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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 238 84 146 it is the complementary color RGB 17 171 109. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 238 84 146. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 238 84 146 shade: RGB 243 84 141, RGB 255 102 160, RGB 255 120 179, RGB 255 138 198 and RGB 255 156 217

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 238 84 146. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 238 84 146 shade: RGB 238 84 146, RGB 221 66 127, RGB 204 48 108, RGB 187 30 89 and RGB 170 12 70

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 238 84 146 shade: RGB 238 83 145, RGB 238 83 103 and RGB 238 83 83

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 238 84 146 shade: RGB 238 83 145, RGB 238 83 187, RGB 238 83 229, RGB 205 83 238 and RGB 163 83 238

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 238 84 146 shade matches the following richer shades: RGB 238 83 145 and RGB 253 68 142

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 238 84 146 shade: RGB 238 83 145, RGB 222 98 148, RGB 207 113 151, RGB 192 129 154 and RGB 176 144 157

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 238 84 146 shade: RGB 238 83 230, RGB 238 83 189, RGB 238 83 147, RGB 238 83 106 and RGB 238 101 83

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 238 84 146 shade: RGB 217 21 100, RGB 234 45 121, RGB 238 83 145, RGB 241 120 169 and RGB 245 158 193

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 238 84 146 shade: RGB 238 84 146, RGB 238 204 83 and RGB 83 209 238

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 238 84 146 shade: RGB 238 84 146, RGB 147 238 83 and RGB 83 147 238

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 238 84 146 shade: RGB 238 84 146, RGB 238 204 83, RGB 83 238 173 and RGB 83 116 238

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 238 84 146 shade: RGB 238 84 146, RGB 225 238 83, RGB 83 238 173 and RGB 96 83 238

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 65 / 39 / 7

HEX #EE5492

RGB 238 84 146

HSL 335.84, 0.82%, 0.63%

LAB 58.6, 64.13, -1.57

 

Complementary color

CMYK 90 / 0 / 36 / 33

HEX #11AB6D

RGB 17 171 109

HSL 155.84, 0.82%, 0.37%

LAB 61.95, -51.27, 21.86

 

CMYK 0 / 65 / 42 / 5

HEX #F3548D

RGB 243 84 141

HSL 338.49, 0.87%, 0.64%

LAB 59.27, 65.09, 2.43

 

CMYK 0 / 60 / 37 / 0

HEX #FF66A0

RGB 255 102 160

HSL 337.25, 1%, 0.7%

LAB 64.4, 63.25, -0.85

 

CMYK 0 / 53 / 30 / 0

HEX #FF78B3

RGB 255 120 179

HSL 333.78, 1%, 0.74%

LAB 67.98, 57.41, -6.37

 

CMYK 0 / 46 / 22 / 0

HEX #FF8AC6

RGB 255 138 198

HSL 329.23, 1%, 0.77%

LAB 71.9, 51.27, -11.16

 

CMYK 0 / 39 / 15 / 0

HEX #FF9CD9

RGB 255 156 217

HSL 323.03, 1%, 0.81%

LAB 76.1, 45.01, -15.33

 

CMYK 0 / 65 / 39 / 7

HEX #EE5492

RGB 238 84 146

HSL 335.84, 0.82%, 0.63%

LAB 58.6, 64.13, -1.57

 

CMYK 0 / 70 / 43 / 13

HEX #DD427F

RGB 221 66 127

HSL 336.39, 0.7%, 0.56%

LAB 52.73, 64.16, 0.76

 

CMYK 0 / 76 / 47 / 20

HEX #CC306C

RGB 204 48 108

HSL 336.92, 0.62%, 0.49%

LAB 47.02, 63.67, 3.62

 

CMYK 0 / 84 / 52 / 27

HEX #BB1E59

RGB 187 30 89

HSL 337.45, 0.72%, 0.43%

LAB 41.56, 62.41, 7.2

 

CMYK 0 / 93 / 59 / 33

HEX #AA0C46

RGB 170 12 70

HSL 337.97, 0.87%, 0.36%

LAB 36.46, 60.01, 11.73

 

CMYK 0 / 65 / 39 / 7

HEX #EE5391

RGB 238 83 145

HSL 336, 0.82%, 0.63%

LAB 58.42, 64.43, -1.24

 

CMYK 0 / 65 / 57 / 7

HEX #EE5367

RGB 238 83 103

HSL 352.26, 0.82%, 0.63%

LAB 57.41, 60.77, 21.97

 

CMYK 0 / 65 / 65 / 7

HEX #EE5353

RGB 238 83 83

HSL 0, 0.82%, 0.63%

LAB 57.06, 59.5, 33.1

 

CMYK 0 / 65 / 39 / 7

HEX #EE5391

RGB 238 83 145

HSL 336, 0.82%, 0.63%

LAB 58.42, 64.43, -1.24

 

CMYK 0 / 65 / 21 / 7

HEX #EE53BB

RGB 238 83 187

HSL 319.74, 0.82%, 0.63%

LAB 59.84, 69.37, -23.45

 

CMYK 0 / 65 / 4 / 7

HEX #EE53E5

RGB 238 83 229

HSL 303.48, 0.82%, 0.63%

LAB 61.67, 75.44, -44.39

 

CMYK 14 / 65 / 0 / 7

HEX #CD53EE

RGB 205 83 238

HSL 287.23, 0.82%, 0.63%

LAB 57.4, 69.52, -56.49

 

CMYK 32 / 65 / 0 / 7

HEX #A353EE

RGB 163 83 238

HSL 270.97, 0.82%, 0.63%

LAB 52, 60.53, -65.46

 

CMYK 0 / 65 / 39 / 7

HEX #EE5391

RGB 238 83 145

HSL 336, 0.82%, 0.63%

LAB 58.42, 64.43, -1.24

 

CMYK 0 / 73 / 44 / 1

HEX #FD448E

RGB 253 68 142

HSL 336, 0.98%, 0.63%

LAB 58.95, 73.62, 1.59

 

CMYK 0 / 65 / 39 / 7

HEX #EE5391

RGB 238 83 145

HSL 336, 0.82%, 0.63%

LAB 58.42, 64.43, -1.24

 

CMYK 0 / 56 / 33 / 13

HEX #DE6294

RGB 222 98 148

HSL 335.81, 0.65%, 0.63%

LAB 58.42, 53.42, -3.29

 

CMYK 0 / 45 / 27 / 19

HEX #CF7197

RGB 207 113 151

HSL 335.74, 0.49%, 0.63%

LAB 59.26, 41.42, -4.02

 

CMYK 0 / 33 / 20 / 25

HEX #C0819A

RGB 192 129 154

HSL 336.19, 0.33%, 0.63%

LAB 60.99, 27.95, -3.4

 

CMYK 0 / 18 / 11 / 31

HEX #B0909D

RGB 176 144 157

HSL 335.63, 0.17%, 0.63%

LAB 63.02, 14.21, -2.32

 

CMYK 0 / 65 / 3 / 7

HEX #EE53E6

RGB 238 83 230

HSL 303.1, 0.82%, 0.63%

LAB 61.72, 75.6, -44.87

 

CMYK 0 / 65 / 21 / 7

HEX #EE53BD

RGB 238 83 189

HSL 318.97, 0.82%, 0.63%

LAB 59.92, 69.64, -24.47

 

CMYK 0 / 65 / 38 / 7

HEX #EE5393

RGB 238 83 147

HSL 335.23, 0.82%, 0.63%

LAB 58.48, 64.63, -2.32

 

CMYK 0 / 65 / 55 / 7

HEX #EE536A

RGB 238 83 106

HSL 351.1, 0.82%, 0.63%

LAB 57.47, 60.98, 20.3

 

CMYK 0 / 58 / 65 / 7

HEX #EE6553

RGB 238 101 83

HSL 6.97, 0.82%, 0.63%

LAB 59.99, 51.71, 36.68

 

CMYK 0 / 90 / 54 / 15

HEX #D91564

RGB 217 21 100

HSL 335.82, 0.82%, 0.47%

LAB 47.25, 72.24, 9.21

 

CMYK 0 / 81 / 48 / 8

HEX #EA2D79

RGB 234 45 121

HSL 335.87, 0.82%, 0.55%

LAB 52.67, 73.37, 4.57

 

CMYK 0 / 65 / 39 / 7

HEX #EE5391

RGB 238 83 145

HSL 336, 0.82%, 0.63%

LAB 58.42, 64.43, -1.24

 

CMYK 0 / 50 / 30 / 5

HEX #F178A9

RGB 241 120 169

HSL 335.7, 0.81%, 0.71%

LAB 65.75, 51.68, -4.24

 

CMYK 0 / 36 / 21 / 4

HEX #F59EC1

RGB 245 158 193

HSL 335.86, 0.81%, 0.79%

LAB 74.65, 37.03, -4.45

 

CMYK 0 / 65 / 39 / 7

HEX #EE5492

RGB 238 84 146

HSL 335.84, 0.82%, 0.63%

LAB 58.6, 64.13, -1.57

 

CMYK 0 / 14 / 65 / 7

HEX #EECC53

RGB 238 204 83

HSL 46.84, 0.82%, 0.63%

LAB 82.91, -1.22, 62.69

 

CMYK 65 / 12 / 0 / 7

HEX #53D1EE

RGB 83 209 238

HSL 191.23, 0.82%, 0.63%

LAB 78.24, -25.95, -24.55

 

CMYK 0 / 65 / 39 / 7

HEX #EE5492

RGB 238 84 146

HSL 335.84, 0.82%, 0.63%

LAB 58.6, 64.13, -1.57

 

CMYK 38 / 0 / 65 / 7

HEX #93EE53

RGB 147 238 83

HSL 95.23, 0.82%, 0.63%

LAB 85.99, -52.35, 64.14

 

CMYK 65 / 38 / 0 / 7

HEX #5393EE

RGB 83 147 238

HSL 215.23, 0.82%, 0.63%

LAB 60.68, 7.78, -51.89

 

CMYK 0 / 65 / 39 / 7

HEX #EE5492

RGB 238 84 146

HSL 335.84, 0.82%, 0.63%

LAB 58.6, 64.13, -1.57

 

CMYK 0 / 14 / 65 / 7

HEX #EECC53

RGB 238 204 83

HSL 46.84, 0.82%, 0.63%

LAB 82.91, -1.22, 62.69

 

CMYK 65 / 0 / 27 / 7

HEX #53EEAD

RGB 83 238 173

HSL 154.84, 0.82%, 0.63%

LAB 85, -55.46, 19.76

 

CMYK 65 / 51 / 0 / 7

HEX #5374EE

RGB 83 116 238

HSL 227.23, 0.82%, 0.63%

LAB 52.4, 26.57, -65.14

 

CMYK 0 / 65 / 39 / 7

HEX #EE5492

RGB 238 84 146

HSL 335.84, 0.82%, 0.63%

LAB 58.6, 64.13, -1.57

 

CMYK 5 / 0 / 65 / 7

HEX #E1EE53

RGB 225 238 83

HSL 65.03, 0.82%, 0.63%

LAB 90.68, -23.45, 70.49

 

CMYK 65 / 0 / 27 / 7

HEX #53EEAD

RGB 83 238 173

HSL 154.84, 0.82%, 0.63%

LAB 85, -55.46, 19.76

 

CMYK 60 / 65 / 0 / 7

HEX #6053EE

RGB 96 83 238

HSL 245.03, 0.82%, 0.63%

LAB 45.42, 48.39, -76.45

 

Description

Color code: RGB 238 84 146 | qconv.com Color code: RGB 238 84 146 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 84 green and 146 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 84 146 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 65 magenta, 39 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 65% 39% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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