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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 238 95 142 it is the complementary color RGB 17 160 113. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 238 95 142. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 238 95 142 shade: RGB 243 95 137, RGB 255 113 156, RGB 255 131 175, RGB 255 149 194 and RGB 255 167 213

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 238 95 142. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 238 95 142 shade: RGB 238 95 142, RGB 221 77 123, RGB 204 59 104, RGB 187 41 85 and RGB 170 23 66

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 238 95 142 shade: RGB 238 93 140, RGB 238 93 101 and RGB 238 93 93

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 238 95 142 shade: RGB 238 93 140, RGB 238 93 179, RGB 238 93 218, RGB 218 93 238 and RGB 179 93 238

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 238 95 142 shade matches the following richer shades: RGB 238 93 140 and RGB 252 79 136

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 238 95 142 shade: RGB 238 93 140, RGB 223 107 145, RGB 209 122 150, RGB 194 136 155 and RGB 180 151 160

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 238 95 142 shade: RGB 238 93 218, RGB 238 93 180, RGB 238 93 141, RGB 238 93 103 and RGB 238 122 93

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 238 95 142 shade: RGB 225 23 89, RGB 234 56 114, RGB 238 93 140, RGB 241 130 167 and RGB 245 168 193

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 238 95 142 shade: RGB 238 95 142, RGB 238 218 93 and RGB 93 199 238

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 238 95 142 shade: RGB 238 95 142, RGB 141 238 93 and RGB 93 141 238

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 238 95 142 shade: RGB 238 95 142, RGB 238 218 93, RGB 93 238 189 and RGB 93 112 238

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 238 95 142 shade: RGB 238 95 142, RGB 213 238 93, RGB 93 238 189 and RGB 117 93 238

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 60 / 40 / 7

HEX #EE5F8E

RGB 238 95 142

HSL 340.28, 0.81%, 0.65%

LAB 60.17, 59.15, 3.06

 

Complementary color

CMYK 89 / 0 / 29 / 37

HEX #11A071

RGB 17 160 113

HSL 160.28, 0.81%, 0.35%

LAB 58.46, -46.15, 14.89

 

CMYK 0 / 61 / 44 / 5

HEX #F35F89

RGB 243 95 137

HSL 342.97, 0.86%, 0.66%

LAB 60.82, 60.21, 7

 

CMYK 0 / 56 / 39 / 0

HEX #FF719C

RGB 255 113 156

HSL 341.83, 1%, 0.72%

LAB 66.11, 57.98, 3.92

 

CMYK 0 / 49 / 31 / 0

HEX #FF83AF

RGB 255 131 175

HSL 338.71, 1%, 0.76%

LAB 69.89, 51.68, -1.32

 

CMYK 0 / 42 / 24 / 0

HEX #FF95C2

RGB 255 149 194

HSL 334.53, 1%, 0.79%

LAB 73.97, 45.21, -5.88

 

CMYK 0 / 35 / 16 / 0

HEX #FFA7D5

RGB 255 167 213

HSL 328.64, 1%, 0.83%

LAB 78.29, 38.73, -9.87

 

CMYK 0 / 60 / 40 / 7

HEX #EE5F8E

RGB 238 95 142

HSL 340.28, 0.81%, 0.65%

LAB 60.17, 59.15, 3.06

 

CMYK 0 / 65 / 44 / 13

HEX #DD4D7B

RGB 221 77 123

HSL 340.83, 0.68%, 0.58%

LAB 54.14, 59.58, 5.19

 

CMYK 0 / 71 / 49 / 20

HEX #CC3B68

RGB 204 59 104

HSL 341.38, 0.59%, 0.52%

LAB 48.22, 59.68, 7.78

 

CMYK 0 / 78 / 55 / 27

HEX #BB2955

RGB 187 41 85

HSL 341.92, 0.64%, 0.45%

LAB 42.47, 59.22, 11

 

CMYK 0 / 86 / 61 / 33

HEX #AA1742

RGB 170 23 66

HSL 342.45, 0.76%, 0.38%

LAB 37.03, 57.86, 15.08

 

CMYK 0 / 61 / 41 / 7

HEX #EE5D8C

RGB 238 93 140

HSL 340.55, 0.81%, 0.65%

LAB 59.8, 59.81, 3.68

 

CMYK 0 / 61 / 58 / 7

HEX #EE5D65

RGB 238 93 101

HSL 356.69, 0.81%, 0.65%

LAB 58.92, 56.44, 25.15

 

CMYK 0 / 61 / 61 / 7

HEX #EE5D5D

RGB 238 93 93

HSL 0, 0.81%, 0.65%

LAB 58.79, 55.9, 29.56

 

CMYK 0 / 61 / 41 / 7

HEX #EE5D8C

RGB 238 93 140

HSL 340.55, 0.81%, 0.65%

LAB 59.8, 59.81, 3.68

 

CMYK 0 / 61 / 25 / 7

HEX #EE5DB3

RGB 238 93 179

HSL 324.41, 0.81%, 0.65%

LAB 61.01, 64.31, -17.08

 

CMYK 0 / 61 / 8 / 7

HEX #EE5DDA

RGB 238 93 218

HSL 308.28, 0.81%, 0.65%

LAB 62.56, 69.85, -36.82

 

CMYK 8 / 61 / 0 / 7

HEX #DA5DEE

RGB 218 93 238

HSL 291.72, 0.81%, 0.65%

LAB 60.7, 68.29, -51.13

 

CMYK 25 / 61 / 0 / 7

HEX #B35DEE

RGB 179 93 238

HSL 275.59, 0.81%, 0.65%

LAB 55.67, 59.22, -59.45

 

CMYK 0 / 61 / 41 / 7

HEX #EE5D8C

RGB 238 93 140

HSL 340.55, 0.81%, 0.65%

LAB 59.8, 59.81, 3.68

 

CMYK 0 / 69 / 46 / 1

HEX #FC4F88

RGB 252 79 136

HSL 340.23, 0.97%, 0.65%

LAB 59.95, 69.1, 6.53

 

CMYK 0 / 61 / 41 / 7

HEX #EE5D8C

RGB 238 93 140

HSL 340.55, 0.81%, 0.65%

LAB 59.8, 59.81, 3.68

 

CMYK 0 / 52 / 35 / 13

HEX #DF6B91

RGB 223 107 145

HSL 340.34, 0.64%, 0.65%

LAB 60.11, 49.11, 0.96

 

CMYK 0 / 42 / 28 / 18

HEX #D17A96

RGB 209 122 150

HSL 340.69, 0.49%, 0.65%

LAB 61.37, 37.27, -0.31

 

CMYK 0 / 30 / 20 / 24

HEX #C2889B

RGB 194 136 155

HSL 340.34, 0.32%, 0.65%

LAB 62.88, 24.98, -1.17

 

CMYK 0 / 16 / 11 / 29

HEX #B497A0

RGB 180 151 160

HSL 341.38, 0.16%, 0.65%

LAB 65.26, 12.29, -0.69

 

CMYK 0 / 61 / 8 / 7

HEX #EE5DDA

RGB 238 93 218

HSL 308.28, 0.81%, 0.65%

LAB 62.56, 69.85, -36.82

 

CMYK 0 / 61 / 24 / 7

HEX #EE5DB4

RGB 238 93 180

HSL 324, 0.81%, 0.65%

LAB 61.05, 64.44, -17.6

 

CMYK 0 / 61 / 41 / 7

HEX #EE5D8D

RGB 238 93 141

HSL 340.14, 0.81%, 0.65%

LAB 59.82, 59.91, 3.14

 

CMYK 0 / 61 / 57 / 7

HEX #EE5D67

RGB 238 93 103

HSL 355.86, 0.81%, 0.65%

LAB 58.96, 56.59, 24.04

 

CMYK 0 / 49 / 61 / 7

HEX #EE7A5D

RGB 238 122 93

HSL 12, 0.81%, 0.65%

LAB 64.07, 42.24, 36.21

 

CMYK 0 / 90 / 60 / 12

HEX #E11759

RGB 225 23 89

HSL 340.4, 0.81%, 0.49%

LAB 48.69, 73.17, 18.24

 

CMYK 0 / 76 / 51 / 8

HEX #EA3872

RGB 234 56 114

HSL 340.45, 0.81%, 0.57%

LAB 53.53, 69.87, 10.01

 

CMYK 0 / 61 / 41 / 7

HEX #EE5D8C

RGB 238 93 140

HSL 340.55, 0.81%, 0.65%

LAB 59.8, 59.81, 3.68

 

CMYK 0 / 46 / 31 / 5

HEX #F182A7

RGB 241 130 167

HSL 340, 0.8%, 0.73%

LAB 67.62, 46.5, -0.36

 

CMYK 0 / 31 / 21 / 4

HEX #F5A8C1

RGB 245 168 193

HSL 340.52, 0.79%, 0.81%

LAB 76.84, 31.78, -1.23

 

CMYK 0 / 60 / 40 / 7

HEX #EE5F8E

RGB 238 95 142

HSL 340.28, 0.81%, 0.65%

LAB 60.17, 59.15, 3.06

 

CMYK 0 / 8 / 61 / 7

HEX #EEDA5D

RGB 238 218 93

HSL 51.72, 0.81%, 0.65%

LAB 86.56, -7.72, 62.36

 

CMYK 61 / 16 / 0 / 7

HEX #5DC7EE

RGB 93 199 238

HSL 196.14, 0.81%, 0.65%

LAB 75.67, -19.27, -28.45

 

CMYK 0 / 60 / 40 / 7

HEX #EE5F8E

RGB 238 95 142

HSL 340.28, 0.81%, 0.65%

LAB 60.17, 59.15, 3.06

 

CMYK 41 / 0 / 61 / 7

HEX #8DEE5D

RGB 141 238 93

HSL 100.14, 0.81%, 0.65%

LAB 85.81, -53.4, 59.77

 

CMYK 61 / 41 / 0 / 7

HEX #5D8DEE

RGB 93 141 238

HSL 220.14, 0.81%, 0.65%

LAB 59.48, 13.08, -53.77

 

CMYK 0 / 60 / 40 / 7

HEX #EE5F8E

RGB 238 95 142

HSL 340.28, 0.81%, 0.65%

LAB 60.17, 59.15, 3.06

 

CMYK 0 / 8 / 61 / 7

HEX #EEDA5D

RGB 238 218 93

HSL 51.72, 0.81%, 0.65%

LAB 86.56, -7.72, 62.36

 

CMYK 61 / 0 / 21 / 7

HEX #5DEEBD

RGB 93 238 189

HSL 159.72, 0.81%, 0.65%

LAB 85.58, -50.25, 12.3

 

CMYK 61 / 53 / 0 / 7

HEX #5D70EE

RGB 93 112 238

HSL 232.14, 0.81%, 0.65%

LAB 51.94, 30.66, -65.87

 

CMYK 0 / 60 / 40 / 7

HEX #EE5F8E

RGB 238 95 142

HSL 340.28, 0.81%, 0.65%

LAB 60.17, 59.15, 3.06

 

CMYK 11 / 0 / 61 / 7

HEX #D5EE5D

RGB 213 238 93

HSL 70.34, 0.81%, 0.65%

LAB 89.9, -27.57, 65.44

 

CMYK 61 / 0 / 21 / 7

HEX #5DEEBD

RGB 93 238 189

HSL 159.72, 0.81%, 0.65%

LAB 85.58, -50.25, 12.3

 

CMYK 51 / 61 / 0 / 7

HEX #755DEE

RGB 117 93 238

HSL 249.93, 0.81%, 0.65%

LAB 49.23, 46.22, -70.17

 

Description

Color code: RGB 238 95 142 | qconv.com Color code: RGB 238 95 142 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 95 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 95 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 60 magenta, 40 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 60% 40% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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