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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 238 85 51 it is the complementary color RGB 17 170 204. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 238 85 51. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 238 85 51 shade: RGB 243 85 46, RGB 255 103 65, RGB 255 121 84, RGB 255 139 103 and RGB 255 157 122

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 238 85 51. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 238 85 51 shade: RGB 238 85 51, RGB 221 67 32, RGB 204 49 13, RGB 187 31 0 and RGB 170 13 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 238 85 51 shade: RGB 238 86 52 and RGB 238 52 52

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 238 85 51 shade: RGB 238 86 52, RGB 238 136 52, RGB 238 186 52, RGB 238 236 52 and RGB 189 238 52

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 238 85 51 shade matches the following richer shades: RGB 238 86 52

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 238 85 51 shade: RGB 238 86 52, RGB 220 97 69, RGB 203 108 87, RGB 185 119 105 and RGB 167 131 123

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 238 85 51 shade: RGB 238 52 120, RGB 238 52 70, RGB 238 83 52, RGB 238 132 52 and RGB 238 182 52

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 238 85 51 shade: RGB 192 47 15, RGB 230 57 18, RGB 238 86 52, RGB 241 117 90 and RGB 244 149 128

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 238 85 51 shade: RGB 238 85 51, RGB 170 238 52 and RGB 52 95 238

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 238 85 51 shade: RGB 238 85 51, RGB 52 238 83 and RGB 83 52 238

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 238 85 51 shade: RGB 238 85 51, RGB 170 238 52, RGB 52 207 238 and RGB 120 52 238

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 238 85 51 shade: RGB 238 85 51, RGB 114 238 52, RGB 52 207 238 and RGB 176 52 238

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 64 / 79 / 7

HEX #EE5533

RGB 238 85 51

HSL 10.91, 0.85%, 0.57%

LAB 56.99, 57.27, 50.25

 

Complementary color

CMYK 92 / 17 / 0 / 20

HEX #11AACC

RGB 17 170 204

HSL 190.91, 0.85%, 0.43%

LAB 64.35, -23.81, -27.42

 

CMYK 0 / 65 / 81 / 5

HEX #F3552E

RGB 243 85 46

HSL 11.88, 0.89%, 0.57%

LAB 57.8, 58.78, 53.71

 

CMYK 0 / 60 / 75 / 0

HEX #FF6741

RGB 255 103 65

HSL 12, 1%, 0.63%

LAB 62.8, 55.88, 50.14

 

CMYK 0 / 53 / 67 / 0

HEX #FF7954

RGB 255 121 84

HSL 12.98, 1%, 0.66%

LAB 66.19, 48.47, 44.16

 

CMYK 0 / 45 / 60 / 0

HEX #FF8B67

RGB 255 139 103

HSL 14.21, 1%, 0.7%

LAB 69.97, 40.79, 38.66

 

CMYK 0 / 38 / 52 / 0

HEX #FF9D7A

RGB 255 157 122

HSL 15.79, 1%, 0.74%

LAB 74.05, 33.04, 33.7

 

CMYK 0 / 64 / 79 / 7

HEX #EE5533

RGB 238 85 51

HSL 10.91, 0.85%, 0.57%

LAB 56.99, 57.27, 50.25

 

CMYK 0 / 70 / 86 / 13

HEX #DD4320

RGB 221 67 32

HSL 11.11, 0.75%, 0.5%

LAB 51.26, 58.25, 52.75

 

CMYK 0 / 76 / 94 / 20

HEX #CC310D

RGB 204 49 13

HSL 11.31, 0.88%, 0.43%

LAB 45.72, 58.84, 54.41

 

CMYK 0 / 83 / 100 / 27

HEX #BB1F00

RGB 187 31 0

HSL 9.95, 1%, 0.37%

LAB 40.48, 58.73, 53.86

 

CMYK 0 / 92 / 100 / 33

HEX #AA0D00

RGB 170 13 0

HSL 4.59, 1%, 0.33%

LAB 35.66, 57.48, 49.7

 

CMYK 0 / 64 / 78 / 7

HEX #EE5634

RGB 238 86 52

HSL 10.97, 0.85%, 0.57%

LAB 57.15, 56.88, 49.92

 

CMYK 0 / 78 / 78 / 7

HEX #EE3434

RGB 238 52 52

HSL 0, 0.85%, 0.57%

LAB 52.82, 68.8, 45.52

 

CMYK 0 / 64 / 78 / 7

HEX #EE5634

RGB 238 86 52

HSL 10.97, 0.85%, 0.57%

LAB 57.15, 56.88, 49.92

 

CMYK 0 / 43 / 78 / 7

HEX #EE8834

RGB 238 136 52

HSL 27.1, 0.85%, 0.57%

LAB 66.55, 32.98, 59.08

 

CMYK 0 / 22 / 78 / 7

HEX #EEBA34

RGB 238 186 52

HSL 43.23, 0.85%, 0.57%

LAB 78.19, 6.67, 69.92

 

CMYK 0 / 1 / 78 / 7

HEX #EEEC34

RGB 238 236 52

HSL 59.35, 0.85%, 0.57%

LAB 90.97, -18.59, 81.34

 

CMYK 21 / 0 / 78 / 7

HEX #BDEE34

RGB 189 238 52

HSL 75.81, 0.85%, 0.57%

LAB 88.07, -39.18, 77.45

 

CMYK 0 / 64 / 78 / 7

HEX #EE5634

RGB 238 86 52

HSL 10.97, 0.85%, 0.57%

LAB 57.15, 56.88, 49.92

 

CMYK 0 / 64 / 78 / 7

HEX #EE5634

RGB 238 86 52

HSL 10.97, 0.85%, 0.57%

LAB 57.15, 56.88, 49.92

 

CMYK 0 / 56 / 69 / 14

HEX #DC6145

RGB 220 97 69

HSL 11.13, 0.68%, 0.57%

LAB 56.28, 46.36, 39.27

 

CMYK 0 / 47 / 57 / 20

HEX #CB6C57

RGB 203 108 87

HSL 10.86, 0.53%, 0.57%

LAB 56.2, 35.59, 28.59

 

CMYK 0 / 36 / 43 / 27

HEX #B97769

RGB 185 119 105

HSL 10.5, 0.36%, 0.57%

LAB 56.61, 24.22, 18.43

 

CMYK 0 / 22 / 26 / 35

HEX #A7837B

RGB 167 131 123

HSL 10.91, 0.2%, 0.57%

LAB 57.92, 12.59, 9.6

 

CMYK 0 / 78 / 50 / 7

HEX #EE3478

RGB 238 52 120

HSL 338.06, 0.85%, 0.57%

LAB 54.02, 72.52, 7.19

 

CMYK 0 / 78 / 71 / 7

HEX #EE3446

RGB 238 52 70

HSL 354.19, 0.85%, 0.57%

LAB 53.03, 69.47, 35.67

 

CMYK 0 / 65 / 78 / 7

HEX #EE5334

RGB 238 83 52

HSL 10, 0.85%, 0.57%

LAB 56.7, 58.12, 49.46

 

CMYK 0 / 45 / 78 / 7

HEX #EE8434

RGB 238 132 52

HSL 25.81, 0.85%, 0.57%

LAB 65.69, 35.05, 58.27

 

CMYK 0 / 24 / 78 / 7

HEX #EEB634

RGB 238 182 52

HSL 41.94, 0.85%, 0.57%

LAB 77.21, 8.76, 69.02

 

CMYK 0 / 76 / 92 / 25

HEX #C02F0F

RGB 192 47 15

HSL 10.85, 0.86%, 0.41%

LAB 43.17, 55.8, 50.98

 

CMYK 0 / 75 / 92 / 10

HEX #E63912

RGB 230 57 18

HSL 11.04, 0.85%, 0.49%

LAB 51.6, 64.26, 59.04

 

CMYK 0 / 64 / 78 / 7

HEX #EE5634

RGB 238 86 52

HSL 10.97, 0.85%, 0.57%

LAB 57.15, 56.88, 49.92

 

CMYK 0 / 51 / 63 / 5

HEX #F1755A

RGB 241 117 90

HSL 10.73, 0.84%, 0.65%

LAB 63.48, 45.63, 37.21

 

CMYK 0 / 39 / 48 / 4

HEX #F49580

RGB 244 149 128

HSL 10.86, 0.84%, 0.73%

LAB 71.07, 33.52, 26.28

 

CMYK 0 / 64 / 79 / 7

HEX #EE5533

RGB 238 85 51

HSL 10.91, 0.85%, 0.57%

LAB 56.99, 57.27, 50.25

 

CMYK 29 / 0 / 78 / 7

HEX #AAEE34

RGB 170 238 52

HSL 81.94, 0.85%, 0.57%

LAB 86.97, -46.29, 76.03

 

CMYK 78 / 60 / 0 / 7

HEX #345FEE

RGB 52 95 238

HSL 226.13, 0.85%, 0.57%

LAB 45.75, 35.81, -76

 

CMYK 0 / 64 / 79 / 7

HEX #EE5533

RGB 238 85 51

HSL 10.91, 0.85%, 0.57%

LAB 56.99, 57.27, 50.25

 

CMYK 78 / 0 / 65 / 7

HEX #34EE53

RGB 52 238 83

HSL 130, 0.85%, 0.57%

LAB 83.18, -74.13, 60.27

 

CMYK 65 / 78 / 0 / 7

HEX #5334EE

RGB 83 52 238

HSL 250, 0.85%, 0.57%

LAB 38.67, 62.88, -87.59

 

CMYK 0 / 64 / 79 / 7

HEX #EE5533

RGB 238 85 51

HSL 10.91, 0.85%, 0.57%

LAB 56.99, 57.27, 50.25

 

CMYK 29 / 0 / 78 / 7

HEX #AAEE34

RGB 170 238 52

HSL 81.94, 0.85%, 0.57%

LAB 86.97, -46.29, 76.03

 

CMYK 78 / 13 / 0 / 7

HEX #34CFEE

RGB 52 207 238

HSL 190, 0.85%, 0.57%

LAB 77, -28.8, -26.5

 

CMYK 50 / 78 / 0 / 7

HEX #7834EE

RGB 120 52 238

HSL 261.94, 0.85%, 0.57%

LAB 42.19, 66.99, -81.67

 

CMYK 0 / 64 / 79 / 7

HEX #EE5533

RGB 238 85 51

HSL 10.91, 0.85%, 0.57%

LAB 56.99, 57.27, 50.25

 

CMYK 52 / 0 / 78 / 7

HEX #72EE34

RGB 114 238 52

HSL 100, 0.85%, 0.57%

LAB 84.47, -64.29, 72.81

 

CMYK 78 / 13 / 0 / 7

HEX #34CFEE

RGB 52 207 238

HSL 190, 0.85%, 0.57%

LAB 77, -28.8, -26.5

 

CMYK 26 / 78 / 0 / 7

HEX #B034EE

RGB 176 52 238

HSL 280, 0.85%, 0.57%

LAB 49.32, 75.32, -69.71

 

Description

Color code: RGB 238 85 51 | qconv.com Color code: RGB 238 85 51 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 85 green and 51 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 85 51 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 64 magenta, 79 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 64% 79% 7% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

31% - Kap IT, artisan de v...
Link: http://www.kapit.fr

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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