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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 238 78 124 it is the complementary color RGB 17 177 131. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 238 78 124. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 238 78 124 shade: RGB 243 78 119, RGB 255 96 138, RGB 255 114 157, RGB 255 132 176 and RGB 255 150 195

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 238 78 124. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 238 78 124 shade: RGB 238 78 124, RGB 221 60 105, RGB 204 42 86, RGB 187 24 67 and RGB 170 6 48

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 238 78 124 shade: RGB 237 78 124, RGB 237 78 81 and RGB 237 78 78

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 238 78 124 shade: RGB 237 78 124, RGB 237 78 167, RGB 237 78 210, RGB 222 78 237 and RGB 179 78 237

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 238 78 124 shade matches the following richer shades: RGB 237 78 124 and RGB 253 62 117

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 238 78 124 shade: RGB 237 78 124, RGB 221 94 130, RGB 206 109 137, RGB 190 125 144 and RGB 174 141 150

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 238 78 124 shade: RGB 237 78 211, RGB 237 78 168, RGB 237 78 126, RGB 237 78 83 and RGB 237 115 78

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 238 78 124 shade: RGB 212 21 76, RGB 233 41 96, RGB 237 78 124, RGB 241 116 152 and RGB 244 153 179

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 238 78 124 shade: RGB 238 78 124, RGB 237 221 78 and RGB 78 189 237

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 238 78 124 shade: RGB 238 78 124, RGB 126 237 78 and RGB 78 126 237

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 238 78 124 shade: RGB 238 78 124, RGB 237 221 78, RGB 78 237 189 and RGB 78 94 237

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 238 78 124 shade: RGB 238 78 124, RGB 205 237 78, RGB 78 237 189 and RGB 110 78 237

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 67 / 48 / 7

HEX #EE4E7C

RGB 238 78 124

HSL 342.75, 0.82%, 0.62%

LAB 57.15, 64.37, 9.28

 

Complementary color

CMYK 90 / 0 / 26 / 31

HEX #11B183

RGB 17 177 131

HSL 162.75, 0.82%, 0.38%

LAB 64.32, -48.58, 13.11

 

CMYK 0 / 68 / 51 / 5

HEX #F34E77

RGB 243 78 119

HSL 345.09, 0.87%, 0.63%

LAB 57.88, 65.44, 13.37

 

CMYK 0 / 62 / 46 / 0

HEX #FF608A

RGB 255 96 138

HSL 344.15, 1%, 0.69%

LAB 62.89, 63.59, 9.63

 

CMYK 0 / 55 / 38 / 0

HEX #FF729D

RGB 255 114 157

HSL 341.7, 1%, 0.72%

LAB 66.31, 57.64, 3.64

 

CMYK 0 / 48 / 31 / 0

HEX #FF84B0

RGB 255 132 176

HSL 338.54, 1%, 0.76%

LAB 70.1, 51.32, -1.56

 

CMYK 0 / 41 / 24 / 0

HEX #FF96C3

RGB 255 150 195

HSL 334.29, 1%, 0.79%

LAB 74.2, 44.84, -6.09

 

CMYK 0 / 67 / 48 / 7

HEX #EE4E7C

RGB 238 78 124

HSL 342.75, 0.82%, 0.62%

LAB 57.15, 64.37, 9.28

 

CMYK 0 / 73 / 52 / 13

HEX #DD3C69

RGB 221 60 105

HSL 343.23, 0.7%, 0.55%

LAB 51.41, 64.33, 12.11

 

CMYK 0 / 79 / 58 / 20

HEX #CC2A56

RGB 204 42 86

HSL 343.7, 0.66%, 0.48%

LAB 45.86, 63.7, 15.57

 

CMYK 0 / 87 / 64 / 27

HEX #BB1843

RGB 187 24 67

HSL 344.17, 0.77%, 0.41%

LAB 40.61, 62.2, 19.83

 

CMYK 0 / 96 / 72 / 33

HEX #AA0630

RGB 170 6 48

HSL 344.63, 0.93%, 0.35%

LAB 35.77, 59.53, 25.03

 

CMYK 0 / 67 / 48 / 7

HEX #ED4E7C

RGB 237 78 124

HSL 342.64, 0.82%, 0.62%

LAB 56.99, 64.08, 9.01

 

CMYK 0 / 67 / 66 / 7

HEX #ED4E51

RGB 237 78 81

HSL 358.87, 0.82%, 0.62%

LAB 56.14, 61.05, 33.06

 

CMYK 0 / 67 / 67 / 7

HEX #ED4E4E

RGB 237 78 78

HSL 0, 0.82%, 0.62%

LAB 56.09, 60.89, 34.71

 

CMYK 0 / 67 / 48 / 7

HEX #ED4E7C

RGB 237 78 124

HSL 342.64, 0.82%, 0.62%

LAB 56.99, 64.08, 9.01

 

CMYK 0 / 67 / 30 / 7

HEX #ED4EA7

RGB 237 78 167

HSL 326.42, 0.82%, 0.62%

LAB 58.27, 68.49, -14.32

 

CMYK 0 / 67 / 11 / 7

HEX #ED4ED2

RGB 237 78 210

HSL 310.19, 0.82%, 0.62%

LAB 59.98, 74.17, -36.35

 

CMYK 6 / 67 / 0 / 7

HEX #DE4EED

RGB 222 78 237

HSL 294.34, 0.82%, 0.62%

LAB 59.06, 75.01, -53.15

 

CMYK 24 / 67 / 0 / 7

HEX #B34EED

RGB 179 78 237

HSL 278.11, 0.82%, 0.62%

LAB 53.11, 65.88, -63.01

 

CMYK 0 / 67 / 48 / 7

HEX #ED4E7C

RGB 237 78 124

HSL 342.64, 0.82%, 0.62%

LAB 56.99, 64.08, 9.01

 

CMYK 0 / 75 / 54 / 1

HEX #FD3E75

RGB 253 62 117

HSL 342.72, 0.98%, 0.62%

LAB 57.67, 73.44, 14.51

 

CMYK 0 / 67 / 48 / 7

HEX #ED4E7C

RGB 237 78 124

HSL 342.64, 0.82%, 0.62%

LAB 56.99, 64.08, 9.01

 

CMYK 0 / 57 / 41 / 13

HEX #DD5E82

RGB 221 94 130

HSL 342.99, 0.65%, 0.62%

LAB 57.06, 52.92, 5.25

 

CMYK 0 / 47 / 33 / 19

HEX #CE6D89

RGB 206 109 137

HSL 342.68, 0.5%, 0.62%

LAB 57.91, 41.3, 2.1

 

CMYK 0 / 34 / 24 / 25

HEX #BE7D90

RGB 190 125 144

HSL 342.46, 0.33%, 0.62%

LAB 59.55, 27.9, 0.2

 

CMYK 0 / 19 / 14 / 32

HEX #AE8D96

RGB 174 141 150

HSL 343.64, 0.17%, 0.62%

LAB 61.87, 13.94, -0.06

 

CMYK 0 / 67 / 11 / 7

HEX #ED4ED3

RGB 237 78 211

HSL 309.81, 0.82%, 0.62%

LAB 60.03, 74.31, -36.85

 

CMYK 0 / 67 / 29 / 7

HEX #ED4EA8

RGB 237 78 168

HSL 326.04, 0.82%, 0.62%

LAB 58.3, 68.61, -14.85

 

CMYK 0 / 67 / 47 / 7

HEX #ED4E7E

RGB 237 78 126

HSL 341.89, 0.82%, 0.62%

LAB 57.04, 64.25, 7.9

 

CMYK 0 / 67 / 65 / 7

HEX #ED4E53

RGB 237 78 83

HSL 358.11, 0.82%, 0.62%

LAB 56.17, 61.15, 31.95

 

CMYK 0 / 51 / 67 / 7

HEX #ED734E

RGB 237 115 78

HSL 13.96, 0.82%, 0.62%

LAB 62.35, 44.41, 42.17

 

CMYK 0 / 90 / 64 / 17

HEX #D4154C

RGB 212 21 76

HSL 342.72, 0.82%, 0.46%

LAB 45.71, 69.55, 21.84

 

CMYK 0 / 82 / 59 / 9

HEX #E92960

RGB 233 41 96

HSL 342.81, 0.81%, 0.54%

LAB 51.56, 72.26, 18.11

 

CMYK 0 / 67 / 48 / 7

HEX #ED4E7C

RGB 237 78 124

HSL 342.64, 0.82%, 0.62%

LAB 56.99, 64.08, 9.01

 

CMYK 0 / 52 / 37 / 5

HEX #F17498

RGB 241 116 152

HSL 342.72, 0.82%, 0.7%

LAB 64.53, 51.58, 3.66

 

CMYK 0 / 37 / 27 / 4

HEX #F499B3

RGB 244 153 179

HSL 342.86, 0.81%, 0.78%

LAB 73.07, 37.32, 0.94

 

CMYK 0 / 67 / 48 / 7

HEX #EE4E7C

RGB 238 78 124

HSL 342.75, 0.82%, 0.62%

LAB 57.15, 64.37, 9.28

 

CMYK 0 / 7 / 67 / 7

HEX #EDDD4E

RGB 237 221 78

HSL 53.96, 0.82%, 0.62%

LAB 87.13, -10.52, 69.08

 

CMYK 67 / 20 / 0 / 7

HEX #4EBDED

RGB 78 189 237

HSL 198.11, 0.82%, 0.62%

LAB 72.31, -16.82, -33.11

 

CMYK 0 / 67 / 48 / 7

HEX #EE4E7C

RGB 238 78 124

HSL 342.75, 0.82%, 0.62%

LAB 57.15, 64.37, 9.28

 

CMYK 47 / 0 / 67 / 7

HEX #7EED4E

RGB 126 237 78

HSL 101.89, 0.82%, 0.62%

LAB 84.77, -58.83, 64.51

 

CMYK 67 / 47 / 0 / 7

HEX #4E7EED

RGB 78 126 237

HSL 221.89, 0.82%, 0.62%

LAB 54.72, 19.3, -60.87

 

CMYK 0 / 67 / 48 / 7

HEX #EE4E7C

RGB 238 78 124

HSL 342.75, 0.82%, 0.62%

LAB 57.15, 64.37, 9.28

 

CMYK 0 / 7 / 67 / 7

HEX #EDDD4E

RGB 237 221 78

HSL 53.96, 0.82%, 0.62%

LAB 87.13, -10.52, 69.08

 

CMYK 67 / 0 / 20 / 7

HEX #4EEDBD

RGB 78 237 189

HSL 161.89, 0.82%, 0.62%

LAB 84.93, -52.35, 11.32

 

CMYK 67 / 60 / 0 / 7

HEX #4E5EED

RGB 78 94 237

HSL 233.96, 0.82%, 0.62%

LAB 46.63, 39.02, -73.96

 

CMYK 0 / 67 / 48 / 7

HEX #EE4E7C

RGB 238 78 124

HSL 342.75, 0.82%, 0.62%

LAB 57.15, 64.37, 9.28

 

CMYK 14 / 0 / 67 / 7

HEX #CDED4E

RGB 205 237 78

HSL 72.08, 0.82%, 0.62%

LAB 88.97, -31.21, 70.18

 

CMYK 67 / 0 / 20 / 7

HEX #4EEDBD

RGB 78 237 189

HSL 161.89, 0.82%, 0.62%

LAB 84.93, -52.35, 11.32

 

CMYK 54 / 67 / 0 / 7

HEX #6E4EED

RGB 110 78 237

HSL 252.08, 0.82%, 0.62%

LAB 45.47, 53.01, -75.77

 

Description

Color code: RGB 238 78 124 | qconv.com Color code: RGB 238 78 124 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 78 green and 124 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 78 124 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 67 magenta, 48 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 67% 48% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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