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Color name
RGB 238 123 78

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 238 123 78 it is the complementary color RGB 17 132 177. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 238 123 78. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 238 123 78 shade: RGB 243 123 73, RGB 255 141 92, RGB 255 159 111, RGB 255 177 130 and RGB 255 195 149

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 238 123 78. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 238 123 78 shade: RGB 238 123 78, RGB 221 105 59, RGB 204 87 40, RGB 187 69 21 and RGB 170 51 2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 238 123 78 shade: RGB 237 123 78, RGB 237 80 78 and RGB 237 78 78

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 238 123 78 shade: RGB 237 123 78, RGB 237 166 78, RGB 237 209 78, RGB 223 237 78 and RGB 180 237 78

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 238 123 78 shade matches the following richer shades: RGB 237 123 78 and RGB 253 116 62

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 238 123 78 shade: RGB 237 123 78, RGB 221 130 94, RGB 206 137 109, RGB 190 143 125 and RGB 174 150 141

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 238 123 78 shade: RGB 237 78 121, RGB 237 78 78, RGB 237 121 78, RGB 237 163 78 and RGB 237 205 78

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 238 123 78 shade: RGB 212 74 21, RGB 233 95 41, RGB 237 123 78, RGB 241 151 116 and RGB 244 179 153

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 238 123 78 shade: RGB 238 123 78, RGB 163 237 78 and RGB 78 99 237

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 238 123 78 shade: RGB 238 123 78, RGB 78 237 121 and RGB 121 78 237

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 238 123 78 shade: RGB 238 123 78, RGB 163 237 78, RGB 78 195 237 and RGB 152 78 237

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 238 123 78 shade: RGB 238 123 78, RGB 115 237 78, RGB 78 195 237 and RGB 200 78 237

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 48 / 67 / 7

HEX #EE7B4E

RGB 238 123 78

HSL 16.88, 0.82%, 0.62%

LAB 64.07, 40.81, 44.2

 

Complementary color

CMYK 90 / 25 / 0 / 31

HEX #1184B1

RGB 17 132 177

HSL 196.88, 0.82%, 0.38%

LAB 51.61, -12.94, -31.92

 

CMYK 0 / 49 / 70 / 5

HEX #F37B49

RGB 243 123 73

HSL 17.65, 0.88%, 0.62%

LAB 64.73, 42.46, 47.69

 

CMYK 0 / 45 / 64 / 0

HEX #FF8D5C

RGB 255 141 92

HSL 18.04, 1%, 0.68%

LAB 70.23, 39.06, 44.75

 

CMYK 0 / 38 / 56 / 0

HEX #FF9F6F

RGB 255 159 111

HSL 20, 1%, 0.72%

LAB 74.32, 31.12, 39.86

 

CMYK 0 / 31 / 49 / 0

HEX #FFB182

RGB 255 177 130

HSL 22.56, 1%, 0.75%

LAB 78.65, 23.31, 35.41

 

CMYK 0 / 24 / 42 / 0

HEX #FFC395

RGB 255 195 149

HSL 26.04, 1%, 0.79%

LAB 83.16, 15.76, 31.39

 

CMYK 0 / 48 / 67 / 7

HEX #EE7B4E

RGB 238 123 78

HSL 16.88, 0.82%, 0.62%

LAB 64.07, 40.81, 44.2

 

CMYK 0 / 52 / 73 / 13

HEX #DD693B

RGB 221 105 59

HSL 17.04, 0.7%, 0.55%

LAB 57.84, 42.35, 46.3

 

CMYK 0 / 57 / 80 / 20

HEX #CC5728

RGB 204 87 40

HSL 17.2, 0.67%, 0.48%

LAB 51.62, 43.96, 48.38

 

CMYK 0 / 63 / 89 / 27

HEX #BB4515

RGB 187 69 21

HSL 17.35, 0.8%, 0.41%

LAB 45.46, 45.55, 50.04

 

CMYK 0 / 70 / 99 / 33

HEX #AA3302

RGB 170 51 2

HSL 17.5, 0.98%, 0.34%

LAB 39.44, 46.94, 50.74

 

CMYK 0 / 48 / 67 / 7

HEX #ED7B4E

RGB 237 123 78

HSL 16.98, 0.82%, 0.62%

LAB 63.93, 40.43, 44.01

 

CMYK 0 / 66 / 67 / 7

HEX #ED504E

RGB 237 80 78

HSL 0.75, 0.82%, 0.62%

LAB 56.38, 60.1, 35.06

 

CMYK 0 / 67 / 67 / 7

HEX #ED4E4E

RGB 237 78 78

HSL 0, 0.82%, 0.62%

LAB 56.09, 60.89, 34.71

 

CMYK 0 / 48 / 67 / 7

HEX #ED7B4E

RGB 237 123 78

HSL 16.98, 0.82%, 0.62%

LAB 63.93, 40.43, 44.01

 

CMYK 0 / 30 / 67 / 7

HEX #EDA64E

RGB 237 166 78

HSL 33.21, 0.82%, 0.62%

LAB 73.43, 17.97, 54.66

 

CMYK 0 / 12 / 67 / 7

HEX #EDD14E

RGB 237 209 78

HSL 49.43, 0.82%, 0.62%

LAB 84.05, -4.47, 65.92

 

CMYK 6 / 0 / 67 / 7

HEX #DFED4E

RGB 223 237 78

HSL 65.28, 0.82%, 0.62%

LAB 90.23, -24.06, 71.87

 

CMYK 24 / 0 / 67 / 7

HEX #B4ED4E

RGB 180 237 78

HSL 81.51, 0.82%, 0.62%

LAB 87.4, -40.76, 68.07

 

CMYK 0 / 48 / 67 / 7

HEX #ED7B4E

RGB 237 123 78

HSL 16.98, 0.82%, 0.62%

LAB 63.93, 40.43, 44.01

 

CMYK 0 / 54 / 75 / 1

HEX #FD743E

RGB 253 116 62

HSL 16.96, 0.98%, 0.62%

LAB 64.74, 49.11, 53.54

 

CMYK 0 / 48 / 67 / 7

HEX #ED7B4E

RGB 237 123 78

HSL 16.98, 0.82%, 0.62%

LAB 63.93, 40.43, 44.01

 

CMYK 0 / 41 / 57 / 13

HEX #DD825E

RGB 221 130 94

HSL 17.01, 0.65%, 0.62%

LAB 63.46, 31.62, 34.42

 

CMYK 0 / 33 / 47 / 19

HEX #CE896D

RGB 206 137 109

HSL 17.32, 0.5%, 0.62%

LAB 63.44, 23.19, 25.78

 

CMYK 0 / 25 / 34 / 25

HEX #BE8F7D

RGB 190 143 125

HSL 16.62, 0.33%, 0.62%

LAB 63.4, 15.3, 16.49

 

CMYK 0 / 14 / 19 / 32

HEX #AE968D

RGB 174 150 141

HSL 16.36, 0.17%, 0.62%

LAB 63.95, 7.43, 8.03

 

CMYK 0 / 67 / 49 / 7

HEX #ED4E79

RGB 237 78 121

HSL 343.77, 0.82%, 0.62%

LAB 56.91, 63.82, 10.68

 

CMYK 0 / 67 / 67 / 7

HEX #ED4E4E

RGB 237 78 78

HSL 0, 0.82%, 0.62%

LAB 56.09, 60.89, 34.71

 

CMYK 0 / 49 / 67 / 7

HEX #ED794E

RGB 237 121 78

HSL 16.23, 0.82%, 0.62%

LAB 63.53, 41.44, 43.54

 

CMYK 0 / 31 / 67 / 7

HEX #EDA34E

RGB 237 163 78

HSL 32.08, 0.82%, 0.62%

LAB 72.73, 19.56, 53.89

 

CMYK 0 / 14 / 67 / 7

HEX #EDCD4E

RGB 237 205 78

HSL 47.92, 0.82%, 0.62%

LAB 83.03, -2.43, 64.86

 

CMYK 0 / 65 / 90 / 17

HEX #D44A15

RGB 212 74 21

HSL 16.65, 0.82%, 0.46%

LAB 50.63, 52.24, 55.84

 

CMYK 0 / 59 / 82 / 9

HEX #E95F29

RGB 233 95 41

HSL 16.88, 0.81%, 0.54%

LAB 57.72, 50.89, 55.27

 

CMYK 0 / 48 / 67 / 7

HEX #ED7B4E

RGB 237 123 78

HSL 16.98, 0.82%, 0.62%

LAB 63.93, 40.43, 44.01

 

CMYK 0 / 37 / 52 / 5

HEX #F19774

RGB 241 151 116

HSL 16.8, 0.82%, 0.7%

LAB 70.94, 30.23, 32.55

 

CMYK 0 / 27 / 37 / 4

HEX #F4B399

RGB 244 179 153

HSL 17.14, 0.81%, 0.78%

LAB 78.33, 20.36, 22.57

 

CMYK 0 / 48 / 67 / 7

HEX #EE7B4E

RGB 238 123 78

HSL 16.88, 0.82%, 0.62%

LAB 64.07, 40.81, 44.2

 

CMYK 31 / 0 / 67 / 7

HEX #A3ED4E

RGB 163 237 78

HSL 87.92, 0.82%, 0.62%

LAB 86.46, -46.9, 66.8

 

CMYK 67 / 58 / 0 / 7

HEX #4E63ED

RGB 78 99 237

HSL 232.08, 0.82%, 0.62%

LAB 47.83, 35.97, -72.01

 

CMYK 0 / 48 / 67 / 7

HEX #EE7B4E

RGB 238 123 78

HSL 16.88, 0.82%, 0.62%

LAB 64.07, 40.81, 44.2

 

CMYK 67 / 0 / 49 / 7

HEX #4EED79

RGB 78 237 121

HSL 136.23, 0.82%, 0.62%

LAB 83.74, -65.24, 44.16

 

CMYK 49 / 67 / 0 / 7

HEX #794EED

RGB 121 78 237

HSL 256.23, 0.82%, 0.62%

LAB 46.48, 54.82, -74.06

 

CMYK 0 / 48 / 67 / 7

HEX #EE7B4E

RGB 238 123 78

HSL 16.88, 0.82%, 0.62%

LAB 64.07, 40.81, 44.2

 

CMYK 31 / 0 / 67 / 7

HEX #A3ED4E

RGB 163 237 78

HSL 87.92, 0.82%, 0.62%

LAB 86.46, -46.9, 66.8

 

CMYK 67 / 18 / 0 / 7

HEX #4EC3ED

RGB 78 195 237

HSL 195.85, 0.82%, 0.62%

LAB 74.04, -19.94, -30.45

 

CMYK 36 / 67 / 0 / 7

HEX #984EED

RGB 152 78 237

HSL 267.92, 0.82%, 0.62%

LAB 49.78, 60.47, -68.55

 

CMYK 0 / 48 / 67 / 7

HEX #EE7B4E

RGB 238 123 78

HSL 16.88, 0.82%, 0.62%

LAB 64.07, 40.81, 44.2

 

CMYK 51 / 0 / 67 / 7

HEX #73ED4E

RGB 115 237 78

HSL 106.04, 0.82%, 0.62%

LAB 84.36, -61.91, 63.95

 

CMYK 67 / 18 / 0 / 7

HEX #4EC3ED

RGB 78 195 237

HSL 195.85, 0.82%, 0.62%

LAB 74.04, -19.94, -30.45

 

CMYK 16 / 67 / 0 / 7

HEX #C84EED

RGB 200 78 237

HSL 286.04, 0.82%, 0.62%

LAB 55.93, 70.28, -58.33

 

Description

Color code: RGB 238 123 78 | qconv.com Color code: RGB 238 123 78 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 123 green and 78 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 123 78 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 48 magenta, 67 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 48% 67% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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