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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 238 24 216 it is the complementary color RGB 17 231 39. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 238 24 216. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 238 24 216 shade: RGB 243 24 211, RGB 255 42 230, RGB 255 60 249, RGB 255 78 255 and RGB 255 96 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 238 24 216. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 238 24 216 shade: RGB 238 24 216, RGB 221 6 197, RGB 204 0 178, RGB 187 0 159 and RGB 170 0 140

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 238 24 216 shade: RGB 237 22 215, RGB 237 22 157, RGB 237 22 99, RGB 237 22 41 and RGB 237 22 22

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 238 24 216 shade: RGB 237 22 215, RGB 201 22 237, RGB 143 22 237, RGB 85 22 237 and RGB 27 22 237

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 238 24 216 shade matches the following richer shades: RGB 237 22 215

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 238 24 216 shade: RGB 237 22 215, RGB 217 42 199, RGB 197 63 183, RGB 176 83 167 and RGB 156 103 151

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 238 24 216 shade: RGB 144 22 237, RGB 201 22 237, RGB 237 22 216, RGB 237 22 158 and RGB 237 22 101

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 238 24 216 shade: RGB 165 12 149, RGB 203 15 184, RGB 237 22 215, RGB 240 60 221 and RGB 243 99 228

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 238 24 216 shade: RGB 238 24 216, RGB 237 87 22 and RGB 22 237 173

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 238 24 216 shade: RGB 238 24 216, RGB 216 237 22 and RGB 22 216 237

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 238 24 216 shade: RGB 238 24 216, RGB 237 87 22, RGB 22 237 44 and RGB 22 173 237

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 238 24 216 shade: RGB 238 24 216, RGB 237 151 22, RGB 22 237 44 and RGB 22 108 237

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 90 / 9 / 7

HEX #EE18D8

RGB 238 24 216

HSL 306.17, 0.86%, 0.51%

LAB 55.88, 88.31, -46.21

 

Complementary color

CMYK 93 / 0 / 83 / 9

HEX #11E727

RGB 17 231 39

HSL 126.17, 0.86%, 0.49%

LAB 80.41, -78.3, 71.79

 

CMYK 0 / 90 / 13 / 5

HEX #F318D3

RGB 243 24 211

HSL 308.77, 0.9%, 0.52%

LAB 56.5, 88.56, -42.32

 

CMYK 0 / 84 / 10 / 0

HEX #FF2AE6

RGB 255 42 230

HSL 307.04, 1%, 0.58%

LAB 60.45, 90.5, -46.69

 

CMYK 0 / 76 / 2 / 0

HEX #FF3CF9

RGB 255 60 249

HSL 301.85, 1%, 0.62%

LAB 62.79, 89.21, -53.59

 

CMYK 0 / 69 / 0 / 0

HEX #FF4EFF

RGB 255 78 255

HSL 300, 1%, 0.65%

LAB 64.91, 84.93, -53.53

 

CMYK 0 / 62 / 0 / 0

HEX #FF60FF

RGB 255 96 255

HSL 300, 1%, 0.69%

LAB 67.16, 78.59, -49.97

 

CMYK 0 / 90 / 9 / 7

HEX #EE18D8

RGB 238 24 216

HSL 306.17, 0.86%, 0.51%

LAB 55.88, 88.31, -46.21

 

CMYK 0 / 97 / 11 / 13

HEX #DD06C5

RGB 221 6 197

HSL 306.7, 0.95%, 0.45%

LAB 51.31, 84.46, -42.74

 

CMYK 0 / 100 / 13 / 20

HEX #CC00B2

RGB 204 0 178

HSL 307.65, 1%, 0.4%

LAB 47.04, 79.47, -38.59

 

CMYK 0 / 100 / 15 / 27

HEX #BB009F

RGB 187 0 159

HSL 308.98, 1%, 0.37%

LAB 42.87, 73.94, -34.08

 

CMYK 0 / 100 / 18 / 33

HEX #AA008C

RGB 170 0 140

HSL 310.59, 1%, 0.33%

LAB 38.62, 68.33, -29.43

 

CMYK 0 / 91 / 9 / 7

HEX #ED16D7

RGB 237 22 215

HSL 306.14, 0.86%, 0.51%

LAB 55.57, 88.24, -46.14

 

CMYK 0 / 91 / 34 / 7

HEX #ED169D

RGB 237 22 157

HSL 322.33, 0.86%, 0.51%

LAB 52.96, 81.45, -16.49

 

CMYK 0 / 91 / 58 / 7

HEX #ED1663

RGB 237 22 99

HSL 338.51, 0.86%, 0.51%

LAB 51.24, 76.76, 15.99

 

CMYK 0 / 91 / 83 / 7

HEX #ED1629

RGB 237 22 41

HSL 354.7, 0.86%, 0.51%

LAB 50.38, 74.34, 48.87

 

CMYK 0 / 91 / 91 / 7

HEX #ED1616

RGB 237 22 22

HSL 0, 0.86%, 0.51%

LAB 50.26, 74, 57.45

 

CMYK 0 / 91 / 9 / 7

HEX #ED16D7

RGB 237 22 215

HSL 306.14, 0.86%, 0.51%

LAB 55.57, 88.24, -46.14

 

CMYK 15 / 91 / 0 / 7

HEX #C916ED

RGB 201 22 237

HSL 289.95, 0.86%, 0.51%

LAB 50.81, 85.65, -66.56

 

CMYK 40 / 91 / 0 / 7

HEX #8F16ED

RGB 143 22 237

HSL 273.77, 0.86%, 0.51%

LAB 42.04, 78.09, -81.24

 

CMYK 64 / 91 / 0 / 7

HEX #5516ED

RGB 85 22 237

HSL 257.58, 0.86%, 0.51%

LAB 35.24, 73.11, -92.7

 

CMYK 89 / 91 / 0 / 7

HEX #1B16ED

RGB 27 22 237

HSL 241.4, 0.86%, 0.51%

LAB 31.63, 70.93, -98.81

 

CMYK 0 / 91 / 9 / 7

HEX #ED16D7

RGB 237 22 215

HSL 306.14, 0.86%, 0.51%

LAB 55.57, 88.24, -46.14

 

CMYK 0 / 91 / 9 / 7

HEX #ED16D7

RGB 237 22 215

HSL 306.14, 0.86%, 0.51%

LAB 55.57, 88.24, -46.14

 

CMYK 0 / 81 / 8 / 15

HEX #D92AC7

RGB 217 42 199

HSL 306.17, 0.7%, 0.51%

LAB 52.43, 78.95, -42.16

 

CMYK 0 / 68 / 7 / 23

HEX #C53FB7

RGB 197 63 183

HSL 306.27, 0.54%, 0.51%

LAB 50.5, 66.01, -36.14

 

CMYK 0 / 53 / 5 / 31

HEX #B053A7

RGB 176 83 167

HSL 305.81, 0.37%, 0.51%

LAB 49.75, 49.2, -28.19

 

CMYK 0 / 34 / 3 / 39

HEX #9C6797

RGB 156 103 151

HSL 305.66, 0.21%, 0.51%

LAB 50.69, 29.21, -17.53

 

CMYK 39 / 91 / 0 / 7

HEX #9016ED

RGB 144 22 237

HSL 274.05, 0.86%, 0.51%

LAB 42.18, 78.21, -81

 

CMYK 15 / 91 / 0 / 7

HEX #C916ED

RGB 201 22 237

HSL 289.95, 0.86%, 0.51%

LAB 50.81, 85.65, -66.56

 

CMYK 0 / 91 / 9 / 7

HEX #ED16D8

RGB 237 22 216

HSL 305.86, 0.86%, 0.51%

LAB 55.62, 88.37, -46.63

 

CMYK 0 / 91 / 33 / 7

HEX #ED169E

RGB 237 22 158

HSL 322.05, 0.86%, 0.51%

LAB 53, 81.55, -17.02

 

CMYK 0 / 91 / 57 / 7

HEX #ED1665

RGB 237 22 101

HSL 337.95, 0.86%, 0.51%

LAB 51.29, 76.88, 14.83

 

CMYK 0 / 93 / 10 / 35

HEX #A50C95

RGB 165 12 149

HSL 306.27, 0.86%, 0.35%

LAB 38.61, 67.25, -35.03

 

CMYK 0 / 93 / 9 / 20

HEX #CB0FB8

RGB 203 15 184

HSL 306.06, 0.86%, 0.43%

LAB 47.62, 78.78, -41.21

 

CMYK 0 / 91 / 9 / 7

HEX #ED16D7

RGB 237 22 215

HSL 306.14, 0.86%, 0.51%

LAB 55.57, 88.24, -46.14

 

CMYK 0 / 75 / 8 / 6

HEX #F03CDD

RGB 240 60 221

HSL 306.33, 0.86%, 0.59%

LAB 58.95, 82.17, -44.16

 

CMYK 0 / 59 / 6 / 5

HEX #F363E4

RGB 243 99 228

HSL 306.25, 0.86%, 0.67%

LAB 64.63, 70.2, -39.14

 

CMYK 0 / 90 / 9 / 7

HEX #EE18D8

RGB 238 24 216

HSL 306.17, 0.86%, 0.51%

LAB 55.88, 88.31, -46.21

 

CMYK 0 / 63 / 91 / 7

HEX #ED5716

RGB 237 87 22

HSL 18.14, 0.86%, 0.51%

LAB 56.96, 55.41, 62

 

CMYK 91 / 0 / 27 / 7

HEX #16EDAD

RGB 22 237 173

HSL 162.14, 0.86%, 0.51%

LAB 83.84, -61.49, 18.01

 

CMYK 0 / 90 / 9 / 7

HEX #EE18D8

RGB 238 24 216

HSL 306.17, 0.86%, 0.51%

LAB 55.88, 88.31, -46.21

 

CMYK 9 / 0 / 91 / 7

HEX #D8ED16

RGB 216 237 22

HSL 65.86, 0.86%, 0.51%

LAB 89.5, -28.82, 85.52

 

CMYK 91 / 9 / 0 / 7

HEX #16D8ED

RGB 22 216 237

HSL 185.86, 0.86%, 0.51%

LAB 79.27, -35.41, -22.53

 

CMYK 0 / 90 / 9 / 7

HEX #EE18D8

RGB 238 24 216

HSL 306.17, 0.86%, 0.51%

LAB 55.88, 88.31, -46.21

 

CMYK 0 / 63 / 91 / 7

HEX #ED5716

RGB 237 87 22

HSL 18.14, 0.86%, 0.51%

LAB 56.96, 55.41, 62

 

CMYK 91 / 0 / 81 / 7

HEX #16ED2C

RGB 22 237 44

HSL 126.14, 0.86%, 0.51%

LAB 82.34, -79.43, 72.33

 

CMYK 91 / 27 / 0 / 7

HEX #16ADED

RGB 22 173 237

HSL 197.86, 0.86%, 0.51%

LAB 66.65, -13.72, -42.01

 

CMYK 0 / 90 / 9 / 7

HEX #EE18D8

RGB 238 24 216

HSL 306.17, 0.86%, 0.51%

LAB 55.88, 88.31, -46.21

 

CMYK 0 / 36 / 91 / 7

HEX #ED9716

RGB 237 151 22

HSL 36, 0.86%, 0.51%

LAB 69.61, 23.95, 71.13

 

CMYK 91 / 0 / 81 / 7

HEX #16ED2C

RGB 22 237 44

HSL 126.14, 0.86%, 0.51%

LAB 82.34, -79.43, 72.33

 

CMYK 91 / 54 / 0 / 7

HEX #166CED

RGB 22 108 237

HSL 216, 0.86%, 0.51%

LAB 48.27, 25.14, -71.37

 

Description

Color code: RGB 238 24 216 | qconv.com Color code: RGB 238 24 216 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 24 green and 216 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 24 216 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 90 magenta, 9 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 90% 9% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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