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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 238 153 233 it is the complementary color RGB 17 102 22. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 238 153 233. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 238 153 233 shade: RGB 243 153 228, RGB 255 171 247, RGB 255 189 255, RGB 255 207 255 and RGB 255 225 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 238 153 233. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 238 153 233 shade: RGB 238 153 233, RGB 221 135 214, RGB 204 117 195, RGB 187 99 176 and RGB 170 81 157

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 238 153 233 shade: RGB 237 154 233, RGB 237 154 210, RGB 237 154 188, RGB 237 154 165 and RGB 237 154 154

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 238 153 233 shade: RGB 237 154 233, RGB 220 154 237, RGB 197 154 237, RGB 175 154 237 and RGB 154 154 237

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 238 153 233 shade matches the following richer shades: RGB 237 154 233 and RGB 247 145 241

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 238 153 233 shade: RGB 237 154 233, RGB 228 164 224, RGB 219 173 216, RGB 209 183 207 and RGB 200 192 199

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 238 153 233 shade: RGB 197 154 237, RGB 219 154 237, RGB 237 154 233, RGB 237 154 211 and RGB 237 154 189

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 238 153 233 shade: RGB 226 84 217, RGB 232 119 225, RGB 237 154 233, RGB 243 189 240 and RGB 249 225 248

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 238 153 233 shade: RGB 238 153 233, RGB 237 175 154 and RGB 154 237 208

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 238 153 233 shade: RGB 238 153 233, RGB 233 237 154 and RGB 154 233 237

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 238 153 233 shade: RGB 238 153 233, RGB 237 175 154, RGB 154 237 158 and RGB 154 217 237

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 238 153 233 shade: RGB 238 153 233, RGB 237 200 154, RGB 154 237 158 and RGB 154 192 237

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 36 / 2 / 7

HEX #EE99E9

RGB 238 153 233

HSL 303.53, 0.71%, 0.77%

LAB 74.09, 43.82, -27.3

 

Complementary color

CMYK 83 / 0 / 78 / 60

HEX #116616

RGB 17 102 22

HSL 123.53, 0.71%, 0.23%

LAB 37.26, -40.65, 36.09

 

CMYK 0 / 37 / 6 / 5

HEX #F399E4

RGB 243 153 228

HSL 310, 0.79%, 0.78%

LAB 74.47, 44.51, -23.94

 

CMYK 0 / 33 / 3 / 0

HEX #FFABF7

RGB 255 171 247

HSL 305.71, 1%, 0.84%

LAB 80.24, 42.23, -25.31

 

CMYK 0 / 26 / 0 / 0

HEX #FFBDFF

RGB 255 189 255

HSL 300, 1%, 0.87%

LAB 84.42, 34.25, -23.22

 

CMYK 0 / 19 / 0 / 0

HEX #FFCFFF

RGB 255 207 255

HSL 300, 1%, 0.91%

LAB 88.5, 24.79, -17.06

 

CMYK 0 / 12 / 0 / 0

HEX #FFE1FF

RGB 255 225 255

HSL 300, 1%, 0.94%

LAB 92.72, 15.38, -10.74

 

CMYK 0 / 36 / 2 / 7

HEX #EE99E9

RGB 238 153 233

HSL 303.53, 0.71%, 0.77%

LAB 74.09, 43.82, -27.3

 

CMYK 0 / 39 / 3 / 13

HEX #DD87D6

RGB 221 135 214

HSL 304.88, 0.56%, 0.7%

LAB 67.69, 44.55, -26.83

 

CMYK 0 / 43 / 4 / 20

HEX #CC75C3

RGB 204 117 195

HSL 306.21, 0.46%, 0.63%

LAB 61.22, 45.29, -26.29

 

CMYK 0 / 47 / 6 / 27

HEX #BB63B0

RGB 187 99 176

HSL 307.5, 0.39%, 0.56%

LAB 54.68, 46.02, -25.68

 

CMYK 0 / 52 / 8 / 33

HEX #AA519D

RGB 170 81 157

HSL 308.76, 0.35%, 0.49%

LAB 48.09, 46.68, -24.93

 

CMYK 0 / 35 / 2 / 7

HEX #ED9AE9

RGB 237 154 233

HSL 302.89, 0.7%, 0.77%

LAB 74.19, 42.99, -27.15

 

CMYK 0 / 35 / 11 / 7

HEX #ED9AD2

RGB 237 154 210

HSL 319.52, 0.7%, 0.77%

LAB 73.4, 39.05, -15.77

 

CMYK 0 / 35 / 21 / 7

HEX #ED9ABC

RGB 237 154 188

HSL 335.42, 0.7%, 0.77%

LAB 72.72, 35.63, -4.64

 

CMYK 0 / 35 / 30 / 7

HEX #ED9AA5

RGB 237 154 165

HSL 352.05, 0.7%, 0.77%

LAB 72.12, 32.44, 7.21

 

CMYK 0 / 35 / 35 / 7

HEX #ED9A9A

RGB 237 154 154

HSL 0, 0.7%, 0.77%

LAB 71.86, 31.06, 12.93

 

CMYK 0 / 35 / 2 / 7

HEX #ED9AE9

RGB 237 154 233

HSL 302.89, 0.7%, 0.77%

LAB 74.19, 42.99, -27.15

 

CMYK 7 / 35 / 0 / 7

HEX #DC9AED

RGB 220 154 237

HSL 287.71, 0.7%, 0.77%

LAB 72.52, 38.49, -32.05

 

CMYK 17 / 35 / 0 / 7

HEX #C59AED

RGB 197 154 237

HSL 271.08, 0.7%, 0.77%

LAB 70.24, 31.53, -35.77

 

CMYK 26 / 35 / 0 / 7

HEX #AF9AED

RGB 175 154 237

HSL 255.18, 0.7%, 0.77%

LAB 68.27, 25.08, -38.99

 

CMYK 35 / 35 / 0 / 7

HEX #9A9AED

RGB 154 154 237

HSL 240, 0.7%, 0.77%

LAB 66.59, 19.21, -41.73

 

CMYK 0 / 35 / 2 / 7

HEX #ED9AE9

RGB 237 154 233

HSL 302.89, 0.7%, 0.77%

LAB 74.19, 42.99, -27.15

 

CMYK 0 / 41 / 2 / 3

HEX #F791F1

RGB 247 145 241

HSL 303.53, 0.86%, 0.77%

LAB 73.79, 52.05, -32.04

 

CMYK 0 / 35 / 2 / 7

HEX #ED9AE9

RGB 237 154 233

HSL 302.89, 0.7%, 0.77%

LAB 74.19, 42.99, -27.15

 

CMYK 0 / 28 / 2 / 11

HEX #E4A4E0

RGB 228 164 224

HSL 303.75, 0.54%, 0.77%

LAB 75.09, 33.21, -20.95

 

CMYK 0 / 21 / 1 / 14

HEX #DBADD8

RGB 219 173 216

HSL 303.91, 0.39%, 0.77%

LAB 76.01, 23.94, -15.29

 

CMYK 0 / 12 / 1 / 18

HEX #D1B7CF

RGB 209 183 207

HSL 304.62, 0.22%, 0.77%

LAB 77.24, 13.48, -8.66

 

CMYK 0 / 4 / 0 / 22

HEX #C8C0C7

RGB 200 192 199

HSL 307.5, 0.07%, 0.77%

LAB 78.52, 4.07, -2.52

 

CMYK 17 / 35 / 0 / 7

HEX #C59AED

RGB 197 154 237

HSL 271.08, 0.7%, 0.77%

LAB 70.24, 31.53, -35.77

 

CMYK 8 / 35 / 0 / 7

HEX #DB9AED

RGB 219 154 237

HSL 286.99, 0.7%, 0.77%

LAB 72.42, 38.19, -32.22

 

CMYK 0 / 35 / 2 / 7

HEX #ED9AE9

RGB 237 154 233

HSL 302.89, 0.7%, 0.77%

LAB 74.19, 42.99, -27.15

 

CMYK 0 / 35 / 11 / 7

HEX #ED9AD3

RGB 237 154 211

HSL 318.8, 0.7%, 0.77%

LAB 73.43, 39.21, -16.27

 

CMYK 0 / 35 / 20 / 7

HEX #ED9ABD

RGB 237 154 189

HSL 334.7, 0.7%, 0.77%

LAB 72.75, 35.77, -5.15

 

CMYK 0 / 63 / 4 / 11

HEX #E254D9

RGB 226 84 217

HSL 303.8, 0.71%, 0.61%

LAB 59.45, 70.33, -41.26

 

CMYK 0 / 49 / 3 / 9

HEX #E877E1

RGB 232 119 225

HSL 303.72, 0.71%, 0.69%

LAB 66.36, 57.76, -34.89

 

CMYK 0 / 35 / 2 / 7

HEX #ED9AE9

RGB 237 154 233

HSL 302.89, 0.7%, 0.77%

LAB 74.19, 42.99, -27.15

 

CMYK 0 / 22 / 1 / 5

HEX #F3BDF0

RGB 243 189 240

HSL 303.33, 0.69%, 0.85%

LAB 82.78, 27.68, -17.82

 

CMYK 0 / 10 / 0 / 2

HEX #F9E1F8

RGB 249 225 248

HSL 302.5, 0.67%, 0.93%

LAB 92.03, 12.15, -8.17

 

CMYK 0 / 36 / 2 / 7

HEX #EE99E9

RGB 238 153 233

HSL 303.53, 0.71%, 0.77%

LAB 74.09, 43.82, -27.3

 

CMYK 0 / 26 / 35 / 7

HEX #EDAF9A

RGB 237 175 154

HSL 15.18, 0.7%, 0.77%

LAB 76.68, 19.91, 19.65

 

CMYK 35 / 0 / 12 / 7

HEX #9AEDD0

RGB 154 237 208

HSL 159.04, 0.7%, 0.77%

LAB 87.96, -31.48, 6.09

 

CMYK 0 / 36 / 2 / 7

HEX #EE99E9

RGB 238 153 233

HSL 303.53, 0.71%, 0.77%

LAB 74.09, 43.82, -27.3

 

CMYK 2 / 0 / 35 / 7

HEX #E9ED9A

RGB 233 237 154

HSL 62.89, 0.7%, 0.77%

LAB 91.79, -13.66, 39.81

 

CMYK 35 / 2 / 0 / 7

HEX #9AE9ED

RGB 154 233 237

HSL 182.89, 0.7%, 0.77%

LAB 87.61, -23.11, -9.63

 

CMYK 0 / 36 / 2 / 7

HEX #EE99E9

RGB 238 153 233

HSL 303.53, 0.71%, 0.77%

LAB 74.09, 43.82, -27.3

 

CMYK 0 / 26 / 35 / 7

HEX #EDAF9A

RGB 237 175 154

HSL 15.18, 0.7%, 0.77%

LAB 76.68, 19.91, 19.65

 

CMYK 35 / 0 / 33 / 7

HEX #9AED9E

RGB 154 237 158

HSL 122.89, 0.7%, 0.77%

LAB 86.95, -40.72, 30.52

 

CMYK 35 / 8 / 0 / 7

HEX #9AD9ED

RGB 154 217 237

HSL 194.46, 0.7%, 0.77%

LAB 83.24, -15.1, -16.17

 

CMYK 0 / 36 / 2 / 7

HEX #EE99E9

RGB 238 153 233

HSL 303.53, 0.71%, 0.77%

LAB 74.09, 43.82, -27.3

 

CMYK 0 / 16 / 35 / 7

HEX #EDC89A

RGB 237 200 154

HSL 33.25, 0.7%, 0.77%

LAB 82.72, 6.72, 27.9

 

CMYK 35 / 0 / 33 / 7

HEX #9AED9E

RGB 154 237 158

HSL 122.89, 0.7%, 0.77%

LAB 86.95, -40.72, 30.52

 

CMYK 35 / 19 / 0 / 7

HEX #9AC0ED

RGB 154 192 237

HSL 212.53, 0.7%, 0.77%

LAB 76.49, -1.97, -26.41

 

Description

Color code: RGB 238 153 233 | qconv.com Color code: RGB 238 153 233 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 153 green and 233 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 153 233 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 36 magenta, 2 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 36% 2% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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