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Color name
RGB 238 176 119

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 238 176 119 it is the complementary color RGB 17 79 136. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 238 176 119. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 238 176 119 shade: RGB 243 176 114, RGB 255 194 133, RGB 255 212 152, RGB 255 230 171 and RGB 255 248 190

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 238 176 119. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 238 176 119 shade: RGB 238 176 119, RGB 221 158 100, RGB 204 140 81, RGB 187 122 62 and RGB 170 104 43

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 238 176 119 shade: RGB 238 175 118, RGB 238 143 118 and RGB 238 118 118

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 238 176 119 shade: RGB 238 175 118, RGB 238 208 118, RGB 235 238 118, RGB 203 238 118 and RGB 171 238 118

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 238 176 119 shade matches the following richer shades: RGB 238 175 118 and RGB 250 175 106

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 238 176 119 shade: RGB 238 175 118, RGB 225 176 131, RGB 213 177 143, RGB 201 177 155 and RGB 188 178 168

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 238 176 119 shade: RGB 238 118 126, RGB 238 142 118, RGB 238 174 118, RGB 238 206 118 and RGB 238 238 118

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 238 176 119 shade: RGB 229 133 45, RGB 233 154 82, RGB 238 175 118, RGB 242 197 155 and RGB 247 218 192

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 238 176 119 shade: RGB 238 176 119, RGB 158 238 118 and RGB 126 118 238

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 238 176 119 shade: RGB 238 176 119, RGB 118 238 174 and RGB 174 118 238

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 238 176 119 shade: RGB 238 176 119, RGB 158 238 118, RGB 118 182 238 and RGB 198 118 238

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 238 176 119 shade: RGB 238 176 119, RGB 122 238 118, RGB 118 182 238 and RGB 234 118 238

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 50 / 7

HEX #EEB077

RGB 238 176 119

HSL 28.74, 0.78%, 0.7%

LAB 76.41, 16.08, 37.92

 

Complementary color

CMYK 88 / 42 / 0 / 47

HEX #114F88

RGB 17 79 136

HSL 208.74, 0.78%, 0.3%

LAB 32.89, 3.43, -37.09

 

CMYK 0 / 28 / 53 / 5

HEX #F3B072

RGB 243 176 114

HSL 28.84, 0.84%, 0.7%

LAB 76.87, 17.66, 41.19

 

CMYK 0 / 24 / 48 / 0

HEX #FFC285

RGB 255 194 133

HSL 30, 1%, 0.76%

LAB 82.67, 14.7, 39.03

 

CMYK 0 / 17 / 40 / 0

HEX #FFD498

RGB 255 212 152

HSL 34.95, 1%, 0.8%

LAB 87.3, 7.25, 35.31

 

CMYK 0 / 10 / 33 / 0

HEX #FFE6AB

RGB 255 230 171

HSL 42.14, 1%, 0.84%

LAB 92.04, 0.19, 31.9

 

CMYK 0 / 3 / 25 / 0

HEX #FFF8BE

RGB 255 248 190

HSL 53.54, 1%, 0.87%

LAB 96.87, -6.47, 28.77

 

CMYK 0 / 26 / 50 / 7

HEX #EEB077

RGB 238 176 119

HSL 28.74, 0.78%, 0.7%

LAB 76.41, 16.08, 37.92

 

CMYK 0 / 29 / 55 / 13

HEX #DD9E64

RGB 221 158 100

HSL 28.76, 0.64%, 0.63%

LAB 70, 17.12, 39.36

 

CMYK 0 / 31 / 60 / 20

HEX #CC8C51

RGB 204 140 81

HSL 28.78, 0.55%, 0.56%

LAB 63.5, 18.31, 40.88

 

CMYK 0 / 35 / 67 / 27

HEX #BB7A3E

RGB 187 122 62

HSL 28.8, 0.5%, 0.49%

LAB 56.91, 19.69, 42.44

 

CMYK 0 / 39 / 75 / 33

HEX #AA682B

RGB 170 104 43

HSL 28.82, 0.6%, 0.42%

LAB 50.24, 21.31, 43.94

 

CMYK 0 / 26 / 50 / 7

HEX #EEAF76

RGB 238 175 118

HSL 28.5, 0.78%, 0.7%

LAB 76.16, 16.52, 38.11

 

CMYK 0 / 40 / 50 / 7

HEX #EE8F76

RGB 238 143 118

HSL 12.5, 0.78%, 0.7%

LAB 68.85, 33.43, 28.67

 

CMYK 0 / 50 / 50 / 7

HEX #EE7676

RGB 238 118 118

HSL 0, 0.78%, 0.7%

LAB 63.71, 46.16, 21.82

 

CMYK 0 / 26 / 50 / 7

HEX #EEAF76

RGB 238 175 118

HSL 28.5, 0.78%, 0.7%

LAB 76.16, 16.52, 38.11

 

CMYK 0 / 13 / 50 / 7

HEX #EED076

RGB 238 208 118

HSL 45, 0.78%, 0.7%

LAB 84.28, -0.73, 48.19

 

CMYK 1 / 0 / 50 / 7

HEX #EBEE76

RGB 235 238 118

HSL 61.5, 0.78%, 0.7%

LAB 91.74, -16.97, 57.05

 

CMYK 15 / 0 / 50 / 7

HEX #CBEE76

RGB 203 238 118

HSL 77.5, 0.78%, 0.7%

LAB 89.46, -29.34, 53.81

 

CMYK 28 / 0 / 50 / 7

HEX #ABEE76

RGB 171 238 118

HSL 93.5, 0.78%, 0.7%

LAB 87.54, -40.96, 51.04

 

CMYK 0 / 26 / 50 / 7

HEX #EEAF76

RGB 238 175 118

HSL 28.5, 0.78%, 0.7%

LAB 76.16, 16.52, 38.11

 

CMYK 0 / 30 / 58 / 2

HEX #FAAF6A

RGB 250 175 106

HSL 28.75, 0.94%, 0.7%

LAB 77.3, 20.39, 45.94

 

CMYK 0 / 26 / 50 / 7

HEX #EEAF76

RGB 238 175 118

HSL 28.5, 0.78%, 0.7%

LAB 76.16, 16.52, 38.11

 

CMYK 0 / 22 / 42 / 12

HEX #E1B083

RGB 225 176 131

HSL 28.72, 0.61%, 0.7%

LAB 75.26, 12.06, 29.86

 

CMYK 0 / 17 / 33 / 16

HEX #D5B18F

RGB 213 177 143

HSL 29.14, 0.45%, 0.7%

LAB 74.56, 8.18, 22.29

 

CMYK 0 / 12 / 23 / 21

HEX #C9B19B

RGB 201 177 155

HSL 28.7, 0.3%, 0.7%

LAB 73.69, 5.17, 14.42

 

CMYK 0 / 5 / 11 / 26

HEX #BCB2A8

RGB 188 178 168

HSL 30, 0.13%, 0.7%

LAB 73.13, 1.82, 6.37

 

CMYK 0 / 50 / 47 / 7

HEX #EE767E

RGB 238 118 126

HSL 356, 0.78%, 0.7%

LAB 63.87, 46.89, 17.5

 

CMYK 0 / 40 / 50 / 7

HEX #EE8E76

RGB 238 142 118

HSL 12, 0.78%, 0.7%

LAB 68.63, 33.95, 28.39

 

CMYK 0 / 27 / 50 / 7

HEX #EEAE76

RGB 238 174 118

HSL 28, 0.78%, 0.7%

LAB 75.92, 17.05, 37.81

 

CMYK 0 / 13 / 50 / 7

HEX #EECE76

RGB 238 206 118

HSL 44, 0.78%, 0.7%

LAB 83.77, 0.3, 47.58

 

CMYK 0 / 0 / 50 / 7

HEX #EEEE76

RGB 238 238 118

HSL 60, 0.78%, 0.7%

LAB 91.97, -15.78, 57.38

 

CMYK 0 / 42 / 80 / 10

HEX #E5852D

RGB 229 133 45

HSL 28.7, 0.78%, 0.54%

LAB 64.66, 30.65, 59.71

 

CMYK 0 / 34 / 65 / 9

HEX #E99A52

RGB 233 154 82

HSL 28.61, 0.77%, 0.62%

LAB 70.21, 22.92, 49.04

 

CMYK 0 / 26 / 50 / 7

HEX #EEAF76

RGB 238 175 118

HSL 28.5, 0.78%, 0.7%

LAB 76.16, 16.52, 38.11

 

CMYK 0 / 19 / 36 / 5

HEX #F2C59B

RGB 242 197 155

HSL 28.97, 0.77%, 0.78%

LAB 82.47, 10.34, 27.11

 

CMYK 0 / 12 / 22 / 3

HEX #F7DAC0

RGB 247 218 192

HSL 28.36, 0.77%, 0.86%

LAB 88.79, 6.09, 16.47

 

CMYK 0 / 26 / 50 / 7

HEX #EEB077

RGB 238 176 119

HSL 28.74, 0.78%, 0.7%

LAB 76.41, 16.08, 37.92

 

CMYK 34 / 0 / 50 / 7

HEX #9EEE76

RGB 158 238 118

HSL 100, 0.78%, 0.7%

LAB 86.86, -45.35, 50.06

 

CMYK 47 / 50 / 0 / 7

HEX #7E76EE

RGB 126 118 238

HSL 244, 0.78%, 0.7%

LAB 55.65, 33.53, -59.77

 

CMYK 0 / 26 / 50 / 7

HEX #EEB077

RGB 238 176 119

HSL 28.74, 0.78%, 0.7%

LAB 76.41, 16.08, 37.92

 

CMYK 50 / 0 / 27 / 7

HEX #76EEAE

RGB 118 238 174

HSL 148, 0.78%, 0.7%

LAB 86.03, -48.14, 20.83

 

CMYK 27 / 50 / 0 / 7

HEX #AE76EE

RGB 174 118 238

HSL 268, 0.78%, 0.7%

LAB 60, 45.1, -52.56

 

CMYK 0 / 26 / 50 / 7

HEX #EEB077

RGB 238 176 119

HSL 28.74, 0.78%, 0.7%

LAB 76.41, 16.08, 37.92

 

CMYK 34 / 0 / 50 / 7

HEX #9EEE76

RGB 158 238 118

HSL 100, 0.78%, 0.7%

LAB 86.86, -45.35, 50.06

 

CMYK 50 / 24 / 0 / 7

HEX #76B6EE

RGB 118 182 238

HSL 208, 0.78%, 0.7%

LAB 71.88, -5.25, -34.21

 

CMYK 17 / 50 / 0 / 7

HEX #C676EE

RGB 198 118 238

HSL 280, 0.78%, 0.7%

LAB 62.62, 51.39, -48.25

 

CMYK 0 / 26 / 50 / 7

HEX #EEB077

RGB 238 176 119

HSL 28.74, 0.78%, 0.7%

LAB 76.41, 16.08, 37.92

 

CMYK 49 / 0 / 50 / 7

HEX #7AEE76

RGB 122 238 118

HSL 118, 0.78%, 0.7%

LAB 85.3, -56.19, 47.79

 

CMYK 50 / 24 / 0 / 7

HEX #76B6EE

RGB 118 182 238

HSL 208, 0.78%, 0.7%

LAB 71.88, -5.25, -34.21

 

CMYK 2 / 50 / 0 / 7

HEX #EA76EE

RGB 234 118 238

HSL 298, 0.78%, 0.7%

LAB 66.99, 61.05, -41.07

 

Description

Color code: RGB 238 176 119 | qconv.com Color code: RGB 238 176 119 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 176 green and 119 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 176 119 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 50 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 50% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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