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Color name
RGB 238 72 153

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 238 72 153 it is the complementary color RGB 17 183 102. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 238 72 153. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 238 72 153 shade: RGB 243 72 148, RGB 255 90 167, RGB 255 108 186, RGB 255 126 205 and RGB 255 144 224

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 238 72 153. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 238 72 153 shade: RGB 238 72 153, RGB 221 54 134, RGB 204 36 115, RGB 187 18 96 and RGB 170 0 77

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 238 72 153 shade: RGB 238 73 153, RGB 238 73 109 and RGB 238 73 73

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 238 72 153 shade: RGB 238 73 153, RGB 238 73 198, RGB 233 73 238, RGB 189 73 238 and RGB 144 73 238

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 238 72 153 shade matches the following richer shades: RGB 238 73 153 and RGB 254 56 153

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 238 72 153 shade: RGB 238 73 153, RGB 222 89 153, RGB 205 105 154, RGB 189 121 154 and RGB 173 137 155

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 238 72 153 shade: RGB 232 73 238, RGB 238 73 199, RGB 238 73 155, RGB 238 73 111 and RGB 238 78 73

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 238 72 153 shade: RGB 209 19 112, RGB 234 35 132, RGB 238 73 153, RGB 241 110 174 and RGB 245 148 195

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 238 72 153 shade: RGB 238 72 153, RGB 238 188 73 and RGB 73 221 238

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 238 72 153 shade: RGB 238 72 153, RGB 155 238 73 and RGB 73 155 238

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 238 72 153 shade: RGB 238 72 153, RGB 238 188 73, RGB 73 238 155 and RGB 73 122 238

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 238 72 153 shade: RGB 238 72 153, RGB 238 238 73, RGB 73 238 155 and RGB 73 73 238

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 70 / 36 / 7

HEX #EE4899

RGB 238 72 153

HSL 330.72, 0.83%, 0.61%

LAB 57.18, 69.36, -7.76

 

Complementary color

CMYK 91 / 0 / 44 / 28

HEX #11B766

RGB 17 183 102

HSL 150.72, 0.83%, 0.39%

LAB 65.71, -56.97, 30.53

 

CMYK 0 / 70 / 39 / 5

HEX #F34894

RGB 243 72 148

HSL 333.33, 0.88%, 0.62%

LAB 57.87, 70.19, -3.71

 

CMYK 0 / 65 / 35 / 0

HEX #FF5AA7

RGB 255 90 167

HSL 332, 1%, 0.68%

LAB 62.81, 68.89, -7.21

 

CMYK 0 / 58 / 27 / 0

HEX #FF6CBA

RGB 255 108 186

HSL 328.16, 1%, 0.71%

LAB 66.16, 63.69, -13.05

 

CMYK 0 / 51 / 20 / 0

HEX #FF7ECD

RGB 255 126 205

HSL 323.26, 1%, 0.75%

LAB 69.89, 58.05, -18.08

 

CMYK 0 / 44 / 12 / 0

HEX #FF90E0

RGB 255 144 224

HSL 316.76, 1%, 0.78%

LAB 73.93, 52.15, -22.45

 

CMYK 0 / 70 / 36 / 7

HEX #EE4899

RGB 238 72 153

HSL 330.72, 0.83%, 0.61%

LAB 57.18, 69.36, -7.76

 

CMYK 0 / 76 / 39 / 13

HEX #DD3686

RGB 221 54 134

HSL 331.26, 0.71%, 0.54%

LAB 51.53, 68.79, -5.2

 

CMYK 0 / 82 / 44 / 20

HEX #CC2473

RGB 204 36 115

HSL 331.79, 0.7%, 0.47%

LAB 46.09, 67.52, -2.04

 

CMYK 0 / 90 / 49 / 27

HEX #BB1260

RGB 187 18 96

HSL 332.31, 0.82%, 0.4%

LAB 40.96, 65.23, 1.93

 

CMYK 0 / 100 / 55 / 33

HEX #AA004D

RGB 170 0 77

HSL 332.82, 1%, 0.33%

LAB 36.14, 61.94, 6.73

 

CMYK 0 / 69 / 36 / 7

HEX #EE4999

RGB 238 73 153

HSL 330.91, 0.83%, 0.61%

LAB 57.31, 69.01, -7.57

 

CMYK 0 / 69 / 54 / 7

HEX #EE496D

RGB 238 73 109

HSL 346.91, 0.83%, 0.61%

LAB 56.13, 65.02, 16.72

 

CMYK 0 / 69 / 69 / 7

HEX #EE4949

RGB 238 73 73

HSL 0, 0.83%, 0.61%

LAB 55.51, 62.84, 36.89

 

CMYK 0 / 69 / 36 / 7

HEX #EE4999

RGB 238 73 153

HSL 330.91, 0.83%, 0.61%

LAB 57.31, 69.01, -7.57

 

CMYK 0 / 69 / 17 / 7

HEX #EE49C6

RGB 238 73 198

HSL 314.55, 0.83%, 0.61%

LAB 58.99, 74.47, -31.06

 

CMYK 2 / 69 / 0 / 7

HEX #E949EE

RGB 233 73 238

HSL 298.18, 0.83%, 0.61%

LAB 60.12, 79.29, -51.91

 

CMYK 21 / 69 / 0 / 7

HEX #BD49EE

RGB 189 73 238

HSL 282.18, 0.83%, 0.61%

LAB 53.77, 70.19, -62.44

 

CMYK 39 / 69 / 0 / 7

HEX #9049EE

RGB 144 73 238

HSL 265.82, 0.83%, 0.61%

LAB 48.09, 61.57, -71.9

 

CMYK 0 / 69 / 36 / 7

HEX #EE4999

RGB 238 73 153

HSL 330.91, 0.83%, 0.61%

LAB 57.31, 69.01, -7.57

 

CMYK 0 / 78 / 40 / 0

HEX #FE3899

RGB 254 56 153

HSL 330.61, 0.99%, 0.61%

LAB 58.23, 78.34, -5.91

 

CMYK 0 / 69 / 36 / 7

HEX #EE4999

RGB 238 73 153

HSL 330.91, 0.83%, 0.61%

LAB 57.31, 69.01, -7.57

 

CMYK 0 / 60 / 31 / 13

HEX #DE5999

RGB 222 89 153

HSL 331.13, 0.67%, 0.61%

LAB 57.05, 58.09, -8.23

 

CMYK 0 / 49 / 25 / 20

HEX #CD699A

RGB 205 105 154

HSL 330.6, 0.5%, 0.61%

LAB 57.48, 45.25, -8.44

 

CMYK 0 / 36 / 19 / 26

HEX #BD799A

RGB 189 121 154

HSL 330.88, 0.34%, 0.61%

LAB 58.81, 31.26, -6.67

 

CMYK 0 / 21 / 10 / 32

HEX #AD899B

RGB 173 137 155

HSL 330, 0.18%, 0.61%

LAB 60.91, 16.69, -4.33

 

CMYK 3 / 69 / 0 / 7

HEX #E849EE

RGB 232 73 238

HSL 297.82, 0.83%, 0.61%

LAB 59.97, 79.08, -52.16

 

CMYK 0 / 69 / 16 / 7

HEX #EE49C7

RGB 238 73 199

HSL 314.18, 0.83%, 0.61%

LAB 59.04, 74.61, -31.56

 

CMYK 0 / 69 / 35 / 7

HEX #EE499B

RGB 238 73 155

HSL 330.18, 0.83%, 0.61%

LAB 57.38, 69.22, -8.64

 

CMYK 0 / 69 / 53 / 7

HEX #EE496F

RGB 238 73 111

HSL 346.18, 0.83%, 0.61%

LAB 56.18, 65.17, 15.59

 

CMYK 0 / 67 / 69 / 7

HEX #EE4E49

RGB 238 78 73

HSL 1.82, 0.83%, 0.61%

LAB 56.19, 60.95, 37.71

 

CMYK 0 / 91 / 46 / 18

HEX #D11370

RGB 209 19 112

HSL 330.63, 0.83%, 0.45%

LAB 45.89, 71.56, -0.36

 

CMYK 0 / 85 / 44 / 8

HEX #EA2384

RGB 234 35 132

HSL 330.75, 0.83%, 0.53%

LAB 52.24, 76.43, -2.68

 

CMYK 0 / 69 / 36 / 7

HEX #EE4999

RGB 238 73 153

HSL 330.91, 0.83%, 0.61%

LAB 57.31, 69.01, -7.57

 

CMYK 0 / 54 / 28 / 5

HEX #F16EAE

RGB 241 110 174

HSL 330.69, 0.82%, 0.69%

LAB 64.09, 57.05, -9.54

 

CMYK 0 / 40 / 20 / 4

HEX #F594C3

RGB 245 148 195

HSL 330.93, 0.83%, 0.77%

LAB 72.58, 42.51, -8.61

 

CMYK 0 / 70 / 36 / 7

HEX #EE4899

RGB 238 72 153

HSL 330.72, 0.83%, 0.61%

LAB 57.18, 69.36, -7.76

 

CMYK 0 / 21 / 69 / 7

HEX #EEBC49

RGB 238 188 73

HSL 41.82, 0.83%, 0.61%

LAB 78.82, 6.53, 62.6

 

CMYK 69 / 7 / 0 / 7

HEX #49DDEE

RGB 73 221 238

HSL 186.18, 0.83%, 0.61%

LAB 81.46, -33.18, -19.68

 

CMYK 0 / 70 / 36 / 7

HEX #EE4899

RGB 238 72 153

HSL 330.72, 0.83%, 0.61%

LAB 57.18, 69.36, -7.76

 

CMYK 35 / 0 / 69 / 7

HEX #9BEE49

RGB 155 238 73

HSL 90.18, 0.83%, 0.61%

LAB 86.3, -50.42, 68.36

 

CMYK 69 / 35 / 0 / 7

HEX #499BEE

RGB 73 155 238

HSL 210.18, 0.83%, 0.61%

LAB 62.53, 1.55, -48.97

 

CMYK 0 / 70 / 36 / 7

HEX #EE4899

RGB 238 72 153

HSL 330.72, 0.83%, 0.61%

LAB 57.18, 69.36, -7.76

 

CMYK 0 / 21 / 69 / 7

HEX #EEBC49

RGB 238 188 73

HSL 41.82, 0.83%, 0.61%

LAB 78.82, 6.53, 62.6

 

CMYK 69 / 0 / 35 / 7

HEX #49EE9B

RGB 73 238 155

HSL 149.82, 0.83%, 0.61%

LAB 84.45, -60.67, 28.21

 

CMYK 69 / 49 / 0 / 7

HEX #497AEE

RGB 73 122 238

HSL 222.18, 0.83%, 0.61%

LAB 53.5, 21.38, -63.39

 

CMYK 0 / 70 / 36 / 7

HEX #EE4899

RGB 238 72 153

HSL 330.72, 0.83%, 0.61%

LAB 57.18, 69.36, -7.76

 

CMYK 0 / 0 / 69 / 7

HEX #EEEE49

RGB 238 238 73

HSL 60, 0.83%, 0.61%

LAB 91.6, -18.72, 75.39

 

CMYK 69 / 0 / 35 / 7

HEX #49EE9B

RGB 73 238 155

HSL 149.82, 0.83%, 0.61%

LAB 84.45, -60.67, 28.21

 

CMYK 69 / 69 / 0 / 7

HEX #4949EE

RGB 73 73 238

HSL 240, 0.83%, 0.61%

LAB 41.77, 51.13, -82.49

 

Description

Color code: RGB 238 72 153 | qconv.com Color code: RGB 238 72 153 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 72 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 72 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 70 magenta, 36 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 70% 36% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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