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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 238 146 41 it is the complementary color RGB 17 109 214. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 238 146 41. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 238 146 41 shade: RGB 243 146 36, RGB 255 164 55, RGB 255 182 74, RGB 255 200 93 and RGB 255 218 112

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 238 146 41. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 238 146 41 shade: RGB 238 146 41, RGB 221 128 22, RGB 204 110 3, RGB 187 92 0 and RGB 170 74 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 238 146 41 shade: RGB 237 146 42, RGB 237 94 42 and RGB 237 42 42

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 238 146 41 shade: RGB 237 146 42, RGB 237 199 42, RGB 223 237 42, RGB 171 237 42 and RGB 118 237 42

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 238 146 41 shade matches the following richer shades: RGB 237 146 42

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 238 146 41 shade: RGB 237 146 42, RGB 219 145 61, RGB 200 144 79, RGB 182 143 98 and RGB 163 141 116

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 238 146 41 shade: RGB 237 42 45, RGB 237 91 42, RGB 237 143 42, RGB 237 195 42 and RGB 228 237 42

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 238 146 41 shade: RGB 183 104 14, RGB 221 126 17, RGB 237 146 42, RGB 240 166 80 and RGB 243 185 119

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 238 146 41 shade: RGB 238 146 41, RGB 97 237 42 and RGB 65 42 237

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 238 146 41 shade: RGB 238 146 41, RGB 42 237 143 and RGB 143 42 237

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 238 146 41 shade: RGB 238 146 41, RGB 97 237 42, RGB 42 136 237 and RGB 182 42 237

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 238 146 41 shade: RGB 238 146 41, RGB 42 237 45, RGB 42 136 237 and RGB 237 42 234

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 39 / 83 / 7

HEX #EE9229

RGB 238 146 41

HSL 31.98, 0.85%, 0.55%

LAB 68.68, 27.41, 65.18

 

Complementary color

CMYK 92 / 49 / 0 / 16

HEX #116DD6

RGB 17 109 214

HSL 211.98, 0.85%, 0.45%

LAB 46.86, 15.32, -60.67

 

CMYK 0 / 40 / 85 / 5

HEX #F39224

RGB 243 146 36

HSL 31.88, 0.9%, 0.55%

LAB 69.28, 29.35, 67.56

 

CMYK 0 / 36 / 78 / 0

HEX #FFA437

RGB 255 164 55

HSL 32.7, 1%, 0.61%

LAB 74.88, 25.45, 66.49

RGB 255 164 55

CMYK 0 / 29 / 71 / 0

HEX #FFB64A

RGB 255 182 74

HSL 35.8, 1%, 0.65%

LAB 79.16, 16.83, 63.09

RGB 255 182 74

CMYK 0 / 22 / 64 / 0

HEX #FFC85D

RGB 255 200 93

HSL 39.63, 1%, 0.68%

LAB 83.63, 8.51, 59.59

RGB 255 200 93

CMYK 0 / 15 / 56 / 0

HEX #FFDA70

RGB 255 218 112

HSL 44.48, 1%, 0.72%

LAB 88.24, 0.56, 56.15

RGB 255 218 112

CMYK 0 / 39 / 83 / 7

HEX #EE9229

RGB 238 146 41

HSL 31.98, 0.85%, 0.55%

LAB 68.68, 27.41, 65.18

 

CMYK 0 / 42 / 90 / 13

HEX #DD8016

RGB 221 128 22

HSL 31.96, 0.82%, 0.48%

LAB 62.4, 29.4, 64.85

 

CMYK 0 / 46 / 99 / 20

HEX #CC6E03

RGB 204 110 3

HSL 31.94, 0.97%, 0.41%

LAB 56.08, 31.59, 63.14

 

CMYK 0 / 51 / 100 / 27

HEX #BB5C00

RGB 187 92 0

HSL 29.52, 1%, 0.37%

LAB 49.76, 33.98, 58.62

 

CMYK 0 / 56 / 100 / 33

HEX #AA4A00

RGB 170 74 0

HSL 26.12, 1%, 0.33%

LAB 43.42, 36.35, 53.55

 

CMYK 0 / 38 / 82 / 7

HEX #ED922A

RGB 237 146 42

HSL 32, 0.84%, 0.55%

LAB 68.55, 27.02, 64.68

 

CMYK 0 / 60 / 82 / 7

HEX #ED5E2A

RGB 237 94 42

HSL 16, 0.84%, 0.55%

LAB 58.2, 52.79, 55.52

 

CMYK 0 / 82 / 82 / 7

HEX #ED2A2A

RGB 237 42 42

HSL 0, 0.84%, 0.55%

LAB 51.64, 70.78, 49.53

 

CMYK 0 / 38 / 82 / 7

HEX #ED922A

RGB 237 146 42

HSL 32, 0.84%, 0.55%

LAB 68.55, 27.02, 64.68

 

CMYK 0 / 16 / 82 / 7

HEX #EDC72A

RGB 237 199 42

HSL 48.31, 0.84%, 0.55%

LAB 81.3, -0.82, 75.63

 

CMYK 6 / 0 / 82 / 7

HEX #DFED2A

RGB 223 237 42

HSL 64.31, 0.84%, 0.55%

LAB 90.06, -25.53, 82.59

 

CMYK 28 / 0 / 82 / 7

HEX #ABED2A

RGB 171 237 42

HSL 80.31, 0.84%, 0.55%

LAB 86.7, -45.89, 78.38

 

CMYK 50 / 0 / 82 / 7

HEX #76ED2A

RGB 118 237 42

HSL 96.62, 0.84%, 0.55%

LAB 84.27, -63.3, 75.3

 

CMYK 0 / 38 / 82 / 7

HEX #ED922A

RGB 237 146 42

HSL 32, 0.84%, 0.55%

LAB 68.55, 27.02, 64.68

 

CMYK 0 / 38 / 82 / 7

HEX #ED922A

RGB 237 146 42

HSL 32, 0.84%, 0.55%

LAB 68.55, 27.02, 64.68

 

CMYK 0 / 34 / 72 / 14

HEX #DB913D

RGB 219 145 61

HSL 31.9, 0.69%, 0.55%

LAB 66.25, 20.73, 54.12

 

CMYK 0 / 28 / 61 / 22

HEX #C8904F

RGB 200 144 79

HSL 32.23, 0.52%, 0.55%

LAB 63.99, 14.29, 42.37

 

CMYK 0 / 21 / 46 / 29

HEX #B68F62

RGB 182 143 98

HSL 32.14, 0.37%, 0.55%

LAB 62.06, 8.89, 29.52

 

CMYK 0 / 13 / 29 / 36

HEX #A38D74

RGB 163 141 116

HSL 31.91, 0.2%, 0.55%

LAB 59.98, 4.34, 16.4

 

CMYK 0 / 82 / 81 / 7

HEX #ED2A2D

RGB 237 42 45

HSL 359.08, 0.84%, 0.55%

LAB 51.67, 70.85, 48.01

 

CMYK 0 / 62 / 82 / 7

HEX #ED5B2A

RGB 237 91 42

HSL 15.08, 0.84%, 0.55%

LAB 57.71, 54.11, 55.07

 

CMYK 0 / 40 / 82 / 7

HEX #ED8F2A

RGB 237 143 42

HSL 31.08, 0.84%, 0.55%

LAB 67.89, 28.6, 64.09

 

CMYK 0 / 18 / 82 / 7

HEX #EDC32A

RGB 237 195 42

HSL 47.08, 0.84%, 0.55%

LAB 80.29, 1.24, 74.78

 

CMYK 4 / 0 / 82 / 7

HEX #E4ED2A

RGB 228 237 42

HSL 62.77, 0.84%, 0.55%

LAB 90.43, -23.49, 83.05

 

CMYK 0 / 43 / 92 / 28

HEX #B7680E

RGB 183 104 14

HSL 31.95, 0.86%, 0.39%

LAB 51.84, 26.06, 56.68

 

CMYK 0 / 43 / 92 / 13

HEX #DD7E11

RGB 221 126 17

HSL 32.06, 0.86%, 0.47%

LAB 61.94, 30.38, 65.67

 

CMYK 0 / 38 / 82 / 7

HEX #ED922A

RGB 237 146 42

HSL 32, 0.84%, 0.55%

LAB 68.55, 27.02, 64.68

 

CMYK 0 / 31 / 67 / 6

HEX #F0A650

RGB 240 166 80

HSL 32.25, 0.84%, 0.63%

LAB 73.79, 19.33, 54.22

 

CMYK 0 / 24 / 51 / 5

HEX #F3B977

RGB 243 185 119

HSL 31.94, 0.84%, 0.71%

LAB 79.09, 13.35, 41.4

 

CMYK 0 / 39 / 83 / 7

HEX #EE9229

RGB 238 146 41

HSL 31.98, 0.85%, 0.55%

LAB 68.68, 27.41, 65.18

 

CMYK 59 / 0 / 82 / 7

HEX #61ED2A

RGB 97 237 42

HSL 103.08, 0.84%, 0.55%

LAB 83.59, -68.73, 74.43

 

CMYK 73 / 82 / 0 / 7

HEX #412AED

RGB 65 42 237

HSL 247.08, 0.84%, 0.55%

LAB 35.78, 65.5, -91.85

 

CMYK 0 / 39 / 83 / 7

HEX #EE9229

RGB 238 146 41

HSL 31.98, 0.85%, 0.55%

LAB 68.68, 27.41, 65.18

 

CMYK 82 / 0 / 40 / 7

HEX #2AED8F

RGB 42 237 143

HSL 151.08, 0.84%, 0.55%

LAB 83.47, -66.31, 32.88

 

CMYK 40 / 82 / 0 / 7

HEX #8F2AED

RGB 143 42 237

HSL 271.08, 0.84%, 0.55%

LAB 43.67, 73.28, -78.57

 

CMYK 0 / 39 / 83 / 7

HEX #EE9229

RGB 238 146 41

HSL 31.98, 0.85%, 0.55%

LAB 68.68, 27.41, 65.18

 

CMYK 59 / 0 / 82 / 7

HEX #61ED2A

RGB 97 237 42

HSL 103.08, 0.84%, 0.55%

LAB 83.59, -68.73, 74.43

 

CMYK 82 / 43 / 0 / 7

HEX #2A88ED

RGB 42 136 237

HSL 211.08, 0.84%, 0.55%

LAB 56.3, 8.9, -58.39

 

CMYK 23 / 82 / 0 / 7

HEX #B62AED

RGB 182 42 237

HSL 283.08, 0.84%, 0.55%

LAB 49.15, 78.95, -69.39

 

CMYK 0 / 39 / 83 / 7

HEX #EE9229

RGB 238 146 41

HSL 31.98, 0.85%, 0.55%

LAB 68.68, 27.41, 65.18

 

CMYK 82 / 0 / 81 / 7

HEX #2AED2D

RGB 42 237 45

HSL 120.92, 0.84%, 0.55%

LAB 82.51, -77.83, 72.3

 

CMYK 82 / 43 / 0 / 7

HEX #2A88ED

RGB 42 136 237

HSL 211.08, 0.84%, 0.55%

LAB 56.3, 8.9, -58.39

 

CMYK 0 / 82 / 1 / 7

HEX #ED2AEA

RGB 237 42 234

HSL 300.92, 0.84%, 0.55%

LAB 57.66, 87.76, -53.56

 

Description

Color code: RGB 238 146 41 | qconv.com Color code: RGB 238 146 41 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 146 green and 41 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 146 41 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 39 magenta, 83 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 39% 83% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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