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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 238 93 212 it is the complementary color RGB 17 162 43. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 238 93 212. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 238 93 212 shade: RGB 243 93 207, RGB 255 111 226, RGB 255 129 245, RGB 255 147 255 and RGB 255 165 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 238 93 212. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 238 93 212 shade: RGB 238 93 212, RGB 221 75 193, RGB 204 57 174, RGB 187 39 155 and RGB 170 21 136

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 238 93 212 shade: RGB 238 93 212, RGB 238 93 173, RGB 238 93 134, RGB 238 93 95 and RGB 238 93 93

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 238 93 212 shade: RGB 238 93 212, RGB 224 93 238, RGB 185 93 238, RGB 147 93 238 and RGB 108 93 238

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 238 93 212 shade matches the following richer shades: RGB 238 93 212 and RGB 252 79 221

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 238 93 212 shade: RGB 238 93 212, RGB 223 107 202, RGB 209 122 193, RGB 194 136 184 and RGB 180 151 175

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 238 93 212 shade: RGB 185 93 238, RGB 223 93 238, RGB 238 93 213, RGB 238 93 175 and RGB 238 93 136

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 238 93 212 shade: RGB 225 23 189, RGB 234 56 202, RGB 238 93 212, RGB 241 130 222 and RGB 245 168 231

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 238 93 212 shade: RGB 238 93 212, RGB 238 146 93 and RGB 93 238 204

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 238 93 212 shade: RGB 238 93 212, RGB 213 238 93 and RGB 93 213 238

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 238 93 212 shade: RGB 238 93 212, RGB 238 146 93, RGB 93 238 117 and RGB 93 185 238

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 238 93 212 shade: RGB 238 93 212, RGB 238 189 93, RGB 93 238 117 and RGB 93 141 238

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 61 / 11 / 7

HEX #EE5DD4

RGB 238 93 212

HSL 310.76, 0.81%, 0.65%

LAB 62.3, 68.94, -33.85

 

Complementary color

CMYK 90 / 0 / 73 / 36

HEX #11A22B

RGB 17 162 43

HSL 130.76, 0.81%, 0.35%

LAB 58.16, -58.23, 49.25

 

CMYK 0 / 62 / 15 / 5

HEX #F35DCF

RGB 243 93 207

HSL 314.4, 0.86%, 0.66%

LAB 62.83, 69.5, -30.15

 

CMYK 0 / 56 / 11 / 0

HEX #FF6FE2

RGB 255 111 226

HSL 312.08, 1%, 0.72%

LAB 68.11, 67.93, -32.48

 

CMYK 0 / 49 / 4 / 0

HEX #FF81F5

RGB 255 129 245

HSL 304.76, 1%, 0.75%

LAB 71.93, 62.8, -37.02

 

CMYK 0 / 42 / 0 / 0

HEX #FF93FF

RGB 255 147 255

HSL 300, 1%, 0.79%

LAB 75.67, 55.82, -36.66

 

CMYK 0 / 35 / 0 / 0

HEX #FFA5FF

RGB 255 165 255

HSL 300, 1%, 0.82%

LAB 79.27, 46.73, -31.1

 

CMYK 0 / 61 / 11 / 7

HEX #EE5DD4

RGB 238 93 212

HSL 310.76, 0.81%, 0.65%

LAB 62.3, 68.94, -33.85

 

CMYK 0 / 66 / 13 / 13

HEX #DD4BC1

RGB 221 75 193

HSL 311.51, 0.68%, 0.58%

LAB 56.34, 68.9, -32.52

 

CMYK 0 / 72 / 15 / 20

HEX #CC39AE

RGB 204 57 174

HSL 312.24, 0.59%, 0.51%

LAB 50.48, 68.42, -30.84

 

CMYK 0 / 79 / 17 / 27

HEX #BB279B

RGB 187 39 155

HSL 312.97, 0.65%, 0.44%

LAB 44.78, 67.27, -28.68

 

CMYK 0 / 88 / 20 / 33

HEX #AA1588

RGB 170 21 136

HSL 313.69, 0.78%, 0.37%

LAB 39.34, 65.1, -25.84

 

CMYK 0 / 61 / 11 / 7

HEX #EE5DD4

RGB 238 93 212

HSL 310.76, 0.81%, 0.65%

LAB 62.3, 68.94, -33.85

 

CMYK 0 / 61 / 27 / 7

HEX #EE5DAD

RGB 238 93 173

HSL 326.9, 0.81%, 0.65%

LAB 60.8, 63.55, -13.95

 

CMYK 0 / 61 / 44 / 7

HEX #EE5D86

RGB 238 93 134

HSL 343.03, 0.81%, 0.65%

LAB 59.64, 59.21, 6.95

 

CMYK 0 / 61 / 60 / 7

HEX #EE5D5F

RGB 238 93 95

HSL 359.17, 0.81%, 0.65%

LAB 58.82, 56.03, 28.46

 

CMYK 0 / 61 / 61 / 7

HEX #EE5D5D

RGB 238 93 93

HSL 0, 0.81%, 0.65%

LAB 58.79, 55.9, 29.56

 

CMYK 0 / 61 / 11 / 7

HEX #EE5DD4

RGB 238 93 212

HSL 310.76, 0.81%, 0.65%

LAB 62.3, 68.94, -33.85

 

CMYK 6 / 61 / 0 / 7

HEX #E05DEE

RGB 224 93 238

HSL 294.21, 0.81%, 0.65%

LAB 61.52, 69.71, -49.78

 

CMYK 22 / 61 / 0 / 7

HEX #B95DEE

RGB 185 93 238

HSL 278.07, 0.81%, 0.65%

LAB 56.4, 60.59, -58.24

 

CMYK 38 / 61 / 0 / 7

HEX #935DEE

RGB 147 93 238

HSL 262.34, 0.81%, 0.65%

LAB 52.07, 52.18, -65.44

 

CMYK 55 / 61 / 0 / 7

HEX #6C5DEE

RGB 108 93 238

HSL 246.21, 0.81%, 0.65%

LAB 48.5, 44.6, -71.39

 

CMYK 0 / 61 / 11 / 7

HEX #EE5DD4

RGB 238 93 212

HSL 310.76, 0.81%, 0.65%

LAB 62.3, 68.94, -33.85

 

CMYK 0 / 69 / 12 / 1

HEX #FC4FDD

RGB 252 79 221

HSL 310.75, 0.97%, 0.65%

LAB 62.93, 78.91, -37.78

 

CMYK 0 / 61 / 11 / 7

HEX #EE5DD4

RGB 238 93 212

HSL 310.76, 0.81%, 0.65%

LAB 62.3, 68.94, -33.85

 

CMYK 0 / 52 / 9 / 13

HEX #DF6BCA

RGB 223 107 202

HSL 310.86, 0.64%, 0.65%

LAB 62.06, 57.11, -28.76

 

CMYK 0 / 42 / 8 / 18

HEX #D17AC1

RGB 209 122 193

HSL 311.03, 0.49%, 0.65%

LAB 62.78, 43.91, -22.71

 

CMYK 0 / 30 / 5 / 24

HEX #C288B8

RGB 194 136 184

HSL 310.34, 0.32%, 0.65%

LAB 63.79, 29.87, -16.26

 

CMYK 0 / 16 / 3 / 29

HEX #B497AF

RGB 180 151 175

HSL 310.34, 0.16%, 0.65%

LAB 65.7, 15, -8.47

 

CMYK 22 / 61 / 0 / 7

HEX #B95DEE

RGB 185 93 238

HSL 278.07, 0.81%, 0.65%

LAB 56.4, 60.59, -58.24

 

CMYK 6 / 61 / 0 / 7

HEX #DF5DEE

RGB 223 93 238

HSL 293.79, 0.81%, 0.65%

LAB 61.39, 69.47, -50

 

CMYK 0 / 61 / 11 / 7

HEX #EE5DD5

RGB 238 93 213

HSL 310.34, 0.81%, 0.65%

LAB 62.35, 69.09, -34.35

 

CMYK 0 / 61 / 26 / 7

HEX #EE5DAF

RGB 238 93 175

HSL 326.07, 0.81%, 0.65%

LAB 60.87, 63.8, -14.99

 

CMYK 0 / 61 / 43 / 7

HEX #EE5D88

RGB 238 93 136

HSL 342.21, 0.81%, 0.65%

LAB 59.69, 59.41, 5.86

 

CMYK 0 / 90 / 16 / 12

HEX #E117BD

RGB 225 23 189

HSL 310.69, 0.81%, 0.49%

LAB 52.17, 82.55, -36.69

 

CMYK 0 / 76 / 14 / 8

HEX #EA38CA

RGB 234 56 202

HSL 310.79, 0.81%, 0.57%

LAB 56.67, 79.35, -37.02

 

CMYK 0 / 61 / 11 / 7

HEX #EE5DD4

RGB 238 93 212

HSL 310.76, 0.81%, 0.65%

LAB 62.3, 68.94, -33.85

 

CMYK 0 / 46 / 8 / 5

HEX #F182DE

RGB 241 130 222

HSL 310.27, 0.8%, 0.73%

LAB 69.43, 54.52, -28.39

 

CMYK 0 / 31 / 6 / 4

HEX #F5A8E7

RGB 245 168 231

HSL 310.91, 0.79%, 0.81%

LAB 77.99, 37.84, -20.2

 

CMYK 0 / 61 / 11 / 7

HEX #EE5DD4

RGB 238 93 212

HSL 310.76, 0.81%, 0.65%

LAB 62.3, 68.94, -33.85

 

CMYK 0 / 39 / 61 / 7

HEX #EE925D

RGB 238 146 93

HSL 21.93, 0.81%, 0.65%

LAB 69.13, 29.89, 42.39

 

CMYK 61 / 0 / 14 / 7

HEX #5DEECC

RGB 93 238 204

HSL 165.93, 0.81%, 0.65%

LAB 85.92, -46.8, 4.95

 

CMYK 0 / 61 / 11 / 7

HEX #EE5DD4

RGB 238 93 212

HSL 310.76, 0.81%, 0.65%

LAB 62.3, 68.94, -33.85

 

CMYK 11 / 0 / 61 / 7

HEX #D5EE5D

RGB 213 238 93

HSL 70.34, 0.81%, 0.65%

LAB 89.9, -27.57, 65.44

 

CMYK 61 / 11 / 0 / 7

HEX #5DD5EE

RGB 93 213 238

HSL 190.34, 0.81%, 0.65%

LAB 79.66, -26.32, -22.35

 

CMYK 0 / 61 / 11 / 7

HEX #EE5DD4

RGB 238 93 212

HSL 310.76, 0.81%, 0.65%

LAB 62.3, 68.94, -33.85

 

CMYK 0 / 39 / 61 / 7

HEX #EE925D

RGB 238 146 93

HSL 21.93, 0.81%, 0.65%

LAB 69.13, 29.89, 42.39

 

CMYK 61 / 0 / 51 / 7

HEX #5DEE75

RGB 93 238 117

HSL 129.93, 0.81%, 0.65%

LAB 84.36, -63.28, 46.9

 

CMYK 61 / 22 / 0 / 7

HEX #5DB9EE

RGB 93 185 238

HSL 201.93, 0.81%, 0.65%

LAB 71.69, -11.92, -34.59

 

CMYK 0 / 61 / 11 / 7

HEX #EE5DD4

RGB 238 93 212

HSL 310.76, 0.81%, 0.65%

LAB 62.3, 68.94, -33.85

 

CMYK 0 / 21 / 61 / 7

HEX #EEBD5D

RGB 238 189 93

HSL 39.72, 0.81%, 0.65%

LAB 79.25, 7.19, 54.21

 

CMYK 61 / 0 / 51 / 7

HEX #5DEE75

RGB 93 238 117

HSL 129.93, 0.81%, 0.65%

LAB 84.36, -63.28, 46.9

 

CMYK 61 / 41 / 0 / 7

HEX #5D8DEE

RGB 93 141 238

HSL 220.14, 0.81%, 0.65%

LAB 59.48, 13.08, -53.77

 

Description

Color code: RGB 238 93 212 | qconv.com Color code: RGB 238 93 212 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 93 green and 212 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 93 212 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 61 magenta, 11 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 61% 11% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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