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Color name
RGB 237 113 120

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 237 113 120 it is the complementary color RGB 18 142 135. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 237 113 120. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 237 113 120 shade: RGB 242 113 115, RGB 255 131 134, RGB 255 149 153, RGB 255 167 172 and RGB 255 185 191

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 237 113 120. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 237 113 120 shade: RGB 237 113 120, RGB 220 95 101, RGB 203 77 82, RGB 186 59 63 and RGB 169 41 44

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 237 113 120 shade: RGB 237 114 121 and RGB 237 114 114

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 237 113 120 shade: RGB 237 114 121, RGB 237 114 154, RGB 237 114 187, RGB 237 114 221 and RGB 220 114 237

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 237 113 120 shade matches the following richer shades: RGB 237 114 121 and RGB 250 101 109

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 237 113 120 shade: RGB 237 114 121, RGB 224 127 132, RGB 212 139 143, RGB 199 152 155 and RGB 186 165 166

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 237 113 120 shade: RGB 237 114 188, RGB 237 114 155, RGB 237 114 122, RGB 237 138 114 and RGB 237 171 114

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 237 113 120 shade: RGB 228 40 51, RGB 233 77 86, RGB 237 114 121, RGB 242 151 156 and RGB 246 187 191

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 237 113 120 shade: RGB 237 113 120, RGB 221 237 114 and RGB 114 171 237

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 237 113 120 shade: RGB 237 113 120, RGB 122 237 114 and RGB 114 122 237

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 237 113 120 shade: RGB 237 113 120, RGB 221 237 114, RGB 114 237 229 and RGB 130 114 237

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 237 113 120 shade: RGB 237 113 120, RGB 184 237 114, RGB 114 237 229 and RGB 167 114 237

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 52 / 49 / 7

HEX #ED7178

RGB 237 113 120

HSL 356.61, 0.78%, 0.69%

LAB 62.65, 48.42, 19.22

 

Complementary color

CMYK 87 / 0 / 5 / 44

HEX #128E87

RGB 18 142 135

HSL 176.61, 0.78%, 0.31%

LAB 53.19, -32.34, -5.2

 

CMYK 0 / 53 / 52 / 5

HEX #F27173

RGB 242 113 115

HSL 359.07, 0.83%, 0.7%

LAB 63.28, 49.74, 23.04

 

CMYK 0 / 49 / 47 / 0

HEX #FF8386

RGB 255 131 134

HSL 358.55, 1%, 0.76%

LAB 68.91, 47.27, 20.28

 

CMYK 0 / 42 / 40 / 0

HEX #FF9599

RGB 255 149 153

HSL 357.74, 1%, 0.79%

LAB 72.93, 40.15, 15.3

 

CMYK 0 / 35 / 33 / 0

HEX #FFA7AC

RGB 255 167 172

HSL 356.59, 1%, 0.83%

LAB 77.21, 33.05, 10.9

 

CMYK 0 / 27 / 25 / 0

HEX #FFB9BF

RGB 255 185 191

HSL 354.86, 1%, 0.86%

LAB 81.69, 26.12, 7.01

 

CMYK 0 / 52 / 49 / 7

HEX #ED7178

RGB 237 113 120

HSL 356.61, 0.78%, 0.69%

LAB 62.65, 48.42, 19.22

 

CMYK 0 / 57 / 54 / 14

HEX #DC5F65

RGB 220 95 101

HSL 357.12, 0.64%, 0.62%

LAB 56.43, 49.44, 21.32

 

CMYK 0 / 62 / 60 / 20

HEX #CB4D52

RGB 203 77 82

HSL 357.62, 0.55%, 0.55%

LAB 50.23, 50.37, 23.79

 

CMYK 0 / 68 / 66 / 27

HEX #BA3B3F

RGB 186 59 63

HSL 358.11, 0.52%, 0.48%

LAB 44.13, 51.1, 26.75

 

CMYK 0 / 76 / 74 / 34

HEX #A9292C

RGB 169 41 44

HSL 358.59, 0.61%, 0.41%

LAB 38.2, 51.4, 30.33

 

CMYK 0 / 52 / 49 / 7

HEX #ED7279

RGB 237 114 121

HSL 356.59, 0.77%, 0.69%

LAB 62.86, 48.02, 18.94

 

CMYK 0 / 52 / 52 / 7

HEX #ED7272

RGB 237 114 114

HSL 0, 0.77%, 0.69%

LAB 62.72, 47.41, 22.73

 

CMYK 0 / 52 / 49 / 7

HEX #ED7279

RGB 237 114 121

HSL 356.59, 0.77%, 0.69%

LAB 62.86, 48.02, 18.94

 

CMYK 0 / 52 / 35 / 7

HEX #ED729A

RGB 237 114 154

HSL 340.49, 0.77%, 0.69%

LAB 63.65, 51.44, 1.17

 

CMYK 0 / 52 / 21 / 7

HEX #ED72BB

RGB 237 114 187

HSL 324.39, 0.77%, 0.69%

LAB 64.67, 55.69, -16.12

 

CMYK 0 / 52 / 7 / 7

HEX #ED72DD

RGB 237 114 221

HSL 307.8, 0.77%, 0.69%

LAB 65.95, 60.87, -33.24

 

CMYK 7 / 52 / 0 / 7

HEX #DC72ED

RGB 220 114 237

HSL 291.71, 0.77%, 0.69%

LAB 64.46, 59.03, -44.63

 

CMYK 0 / 52 / 49 / 7

HEX #ED7279

RGB 237 114 121

HSL 356.59, 0.77%, 0.69%

LAB 62.86, 48.02, 18.94

 

CMYK 0 / 60 / 56 / 2

HEX #FA656D

RGB 250 101 109

HSL 356.78, 0.94%, 0.69%

LAB 62.28, 57.5, 25.34

 

CMYK 0 / 52 / 49 / 7

HEX #ED7279

RGB 237 114 121

HSL 356.59, 0.77%, 0.69%

LAB 62.86, 48.02, 18.94

 

CMYK 0 / 43 / 41 / 12

HEX #E07F84

RGB 224 127 132

HSL 356.91, 0.61%, 0.69%

LAB 63.91, 37.88, 13.86

 

CMYK 0 / 34 / 33 / 17

HEX #D48B8F

RGB 212 139 143

HSL 356.71, 0.46%, 0.69%

LAB 65.31, 28.34, 9.4

 

CMYK 0 / 24 / 22 / 22

HEX #C7989B

RGB 199 152 155

HSL 356.17, 0.3%, 0.69%

LAB 67.25, 18.02, 5.24

 

CMYK 0 / 11 / 11 / 27

HEX #BAA5A6

RGB 186 165 166

HSL 357.14, 0.13%, 0.69%

LAB 69.54, 7.8, 2.27

 

CMYK 0 / 52 / 21 / 7

HEX #ED72BC

RGB 237 114 188

HSL 323.9, 0.77%, 0.69%

LAB 64.7, 55.84, -16.63

 

CMYK 0 / 52 / 35 / 7

HEX #ED729B

RGB 237 114 155

HSL 340, 0.77%, 0.69%

LAB 63.68, 51.56, 0.64

 

CMYK 0 / 52 / 49 / 7

HEX #ED727A

RGB 237 114 122

HSL 356.1, 0.77%, 0.69%

LAB 62.88, 48.11, 18.4

 

CMYK 0 / 42 / 52 / 7

HEX #ED8A72

RGB 237 138 114

HSL 11.71, 0.77%, 0.69%

LAB 67.57, 35.3, 29.17

 

CMYK 0 / 28 / 52 / 7

HEX #EDAB72

RGB 237 171 114

HSL 27.8, 0.77%, 0.69%

LAB 75.04, 17.89, 38.76

 

CMYK 0 / 82 / 78 / 11

HEX #E42833

RGB 228 40 51

HSL 356.49, 0.78%, 0.53%

LAB 49.8, 69.05, 42.32

 

CMYK 0 / 67 / 63 / 9

HEX #E94D56

RGB 233 77 86

HSL 356.54, 0.78%, 0.61%

LAB 55.38, 60.45, 29.08

 

CMYK 0 / 52 / 49 / 7

HEX #ED7279

RGB 237 114 121

HSL 356.59, 0.77%, 0.69%

LAB 62.86, 48.02, 18.94

 

CMYK 0 / 38 / 36 / 5

HEX #F2979C

RGB 242 151 156

HSL 356.7, 0.78%, 0.77%

LAB 71.83, 34.72, 11.87

 

CMYK 0 / 24 / 22 / 4

HEX #F6BBBF

RGB 246 187 191

HSL 355.93, 0.77%, 0.85%

LAB 81.23, 21.81, 6.25

 

CMYK 0 / 52 / 49 / 7

HEX #ED7178

RGB 237 113 120

HSL 356.61, 0.78%, 0.69%

LAB 62.65, 48.42, 19.22

 

CMYK 7 / 0 / 52 / 7

HEX #DDED72

RGB 221 237 114

HSL 67.8, 0.77%, 0.69%

LAB 90.39, -22.32, 57.04

 

CMYK 52 / 28 / 0 / 7

HEX #72ABED

RGB 114 171 237

HSL 212.2, 0.77%, 0.69%

LAB 68.62, -0.35, -38.75

 

CMYK 0 / 52 / 49 / 7

HEX #ED7178

RGB 237 113 120

HSL 356.61, 0.78%, 0.69%

LAB 62.65, 48.42, 19.22

 

CMYK 49 / 0 / 52 / 7

HEX #7AED72

RGB 122 237 114

HSL 116.1, 0.77%, 0.69%

LAB 84.96, -56.3, 49.25

 

CMYK 52 / 49 / 0 / 7

HEX #727AED

RGB 114 122 237

HSL 236.1, 0.77%, 0.69%

LAB 55.7, 28.29, -59.19

 

CMYK 0 / 52 / 49 / 7

HEX #ED7178

RGB 237 113 120

HSL 356.61, 0.78%, 0.69%

LAB 62.65, 48.42, 19.22

 

CMYK 7 / 0 / 52 / 7

HEX #DDED72

RGB 221 237 114

HSL 67.8, 0.77%, 0.69%

LAB 90.39, -22.32, 57.04

 

CMYK 52 / 0 / 3 / 7

HEX #72EDE5

RGB 114 237 229

HSL 176.1, 0.77%, 0.69%

LAB 86.9, -36.26, -6.66

 

CMYK 45 / 52 / 0 / 7

HEX #8272ED

RGB 130 114 237

HSL 247.8, 0.77%, 0.69%

LAB 54.96, 36.47, -60.3

 

CMYK 0 / 52 / 49 / 7

HEX #ED7178

RGB 237 113 120

HSL 356.61, 0.78%, 0.69%

LAB 62.65, 48.42, 19.22

 

CMYK 22 / 0 / 52 / 7

HEX #B8ED72

RGB 184 237 114

HSL 85.85, 0.77%, 0.69%

LAB 87.96, -36.31, 53.56

 

CMYK 52 / 0 / 3 / 7

HEX #72EDE5

RGB 114 237 229

HSL 176.1, 0.77%, 0.69%

LAB 86.9, -36.26, -6.66

 

CMYK 30 / 52 / 0 / 7

HEX #A772ED

RGB 167 114 237

HSL 265.85, 0.77%, 0.69%

LAB 58.38, 45.26, -54.64

 

Description

Color code: RGB 237 113 120 | qconv.com Color code: RGB 237 113 120 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 237 red, 113 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
237 113 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 52 magenta, 49 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 52% 49% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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