EF

RGB 112 112 239

HSL 240, 0.8%, 0.69%

LAB 53.24, 34.47, -64.26

 

Description

Color code: RGB 239 114 175 | qconv.com Color code: RGB 239 114 175 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 239 red, 114 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
239 114 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 52 magenta, 27 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 52% 27% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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