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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 237 124 16 it is the complementary color RGB 18 131 239. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 237 124 16. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 237 124 16 shade: RGB 242 124 11, RGB 255 142 30, RGB 255 160 49, RGB 255 178 68 and RGB 255 196 87

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 237 124 16. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 237 124 16 shade: RGB 237 124 16, RGB 220 106 0, RGB 203 88 0, RGB 186 70 0 and RGB 169 52 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 237 124 16 shade: RGB 238 124 16, RGB 238 65 16 and RGB 238 16 16

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 237 124 16 shade: RGB 238 124 16, RGB 238 184 16, RGB 232 238 16, RGB 172 238 16 and RGB 112 238 16

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 237 124 16 shade matches the following richer shades: RGB 238 124 16

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 237 124 16 shade: RGB 238 124 16, RGB 217 125 37, RGB 197 125 57, RGB 176 126 78 and RGB 155 126 99

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 237 124 16 shade: RGB 238 16 27, RGB 238 64 16, RGB 238 123 16, RGB 238 182 16 and RGB 234 238 16

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 237 124 16 shade: RGB 161 84 11, RGB 199 104 13, RGB 238 124 16, RGB 241 146 55 and RGB 243 167 93

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 237 124 16 shade: RGB 237 124 16, RGB 86 238 16 and RGB 35 16 238

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 237 124 16 shade: RGB 237 124 16, RGB 16 238 123 and RGB 123 16 238

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 237 124 16 shade: RGB 237 124 16, RGB 86 238 16, RGB 16 131 238 and RGB 168 16 238

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 237 124 16 shade: RGB 237 124 16, RGB 20 238 16, RGB 16 131 238 and RGB 234 16 238

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 48 / 93 / 7

HEX #ED7C10

RGB 237 124 16

HSL 29.32, 0.87%, 0.5%

LAB 63.72, 37.9, 68.15

 

Complementary color

CMYK 92 / 45 / 0 / 6

HEX #1283EF

RGB 18 131 239

HSL 209.32, 0.87%, 0.5%

LAB 54.65, 11.26, -62.17

 

CMYK 0 / 49 / 95 / 5

HEX #F27C0B

RGB 242 124 11

HSL 29.35, 0.91%, 0.5%

LAB 64.42, 39.83, 69.84

 

CMYK 0 / 44 / 88 / 0

HEX #FF8E1E

RGB 255 142 30

HSL 29.87, 1%, 0.56%

LAB 69.97, 36.15, 70.5

 

CMYK 0 / 37 / 81 / 0

HEX #FFA031

RGB 255 160 49

HSL 32.33, 1%, 0.6%

LAB 73.95, 27.34, 67.83

 

CMYK 0 / 30 / 73 / 0

HEX #FFB244

RGB 255 178 68

HSL 35.29, 1%, 0.63%

LAB 78.18, 18.65, 64.58

 

CMYK 0 / 23 / 66 / 0

HEX #FFC457

RGB 255 196 87

HSL 38.93, 1%, 0.67%

LAB 82.61, 10.22, 61.13

 

CMYK 0 / 48 / 93 / 7

HEX #ED7C10

RGB 237 124 16

HSL 29.32, 0.87%, 0.5%

LAB 63.72, 37.9, 68.15

 

CMYK 0 / 52 / 100 / 14

HEX #DC6A00

RGB 220 106 0

HSL 28.91, 1%, 0.43%

LAB 57.58, 40.09, 65.8

 

CMYK 0 / 57 / 100 / 20

HEX #CB5800

RGB 203 88 0

HSL 26.01, 1%, 0.4%

LAB 51.47, 42.35, 60.91

 

CMYK 0 / 62 / 100 / 27

HEX #BA4600

RGB 186 70 0

HSL 22.58, 1%, 0.36%

LAB 45.39, 44.43, 56.07

 

CMYK 0 / 69 / 100 / 34

HEX #A93400

RGB 169 52 0

HSL 18.46, 1%, 0.33%

LAB 39.4, 46.16, 51.31

 

CMYK 0 / 48 / 93 / 7

HEX #EE7C10

RGB 238 124 16

HSL 29.19, 0.87%, 0.5%

LAB 63.86, 38.3, 68.31

 

CMYK 0 / 73 / 93 / 7

HEX #EE4110

RGB 238 65 16

HSL 13.24, 0.87%, 0.5%

LAB 54.02, 64.06, 61.89

 

CMYK 0 / 93 / 93 / 7

HEX #EE1010

RGB 238 16 16

HSL 0, 0.87%, 0.5%

LAB 50.2, 74.87, 59.63

 

CMYK 0 / 48 / 93 / 7

HEX #EE7C10

RGB 238 124 16

HSL 29.19, 0.87%, 0.5%

LAB 63.86, 38.3, 68.31

 

CMYK 0 / 23 / 93 / 7

HEX #EEB810

RGB 238 184 16

HSL 45.41, 0.87%, 0.5%

LAB 77.58, 6.88, 78.08

 

CMYK 3 / 0 / 93 / 7

HEX #E8EE10

RGB 232 238 16

HSL 61.62, 0.87%, 0.5%

LAB 90.94, -22.81, 87.84

 

CMYK 28 / 0 / 93 / 7

HEX #ACEE10

RGB 172 238 16

HSL 77.84, 0.87%, 0.5%

LAB 86.98, -46.57, 83.06

 

CMYK 53 / 0 / 93 / 7

HEX #70EE10

RGB 112 238 16

HSL 94.05, 0.87%, 0.5%

LAB 84.29, -66.07, 79.78

 

CMYK 0 / 48 / 93 / 7

HEX #EE7C10

RGB 238 124 16

HSL 29.19, 0.87%, 0.5%

LAB 63.86, 38.3, 68.31

 

CMYK 0 / 48 / 93 / 7

HEX #EE7C10

RGB 238 124 16

HSL 29.19, 0.87%, 0.5%

LAB 63.86, 38.3, 68.31

 

CMYK 0 / 42 / 83 / 15

HEX #D97D25

RGB 217 125 37

HSL 29.33, 0.71%, 0.5%

LAB 61.27, 29.66, 59.1

 

CMYK 0 / 37 / 71 / 23

HEX #C57D39

RGB 197 125 57

HSL 29.14, 0.55%, 0.5%

LAB 58.82, 22.04, 47.34

 

CMYK 0 / 28 / 56 / 31

HEX #B07E4E

RGB 176 126 78

HSL 29.39, 0.39%, 0.5%

LAB 56.78, 13.9, 33.58

 

CMYK 0 / 19 / 36 / 39

HEX #9B7E63

RGB 155 126 99

HSL 28.93, 0.22%, 0.5%

LAB 54.86, 7.2, 18.92

 

CMYK 0 / 93 / 89 / 7

HEX #EE101B

RGB 238 16 27

HSL 357.03, 0.87%, 0.5%

LAB 50.25, 75.01, 55.51

 

CMYK 0 / 73 / 93 / 7

HEX #EE4010

RGB 238 64 16

HSL 12.97, 0.87%, 0.5%

LAB 53.9, 64.4, 61.81

 

CMYK 0 / 48 / 93 / 7

HEX #EE7B10

RGB 238 123 16

HSL 28.92, 0.87%, 0.5%

LAB 63.66, 38.81, 68.17

 

CMYK 0 / 24 / 93 / 7

HEX #EEB610

RGB 238 182 16

HSL 44.86, 0.87%, 0.5%

LAB 77.08, 7.93, 77.72

 

CMYK 2 / 0 / 93 / 7

HEX #EAEE10

RGB 234 238 16

HSL 61.08, 0.87%, 0.5%

LAB 91.09, -21.98, 88.03

 

CMYK 0 / 48 / 93 / 37

HEX #A1540B

RGB 161 84 11

HSL 29.2, 0.87%, 0.34%

LAB 44.15, 27.49, 50.39

 

CMYK 0 / 48 / 93 / 22

HEX #C7680D

RGB 199 104 13

HSL 29.35, 0.88%, 0.42%

LAB 54.1, 32.79, 59.57

 

CMYK 0 / 48 / 93 / 7

HEX #EE7C10

RGB 238 124 16

HSL 29.19, 0.87%, 0.5%

LAB 63.86, 38.3, 68.31

 

CMYK 0 / 39 / 77 / 5

HEX #F19237

RGB 241 146 55

HSL 29.35, 0.87%, 0.58%

LAB 69.14, 29.1, 60.46

 

CMYK 0 / 31 / 62 / 5

HEX #F3A75D

RGB 243 167 93

HSL 29.6, 0.86%, 0.66%

LAB 74.5, 20.84, 48.89

 

CMYK 0 / 48 / 93 / 7

HEX #ED7C10

RGB 237 124 16

HSL 29.32, 0.87%, 0.5%

LAB 63.72, 37.9, 68.15

 

CMYK 64 / 0 / 93 / 7

HEX #56EE10

RGB 86 238 16

HSL 101.08, 0.87%, 0.5%

LAB 83.53, -72.32, 78.84

 

CMYK 85 / 93 / 0 / 7

HEX #2310EE

RGB 35 16 238

HSL 245.14, 0.87%, 0.5%

LAB 31.58, 72.77, -99.45

 

CMYK 0 / 48 / 93 / 7

HEX #ED7C10

RGB 237 124 16

HSL 29.32, 0.87%, 0.5%

LAB 63.72, 37.9, 68.15

 

CMYK 93 / 0 / 48 / 7

HEX #10EE7B

RGB 16 238 123

HSL 148.92, 0.87%, 0.5%

LAB 83.28, -71.73, 42.45

 

CMYK 48 / 93 / 0 / 7

HEX #7B10EE

RGB 123 16 238

HSL 268.92, 0.87%, 0.5%

LAB 39.16, 77.31, -86.64

 

CMYK 0 / 48 / 93 / 7

HEX #ED7C10

RGB 237 124 16

HSL 29.32, 0.87%, 0.5%

LAB 63.72, 37.9, 68.15

 

CMYK 64 / 0 / 93 / 7

HEX #56EE10

RGB 86 238 16

HSL 101.08, 0.87%, 0.5%

LAB 83.53, -72.32, 78.84

 

CMYK 93 / 45 / 0 / 7

HEX #1083EE

RGB 16 131 238

HSL 208.92, 0.87%, 0.5%

LAB 54.57, 10.8, -61.74

 

CMYK 29 / 93 / 0 / 7

HEX #A810EE

RGB 168 16 238

HSL 281.08, 0.87%, 0.5%

LAB 45.45, 82.1, -76.07

 

CMYK 0 / 48 / 93 / 7

HEX #ED7C10

RGB 237 124 16

HSL 29.32, 0.87%, 0.5%

LAB 63.72, 37.9, 68.15

 

CMYK 92 / 0 / 93 / 7

HEX #14EE10

RGB 20 238 16

HSL 118.92, 0.87%, 0.5%

LAB 82.56, -80.81, 77.64

 

CMYK 93 / 45 / 0 / 7

HEX #1083EE

RGB 16 131 238

HSL 208.92, 0.87%, 0.5%

LAB 54.57, 10.8, -61.74

 

CMYK 2 / 93 / 0 / 7

HEX #EA10EE

RGB 234 16 238

HSL 298.92, 0.87%, 0.5%

LAB 56.12, 91.53, -58.29

 

Description

Color code: RGB 237 124 16 | qconv.com Color code: RGB 237 124 16 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 237 red, 124 green and 16 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
237 124 16 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 48 magenta, 93 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 48% 93% 7% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

18% - Одноклассники
Link: http://odnoklassniki.ru

18% - Одноклассники
Link: http://www.odnoklassniki.ru

18% - Одноклассники
Link: http://ok.ru

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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