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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 238 242 109 it is the complementary color RGB 17 13 146. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 238 242 109. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 238 242 109 shade: RGB 243 242 104, RGB 255 255 123, RGB 255 255 142, RGB 255 255 161 and RGB 255 255 180

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 238 242 109. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 238 242 109 shade: RGB 238 242 109, RGB 221 224 90, RGB 204 206 71, RGB 187 188 52 and RGB 170 170 33

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 238 242 109 shade: RGB 238 242 109, RGB 242 210 109, RGB 242 174 109, RGB 242 138 109 and RGB 242 109 109

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 238 242 109 shade: RGB 238 242 109, RGB 202 242 109, RGB 166 242 109, RGB 130 242 109 and RGB 109 242 123

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 238 242 109 shade matches the following richer shades: RGB 238 242 109

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 238 242 109 shade: RGB 238 242 109, RGB 226 229 122, RGB 214 216 135, RGB 202 203 147 and RGB 190 191 160

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 238 242 109 shade: RGB 242 173 109, RGB 242 209 109, RGB 240 242 109, RGB 204 242 109 and RGB 169 242 109

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 238 242 109 shade: RGB 229 235 33, RGB 234 239 71, RGB 238 242 109, RGB 242 245 147 and RGB 247 248 185

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 238 242 109 shade: RGB 238 242 109, RGB 109 242 138 and RGB 191 109 242

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 238 242 109 shade: RGB 238 242 109, RGB 109 240 242 and RGB 242 109 240

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 238 242 109 shade: RGB 238 242 109, RGB 109 242 138, RGB 111 109 242 and RGB 242 109 213

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 238 242 109 shade: RGB 238 242 109, RGB 109 242 178, RGB 111 109 242 and RGB 242 109 173

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 0 / 55 / 5

HEX #EEF26D

RGB 238 242 109

HSL 61.8, 0.84%, 0.69%

LAB 92.92, -18.44, 62.5

 

Complementary color

CMYK 88 / 91 / 0 / 43

HEX #110D92

RGB 17 13 146

HSL 241.8, 0.84%, 0.31%

LAB 17.84, 48.28, -67.9

 

CMYK 0 / 0 / 57 / 5

HEX #F3F268

RGB 243 242 104

HSL 59.57, 0.85%, 0.68%

LAB 93.26, -16.81, 65.14

 

CMYK 0 / 0 / 52 / 0

HEX #FFFF7B

RGB 255 255 123

HSL 60, 1%, 0.74%

LAB 97.72, -16.94, 62.16

 

CMYK 0 / 0 / 44 / 0

HEX #FFFF8E

RGB 255 255 142

HSL 60, 1%, 0.78%

LAB 97.93, -15.3, 53.71

 

CMYK 0 / 0 / 37 / 0

HEX #FFFFA1

RGB 255 255 161

HSL 60, 1%, 0.82%

LAB 98.17, -13.39, 44.93

 

CMYK 0 / 0 / 29 / 0

HEX #FFFFB4

RGB 255 255 180

HSL 60, 1%, 0.85%

LAB 98.46, -11.2, 35.94

 

CMYK 2 / 0 / 55 / 5

HEX #EEF26D

RGB 238 242 109

HSL 61.8, 0.84%, 0.69%

LAB 92.92, -18.44, 62.5

 

CMYK 1 / 0 / 60 / 12

HEX #DDE05A

RGB 221 224 90

HSL 61.34, 0.68%, 0.62%

LAB 86.71, -17.85, 63.4

 

CMYK 1 / 0 / 66 / 19

HEX #CCCE47

RGB 204 206 71

HSL 60.89, 0.58%, 0.54%

LAB 80.42, -17.14, 64.09

 

CMYK 1 / 0 / 72 / 26

HEX #BBBC34

RGB 187 188 52

HSL 60.44, 0.57%, 0.47%

LAB 74.05, -16.29, 64.37

 

CMYK 0 / 0 / 81 / 33

HEX #AAAA21

RGB 170 170 33

HSL 60, 0.67%, 0.4%

LAB 67.58, -15.25, 63.93

 

CMYK 2 / 0 / 55 / 5

HEX #EEF26D

RGB 238 242 109

HSL 61.8, 0.84%, 0.69%

LAB 92.92, -18.44, 62.5

 

CMYK 0 / 13 / 55 / 5

HEX #F2D26D

RGB 242 210 109

HSL 45.56, 0.84%, 0.69%

LAB 85.03, -0.87, 53.5

 

CMYK 0 / 28 / 55 / 5

HEX #F2AE6D

RGB 242 174 109

HSL 29.32, 0.84%, 0.69%

LAB 76.22, 17.91, 42.92

 

CMYK 0 / 43 / 55 / 5

HEX #F28A6D

RGB 242 138 109

HSL 13.08, 0.84%, 0.69%

LAB 68.14, 36.8, 32.76

 

CMYK 0 / 55 / 55 / 5

HEX #F26D6D

RGB 242 109 109

HSL 0, 0.84%, 0.69%

LAB 62.44, 51.16, 25.33

 

CMYK 2 / 0 / 55 / 5

HEX #EEF26D

RGB 238 242 109

HSL 61.8, 0.84%, 0.69%

LAB 92.92, -18.44, 62.5

 

CMYK 17 / 0 / 55 / 5

HEX #CAF26D

RGB 202 242 109

HSL 78.05, 0.84%, 0.69%

LAB 90.4, -32.4, 58.95

 

CMYK 31 / 0 / 55 / 5

HEX #A6F26D

RGB 166 242 109

HSL 94.29, 0.84%, 0.69%

LAB 88.31, -45.35, 56

 

CMYK 46 / 0 / 55 / 5

HEX #82F26D

RGB 130 242 109

HSL 110.53, 0.84%, 0.69%

LAB 86.68, -56.62, 53.67

 

CMYK 55 / 0 / 49 / 5

HEX #6DF27B

RGB 109 242 123

HSL 126.32, 0.84%, 0.69%

LAB 86.1, -60.35, 46.32

 

CMYK 2 / 0 / 55 / 5

HEX #EEF26D

RGB 238 242 109

HSL 61.8, 0.84%, 0.69%

LAB 92.92, -18.44, 62.5

 

CMYK 2 / 0 / 55 / 5

HEX #EEF26D

RGB 238 242 109

HSL 61.8, 0.84%, 0.69%

LAB 92.92, -18.44, 62.5

 

CMYK 1 / 0 / 47 / 10

HEX #E2E57A

RGB 226 229 122

HSL 61.68, 0.67%, 0.69%

LAB 88.74, -15.75, 51.45

 

CMYK 1 / 0 / 38 / 15

HEX #D6D887

RGB 214 216 135

HSL 61.48, 0.51%, 0.69%

LAB 84.56, -12.66, 39.71

 

CMYK 0 / 0 / 28 / 20

HEX #CACB93

RGB 202 203 147

HSL 61.07, 0.35%, 0.69%

LAB 80.39, -9.23, 27.9

 

CMYK 1 / 0 / 16 / 25

HEX #BEBFA0

RGB 190 191 160

HSL 61.94, 0.19%, 0.69%

LAB 76.53, -5.65, 15.55

 

CMYK 0 / 29 / 55 / 5

HEX #F2AD6D

RGB 242 173 109

HSL 28.87, 0.84%, 0.69%

LAB 75.99, 18.43, 42.63

 

CMYK 0 / 14 / 55 / 5

HEX #F2D16D

RGB 242 209 109

HSL 45.11, 0.84%, 0.69%

LAB 84.78, -0.36, 53.2

 

CMYK 1 / 0 / 55 / 5

HEX #F0F26D

RGB 240 242 109

HSL 60.9, 0.84%, 0.69%

LAB 93.07, -17.65, 62.71

 

CMYK 16 / 0 / 55 / 5

HEX #CCF26D

RGB 204 242 109

HSL 77.14, 0.84%, 0.69%

LAB 90.53, -31.65, 59.13

 

CMYK 30 / 0 / 55 / 5

HEX #A9F26D

RGB 169 242 109

HSL 92.93, 0.84%, 0.69%

LAB 88.47, -44.33, 56.22

 

CMYK 3 / 0 / 86 / 8

HEX #E5EB21

RGB 229 235 33

HSL 61.78, 0.83%, 0.53%

LAB 89.94, -22.34, 84.53

 

CMYK 2 / 0 / 70 / 6

HEX #EAEF47

RGB 234 239 71

HSL 61.79, 0.84%, 0.61%

LAB 91.54, -20.92, 75.92

 

CMYK 2 / 0 / 55 / 5

HEX #EEF26D

RGB 238 242 109

HSL 61.8, 0.84%, 0.69%

LAB 92.92, -18.44, 62.5

 

CMYK 1 / 0 / 40 / 4

HEX #F2F593

RGB 242 245 147

HSL 61.84, 0.83%, 0.77%

LAB 94.44, -14.93, 46.77

 

CMYK 0 / 0 / 25 / 3

HEX #F7F8B9

RGB 247 248 185

HSL 60.95, 0.82%, 0.85%

LAB 96.17, -10.06, 30.25

 

CMYK 2 / 0 / 55 / 5

HEX #EEF26D

RGB 238 242 109

HSL 61.8, 0.84%, 0.69%

LAB 92.92, -18.44, 62.5

 

CMYK 55 / 0 / 43 / 5

HEX #6DF28A

RGB 109 242 138

HSL 133.08, 0.84%, 0.69%

LAB 86.3, -58.17, 39.33

 

CMYK 21 / 55 / 0 / 5

HEX #BF6DF2

RGB 191 109 242

HSL 276.99, 0.84%, 0.69%

LAB 60.27, 55.03, -54.25

 

CMYK 2 / 0 / 55 / 5

HEX #EEF26D

RGB 238 242 109

HSL 61.8, 0.84%, 0.69%

LAB 92.92, -18.44, 62.5

 

CMYK 55 / 1 / 0 / 5

HEX #6DF0F2

RGB 109 240 242

HSL 180.9, 0.84%, 0.69%

LAB 87.96, -35.29, -11.92

 

CMYK 0 / 55 / 1 / 5

HEX #F26DF0

RGB 242 109 240

HSL 300.9, 0.84%, 0.69%

LAB 66.6, 67.61, -42.72

 

CMYK 2 / 0 / 55 / 5

HEX #EEF26D

RGB 238 242 109

HSL 61.8, 0.84%, 0.69%

LAB 92.92, -18.44, 62.5

 

CMYK 55 / 0 / 43 / 5

HEX #6DF28A

RGB 109 242 138

HSL 133.08, 0.84%, 0.69%

LAB 86.3, -58.17, 39.33

 

CMYK 54 / 55 / 0 / 5

HEX #6F6DF2

RGB 111 109 242

HSL 240.9, 0.84%, 0.69%

LAB 52.65, 36.99, -66.89

 

CMYK 0 / 55 / 12 / 5

HEX #F26DD5

RGB 242 109 213

HSL 313.08, 0.84%, 0.69%

LAB 65.45, 63.28, -29.49

 

CMYK 2 / 0 / 55 / 5

HEX #EEF26D

RGB 238 242 109

HSL 61.8, 0.84%, 0.69%

LAB 92.92, -18.44, 62.5

 

CMYK 55 / 0 / 26 / 5

HEX #6DF2B2

RGB 109 242 178

HSL 151.13, 0.84%, 0.69%

LAB 86.98, -51.06, 20.04

 

CMYK 54 / 55 / 0 / 5

HEX #6F6DF2

RGB 111 109 242

HSL 240.9, 0.84%, 0.69%

LAB 52.65, 36.99, -66.89

 

CMYK 0 / 55 / 29 / 5

HEX #F26DAD

RGB 242 109 173

HSL 331.13, 0.84%, 0.69%

LAB 64.02, 57.7, -9.05

 

Description

Color code: RGB 238 242 109 | qconv.com Color code: RGB 238 242 109 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 242 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 242 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, none magenta, 55 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 0% 55% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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