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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 238 52 207 it is the complementary color RGB 17 203 48. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 238 52 207. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 238 52 207 shade: RGB 243 52 202, RGB 255 70 221, RGB 255 88 240, RGB 255 106 255 and RGB 255 124 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 238 52 207. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 238 52 207 shade: RGB 238 52 207, RGB 221 34 188, RGB 204 16 169, RGB 187 0 150 and RGB 170 0 131

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 238 52 207 shade: RGB 238 52 207, RGB 238 52 157, RGB 238 52 106, RGB 238 52 56 and RGB 238 52 52

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 238 52 207 shade: RGB 238 52 207, RGB 219 52 238, RGB 169 52 238, RGB 118 52 238 and RGB 68 52 238

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 238 52 207 shade matches the following richer shades: RGB 238 52 207

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 238 52 207 shade: RGB 238 52 207, RGB 220 69 195, RGB 203 87 183, RGB 185 105 172 and RGB 167 123 160

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 238 52 207 shade: RGB 170 52 238, RGB 219 52 238, RGB 238 52 207, RGB 238 52 157 and RGB 238 52 108

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 238 52 207 shade: RGB 192 15 163, RGB 230 18 195, RGB 238 52 207, RGB 241 90 216 and RGB 244 128 225

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 238 52 207 shade: RGB 238 52 207, RGB 238 120 52 and RGB 52 238 195

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 238 52 207 shade: RGB 238 52 207, RGB 207 238 52 and RGB 52 207 238

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 238 52 207 shade: RGB 238 52 207, RGB 238 120 52, RGB 52 238 83 and RGB 52 170 238

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 238 52 207 shade: RGB 238 52 207, RGB 238 176 52, RGB 52 238 83 and RGB 52 114 238

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 78 / 13 / 7

HEX #EE34CF

RGB 238 52 207

HSL 310, 0.85%, 0.57%

LAB 57.21, 81.92, -38.98

 

Complementary color

CMYK 92 / 0 / 76 / 20

HEX #11CB30

RGB 17 203 48

HSL 130, 0.85%, 0.43%

LAB 71.59, -69.97, 60.96

 

CMYK 0 / 79 / 17 / 5

HEX #F334CA

RGB 243 52 202

HSL 312.88, 0.89%, 0.58%

LAB 57.82, 82.31, -35.1

 

CMYK 0 / 73 / 13 / 0

HEX #FF46DD

RGB 255 70 221

HSL 311.03, 1%, 0.64%

LAB 62.39, 82.48, -38.59

 

CMYK 0 / 65 / 6 / 0

HEX #FF58F0

RGB 255 88 240

HSL 305.39, 1%, 0.67%

LAB 65.38, 79.22, -44.5

 

CMYK 0 / 58 / 0 / 0

HEX #FF6AFF

RGB 255 106 255

HSL 300, 1%, 0.71%

LAB 68.6, 74.61, -47.7

 

CMYK 0 / 51 / 0 / 0

HEX #FF7CFF

RGB 255 124 255

HSL 300, 1%, 0.74%

LAB 71.48, 66.79, -43.17

 

CMYK 0 / 78 / 13 / 7

HEX #EE34CF

RGB 238 52 207

HSL 310, 0.85%, 0.57%

LAB 57.21, 81.92, -38.98

 

CMYK 0 / 85 / 15 / 13

HEX #DD22BC

RGB 221 34 188

HSL 310.59, 0.73%, 0.5%

LAB 52, 79.91, -36.42

 

CMYK 0 / 92 / 17 / 20

HEX #CC10A9

RGB 204 16 169

HSL 311.17, 0.85%, 0.43%

LAB 47.07, 76.88, -33.22

 

CMYK 0 / 100 / 20 / 27

HEX #BB0096

RGB 187 0 150

HSL 311.87, 1%, 0.37%

LAB 42.41, 72.8, -29.36

 

CMYK 0 / 100 / 23 / 33

HEX #AA0083

RGB 170 0 131

HSL 313.76, 1%, 0.33%

LAB 38.17, 67.2, -24.58

 

CMYK 0 / 78 / 13 / 7

HEX #EE34CF

RGB 238 52 207

HSL 310, 0.85%, 0.57%

LAB 57.21, 81.92, -38.98

 

CMYK 0 / 78 / 34 / 7

HEX #EE349D

RGB 238 52 157

HSL 326.13, 0.85%, 0.57%

LAB 55.14, 75.92, -13.17

 

CMYK 0 / 78 / 55 / 7

HEX #EE346A

RGB 238 52 106

HSL 342.58, 0.85%, 0.57%

LAB 53.68, 71.49, 15.13

 

CMYK 0 / 78 / 76 / 7

HEX #EE3438

RGB 238 52 56

HSL 358.71, 0.85%, 0.57%

LAB 52.86, 68.93, 43.39

 

CMYK 0 / 78 / 78 / 7

HEX #EE3434

RGB 238 52 52

HSL 0, 0.85%, 0.57%

LAB 52.82, 68.8, 45.52

 

CMYK 0 / 78 / 13 / 7

HEX #EE34CF

RGB 238 52 207

HSL 310, 0.85%, 0.57%

LAB 57.21, 81.92, -38.98

 

CMYK 8 / 78 / 0 / 7

HEX #DB34EE

RGB 219 52 238

HSL 293.87, 0.85%, 0.57%

LAB 55.78, 82.83, -58.98

 

CMYK 29 / 78 / 0 / 7

HEX #A934EE

RGB 169 52 238

HSL 277.74, 0.85%, 0.57%

LAB 48.34, 74.17, -71.36

 

CMYK 50 / 78 / 0 / 7

HEX #7634EE

RGB 118 52 238

HSL 261.29, 0.85%, 0.57%

LAB 41.97, 66.74, -82.03

 

CMYK 71 / 78 / 0 / 7

HEX #4434EE

RGB 68 52 238

HSL 245.16, 0.85%, 0.57%

LAB 37.59, 61.61, -89.42

 

CMYK 0 / 78 / 13 / 7

HEX #EE34CF

RGB 238 52 207

HSL 310, 0.85%, 0.57%

LAB 57.21, 81.92, -38.98

 

CMYK 0 / 78 / 13 / 7

HEX #EE34CF

RGB 238 52 207

HSL 310, 0.85%, 0.57%

LAB 57.21, 81.92, -38.98

 

CMYK 0 / 69 / 11 / 14

HEX #DC45C3

RGB 220 69 195

HSL 309.93, 0.68%, 0.57%

LAB 55.49, 71.14, -35.01

 

CMYK 0 / 57 / 10 / 20

HEX #CB57B7

RGB 203 87 183

HSL 310.34, 0.53%, 0.57%

LAB 55, 57.67, -29.05

 

CMYK 0 / 43 / 7 / 27

HEX #B969AC

RGB 185 105 172

HSL 309.75, 0.36%, 0.57%

LAB 55.48, 41.56, -22.16

 

CMYK 0 / 26 / 4 / 35

HEX #A77BA0

RGB 167 123 160

HSL 309.55, 0.2%, 0.57%

LAB 57, 23.37, -13.1

 

CMYK 29 / 78 / 0 / 7

HEX #AA34EE

RGB 170 52 238

HSL 278.06, 0.85%, 0.57%

LAB 48.48, 74.33, -71.12

 

CMYK 8 / 78 / 0 / 7

HEX #DB34EE

RGB 219 52 238

HSL 293.87, 0.85%, 0.57%

LAB 55.78, 82.83, -58.98

 

CMYK 0 / 78 / 13 / 7

HEX #EE34CF

RGB 238 52 207

HSL 310, 0.85%, 0.57%

LAB 57.21, 81.92, -38.98

 

CMYK 0 / 78 / 34 / 7

HEX #EE349D

RGB 238 52 157

HSL 326.13, 0.85%, 0.57%

LAB 55.14, 75.92, -13.17

 

CMYK 0 / 78 / 55 / 7

HEX #EE346C

RGB 238 52 108

HSL 341.94, 0.85%, 0.57%

LAB 53.72, 71.63, 13.99

 

CMYK 0 / 92 / 15 / 25

HEX #C00FA3

RGB 192 15 163

HSL 309.83, 0.86%, 0.41%

LAB 44.51, 73.93, -33.83

 

CMYK 0 / 92 / 15 / 10

HEX #E612C3

RGB 230 18 195

HSL 309.91, 0.85%, 0.49%

LAB 53.16, 84.82, -38.54

 

CMYK 0 / 78 / 13 / 7

HEX #EE34CF

RGB 238 52 207

HSL 310, 0.85%, 0.57%

LAB 57.21, 81.92, -38.98

 

CMYK 0 / 63 / 10 / 5

HEX #F15AD8

RGB 241 90 216

HSL 309.93, 0.84%, 0.65%

LAB 62.48, 71.5, -35.79

 

CMYK 0 / 48 / 8 / 4

HEX #F480E1

RGB 244 128 225

HSL 309.83, 0.84%, 0.73%

LAB 69.55, 56.87, -29.83

 

CMYK 0 / 78 / 13 / 7

HEX #EE34CF

RGB 238 52 207

HSL 310, 0.85%, 0.57%

LAB 57.21, 81.92, -38.98

 

CMYK 0 / 50 / 78 / 7

HEX #EE7834

RGB 238 120 52

HSL 21.94, 0.85%, 0.57%

LAB 63.23, 41.14, 55.9

 

CMYK 78 / 0 / 18 / 7

HEX #34EEC3

RGB 52 238 195

HSL 166.13, 0.85%, 0.57%

LAB 84.9, -54.57, 8.09

 

CMYK 0 / 78 / 13 / 7

HEX #EE34CF

RGB 238 52 207

HSL 310, 0.85%, 0.57%

LAB 57.21, 81.92, -38.98

 

CMYK 13 / 0 / 78 / 7

HEX #CFEE34

RGB 207 238 52

HSL 70, 0.85%, 0.57%

LAB 89.23, -32.13, 78.93

 

CMYK 78 / 13 / 0 / 7

HEX #34CFEE

RGB 52 207 238

HSL 190, 0.85%, 0.57%

LAB 77, -28.8, -26.5

 

CMYK 0 / 78 / 13 / 7

HEX #EE34CF

RGB 238 52 207

HSL 310, 0.85%, 0.57%

LAB 57.21, 81.92, -38.98

 

CMYK 0 / 50 / 78 / 7

HEX #EE7834

RGB 238 120 52

HSL 21.94, 0.85%, 0.57%

LAB 63.23, 41.14, 55.9

 

CMYK 78 / 0 / 65 / 7

HEX #34EE53

RGB 52 238 83

HSL 130, 0.85%, 0.57%

LAB 83.18, -74.13, 60.27

 

CMYK 78 / 29 / 0 / 7

HEX #34AAEE

RGB 52 170 238

HSL 201.94, 0.85%, 0.57%

LAB 66.25, -9.54, -43.15

 

CMYK 0 / 78 / 13 / 7

HEX #EE34CF

RGB 238 52 207

HSL 310, 0.85%, 0.57%

LAB 57.21, 81.92, -38.98

 

CMYK 0 / 26 / 78 / 7

HEX #EEB034

RGB 238 176 52

HSL 40, 0.85%, 0.57%

LAB 75.75, 11.91, 67.68

 

CMYK 78 / 0 / 65 / 7

HEX #34EE53

RGB 52 238 83

HSL 130, 0.85%, 0.57%

LAB 83.18, -74.13, 60.27

 

CMYK 78 / 52 / 0 / 7

HEX #3472EE

RGB 52 114 238

HSL 220, 0.85%, 0.57%

LAB 50.61, 23.84, -68.1

 

Description

Color code: RGB 238 52 207 | qconv.com Color code: RGB 238 52 207 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 52 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 52 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 78 magenta, 13 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 78% 13% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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