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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 238 192 37 it is the complementary color RGB 17 63 218. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 238 192 37. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 238 192 37 shade: RGB 243 192 32, RGB 255 210 51, RGB 255 228 70, RGB 255 246 89 and RGB 255 255 108

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 238 192 37. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 238 192 37 shade: RGB 238 192 37, RGB 221 174 18, RGB 204 156 0, RGB 187 138 0 and RGB 170 120 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 238 192 37 shade: RGB 238 192 36, RGB 238 138 36, RGB 238 83 36 and RGB 238 36 36

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 238 192 37 shade: RGB 238 192 36, RGB 230 238 36, RGB 175 238 36, RGB 121 238 36 and RGB 67 238 36

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 238 192 37 shade matches the following richer shades: RGB 238 192 36

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 238 192 37 shade: RGB 238 192 36, RGB 219 182 55, RGB 200 171 74, RGB 181 161 93 and RGB 162 151 112

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 238 192 37 shade: RGB 238 83 36, RGB 238 137 36, RGB 238 191 36, RGB 231 238 36 and RGB 178 238 36

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 238 192 37 shade: RGB 179 141 13, RGB 217 171 16, RGB 238 192 36, RGB 241 203 75 and RGB 244 214 113

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 238 192 37 shade: RGB 238 192 37, RGB 43 238 36 and RGB 110 36 238

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 238 192 37 shade: RGB 238 192 37, RGB 36 238 191 and RGB 191 36 238

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 238 192 37 shade: RGB 238 192 37, RGB 43 238 36, RGB 36 83 238 and RGB 231 36 238

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 238 192 37 shade: RGB 238 192 37, RGB 36 238 90, RGB 36 83 238 and RGB 238 36 184

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 84 / 7

HEX #EEC025

RGB 238 192 37

HSL 46.27, 0.86%, 0.54%

LAB 79.62, 3.09, 75.56

 

Complementary color

CMYK 92 / 71 / 0 / 15

HEX #113FDA

RGB 17 63 218

HSL 226.27, 0.86%, 0.46%

LAB 35.47, 46.31, -81.57

 

CMYK 0 / 21 / 87 / 5

HEX #F3C020

RGB 243 192 32

HSL 45.5, 0.9%, 0.54%

LAB 80.1, 5.12, 77.34

 

CMYK 0 / 18 / 80 / 0

HEX #FFD233

RGB 255 210 51

HSL 46.76, 1%, 0.6%

LAB 85.8, 1.45, 77.65

 

CMYK 0 / 11 / 73 / 0

HEX #FFE446

RGB 255 228 70

HSL 51.24, 1%, 0.64%

LAB 90.41, -6.93, 75.77

 

CMYK 0 / 4 / 65 / 0

HEX #FFF659

RGB 255 246 89

HSL 56.75, 1%, 0.67%

LAB 95.12, -14.87, 73.49

 

CMYK 0 / 0 / 58 / 0

HEX #FFFF6C

RGB 255 255 108

HSL 60, 1%, 0.71%

LAB 97.58, -18.05, 68.48

 

CMYK 0 / 19 / 84 / 7

HEX #EEC025

RGB 238 192 37

HSL 46.27, 0.86%, 0.54%

LAB 79.62, 3.09, 75.56

 

CMYK 0 / 21 / 92 / 13

HEX #DDAE12

RGB 221 174 18

HSL 46.11, 0.85%, 0.47%

LAB 73.34, 4.79, 73.86

 

CMYK 0 / 24 / 100 / 20

HEX #CC9C00

RGB 204 156 0

HSL 45.88, 1%, 0.4%

LAB 66.99, 6.69, 70.85

 

CMYK 0 / 26 / 100 / 27

HEX #BB8A00

RGB 187 138 0

HSL 44.28, 1%, 0.37%

LAB 60.55, 8.87, 65.57

 

CMYK 0 / 29 / 100 / 33

HEX #AA7800

RGB 170 120 0

HSL 42.35, 1%, 0.33%

LAB 54, 11.16, 60.19

 

CMYK 0 / 19 / 85 / 7

HEX #EEC024

RGB 238 192 36

HSL 46.34, 0.86%, 0.54%

LAB 79.62, 3.07, 75.81

 

CMYK 0 / 42 / 85 / 7

HEX #EE8A24

RGB 238 138 36

HSL 30.3, 0.86%, 0.54%

LAB 66.89, 31.47, 65.32

 

CMYK 0 / 65 / 85 / 7

HEX #EE5324

RGB 238 83 36

HSL 13.96, 0.86%, 0.54%

LAB 56.58, 57.67, 56.72

 

CMYK 0 / 85 / 85 / 7

HEX #EE2424

RGB 238 36 36

HSL 0, 0.86%, 0.54%

LAB 51.34, 72.19, 52.29

 

CMYK 0 / 19 / 85 / 7

HEX #EEC024

RGB 238 192 36

HSL 46.34, 0.86%, 0.54%

LAB 79.62, 3.07, 75.81

 

CMYK 3 / 0 / 85 / 7

HEX #E6EE24

RGB 230 238 36

HSL 62.38, 0.86%, 0.54%

LAB 90.83, -23.29, 84.71

 

CMYK 26 / 0 / 85 / 7

HEX #AFEE24

RGB 175 238 36

HSL 78.71, 0.86%, 0.54%

LAB 87.19, -45.03, 80.2

 

CMYK 49 / 0 / 85 / 7

HEX #79EE24

RGB 121 238 36

HSL 94.75, 0.86%, 0.54%

LAB 84.66, -63.04, 77.03

 

CMYK 72 / 0 / 85 / 7

HEX #43EE24

RGB 67 238 36

HSL 110.79, 0.86%, 0.54%

LAB 83.16, -75.27, 75.14

 

CMYK 0 / 19 / 85 / 7

HEX #EEC024

RGB 238 192 36

HSL 46.34, 0.86%, 0.54%

LAB 79.62, 3.07, 75.81

 

CMYK 0 / 19 / 85 / 7

HEX #EEC024

RGB 238 192 36

HSL 46.34, 0.86%, 0.54%

LAB 79.62, 3.07, 75.81

 

CMYK 0 / 17 / 75 / 14

HEX #DBB637

RGB 219 182 55

HSL 46.46, 0.69%, 0.54%

LAB 75.32, 0.72, 65.52

 

CMYK 0 / 15 / 63 / 22

HEX #C8AB4A

RGB 200 171 74

HSL 46.19, 0.53%, 0.54%

LAB 70.8, -0.65, 52.51

 

CMYK 0 / 11 / 49 / 29

HEX #B5A15D

RGB 181 161 93

HSL 46.36, 0.37%, 0.54%

LAB 66.6, -1.87, 37.88

 

CMYK 0 / 7 / 31 / 36

HEX #A29770

RGB 162 151 112

HSL 46.8, 0.21%, 0.54%

LAB 62.49, -2.15, 22.05

 

CMYK 0 / 65 / 85 / 7

HEX #EE5324

RGB 238 83 36

HSL 13.96, 0.86%, 0.54%

LAB 56.58, 57.67, 56.72

 

CMYK 0 / 42 / 85 / 7

HEX #EE8924

RGB 238 137 36

HSL 30, 0.86%, 0.54%

LAB 66.67, 31.99, 65.14

 

CMYK 0 / 20 / 85 / 7

HEX #EEBF24

RGB 238 191 36

HSL 46.04, 0.86%, 0.54%

LAB 79.37, 3.59, 75.6

 

CMYK 3 / 0 / 85 / 7

HEX #E7EE24

RGB 231 238 36

HSL 62.08, 0.86%, 0.54%

LAB 90.9, -22.88, 84.8

 

CMYK 25 / 0 / 85 / 7

HEX #B2EE24

RGB 178 238 36

HSL 77.82, 0.86%, 0.54%

LAB 87.36, -43.91, 80.42

 

CMYK 0 / 21 / 93 / 30

HEX #B38D0D

RGB 179 141 13

HSL 46.27, 0.86%, 0.38%

LAB 60.48, 3.77, 63.09

 

CMYK 0 / 21 / 93 / 15

HEX #D9AB10

RGB 217 171 16

HSL 46.27, 0.86%, 0.46%

LAB 72.17, 4.59, 73.12

 

CMYK 0 / 19 / 85 / 7

HEX #EEC024

RGB 238 192 36

HSL 46.34, 0.86%, 0.54%

LAB 79.62, 3.07, 75.81

 

CMYK 0 / 16 / 69 / 5

HEX #F1CB4B

RGB 241 203 75

HSL 46.27, 0.86%, 0.62%

LAB 82.87, 0.12, 66.03

 

CMYK 0 / 12 / 54 / 4

HEX #F4D671

RGB 244 214 113

HSL 46.26, 0.86%, 0.7%

LAB 86.27, -1.79, 53.11

 

CMYK 0 / 19 / 84 / 7

HEX #EEC025

RGB 238 192 37

HSL 46.27, 0.86%, 0.54%

LAB 79.62, 3.09, 75.56

 

CMYK 82 / 0 / 85 / 7

HEX #2BEE24

RGB 43 238 36

HSL 117.92, 0.86%, 0.54%

LAB 82.8, -78.44, 74.69

 

CMYK 54 / 85 / 0 / 7

HEX #6E24EE

RGB 110 36 238

HSL 261.98, 0.86%, 0.54%

LAB 39.16, 71.53, -86.7

 

CMYK 0 / 19 / 84 / 7

HEX #EEC025

RGB 238 192 37

HSL 46.27, 0.86%, 0.54%

LAB 79.62, 3.09, 75.56

 

CMYK 85 / 0 / 20 / 7

HEX #24EEBF

RGB 36 238 191

HSL 166.04, 0.86%, 0.54%

LAB 84.63, -56.87, 9.76

 

CMYK 20 / 85 / 0 / 7

HEX #BF24EE

RGB 191 36 238

HSL 286.04, 0.86%, 0.54%

LAB 50.11, 81.92, -68.34

 

CMYK 0 / 19 / 84 / 7

HEX #EEC025

RGB 238 192 37

HSL 46.27, 0.86%, 0.54%

LAB 79.62, 3.09, 75.56

 

CMYK 82 / 0 / 85 / 7

HEX #2BEE24

RGB 43 238 36

HSL 117.92, 0.86%, 0.54%

LAB 82.8, -78.44, 74.69

 

CMYK 85 / 65 / 0 / 7

HEX #2453EE

RGB 36 83 238

HSL 226.04, 0.86%, 0.54%

LAB 42.36, 42.09, -81.59

 

CMYK 3 / 85 / 0 / 7

HEX #E724EE

RGB 231 36 238

HSL 297.92, 0.86%, 0.54%

LAB 56.51, 88.43, -57.7

 

CMYK 0 / 19 / 84 / 7

HEX #EEC025

RGB 238 192 37

HSL 46.27, 0.86%, 0.54%

LAB 79.62, 3.09, 75.56

 

CMYK 85 / 0 / 62 / 7

HEX #24EE5A

RGB 36 238 90

HSL 136.04, 0.86%, 0.54%

LAB 83.05, -75.01, 57.2

 

CMYK 85 / 65 / 0 / 7

HEX #2453EE

RGB 36 83 238

HSL 226.04, 0.86%, 0.54%

LAB 42.36, 42.09, -81.59

 

CMYK 0 / 85 / 23 / 7

HEX #EE24B8

RGB 238 36 184

HSL 316.04, 0.86%, 0.54%

LAB 54.97, 82.47, -29.24

 

Description

Color code: RGB 238 192 37 | qconv.com Color code: RGB 238 192 37 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 192 green and 37 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 192 37 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 84 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 84% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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