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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 238 191 241 it is the complementary color RGB 17 64 14. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 238 191 241. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 238 191 241 shade: RGB 243 191 236, RGB 255 209 255, RGB 255 227 255 and RGB 255 245 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 238 191 241. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 238 191 241 shade: RGB 238 191 241, RGB 221 173 222, RGB 204 155 203, RGB 187 137 184 and RGB 170 119 165

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 238 191 241 shade: RGB 238 192 241, RGB 241 192 230, RGB 241 192 217, RGB 241 192 204 and RGB 241 192 192

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 238 191 241 shade: RGB 238 192 241, RGB 225 192 241, RGB 211 192 241, RGB 198 192 241 and RGB 192 192 241

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 238 191 241 shade matches the following richer shades: RGB 238 192 241, RGB 243 186 247 and RGB 249 179 253

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 238 191 241 shade: RGB 238 192 241, RGB 232 198 235, RGB 227 204 228, RGB 221 210 222 and RGB 216 217 216

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 238 191 241 shade: RGB 211 192 241, RGB 224 192 241, RGB 237 192 241, RGB 241 192 231 and RGB 241 192 218

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 238 191 241 shade: RGB 220 124 226, RGB 229 158 233, RGB 238 192 241 and RGB 247 226 248

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 238 191 241 shade: RGB 238 191 241, RGB 241 198 192 and RGB 192 241 218

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 238 191 241 shade: RGB 238 191 241, RGB 241 237 192 and RGB 192 241 237

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 238 191 241 shade: RGB 238 191 241, RGB 241 198 192, RGB 195 241 192 and RGB 192 234 241

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 238 191 241 shade: RGB 238 191 241, RGB 241 213 192, RGB 195 241 192 and RGB 192 220 241

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 21 / 0 / 5

HEX #EEBFF1

RGB 238 191 241

HSL 296.4, 0.64%, 0.85%

LAB 82.8, 25.17, -18.37

 

Complementary color

CMYK 73 / 0 / 78 / 75

HEX #11400E

RGB 17 64 14

HSL 116.4, 0.64%, 0.15%

LAB 23.06, -27.09, 24.92

 

CMYK 0 / 21 / 3 / 5

HEX #F3BFEC

RGB 243 191 236

HSL 308.08, 0.68%, 0.85%

LAB 83.11, 25.9, -15.18

 

CMYK 0 / 18 / 0 / 0

HEX #FFD1FF

RGB 255 209 255

HSL 300, 1%, 0.91%

LAB 88.96, 23.75, -16.36

 

CMYK 0 / 11 / 0 / 0

HEX #FFE3FF

RGB 255 227 255

HSL 300, 1%, 0.95%

LAB 93.2, 14.35, -10.03

 

CMYK 0 / 4 / 0 / 0

HEX #FFF5FF

RGB 255 245 255

HSL 300, 1%, 0.98%

LAB 97.55, 5.08, -3.61

 

CMYK 1 / 21 / 0 / 5

HEX #EEBFF1

RGB 238 191 241

HSL 296.4, 0.64%, 0.85%

LAB 82.8, 25.17, -18.37

 

CMYK 0 / 22 / 0 / 13

HEX #DDADDE

RGB 221 173 222

HSL 298.78, 0.43%, 0.77%

LAB 76.4, 25.71, -17.96

 

CMYK 0 / 24 / 0 / 20

HEX #CC9BCB

RGB 204 155 203

HSL 301.22, 0.32%, 0.7%

LAB 69.89, 26.3, -17.54

 

CMYK 0 / 27 / 2 / 27

HEX #BB89B8

RGB 187 137 184

HSL 303.6, 0.27%, 0.64%

LAB 63.27, 26.94, -17.11

 

CMYK 0 / 30 / 3 / 33

HEX #AA77A5

RGB 170 119 165

HSL 305.88, 0.23%, 0.57%

LAB 56.54, 27.62, -16.65

 

CMYK 1 / 20 / 0 / 5

HEX #EEC0F1

RGB 238 192 241

HSL 296.33, 0.64%, 0.85%

LAB 83.03, 24.63, -18.01

 

CMYK 0 / 20 / 5 / 5

HEX #F1C0E6

RGB 241 192 230

HSL 313.47, 0.64%, 0.85%

LAB 82.97, 23.65, -12.2

 

CMYK 0 / 20 / 10 / 5

HEX #F1C0D9

RGB 241 192 217

HSL 329.39, 0.64%, 0.85%

LAB 82.6, 21.43, -5.79

 

CMYK 0 / 20 / 15 / 5

HEX #F1C0CC

RGB 241 192 204

HSL 345.31, 0.64%, 0.85%

LAB 82.25, 19.33, 0.67

 

CMYK 0 / 20 / 20 / 5

HEX #F1C0C0

RGB 241 192 192

HSL 0, 0.64%, 0.85%

LAB 81.95, 17.5, 6.68

 

CMYK 1 / 20 / 0 / 5

HEX #EEC0F1

RGB 238 192 241

HSL 296.33, 0.64%, 0.85%

LAB 83.03, 24.63, -18.01

 

CMYK 7 / 20 / 0 / 5

HEX #E1C0F1

RGB 225 192 241

HSL 280.41, 0.64%, 0.85%

LAB 81.87, 20.42, -19.89

 

CMYK 12 / 20 / 0 / 5

HEX #D3C0F1

RGB 211 192 241

HSL 263.27, 0.64%, 0.85%

LAB 80.68, 15.94, -21.8

 

CMYK 18 / 20 / 0 / 5

HEX #C6C0F1

RGB 198 192 241

HSL 247.35, 0.64%, 0.85%

LAB 79.65, 11.87, -23.47

 

CMYK 20 / 20 / 0 / 5

HEX #C0C0F1

RGB 192 192 241

HSL 240, 0.64%, 0.85%

LAB 79.19, 10.03, -24.21

 

CMYK 1 / 20 / 0 / 5

HEX #EEC0F1

RGB 238 192 241

HSL 296.33, 0.64%, 0.85%

LAB 83.03, 24.63, -18.01

 

CMYK 2 / 25 / 0 / 3

HEX #F3BAF7

RGB 243 186 247

HSL 296.07, 0.79%, 0.85%

LAB 82.32, 30.55, -22.26

 

CMYK 2 / 29 / 0 / 1

HEX #F9B3FD

RGB 249 179 253

HSL 296.76, 0.95%, 0.85%

LAB 81.55, 37.24, -26.58

 

CMYK 1 / 20 / 0 / 5

HEX #EEC0F1

RGB 238 192 241

HSL 296.33, 0.64%, 0.85%

LAB 83.03, 24.63, -18.01

 

CMYK 1 / 16 / 0 / 8

HEX #E8C6EB

RGB 232 198 235

HSL 295.14, 0.48%, 0.85%

LAB 83.73, 18.36, -13.83

 

CMYK 0 / 11 / 0 / 11

HEX #E3CCE4

RGB 227 204 228

HSL 297.5, 0.31%, 0.85%

LAB 84.54, 12.21, -8.92

 

CMYK 0 / 5 / 0 / 13

HEX #DDD2DE

RGB 221 210 222

HSL 295, 0.15%, 0.85%

LAB 85.37, 5.93, -4.56

 

CMYK 0 / 0 / 0 / 15

HEX #D8D9D8

RGB 216 217 216

HSL 120, 0.01%, 0.85%

LAB 86.59, -0.52, 0.36

 

CMYK 12 / 20 / 0 / 5

HEX #D3C0F1

RGB 211 192 241

HSL 263.27, 0.64%, 0.85%

LAB 80.68, 15.94, -21.8

 

CMYK 7 / 20 / 0 / 5

HEX #E0C0F1

RGB 224 192 241

HSL 279.18, 0.64%, 0.85%

LAB 81.78, 20.09, -20.03

 

CMYK 2 / 20 / 0 / 5

HEX #EDC0F1

RGB 237 192 241

HSL 295.1, 0.64%, 0.85%

LAB 82.94, 24.31, -18.16

 

CMYK 0 / 20 / 4 / 5

HEX #F1C0E7

RGB 241 192 231

HSL 312.24, 0.64%, 0.85%

LAB 83, 23.82, -12.69

 

CMYK 0 / 20 / 10 / 5

HEX #F1C0DA

RGB 241 192 218

HSL 328.16, 0.64%, 0.85%

LAB 82.63, 21.59, -6.29

 

CMYK 3 / 45 / 0 / 11

HEX #DC7CE2

RGB 220 124 226

HSL 296.47, 0.64%, 0.69%

LAB 65.84, 52.06, -36.36

 

CMYK 2 / 32 / 0 / 9

HEX #E59EE9

RGB 229 158 233

HSL 296.8, 0.63%, 0.77%

LAB 74.19, 38.38, -27.23

 

CMYK 1 / 20 / 0 / 5

HEX #EEC0F1

RGB 238 192 241

HSL 296.33, 0.64%, 0.85%

LAB 83.03, 24.63, -18.01

 

CMYK 0 / 9 / 0 / 3

HEX #F7E2F8

RGB 247 226 248

HSL 297.27, 0.61%, 0.93%

LAB 92.11, 10.97, -8.07

 

CMYK 1 / 21 / 0 / 5

HEX #EEBFF1

RGB 238 191 241

HSL 296.4, 0.64%, 0.85%

LAB 82.8, 25.17, -18.37

 

CMYK 0 / 18 / 20 / 5

HEX #F1C6C0

RGB 241 198 192

HSL 7.35, 0.64%, 0.85%

LAB 83.39, 14.34, 8.74

 

CMYK 20 / 0 / 10 / 5

HEX #C0F1DA

RGB 192 241 218

HSL 151.84, 0.64%, 0.85%

LAB 91.32, -20.14, 5.96

 

CMYK 1 / 21 / 0 / 5

HEX #EEBFF1

RGB 238 191 241

HSL 296.4, 0.64%, 0.85%

LAB 82.8, 25.17, -18.37

 

CMYK 0 / 2 / 20 / 5

HEX #F1EDC0

RGB 241 237 192

HSL 55.1, 0.64%, 0.85%

LAB 93.05, -5.8, 22.34

 

CMYK 20 / 0 / 2 / 5

HEX #C0F1ED

RGB 192 241 237

HSL 175.1, 0.64%, 0.85%

LAB 91.79, -16.37, -3.23

 

CMYK 1 / 21 / 0 / 5

HEX #EEBFF1

RGB 238 191 241

HSL 296.4, 0.64%, 0.85%

LAB 82.8, 25.17, -18.37

 

CMYK 0 / 18 / 20 / 5

HEX #F1C6C0

RGB 241 198 192

HSL 7.35, 0.64%, 0.85%

LAB 83.39, 14.34, 8.74

 

CMYK 19 / 0 / 20 / 5

HEX #C3F1C0

RGB 195 241 192

HSL 116.33, 0.64%, 0.85%

LAB 90.93, -23.84, 18.9

 

CMYK 20 / 3 / 0 / 5

HEX #C0EAF1

RGB 192 234 241

HSL 188.57, 0.64%, 0.85%

LAB 90.05, -12.02, -7.89

 

CMYK 1 / 21 / 0 / 5

HEX #EEBFF1

RGB 238 191 241

HSL 296.4, 0.64%, 0.85%

LAB 82.8, 25.17, -18.37

 

CMYK 0 / 12 / 20 / 5

HEX #F1D5C0

RGB 241 213 192

HSL 25.71, 0.64%, 0.85%

LAB 87.04, 6.48, 13.94

 

CMYK 19 / 0 / 20 / 5

HEX #C3F1C0

RGB 195 241 192

HSL 116.33, 0.64%, 0.85%

LAB 90.93, -23.84, 18.9

 

CMYK 20 / 9 / 0 / 5

HEX #C0DCF1

RGB 192 220 241

HSL 205.71, 0.64%, 0.85%

LAB 86.38, -4.85, -13.35

 

Description

Color code: RGB 238 191 241 | qconv.com Color code: RGB 238 191 241 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 191 green and 241 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 191 241 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, 21 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 21% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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