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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 238 88 193 it is the complementary color RGB 17 167 62. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 238 88 193. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 238 88 193 shade: RGB 243 88 188, RGB 255 106 207, RGB 255 124 226, RGB 255 142 245 and RGB 255 160 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 238 88 193. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 238 88 193 shade: RGB 238 88 193, RGB 221 70 174, RGB 204 52 155, RGB 187 34 136 and RGB 170 16 117

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 238 88 193 shade: RGB 238 87 193, RGB 238 87 152, RGB 238 87 112 and RGB 238 87 87

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 238 88 193 shade: RGB 238 87 193, RGB 238 87 233, RGB 202 87 238, RGB 161 87 238 and RGB 121 87 238

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 238 88 193 shade matches the following richer shades: RGB 238 87 193 and RGB 253 73 199

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 238 88 193 shade: RGB 238 87 193, RGB 223 102 187, RGB 208 117 181, RGB 193 132 175 and RGB 179 147 169

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 238 88 193 shade: RGB 203 87 238, RGB 238 87 233, RGB 238 87 193, RGB 238 87 153 and RGB 238 87 113

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 238 88 193 shade: RGB 221 21 161, RGB 234 50 179, RGB 238 87 193, RGB 242 125 207 and RGB 245 163 221

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 238 88 193 shade: RGB 238 88 193, RGB 238 163 87 and RGB 87 238 223

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 238 88 193 shade: RGB 238 88 193, RGB 193 238 87 and RGB 87 193 238

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 238 88 193 shade: RGB 238 88 193, RGB 238 163 87, RGB 87 238 133 and RGB 87 163 238

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 238 88 193 shade: RGB 238 88 193, RGB 238 208 87, RGB 87 238 133 and RGB 87 118 238

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 63 / 19 / 7

HEX #EE58C1

RGB 238 88 193

HSL 318, 0.82%, 0.64%

LAB 60.79, 68.23, -25.43

 

Complementary color

CMYK 90 / 0 / 63 / 35

HEX #11A73E

RGB 17 167 62

HSL 138, 0.82%, 0.36%

LAB 59.98, -57.8, 43.26

 

CMYK 0 / 64 / 23 / 5

HEX #F358BC

RGB 243 88 188

HSL 321.29, 0.87%, 0.65%

LAB 61.36, 68.89, -21.62

 

CMYK 0 / 58 / 19 / 0

HEX #FF6ACF

RGB 255 106 207

HSL 319.33, 1%, 0.71%

LAB 66.58, 67.33, -24.25

 

CMYK 0 / 51 / 11 / 0

HEX #FF7CE2

RGB 255 124 226

HSL 313.28, 1%, 0.74%

LAB 70.29, 62.09, -29.11

 

CMYK 0 / 44 / 4 / 0

HEX #FF8EF5

RGB 255 142 245

HSL 305.31, 1%, 0.78%

LAB 74.32, 56.56, -33.32

 

CMYK 0 / 37 / 0 / 0

HEX #FFA0FF

RGB 255 160 255

HSL 300, 1%, 0.81%

LAB 78.24, 49.29, -32.68

 

CMYK 0 / 63 / 19 / 7

HEX #EE58C1

RGB 238 88 193

HSL 318, 0.82%, 0.64%

LAB 60.79, 68.23, -25.43

 

CMYK 0 / 68 / 21 / 13

HEX #DD46AE

RGB 221 70 174

HSL 318.68, 0.69%, 0.57%

LAB 54.87, 68.1, -23.8

 

CMYK 0 / 75 / 24 / 20

HEX #CC349B

RGB 204 52 155

HSL 319.34, 0.6%, 0.5%

LAB 49.08, 67.48, -21.77

 

CMYK 0 / 82 / 27 / 27

HEX #BB2288

RGB 187 34 136

HSL 320, 0.69%, 0.43%

LAB 43.49, 66.11, -19.17

 

CMYK 0 / 91 / 31 / 33

HEX #AA1075

RGB 170 16 117

HSL 320.65, 0.83%, 0.36%

LAB 38.2, 63.64, -15.8

 

CMYK 0 / 63 / 19 / 7

HEX #EE57C1

RGB 238 87 193

HSL 317.88, 0.82%, 0.64%

LAB 60.64, 68.62, -25.65

 

CMYK 0 / 63 / 36 / 7

HEX #EE5798

RGB 238 87 152

HSL 334.17, 0.82%, 0.64%

LAB 59.21, 63.57, -4.16

 

CMYK 0 / 63 / 53 / 7

HEX #EE5770

RGB 238 87 112

HSL 350.07, 0.82%, 0.64%

LAB 58.19, 59.81, 17.77

 

CMYK 0 / 63 / 63 / 7

HEX #EE5757

RGB 238 87 87

HSL 0, 0.82%, 0.64%

LAB 57.73, 58.09, 31.65

 

CMYK 0 / 63 / 19 / 7

HEX #EE57C1

RGB 238 87 193

HSL 317.88, 0.82%, 0.64%

LAB 60.64, 68.62, -25.65

 

CMYK 0 / 63 / 2 / 7

HEX #EE57E9

RGB 238 87 233

HSL 301.99, 0.82%, 0.64%

LAB 62.4, 74.57, -45.47

 

CMYK 15 / 63 / 0 / 7

HEX #CA57EE

RGB 202 87 238

HSL 285.7, 0.82%, 0.64%

LAB 57.6, 67.17, -56.19

 

CMYK 32 / 63 / 0 / 7

HEX #A157EE

RGB 161 87 238

HSL 269.4, 0.82%, 0.64%

LAB 52.47, 58.19, -64.71

 

CMYK 49 / 63 / 0 / 7

HEX #7957EE

RGB 121 87 238

HSL 253.51, 0.82%, 0.64%

LAB 48.33, 50.29, -71.62

 

CMYK 0 / 63 / 19 / 7

HEX #EE57C1

RGB 238 87 193

HSL 317.88, 0.82%, 0.64%

LAB 60.64, 68.62, -25.65

 

CMYK 0 / 71 / 21 / 1

HEX #FD49C7

RGB 253 73 199

HSL 318, 0.98%, 0.64%

LAB 61.46, 78.2, -27.62

 

CMYK 0 / 63 / 19 / 7

HEX #EE57C1

RGB 238 87 193

HSL 317.88, 0.82%, 0.64%

LAB 60.64, 68.62, -25.65

 

CMYK 0 / 54 / 16 / 13

HEX #DF66BB

RGB 223 102 187

HSL 317.85, 0.65%, 0.64%

LAB 60.59, 57.12, -22.5

 

CMYK 0 / 44 / 13 / 18

HEX #D075B5

RGB 208 117 181

HSL 317.8, 0.49%, 0.64%

LAB 61.19, 44.18, -18.34

 

CMYK 0 / 32 / 9 / 24

HEX #C184AF

RGB 193 132 175

HSL 317.7, 0.33%, 0.64%

LAB 62.45, 30.12, -13.19

 

CMYK 0 / 18 / 6 / 30

HEX #B393A9

RGB 179 147 169

HSL 318.75, 0.17%, 0.64%

LAB 64.42, 15.76, -7.01

 

CMYK 15 / 63 / 0 / 7

HEX #CB57EE

RGB 203 87 238

HSL 286.09, 0.82%, 0.64%

LAB 57.74, 67.39, -55.97

 

CMYK 0 / 63 / 2 / 7

HEX #EE57E9

RGB 238 87 233

HSL 301.99, 0.82%, 0.64%

LAB 62.4, 74.57, -45.47

 

CMYK 0 / 63 / 19 / 7

HEX #EE57C1

RGB 238 87 193

HSL 317.88, 0.82%, 0.64%

LAB 60.64, 68.62, -25.65

 

CMYK 0 / 63 / 36 / 7

HEX #EE5799

RGB 238 87 153

HSL 333.77, 0.82%, 0.64%

LAB 59.24, 63.68, -4.7

 

CMYK 0 / 63 / 53 / 7

HEX #EE5771

RGB 238 87 113

HSL 349.67, 0.82%, 0.64%

LAB 58.21, 59.89, 17.22

 

CMYK 0 / 90 / 27 / 13

HEX #DD15A1

RGB 221 21 161

HSL 318, 0.83%, 0.47%

LAB 50.08, 78.69, -23.55

 

CMYK 0 / 79 / 24 / 8

HEX #EA32B3

RGB 234 50 179

HSL 317.93, 0.81%, 0.56%

LAB 55.1, 77.99, -26.18

 

CMYK 0 / 63 / 19 / 7

HEX #EE57C1

RGB 238 87 193

HSL 317.88, 0.82%, 0.64%

LAB 60.64, 68.62, -25.65

 

CMYK 0 / 48 / 14 / 5

HEX #F27DCF

RGB 242 125 207

HSL 317.95, 0.82%, 0.72%

LAB 68.06, 54.88, -22.14

 

CMYK 0 / 33 / 10 / 4

HEX #F5A3DD

RGB 245 163 221

HSL 317.56, 0.8%, 0.8%

LAB 76.57, 38.77, -16.9

 

CMYK 0 / 63 / 19 / 7

HEX #EE58C1

RGB 238 88 193

HSL 318, 0.82%, 0.64%

LAB 60.79, 68.23, -25.43

 

CMYK 0 / 32 / 63 / 7

HEX #EEA357

RGB 238 163 87

HSL 30.2, 0.82%, 0.64%

LAB 72.93, 20.51, 49.86

 

CMYK 63 / 0 / 6 / 7

HEX #57EEDF

RGB 87 238 223

HSL 174.04, 0.82%, 0.64%

LAB 86.26, -43.08, -4.55

 

CMYK 0 / 63 / 19 / 7

HEX #EE58C1

RGB 238 88 193

HSL 318, 0.82%, 0.64%

LAB 60.79, 68.23, -25.43

 

CMYK 19 / 0 / 63 / 7

HEX #C1EE57

RGB 193 238 87

HSL 77.88, 0.82%, 0.64%

LAB 88.53, -35.72, 66.01

 

CMYK 63 / 19 / 0 / 7

HEX #57C1EE

RGB 87 193 238

HSL 197.88, 0.82%, 0.64%

LAB 73.77, -17.18, -31.39

 

CMYK 0 / 63 / 19 / 7

HEX #EE58C1

RGB 238 88 193

HSL 318, 0.82%, 0.64%

LAB 60.79, 68.23, -25.43

 

CMYK 0 / 32 / 63 / 7

HEX #EEA357

RGB 238 163 87

HSL 30.2, 0.82%, 0.64%

LAB 72.93, 20.51, 49.86

 

CMYK 63 / 0 / 44 / 7

HEX #57EE85

RGB 87 238 133

HSL 138.28, 0.82%, 0.64%

LAB 84.42, -62.11, 39.24

 

CMYK 63 / 32 / 0 / 7

HEX #57A3EE

RGB 87 163 238

HSL 209.8, 0.82%, 0.64%

LAB 65.27, -0.82, -44.62

 

CMYK 0 / 63 / 19 / 7

HEX #EE58C1

RGB 238 88 193

HSL 318, 0.82%, 0.64%

LAB 60.79, 68.23, -25.43

 

CMYK 0 / 13 / 63 / 7

HEX #EED057

RGB 238 208 87

HSL 48.08, 0.82%, 0.64%

LAB 83.95, -3.03, 62.11

 

CMYK 63 / 0 / 44 / 7

HEX #57EE85

RGB 87 238 133

HSL 138.28, 0.82%, 0.64%

LAB 84.42, -62.11, 39.24

 

CMYK 63 / 50 / 0 / 7

HEX #5776EE

RGB 87 118 238

HSL 227.68, 0.82%, 0.64%

LAB 53.12, 25.98, -63.97

 

Description

Color code: RGB 238 88 193 | qconv.com Color code: RGB 238 88 193 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 88 green and 193 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 88 193 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 63 magenta, 19 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 63% 19% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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