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Color name
RGB 238 229 72

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 238 229 72 it is the complementary color RGB 17 26 183. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 238 229 72. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 238 229 72 shade: RGB 243 229 67, RGB 255 247 86, RGB 255 255 105, RGB 255 255 124 and RGB 255 255 143

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 238 229 72. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 238 229 72 shade: RGB 238 229 72, RGB 221 211 53, RGB 204 193 34, RGB 187 175 15 and RGB 170 157 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 238 229 72 shade: RGB 238 229 73, RGB 238 184 73, RGB 238 140 73, RGB 238 95 73 and RGB 238 73 73

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 238 229 72 shade: RGB 238 229 73, RGB 202 238 73, RGB 157 238 73, RGB 113 238 73 and RGB 73 238 77

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 238 229 72 shade matches the following richer shades: RGB 238 229 73 and RGB 254 243 56

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 238 229 72 shade: RGB 238 229 73, RGB 222 214 89, RGB 205 200 105, RGB 189 186 121 and RGB 173 171 137

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 238 229 72 shade: RGB 238 139 73, RGB 238 183 73, RGB 238 227 73, RGB 205 238 73 and RGB 161 238 73

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 238 229 72 shade: RGB 209 198 19, RGB 234 223 35, RGB 238 229 73, RGB 241 234 110 and RGB 245 239 148

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 238 229 72 shade: RGB 238 229 72, RGB 73 238 95 and RGB 161 73 238

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 238 229 72 shade: RGB 238 229 72, RGB 73 238 227 and RGB 227 73 238

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 238 229 72 shade: RGB 238 229 72, RGB 73 238 95, RGB 73 84 238 and RGB 238 73 216

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 238 229 72 shade: RGB 238 229 72, RGB 73 238 144, RGB 73 84 238 and RGB 238 73 166

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 70 / 7

HEX #EEE548

RGB 238 229 72

HSL 56.75, 0.83%, 0.61%

LAB 89.24, -14.37, 73.45

 

Complementary color

CMYK 91 / 86 / 0 / 28

HEX #111AB7

RGB 17 26 183

HSL 236.75, 0.83%, 0.39%

LAB 24.57, 54.28, -79.19

 

CMYK 0 / 6 / 72 / 5

HEX #F3E543

RGB 243 229 67

HSL 55.23, 0.88%, 0.61%

LAB 89.63, -12.53, 75.69

 

CMYK 0 / 3 / 66 / 0

HEX #FFF756

RGB 255 247 86

HSL 57.16, 1%, 0.67%

LAB 95.35, -15.51, 74.87

 

CMYK 0 / 0 / 59 / 0

HEX #FFFF69

RGB 255 255 105

HSL 60, 1%, 0.71%

LAB 97.55, -18.25, 69.7

 

CMYK 0 / 0 / 51 / 0

HEX #FFFF7C

RGB 255 255 124

HSL 60, 1%, 0.74%

LAB 97.73, -16.86, 61.73

 

CMYK 0 / 0 / 44 / 0

HEX #FFFF8F

RGB 255 255 143

HSL 60, 1%, 0.78%

LAB 97.94, -15.21, 53.26

 

CMYK 0 / 4 / 70 / 7

HEX #EEE548

RGB 238 229 72

HSL 56.75, 0.83%, 0.61%

LAB 89.24, -14.37, 73.45

 

CMYK 0 / 5 / 76 / 13

HEX #DDD335

RGB 221 211 53

HSL 56.43, 0.71%, 0.54%

LAB 83.03, -13.36, 73.42

 

CMYK 0 / 5 / 83 / 20

HEX #CCC122

RGB 204 193 34

HSL 56.12, 0.71%, 0.47%

LAB 76.74, -12.17, 72.63

 

CMYK 0 / 6 / 92 / 27

HEX #BBAF0F

RGB 187 175 15

HSL 55.81, 0.85%, 0.4%

LAB 70.36, -10.77, 70.63

 

CMYK 0 / 8 / 100 / 33

HEX #AA9D00

RGB 170 157 0

HSL 55.41, 1%, 0.33%

LAB 63.88, -9.14, 67.11

 

CMYK 0 / 4 / 69 / 7

HEX #EEE549

RGB 238 229 73

HSL 56.73, 0.83%, 0.61%

LAB 89.25, -14.32, 73.1

 

CMYK 0 / 23 / 69 / 7

HEX #EEB849

RGB 238 184 73

HSL 40.36, 0.83%, 0.61%

LAB 77.84, 8.62, 61.58

 

CMYK 0 / 41 / 69 / 7

HEX #EE8C49

RGB 238 140 73

HSL 24.36, 0.83%, 0.61%

LAB 67.59, 31.82, 50.66

 

CMYK 0 / 60 / 69 / 7

HEX #EE5F49

RGB 238 95 73

HSL 8, 0.83%, 0.61%

LAB 58.83, 53.88, 40.79

 

CMYK 0 / 69 / 69 / 7

HEX #EE4949

RGB 238 73 73

HSL 0, 0.83%, 0.61%

LAB 55.51, 62.84, 36.89

 

CMYK 0 / 4 / 69 / 7

HEX #EEE549

RGB 238 229 73

HSL 56.73, 0.83%, 0.61%

LAB 89.25, -14.32, 73.1

 

CMYK 15 / 0 / 69 / 7

HEX #CAEE49

RGB 202 238 73

HSL 73.09, 0.83%, 0.61%

LAB 89.01, -33.13, 71.97

 

CMYK 34 / 0 / 69 / 7

HEX #9DEE49

RGB 157 238 73

HSL 89.45, 0.83%, 0.61%

LAB 86.4, -49.74, 68.5

 

CMYK 53 / 0 / 69 / 7

HEX #71EE49

RGB 113 238 73

HSL 105.45, 0.83%, 0.61%

LAB 84.56, -63.2, 66.01

 

CMYK 69 / 0 / 68 / 7

HEX #49EE4D

RGB 73 238 77

HSL 121.45, 0.83%, 0.61%

LAB 83.5, -71.64, 63.07

 

CMYK 0 / 4 / 69 / 7

HEX #EEE549

RGB 238 229 73

HSL 56.73, 0.83%, 0.61%

LAB 89.25, -14.32, 73.1

 

CMYK 0 / 4 / 78 / 0

HEX #FEF338

RGB 254 243 56

HSL 56.67, 0.99%, 0.61%

LAB 94.08, -15.26, 83.48

 

CMYK 0 / 4 / 69 / 7

HEX #EEE549

RGB 238 229 73

HSL 56.73, 0.83%, 0.61%

LAB 89.25, -14.32, 73.1

 

CMYK 0 / 4 / 60 / 13

HEX #DED659

RGB 222 214 89

HSL 56.39, 0.67%, 0.61%

LAB 84.14, -12.56, 61.06

 

CMYK 0 / 2 / 49 / 20

HEX #CDC869

RGB 205 200 105

HSL 57, 0.5%, 0.61%

LAB 79.22, -11.2, 47.72

 

CMYK 0 / 2 / 36 / 26

HEX #BDBA79

RGB 189 186 121

HSL 57.35, 0.34%, 0.61%

LAB 74.39, -8.79, 33.37

 

CMYK 0 / 1 / 21 / 32

HEX #ADAB89

RGB 173 171 137

HSL 56.67, 0.18%, 0.61%

LAB 69.34, -5.03, 17.81

 

CMYK 0 / 42 / 69 / 7

HEX #EE8B49

RGB 238 139 73

HSL 24, 0.83%, 0.61%

LAB 67.37, 32.34, 50.42

 

CMYK 0 / 23 / 69 / 7

HEX #EEB749

RGB 238 183 73

HSL 40, 0.83%, 0.61%

LAB 77.59, 9.14, 61.33

 

CMYK 0 / 5 / 69 / 7

HEX #EEE349

RGB 238 227 73

HSL 56, 0.83%, 0.61%

LAB 88.73, -13.34, 72.58

 

CMYK 14 / 0 / 69 / 7

HEX #CDEE49

RGB 205 238 73

HSL 72, 0.83%, 0.61%

LAB 89.21, -31.96, 72.24

 

CMYK 32 / 0 / 69 / 7

HEX #A1EE49

RGB 161 238 73

HSL 88, 0.83%, 0.61%

LAB 86.61, -48.36, 68.77

 

CMYK 0 / 5 / 91 / 18

HEX #D1C613

RGB 209 198 19

HSL 56.53, 0.83%, 0.45%

LAB 78.46, -12.86, 77.11

 

CMYK 0 / 5 / 85 / 8

HEX #EADF23

RGB 234 223 35

HSL 56.68, 0.83%, 0.53%

LAB 87.19, -14.38, 82.07

 

CMYK 0 / 4 / 69 / 7

HEX #EEE549

RGB 238 229 73

HSL 56.73, 0.83%, 0.61%

LAB 89.25, -14.32, 73.1

 

CMYK 0 / 3 / 54 / 5

HEX #F1EA6E

RGB 241 234 110

HSL 56.79, 0.82%, 0.69%

LAB 91.09, -13.26, 60.03

 

CMYK 0 / 2 / 40 / 4

HEX #F5EF94

RGB 245 239 148

HSL 56.29, 0.83%, 0.77%

LAB 93.14, -10.72, 44.69

 

CMYK 0 / 4 / 70 / 7

HEX #EEE548

RGB 238 229 72

HSL 56.75, 0.83%, 0.61%

LAB 89.24, -14.37, 73.45

 

CMYK 69 / 0 / 60 / 7

HEX #49EE5F

RGB 73 238 95

HSL 128, 0.83%, 0.61%

LAB 83.65, -69.82, 55.89

 

CMYK 32 / 69 / 0 / 7

HEX #A149EE

RGB 161 73 238

HSL 272, 0.83%, 0.61%

LAB 50.12, 64.71, -68.52

 

CMYK 0 / 4 / 70 / 7

HEX #EEE548

RGB 238 229 72

HSL 56.75, 0.83%, 0.61%

LAB 89.24, -14.37, 73.45

 

CMYK 69 / 0 / 5 / 7

HEX #49EEE3

RGB 73 238 227

HSL 176, 0.83%, 0.61%

LAB 86.06, -44.01, -6.97

 

CMYK 5 / 69 / 0 / 7

HEX #E349EE

RGB 227 73 238

HSL 296, 0.83%, 0.61%

LAB 59.22, 78.03, -53.4

 

CMYK 0 / 4 / 70 / 7

HEX #EEE548

RGB 238 229 72

HSL 56.75, 0.83%, 0.61%

LAB 89.24, -14.37, 73.45

 

CMYK 69 / 0 / 60 / 7

HEX #49EE5F

RGB 73 238 95

HSL 128, 0.83%, 0.61%

LAB 83.65, -69.82, 55.89

 

CMYK 69 / 65 / 0 / 7

HEX #4954EE

RGB 73 84 238

HSL 236, 0.83%, 0.61%

LAB 44.13, 44.75, -78.62

 

CMYK 0 / 69 / 9 / 7

HEX #EE49D8

RGB 238 73 216

HSL 308, 0.83%, 0.61%

LAB 59.8, 77.01, -40.03

 

CMYK 0 / 4 / 70 / 7

HEX #EEE548

RGB 238 229 72

HSL 56.75, 0.83%, 0.61%

LAB 89.24, -14.37, 73.45

 

CMYK 69 / 0 / 39 / 7

HEX #49EE90

RGB 73 238 144

HSL 145.82, 0.83%, 0.61%

LAB 84.27, -62.69, 33.52

 

CMYK 69 / 65 / 0 / 7

HEX #4954EE

RGB 73 84 238

HSL 236, 0.83%, 0.61%

LAB 44.13, 44.75, -78.62

 

CMYK 0 / 69 / 30 / 7

HEX #EE49A6

RGB 238 73 166

HSL 326.18, 0.83%, 0.61%

LAB 57.75, 70.45, -14.51

 

Description

Color code: RGB 238 229 72 | qconv.com Color code: RGB 238 229 72 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 229 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 229 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 70 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 70% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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