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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 237 94 108 it is the complementary color RGB 18 161 147. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 237 94 108. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 237 94 108 shade: RGB 242 94 103, RGB 255 112 122, RGB 255 130 141, RGB 255 148 160 and RGB 255 166 179

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 237 94 108. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 237 94 108 shade: RGB 237 94 108, RGB 220 76 89, RGB 203 58 70, RGB 186 40 51 and RGB 169 22 32

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 237 94 108 shade: RGB 237 94 108 and RGB 237 94 94

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 237 94 108 shade: RGB 237 94 108, RGB 237 94 146, RGB 237 94 185, RGB 237 94 223 and RGB 211 94 237

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 237 94 108 shade matches the following richer shades: RGB 237 94 108 and RGB 251 79 96

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 237 94 108 shade: RGB 237 94 108, RGB 222 108 119, RGB 208 123 131, RGB 193 137 143 and RGB 179 152 154

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 237 94 108 shade: RGB 237 94 184, RGB 237 94 146, RGB 237 94 108, RGB 237 118 94 and RGB 237 156 94

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 237 94 108 shade: RGB 224 24 44, RGB 233 57 74, RGB 237 94 108, RGB 241 131 142 and RGB 245 168 176

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 237 94 108 shade: RGB 237 94 108, RGB 222 237 94 and RGB 94 165 237

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 237 94 108 shade: RGB 237 94 108, RGB 108 237 94 and RGB 94 108 237

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 237 94 108 shade: RGB 237 94 108, RGB 222 237 94, RGB 94 237 222 and RGB 108 94 237

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 237 94 108 shade: RGB 237 94 108, RGB 180 237 94, RGB 94 237 222 and RGB 151 94 237

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 60 / 54 / 7

HEX #ED5E6C

RGB 237 94 108

HSL 354.13, 0.8%, 0.65%

LAB 59.06, 56.2, 21.25

 

Complementary color

CMYK 89 / 0 / 9 / 37

HEX #12A193

RGB 18 161 147

HSL 174.13, 0.8%, 0.35%

LAB 59.64, -37.52, -2.55

 

CMYK 0 / 61 / 57 / 5

HEX #F25E67

RGB 242 94 103

HSL 356.35, 0.85%, 0.66%

LAB 59.76, 57.47, 25.22

 

CMYK 0 / 56 / 52 / 0

HEX #FF707A

RGB 255 112 122

HSL 355.8, 1%, 0.72%

LAB 65.16, 55.25, 21.94

 

CMYK 0 / 49 / 45 / 0

HEX #FF828D

RGB 255 130 141

HSL 354.72, 1%, 0.75%

LAB 68.86, 48.42, 16.3

 

CMYK 0 / 42 / 37 / 0

HEX #FF94A0

RGB 255 148 160

HSL 353.27, 1%, 0.79%

LAB 72.88, 41.43, 11.36

 

CMYK 0 / 35 / 30 / 0

HEX #FFA6B3

RGB 255 166 179

HSL 351.24, 1%, 0.83%

LAB 77.15, 34.46, 7.01

 

CMYK 0 / 60 / 54 / 7

HEX #ED5E6C

RGB 237 94 108

HSL 354.13, 0.8%, 0.65%

LAB 59.06, 56.2, 21.25

 

CMYK 0 / 65 / 60 / 14

HEX #DC4C59

RGB 220 76 89

HSL 354.58, 0.67%, 0.58%

LAB 53.07, 56.9, 23.89

 

CMYK 0 / 71 / 66 / 20

HEX #CB3A46

RGB 203 58 70

HSL 355.03, 0.58%, 0.51%

LAB 47.19, 57.31, 27.04

 

CMYK 0 / 78 / 73 / 27

HEX #BA2833

RGB 186 40 51

HSL 355.48, 0.65%, 0.44%

LAB 41.53, 57.2, 30.83

 

CMYK 0 / 87 / 81 / 34

HEX #A91620

RGB 169 22 32

HSL 355.92, 0.77%, 0.37%

LAB 36.2, 56.21, 35.25

 

CMYK 0 / 60 / 54 / 7

HEX #ED5E6C

RGB 237 94 108

HSL 354.13, 0.8%, 0.65%

LAB 59.06, 56.2, 21.25

 

CMYK 0 / 60 / 60 / 7

HEX #ED5E5E

RGB 237 94 94

HSL 0, 0.8%, 0.65%

LAB 58.81, 55.19, 28.98

 

CMYK 0 / 60 / 54 / 7

HEX #ED5E6C

RGB 237 94 108

HSL 354.13, 0.8%, 0.65%

LAB 59.06, 56.2, 21.25

 

CMYK 0 / 60 / 38 / 7

HEX #ED5E92

RGB 237 94 146

HSL 338.18, 0.8%, 0.65%

LAB 59.97, 59.69, 0.42

 

CMYK 0 / 60 / 22 / 7

HEX #ED5EB9

RGB 237 94 185

HSL 321.82, 0.8%, 0.65%

LAB 61.23, 64.4, -20.19

 

CMYK 0 / 60 / 6 / 7

HEX #ED5EDF

RGB 237 94 223

HSL 305.87, 0.8%, 0.65%

LAB 62.79, 69.97, -39.28

 

CMYK 11 / 60 / 0 / 7

HEX #D35EED

RGB 211 94 237

HSL 289.09, 0.8%, 0.65%

LAB 59.86, 66.01, -51.97

 

CMYK 0 / 60 / 54 / 7

HEX #ED5E6C

RGB 237 94 108

HSL 354.13, 0.8%, 0.65%

LAB 59.06, 56.2, 21.25

 

CMYK 0 / 69 / 62 / 2

HEX #FB4F60

RGB 251 79 96

HSL 354.07, 0.96%, 0.65%

LAB 58.92, 65.86, 28.45

 

CMYK 0 / 60 / 54 / 7

HEX #ED5E6C

RGB 237 94 108

HSL 354.13, 0.8%, 0.65%

LAB 59.06, 56.2, 21.25

 

CMYK 0 / 51 / 46 / 13

HEX #DE6C77

RGB 222 108 119

HSL 354.21, 0.63%, 0.65%

LAB 59.51, 45.47, 15.14

 

CMYK 0 / 41 / 37 / 18

HEX #D07B83

RGB 208 123 131

HSL 354.35, 0.47%, 0.65%

LAB 60.97, 33.94, 9.99

 

CMYK 0 / 29 / 26 / 24

HEX #C1898F

RGB 193 137 143

HSL 353.57, 0.31%, 0.65%

LAB 62.69, 22.25, 5.35

 

CMYK 0 / 15 / 14 / 30

HEX #B3989A

RGB 179 152 154

HSL 355.56, 0.15%, 0.65%

LAB 65.26, 10.34, 2.67

 

CMYK 0 / 60 / 22 / 7

HEX #ED5EB8

RGB 237 94 184

HSL 322.24, 0.8%, 0.65%

LAB 61.19, 64.27, -19.68

 

CMYK 0 / 60 / 38 / 7

HEX #ED5E92

RGB 237 94 146

HSL 338.18, 0.8%, 0.65%

LAB 59.97, 59.69, 0.42

 

CMYK 0 / 60 / 54 / 7

HEX #ED5E6C

RGB 237 94 108

HSL 354.13, 0.8%, 0.65%

LAB 59.06, 56.2, 21.25

 

CMYK 0 / 50 / 60 / 7

HEX #ED765E

RGB 237 118 94

HSL 10.07, 0.8%, 0.65%

LAB 63.15, 43.92, 34.49

 

CMYK 0 / 34 / 60 / 7

HEX #ED9C5E

RGB 237 156 94

HSL 26.01, 0.8%, 0.65%

LAB 71.28, 24.28, 44.42

 

CMYK 0 / 89 / 80 / 12

HEX #E0182C

RGB 224 24 44

HSL 354, 0.81%, 0.49%

LAB 47.86, 70.85, 43.94

 

CMYK 0 / 76 / 68 / 9

HEX #E9394A

RGB 233 57 74

HSL 354.2, 0.8%, 0.57%

LAB 52.67, 66.79, 32.69

 

CMYK 0 / 60 / 54 / 7

HEX #ED5E6C

RGB 237 94 108

HSL 354.13, 0.8%, 0.65%

LAB 59.06, 56.2, 21.25

 

CMYK 0 / 46 / 41 / 5

HEX #F1838E

RGB 241 131 142

HSL 354, 0.8%, 0.73%

LAB 67.19, 43.08, 13.13

 

CMYK 0 / 31 / 28 / 4

HEX #F5A8B0

RGB 245 168 176

HSL 353.77, 0.79%, 0.81%

LAB 76.41, 29.41, 7.43

 

CMYK 0 / 60 / 54 / 7

HEX #ED5E6C

RGB 237 94 108

HSL 354.13, 0.8%, 0.65%

LAB 59.06, 56.2, 21.25

 

CMYK 6 / 0 / 60 / 7

HEX #DEED5E

RGB 222 237 94

HSL 66.29, 0.8%, 0.65%

LAB 90.28, -23.47, 65.62

 

CMYK 60 / 30 / 0 / 7

HEX #5EA5ED

RGB 94 165 237

HSL 210.21, 0.8%, 0.65%

LAB 66.06, -1.03, -42.81

 

CMYK 0 / 60 / 54 / 7

HEX #ED5E6C

RGB 237 94 108

HSL 354.13, 0.8%, 0.65%

LAB 59.06, 56.2, 21.25

 

CMYK 54 / 0 / 60 / 7

HEX #6CED5E

RGB 108 237 94

HSL 114.13, 0.8%, 0.65%

LAB 84.26, -62.24, 57.26

 

CMYK 60 / 54 / 0 / 7

HEX #5E6CED

RGB 94 108 237

HSL 234.13, 0.8%, 0.65%

LAB 50.94, 32.94, -66.91

 

CMYK 0 / 60 / 54 / 7

HEX #ED5E6C

RGB 237 94 108

HSL 354.13, 0.8%, 0.65%

LAB 59.06, 56.2, 21.25

 

CMYK 6 / 0 / 60 / 7

HEX #DEED5E

RGB 222 237 94

HSL 66.29, 0.8%, 0.65%

LAB 90.28, -23.47, 65.62

 

CMYK 60 / 0 / 6 / 7

HEX #5EEDDE

RGB 94 237 222

HSL 173.71, 0.8%, 0.65%

LAB 86.12, -41.75, -4.21

 

CMYK 54 / 60 / 0 / 7

HEX #6C5EED

RGB 108 94 237

HSL 245.87, 0.8%, 0.65%

LAB 48.65, 43.72, -70.59

 

CMYK 0 / 60 / 54 / 7

HEX #ED5E6C

RGB 237 94 108

HSL 354.13, 0.8%, 0.65%

LAB 59.06, 56.2, 21.25

 

CMYK 24 / 0 / 60 / 7

HEX #B4ED5E

RGB 180 237 94

HSL 83.92, 0.8%, 0.65%

LAB 87.52, -39.59, 61.82

 

CMYK 60 / 0 / 6 / 7

HEX #5EEDDE

RGB 94 237 222

HSL 173.71, 0.8%, 0.65%

LAB 86.12, -41.75, -4.21

 

CMYK 36 / 60 / 0 / 7

HEX #975EED

RGB 151 94 237

HSL 263.92, 0.8%, 0.65%

LAB 52.62, 52.25, -63.97

 

Description

Color code: RGB 237 94 108 | qconv.com Color code: RGB 237 94 108 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 237 red, 94 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
237 94 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 60 magenta, 54 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 60% 54% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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