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Color name
RGB 238 123 113

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 238 123 113 it is the complementary color RGB 17 132 142. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 238 123 113. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 238 123 113 shade: RGB 243 123 108, RGB 255 141 127, RGB 255 159 146, RGB 255 177 165 and RGB 255 195 184

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 238 123 113. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 238 123 113 shade: RGB 238 123 113, RGB 221 105 94, RGB 204 87 75, RGB 187 69 56 and RGB 170 51 37

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 238 123 113 shade: RGB 238 123 113 and RGB 238 113 113

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 238 123 113 shade: RGB 238 123 113, RGB 238 157 113, RGB 238 190 113, RGB 238 224 113 and RGB 218 238 113

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 238 123 113 shade matches the following richer shades: RGB 238 123 113 and RGB 251 112 100

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 238 123 113 shade: RGB 238 123 113, RGB 225 134 126, RGB 212 144 139, RGB 200 155 151 and RGB 187 166 164

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 238 123 113 shade: RGB 238 113 171, RGB 238 113 138, RGB 238 121 113, RGB 238 155 113 and RGB 238 188 113

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 238 123 113 shade: RGB 229 54 39, RGB 234 89 76, RGB 238 123 113, RGB 242 157 150 and RGB 247 192 187

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 238 123 113 shade: RGB 238 123 113, RGB 205 238 113 and RGB 113 155 238

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 238 123 113 shade: RGB 238 123 113, RGB 113 238 121 and RGB 121 113 238

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 238 123 113 shade: RGB 238 123 113, RGB 205 238 113, RGB 113 230 238 and RGB 146 113 238

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 238 123 113 shade: RGB 238 123 113, RGB 167 238 113, RGB 113 230 238 and RGB 184 113 238

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 48 / 53 / 7

HEX #EE7B71

RGB 238 123 113

HSL 4.8, 0.79%, 0.69%

LAB 64.59, 43.25, 25.82

 

Complementary color

CMYK 88 / 7 / 0 / 44

HEX #11848E

RGB 17 132 142

HSL 184.8, 0.79%, 0.31%

LAB 50.19, -25.28, -13.78

 

CMYK 0 / 49 / 56 / 5

HEX #F37B6C

RGB 243 123 108

HSL 6.67, 0.85%, 0.69%

LAB 65.2, 44.68, 29.54

 

CMYK 0 / 45 / 50 / 0

HEX #FF8D7F

RGB 255 141 127

HSL 6.56, 1%, 0.75%

LAB 70.76, 41.66, 26.67

 

CMYK 0 / 38 / 43 / 0

HEX #FF9F92

RGB 255 159 146

HSL 7.16, 1%, 0.79%

LAB 74.91, 34.26, 21.88

 

CMYK 0 / 31 / 35 / 0

HEX #FFB1A5

RGB 255 177 165

HSL 8, 1%, 0.82%

LAB 79.28, 26.98, 17.62

 

CMYK 0 / 24 / 28 / 0

HEX #FFC3B8

RGB 255 195 184

HSL 9.3, 1%, 0.86%

LAB 83.84, 19.93, 13.83

 

CMYK 0 / 48 / 53 / 7

HEX #EE7B71

RGB 238 123 113

HSL 4.8, 0.79%, 0.69%

LAB 64.59, 43.25, 25.82

 

CMYK 0 / 52 / 57 / 13

HEX #DD695E

RGB 221 105 94

HSL 5.2, 0.65%, 0.62%

LAB 58.31, 44.44, 27.85

 

CMYK 0 / 57 / 63 / 20

HEX #CC574B

RGB 204 87 75

HSL 5.58, 0.56%, 0.55%

LAB 52.02, 45.65, 30.19

 

CMYK 0 / 63 / 70 / 27

HEX #BB4538

RGB 187 69 56

HSL 5.95, 0.54%, 0.48%

LAB 45.78, 46.79, 32.91

 

CMYK 0 / 70 / 78 / 33

HEX #AA3325

RGB 170 51 37

HSL 6.32, 0.64%, 0.41%

LAB 39.66, 47.72, 36.04

 

CMYK 0 / 48 / 53 / 7

HEX #EE7B71

RGB 238 123 113

HSL 4.8, 0.79%, 0.69%

LAB 64.59, 43.25, 25.82

 

CMYK 0 / 53 / 53 / 7

HEX #EE7171

RGB 238 113 113

HSL 0, 0.79%, 0.69%

LAB 62.66, 48.17, 23.24

 

CMYK 0 / 48 / 53 / 7

HEX #EE7B71

RGB 238 123 113

HSL 4.8, 0.79%, 0.69%

LAB 64.59, 43.25, 25.82

 

CMYK 0 / 34 / 53 / 7

HEX #EE9D71

RGB 238 157 113

HSL 21.12, 0.79%, 0.69%

LAB 71.88, 25.63, 35.3

 

CMYK 0 / 20 / 53 / 7

HEX #EEBE71

RGB 238 190 113

HSL 36.96, 0.79%, 0.69%

LAB 79.73, 8.18, 45.1

 

CMYK 0 / 6 / 53 / 7

HEX #EEE071

RGB 238 224 113

HSL 53.28, 0.79%, 0.69%

LAB 88.3, -9.27, 55.37

 

CMYK 8 / 0 / 53 / 7

HEX #DAEE71

RGB 218 238 113

HSL 69.6, 0.79%, 0.69%

LAB 90.44, -24.05, 57.49

 

CMYK 0 / 48 / 53 / 7

HEX #EE7B71

RGB 238 123 113

HSL 4.8, 0.79%, 0.69%

LAB 64.59, 43.25, 25.82

 

CMYK 0 / 55 / 60 / 2

HEX #FB7064

RGB 251 112 100

HSL 4.77, 0.95%, 0.69%

LAB 64.18, 52.25, 32.9

 

CMYK 0 / 48 / 53 / 7

HEX #EE7B71

RGB 238 123 113

HSL 4.8, 0.79%, 0.69%

LAB 64.59, 43.25, 25.82

 

CMYK 0 / 40 / 44 / 12

HEX #E1867E

RGB 225 134 126

HSL 4.85, 0.62%, 0.69%

LAB 65.41, 33.96, 19.33

 

CMYK 0 / 32 / 34 / 17

HEX #D4908B

RGB 212 144 139

HSL 4.11, 0.46%, 0.69%

LAB 66.37, 25.13, 13.14

 

CMYK 0 / 23 / 25 / 22

HEX #C89B97

RGB 200 155 151

HSL 4.9, 0.31%, 0.69%

LAB 67.99, 16.16, 8.54

 

CMYK 0 / 11 / 12 / 27

HEX #BBA6A4

RGB 187 166 164

HSL 5.22, 0.14%, 0.69%

LAB 69.84, 7.28, 3.82

 

CMYK 0 / 53 / 28 / 7

HEX #EE71AB

RGB 238 113 171

HSL 332.16, 0.79%, 0.69%

LAB 64.1, 54.32, -7.86

 

CMYK 0 / 53 / 42 / 7

HEX #EE718A

RGB 238 113 138

HSL 348, 0.79%, 0.69%

LAB 63.2, 50.5, 9.7

 

CMYK 0 / 49 / 53 / 7

HEX #EE7971

RGB 238 121 113

HSL 3.84, 0.79%, 0.69%

LAB 64.2, 44.25, 25.3

 

CMYK 0 / 35 / 53 / 7

HEX #EE9B71

RGB 238 155 113

HSL 20.16, 0.79%, 0.69%

LAB 71.43, 26.68, 34.72

 

CMYK 0 / 21 / 53 / 7

HEX #EEBC71

RGB 238 188 113

HSL 36, 0.79%, 0.69%

LAB 79.23, 9.23, 44.5

 

CMYK 0 / 76 / 83 / 10

HEX #E53627

RGB 229 54 39

HSL 4.74, 0.79%, 0.53%

LAB 51.2, 65.27, 50.05

 

CMYK 0 / 62 / 68 / 8

HEX #EA594C

RGB 234 89 76

HSL 4.94, 0.79%, 0.61%

LAB 57.23, 55.29, 37.09

 

CMYK 0 / 48 / 53 / 7

HEX #EE7B71

RGB 238 123 113

HSL 4.8, 0.79%, 0.69%

LAB 64.59, 43.25, 25.82

 

CMYK 0 / 35 / 38 / 5

HEX #F29D96

RGB 242 157 150

HSL 4.57, 0.78%, 0.77%

LAB 73.02, 30.87, 16.84

 

CMYK 0 / 22 / 24 / 3

HEX #F7C0BB

RGB 247 192 187

HSL 5, 0.79%, 0.85%

LAB 82.41, 18.97, 10.09

 

CMYK 0 / 48 / 53 / 7

HEX #EE7B71

RGB 238 123 113

HSL 4.8, 0.79%, 0.69%

LAB 64.59, 43.25, 25.82

 

CMYK 14 / 0 / 53 / 7

HEX #CDEE71

RGB 205 238 113

HSL 75.84, 0.79%, 0.69%

LAB 89.54, -29.05, 56.22

 

CMYK 53 / 35 / 0 / 7

HEX #719BEE

RGB 113 155 238

HSL 219.84, 0.79%, 0.69%

LAB 64.26, 8.85, -46.13

 

CMYK 0 / 48 / 53 / 7

HEX #EE7B71

RGB 238 123 113

HSL 4.8, 0.79%, 0.69%

LAB 64.59, 43.25, 25.82

 

CMYK 53 / 0 / 49 / 7

HEX #71EE79

RGB 113 238 121

HSL 123.84, 0.79%, 0.69%

LAB 85.02, -58.13, 45.96

 

CMYK 49 / 53 / 0 / 7

HEX #7971EE

RGB 121 113 238

HSL 243.84, 0.79%, 0.69%

LAB 54.08, 35.41, -62.32

 

CMYK 0 / 48 / 53 / 7

HEX #EE7B71

RGB 238 123 113

HSL 4.8, 0.79%, 0.69%

LAB 64.59, 43.25, 25.82

 

CMYK 14 / 0 / 53 / 7

HEX #CDEE71

RGB 205 238 113

HSL 75.84, 0.79%, 0.69%

LAB 89.54, -29.05, 56.22

 

CMYK 53 / 3 / 0 / 7

HEX #71E6EE

RGB 113 230 238

HSL 183.84, 0.79%, 0.69%

LAB 85.14, -30.86, -14.03

 

CMYK 39 / 53 / 0 / 7

HEX #9271EE

RGB 146 113 238

HSL 255.84, 0.79%, 0.69%

LAB 56.18, 40.97, -58.83

 

CMYK 0 / 48 / 53 / 7

HEX #EE7B71

RGB 238 123 113

HSL 4.8, 0.79%, 0.69%

LAB 64.59, 43.25, 25.82

 

CMYK 30 / 0 / 53 / 7

HEX #A7EE71

RGB 167 238 113

HSL 94.08, 0.79%, 0.69%

LAB 87.27, -42.87, 52.97

 

CMYK 53 / 3 / 0 / 7

HEX #71E6EE

RGB 113 230 238

HSL 183.84, 0.79%, 0.69%

LAB 85.14, -30.86, -14.03

 

CMYK 23 / 53 / 0 / 7

HEX #B871EE

RGB 184 113 238

HSL 274.08, 0.79%, 0.69%

LAB 60.05, 50.33, -52.43

 

Description

Color code: RGB 238 123 113 | qconv.com Color code: RGB 238 123 113 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 123 green and 113 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 123 113 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 48 magenta, 53 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 48% 53% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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