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Color name
RGB 238 119 198

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 238 119 198 it is the complementary color RGB 17 136 57. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 238 119 198. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 238 119 198 shade: RGB 243 119 193, RGB 255 137 212, RGB 255 155 231, RGB 255 173 250 and RGB 255 191 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 238 119 198. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 238 119 198 shade: RGB 238 119 198, RGB 221 101 179, RGB 204 83 160, RGB 187 65 141 and RGB 170 47 122

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 238 119 198 shade: RGB 238 118 198, RGB 238 118 165, RGB 238 118 133 and RGB 238 118 118

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 238 119 198 shade: RGB 238 118 198, RGB 238 118 230, RGB 213 118 238, RGB 181 118 238 and RGB 149 118 238

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 238 119 198 shade matches the following richer shades: RGB 238 118 198 and RGB 250 106 202

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 238 119 198 shade: RGB 238 118 198, RGB 225 131 193, RGB 213 143 189, RGB 201 155 185 and RGB 188 168 181

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 238 119 198 shade: RGB 214 118 238, RGB 238 118 230, RGB 238 118 198, RGB 238 118 166 and RGB 238 118 134

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 238 119 198 shade: RGB 229 45 167, RGB 233 82 182, RGB 238 118 198, RGB 242 155 213 and RGB 247 192 228

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 238 119 198 shade: RGB 238 119 198, RGB 238 182 118 and RGB 118 238 230

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 238 119 198 shade: RGB 238 119 198, RGB 198 238 118 and RGB 118 198 238

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 238 119 198 shade: RGB 238 119 198, RGB 238 182 118, RGB 118 238 158 and RGB 118 174 238

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 238 119 198 shade: RGB 238 119 198, RGB 238 218 118, RGB 118 238 158 and RGB 118 138 238

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 17 / 7

HEX #EE77C6

RGB 238 119 198

HSL 320.17, 0.78%, 0.7%

LAB 66.1, 55.21, -20.14

 

Complementary color

CMYK 88 / 0 / 58 / 47

HEX #118839

RGB 17 136 57

HSL 140.17, 0.78%, 0.3%

LAB 49.52, -48.18, 33.49

 

CMYK 0 / 51 / 21 / 5

HEX #F377C1

RGB 243 119 193

HSL 324.19, 0.84%, 0.71%

LAB 66.6, 56.01, -16.5

 

CMYK 0 / 46 / 17 / 0

HEX #FF89D4

RGB 255 137 212

HSL 321.86, 1%, 0.77%

LAB 72.16, 53.77, -18.52

 

CMYK 0 / 39 / 9 / 0

HEX #FF9BE7

RGB 255 155 231

HSL 314.4, 1%, 0.8%

LAB 76.36, 47.74, -22.57

 

CMYK 0 / 32 / 2 / 0

HEX #FFADFA

RGB 255 173 250

HSL 303.66, 1%, 0.84%

LAB 80.77, 41.71, -26.12

 

CMYK 0 / 25 / 0 / 0

HEX #FFBFFF

RGB 255 191 255

HSL 300, 1%, 0.87%

LAB 84.86, 33.2, -22.55

 

CMYK 0 / 50 / 17 / 7

HEX #EE77C6

RGB 238 119 198

HSL 320.17, 0.78%, 0.7%

LAB 66.1, 55.21, -20.14

 

CMYK 0 / 54 / 19 / 13

HEX #DD65B3

RGB 221 101 179

HSL 321, 0.64%, 0.63%

LAB 59.83, 55.82, -19.11

 

CMYK 0 / 59 / 22 / 20

HEX #CC53A0

RGB 204 83 160

HSL 321.82, 0.54%, 0.56%

LAB 53.56, 56.29, -17.87

 

CMYK 0 / 65 / 25 / 27

HEX #BB418D

RGB 187 65 141

HSL 322.62, 0.48%, 0.49%

LAB 47.32, 56.51, -16.32

 

CMYK 0 / 72 / 28 / 33

HEX #AA2F7A

RGB 170 47 122

HSL 323.41, 0.57%, 0.43%

LAB 41.19, 56.27, -14.35

 

CMYK 0 / 50 / 17 / 7

HEX #EE76C6

RGB 238 118 198

HSL 320, 0.78%, 0.7%

LAB 65.91, 55.69, -20.42

 

CMYK 0 / 50 / 31 / 7

HEX #EE76A5

RGB 238 118 165

HSL 336.5, 0.78%, 0.7%

LAB 64.84, 51.17, -3.34

 

CMYK 0 / 50 / 44 / 7

HEX #EE7685

RGB 238 118 133

HSL 352.5, 0.78%, 0.7%

LAB 64.02, 47.57, 13.72

 

CMYK 0 / 50 / 50 / 7

HEX #EE7676

RGB 238 118 118

HSL 0, 0.78%, 0.7%

LAB 63.71, 46.16, 21.82

 

CMYK 0 / 50 / 17 / 7

HEX #EE76C6

RGB 238 118 198

HSL 320, 0.78%, 0.7%

LAB 65.91, 55.69, -20.42

 

CMYK 0 / 50 / 3 / 7

HEX #EE76E6

RGB 238 118 230

HSL 304, 0.78%, 0.7%

LAB 67.16, 60.76, -36.35

 

CMYK 11 / 50 / 0 / 7

HEX #D576EE

RGB 213 118 238

HSL 287.5, 0.78%, 0.7%

LAB 64.38, 55.39, -45.35

 

CMYK 24 / 50 / 0 / 7

HEX #B576EE

RGB 181 118 238

HSL 271.5, 0.78%, 0.7%

LAB 60.74, 46.91, -51.35

 

CMYK 37 / 50 / 0 / 7

HEX #9576EE

RGB 149 118 238

HSL 255.5, 0.78%, 0.7%

LAB 57.58, 38.85, -56.58

 

CMYK 0 / 50 / 17 / 7

HEX #EE76C6

RGB 238 118 198

HSL 320, 0.78%, 0.7%

LAB 65.91, 55.69, -20.42

 

CMYK 0 / 58 / 19 / 2

HEX #FA6ACA

RGB 250 106 202

HSL 320, 0.94%, 0.7%

LAB 65.67, 65.24, -22.89

 

CMYK 0 / 50 / 17 / 7

HEX #EE76C6

RGB 238 118 198

HSL 320, 0.78%, 0.7%

LAB 65.91, 55.69, -20.42

 

CMYK 0 / 42 / 14 / 12

HEX #E183C1

RGB 225 131 193

HSL 320.43, 0.61%, 0.7%

LAB 66.59, 44.37, -16.74

 

CMYK 0 / 33 / 11 / 16

HEX #D58FBD

RGB 213 143 189

HSL 320.57, 0.45%, 0.7%

LAB 67.62, 33.38, -13.07

 

CMYK 0 / 23 / 8 / 21

HEX #C99BB9

RGB 201 155 185

HSL 320.87, 0.3%, 0.7%

LAB 69.01, 22, -8.9

 

CMYK 0 / 11 / 4 / 26

HEX #BCA8B5

RGB 188 168 181

HSL 321, 0.13%, 0.7%

LAB 70.89, 9.54, -4.03

 

CMYK 10 / 50 / 0 / 7

HEX #D676EE

RGB 214 118 238

HSL 288, 0.78%, 0.7%

LAB 64.5, 55.66, -45.15

 

CMYK 0 / 50 / 3 / 7

HEX #EE76E6

RGB 238 118 230

HSL 304, 0.78%, 0.7%

LAB 67.16, 60.76, -36.35

 

CMYK 0 / 50 / 17 / 7

HEX #EE76C6

RGB 238 118 198

HSL 320, 0.78%, 0.7%

LAB 65.91, 55.69, -20.42

 

CMYK 0 / 50 / 30 / 7

HEX #EE76A6

RGB 238 118 166

HSL 336, 0.78%, 0.7%

LAB 64.87, 51.29, -3.87

 

CMYK 0 / 50 / 44 / 7

HEX #EE7686

RGB 238 118 134

HSL 352, 0.78%, 0.7%

LAB 64.04, 47.67, 13.18

 

CMYK 0 / 80 / 27 / 10

HEX #E52DA7

RGB 229 45 167

HSL 320.22, 0.78%, 0.54%

LAB 53.3, 76.68, -22.01

 

CMYK 0 / 65 / 22 / 9

HEX #E952B6

RGB 233 82 182

HSL 320.26, 0.77%, 0.62%

LAB 58.73, 67.78, -22.35

 

CMYK 0 / 50 / 17 / 7

HEX #EE76C6

RGB 238 118 198

HSL 320, 0.78%, 0.7%

LAB 65.91, 55.69, -20.42

 

CMYK 0 / 36 / 12 / 5

HEX #F29BD5

RGB 242 155 213

HSL 320, 0.77%, 0.78%

LAB 74.27, 40.66, -16.04

 

CMYK 0 / 22 / 8 / 3

HEX #F7C0E4

RGB 247 192 228

HSL 320.73, 0.77%, 0.86%

LAB 83.48, 25.32, -10.31

 

CMYK 0 / 50 / 17 / 7

HEX #EE77C6

RGB 238 119 198

HSL 320.17, 0.78%, 0.7%

LAB 66.1, 55.21, -20.14

 

CMYK 0 / 24 / 50 / 7

HEX #EEB676

RGB 238 182 118

HSL 32, 0.78%, 0.7%

LAB 77.84, 12.82, 40.24

 

CMYK 50 / 0 / 3 / 7

HEX #76EEE6

RGB 118 238 230

HSL 176, 0.78%, 0.7%

LAB 87.35, -35.66, -6.52

 

CMYK 0 / 50 / 17 / 7

HEX #EE77C6

RGB 238 119 198

HSL 320.17, 0.78%, 0.7%

LAB 66.1, 55.21, -20.14

 

CMYK 17 / 0 / 50 / 7

HEX #C6EE76

RGB 198 238 118

HSL 80, 0.78%, 0.7%

LAB 89.14, -31.22, 53.34

 

CMYK 50 / 17 / 0 / 7

HEX #76C6EE

RGB 118 198 238

HSL 200, 0.78%, 0.7%

LAB 76.32, -13.81, -27.37

 

CMYK 0 / 50 / 17 / 7

HEX #EE77C6

RGB 238 119 198

HSL 320.17, 0.78%, 0.7%

LAB 66.1, 55.21, -20.14

 

CMYK 0 / 24 / 50 / 7

HEX #EEB676

RGB 238 182 118

HSL 32, 0.78%, 0.7%

LAB 77.84, 12.82, 40.24

 

CMYK 50 / 0 / 34 / 7

HEX #76EE9E

RGB 118 238 158

HSL 140, 0.78%, 0.7%

LAB 85.74, -51.11, 28.63

 

CMYK 50 / 27 / 0 / 7

HEX #76AEEE

RGB 118 174 238

HSL 212, 0.78%, 0.7%

LAB 69.68, -0.84, -37.62

 

CMYK 0 / 50 / 17 / 7

HEX #EE77C6

RGB 238 119 198

HSL 320.17, 0.78%, 0.7%

LAB 66.1, 55.21, -20.14

 

CMYK 0 / 8 / 50 / 7

HEX #EEDA76

RGB 238 218 118

HSL 50, 0.78%, 0.7%

LAB 86.81, -5.83, 51.26

 

CMYK 50 / 0 / 34 / 7

HEX #76EE9E

RGB 118 238 158

HSL 140, 0.78%, 0.7%

LAB 85.74, -51.11, 28.63

 

CMYK 50 / 42 / 0 / 7

HEX #768AEE

RGB 118 138 238

HSL 230, 0.78%, 0.7%

LAB 60.07, 19.92, -52.74

 

Description

Color code: RGB 238 119 198 | qconv.com Color code: RGB 238 119 198 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 119 green and 198 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 119 198 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 17 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 17% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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