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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 238 240 151 it is the complementary color RGB 17 15 104. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 238 240 151. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 238 240 151 shade: RGB 243 240 146, RGB 255 255 165, RGB 255 255 184, RGB 255 255 203 and RGB 255 255 222

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 238 240 151. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 238 240 151 shade: RGB 238 240 151, RGB 221 222 132, RGB 204 204 113, RGB 187 186 94 and RGB 170 168 75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 238 240 151 shade: RGB 238 240 152, RGB 240 218 152, RGB 240 194 152, RGB 240 171 152 and RGB 240 152 152

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 238 240 151 shade: RGB 238 240 152, RGB 214 240 152, RGB 190 240 152, RGB 167 240 152 and RGB 152 240 161

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 238 240 151 shade matches the following richer shades: RGB 238 240 152 and RGB 247 249 142

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 238 240 151 shade: RGB 238 240 152, RGB 229 230 161, RGB 220 221 171, RGB 211 211 180 and RGB 202 202 190

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 238 240 151 shade: RGB 240 194 152, RGB 240 218 152, RGB 238 240 152, RGB 215 240 152 and RGB 191 240 152

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 238 240 151 shade: RGB 226 230 80, RGB 232 235 116, RGB 238 240 152, RGB 244 245 188 and RGB 250 250 224

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 238 240 151 shade: RGB 238 240 151, RGB 152 240 171 and RGB 206 152 240

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 238 240 151 shade: RGB 238 240 151, RGB 152 238 240 and RGB 240 152 238

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 238 240 151 shade: RGB 238 240 151, RGB 152 240 171, RGB 153 152 240 and RGB 240 152 221

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 238 240 151 shade: RGB 238 240 151, RGB 152 240 197, RGB 153 152 240 and RGB 240 152 194

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 0 / 37 / 6

HEX #EEF097

RGB 238 240 151

HSL 61.35, 0.75%, 0.77%

LAB 92.9, -13.58, 42.8

 

Complementary color

CMYK 84 / 86 / 0 / 59

HEX #110F68

RGB 17 15 104

HSL 241.35, 0.75%, 0.23%

LAB 12.35, 34.04, -50.16

 

CMYK 0 / 1 / 40 / 5

HEX #F3F092

RGB 243 240 146

HSL 58.14, 0.8%, 0.76%

LAB 93.21, -12.2, 45.73

 

CMYK 0 / 0 / 35 / 0

HEX #FFFFA5

RGB 255 255 165

HSL 60, 1%, 0.82%

LAB 98.23, -12.95, 43.05

 

CMYK 0 / 0 / 28 / 0

HEX #FFFFB8

RGB 255 255 184

HSL 60, 1%, 0.86%

LAB 98.53, -10.7, 34.03

 

CMYK 0 / 0 / 20 / 0

HEX #FFFFCB

RGB 255 255 203

HSL 60, 1%, 0.9%

LAB 98.86, -8.19, 24.92

 

CMYK 0 / 0 / 13 / 0

HEX #FFFFDE

RGB 255 255 222

HSL 60, 1%, 0.94%

LAB 99.24, -5.41, 15.79

 

CMYK 1 / 0 / 37 / 6

HEX #EEF097

RGB 238 240 151

HSL 61.35, 0.75%, 0.77%

LAB 92.9, -13.58, 42.8

 

CMYK 0 / 0 / 41 / 13

HEX #DDDE84

RGB 221 222 132

HSL 60.67, 0.58%, 0.69%

LAB 86.64, -13.26, 43.95

 

CMYK 0 / 0 / 45 / 20

HEX #CCCC71

RGB 204 204 113

HSL 60, 0.47%, 0.62%

LAB 80.3, -12.88, 45.12

 

CMYK 0 / 1 / 50 / 27

HEX #BBBA5E

RGB 187 186 94

HSL 59.35, 0.41%, 0.55%

LAB 73.86, -12.42, 46.3

 

CMYK 0 / 1 / 56 / 33

HEX #AAA84B

RGB 170 168 75

HSL 58.74, 0.39%, 0.48%

LAB 67.32, -11.85, 47.42

 

CMYK 1 / 0 / 37 / 6

HEX #EEF098

RGB 238 240 152

HSL 61.36, 0.75%, 0.77%

LAB 92.91, -13.47, 42.33

 

CMYK 0 / 9 / 37 / 6

HEX #F0DA98

RGB 240 218 152

HSL 45, 0.75%, 0.77%

LAB 87.45, -1.65, 35.27

 

CMYK 0 / 19 / 37 / 6

HEX #F0C298

RGB 240 194 152

HSL 28.64, 0.75%, 0.77%

LAB 81.5, 10.79, 27.34

 

CMYK 0 / 29 / 37 / 6

HEX #F0AB98

RGB 240 171 152

HSL 12.95, 0.75%, 0.77%

LAB 76.02, 22.95, 19.87

 

CMYK 0 / 37 / 37 / 6

HEX #F09898

RGB 240 152 152

HSL 0, 0.75%, 0.77%

LAB 71.72, 32.99, 13.89

 

CMYK 1 / 0 / 37 / 6

HEX #EEF098

RGB 238 240 152

HSL 61.36, 0.75%, 0.77%

LAB 92.91, -13.47, 42.33

 

CMYK 11 / 0 / 37 / 6

HEX #D6F098

RGB 214 240 152

HSL 77.73, 0.75%, 0.77%

LAB 91.18, -22.47, 39.75

 

CMYK 21 / 0 / 37 / 6

HEX #BEF098

RGB 190 240 152

HSL 94.09, 0.75%, 0.77%

LAB 89.64, -31.11, 37.46

 

CMYK 30 / 0 / 37 / 6

HEX #A7F098

RGB 167 240 152

HSL 109.77, 0.75%, 0.77%

LAB 88.35, -38.87, 35.52

 

CMYK 37 / 0 / 33 / 6

HEX #98F0A1

RGB 152 240 161

HSL 126.14, 0.75%, 0.77%

LAB 87.76, -42.16, 30.07

 

CMYK 1 / 0 / 37 / 6

HEX #EEF098

RGB 238 240 152

HSL 61.36, 0.75%, 0.77%

LAB 92.91, -13.47, 42.33

 

CMYK 1 / 0 / 43 / 2

HEX #F7F98E

RGB 247 249 142

HSL 61.12, 0.9%, 0.77%

LAB 95.78, -15.47, 50.93

 

CMYK 1 / 0 / 37 / 6

HEX #EEF098

RGB 238 240 152

HSL 61.36, 0.75%, 0.77%

LAB 92.91, -13.47, 42.33

 

CMYK 0 / 0 / 30 / 10

HEX #E5E6A1

RGB 229 230 161

HSL 60.87, 0.58%, 0.77%

LAB 89.78, -10.86, 33.6

 

CMYK 0 / 0 / 23 / 13

HEX #DCDDAB

RGB 220 221 171

HSL 61.2, 0.42%, 0.77%

LAB 86.93, -8.37, 24.51

 

CMYK 0 / 0 / 15 / 17

HEX #D3D3B4

RGB 211 211 180

HSL 60, 0.26%, 0.77%

LAB 83.83, -5.22, 15.38

 

CMYK 0 / 0 / 6 / 21

HEX #CACABE

RGB 202 202 190

HSL 60, 0.1%, 0.77%

LAB 81.02, -2.13, 5.98

 

CMYK 0 / 19 / 37 / 6

HEX #F0C298

RGB 240 194 152

HSL 28.64, 0.75%, 0.77%

LAB 81.5, 10.79, 27.34

 

CMYK 0 / 9 / 37 / 6

HEX #F0DA98

RGB 240 218 152

HSL 45, 0.75%, 0.77%

LAB 87.45, -1.65, 35.27

 

CMYK 1 / 0 / 37 / 6

HEX #EEF098

RGB 238 240 152

HSL 61.36, 0.75%, 0.77%

LAB 92.91, -13.47, 42.33

 

CMYK 10 / 0 / 37 / 6

HEX #D7F098

RGB 215 240 152

HSL 77.05, 0.75%, 0.77%

LAB 91.25, -22.1, 39.86

 

CMYK 20 / 0 / 37 / 6

HEX #BFF098

RGB 191 240 152

HSL 93.41, 0.75%, 0.77%

LAB 89.7, -30.76, 37.55

 

CMYK 2 / 0 / 65 / 10

HEX #E2E650

RGB 226 230 80

HSL 61.6, 0.75%, 0.61%

LAB 88.61, -19.36, 69.54

 

CMYK 1 / 0 / 51 / 8

HEX #E8EB74

RGB 232 235 116

HSL 61.51, 0.75%, 0.69%

LAB 90.7, -16.86, 56.7

 

CMYK 1 / 0 / 37 / 6

HEX #EEF098

RGB 238 240 152

HSL 61.36, 0.75%, 0.77%

LAB 92.91, -13.47, 42.33

 

CMYK 0 / 0 / 23 / 4

HEX #F4F5BC

RGB 244 245 188

HSL 61.05, 0.74%, 0.85%

LAB 95.23, -9.26, 27.42

 

CMYK 0 / 0 / 10 / 2

HEX #FAFAE0

RGB 250 250 224

HSL 60, 0.72%, 0.93%

LAB 97.66, -4.34, 12.47

 

CMYK 1 / 0 / 37 / 6

HEX #EEF097

RGB 238 240 151

HSL 61.35, 0.75%, 0.77%

LAB 92.9, -13.58, 42.8

 

CMYK 37 / 0 / 29 / 6

HEX #98F0AB

RGB 152 240 171

HSL 132.95, 0.75%, 0.77%

LAB 87.94, -40.49, 25.21

 

CMYK 14 / 37 / 0 / 6

HEX #CE98F0

RGB 206 152 240

HSL 276.82, 0.75%, 0.77%

LAB 70.78, 35.96, -36.5

 

CMYK 1 / 0 / 37 / 6

HEX #EEF097

RGB 238 240 151

HSL 61.35, 0.75%, 0.77%

LAB 92.9, -13.58, 42.8

 

CMYK 37 / 1 / 0 / 6

HEX #98EEF0

RGB 152 238 240

HSL 181.36, 0.75%, 0.77%

LAB 88.98, -25.36, -9.19

 

CMYK 0 / 37 / 1 / 6

HEX #F098EE

RGB 240 152 238

HSL 301.36, 0.75%, 0.77%

LAB 74.29, 45.84, -29.7

 

CMYK 1 / 0 / 37 / 6

HEX #EEF097

RGB 238 240 151

HSL 61.35, 0.75%, 0.77%

LAB 92.9, -13.58, 42.8

 

CMYK 37 / 0 / 29 / 6

HEX #98F0AB

RGB 152 240 171

HSL 132.95, 0.75%, 0.77%

LAB 87.94, -40.49, 25.21

 

CMYK 36 / 37 / 0 / 6

HEX #9998F0

RGB 153 152 240

HSL 240.68, 0.75%, 0.77%

LAB 66.15, 20.88, -44.08

 

CMYK 0 / 37 / 8 / 6

HEX #F098DD

RGB 240 152 221

HSL 312.95, 0.75%, 0.77%

LAB 73.68, 42.89, -21.35

 

CMYK 1 / 0 / 37 / 6

HEX #EEF097

RGB 238 240 151

HSL 61.35, 0.75%, 0.77%

LAB 92.9, -13.58, 42.8

 

CMYK 37 / 0 / 18 / 6

HEX #98F0C5

RGB 152 240 197

HSL 150.68, 0.75%, 0.77%

LAB 88.46, -35.67, 12.52

 

CMYK 36 / 37 / 0 / 6

HEX #9998F0

RGB 153 152 240

HSL 240.68, 0.75%, 0.77%

LAB 66.15, 20.88, -44.08

 

CMYK 0 / 37 / 19 / 6

HEX #F098C2

RGB 240 152 194

HSL 331.36, 0.75%, 0.77%

LAB 72.81, 38.6, -7.79

 

Description

Color code: RGB 238 240 151 | qconv.com Color code: RGB 238 240 151 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 240 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 240 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, none magenta, 37 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 0% 37% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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