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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 236 89 229 it is the complementary color RGB 19 166 26. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 236 89 229. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 236 89 229 shade: RGB 241 89 224, RGB 255 107 243, RGB 255 125 255, RGB 255 143 255 and RGB 255 161 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 236 89 229. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 236 89 229 shade: RGB 236 89 229, RGB 219 71 210, RGB 202 53 191, RGB 185 35 172 and RGB 168 17 153

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 236 89 229 shade: RGB 235 90 228, RGB 235 90 189, RGB 235 90 150, RGB 235 90 111 and RGB 235 90 90

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 236 89 229 shade: RGB 235 90 228, RGB 203 90 235, RGB 164 90 235, RGB 125 90 235 and RGB 90 90 235

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 236 89 229 shade matches the following richer shades: RGB 235 90 228 and RGB 250 75 242

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 236 89 229 shade: RGB 235 90 228, RGB 220 105 215, RGB 206 120 201, RGB 191 135 188 and RGB 176 150 175

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 236 89 229 shade: RGB 163 90 235, RGB 201 90 235, RGB 235 90 230, RGB 235 90 192 and RGB 235 90 153

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 236 89 229 shade: RGB 218 25 209, RGB 231 53 222, RGB 235 90 228, RGB 240 127 234 and RGB 244 164 240

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 236 89 229 shade: RGB 236 89 229, RGB 235 124 90 and RGB 90 235 182

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 236 89 229 shade: RGB 236 89 229, RGB 230 235 90 and RGB 90 230 235

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 236 89 229 shade: RGB 236 89 229, RGB 235 124 90, RGB 90 235 95 and RGB 90 201 235

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 236 89 229 shade: RGB 236 89 229, RGB 235 168 90, RGB 90 235 95 and RGB 90 158 235

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 62 / 3 / 7

HEX #EC59E5

RGB 236 89 229

HSL 302.86, 0.79%, 0.64%

LAB 62.2, 72.68, -43.58

 

Complementary color

CMYK 89 / 0 / 84 / 35

HEX #13A61A

RGB 19 166 26

HSL 122.86, 0.79%, 0.36%

LAB 59.42, -60.46, 55.93

 

CMYK 0 / 63 / 7 / 5

HEX #F159E0

RGB 241 89 224

HSL 306.71, 0.84%, 0.65%

LAB 62.7, 73.1, -39.95

 

CMYK 0 / 58 / 5 / 0

HEX #FF6BF3

RGB 255 107 243

HSL 304.86, 1%, 0.71%

LAB 68.2, 72.26, -41.73

 

CMYK 0 / 51 / 0 / 0

HEX #FF7DFF

RGB 255 125 255

HSL 300, 1%, 0.75%

LAB 71.65, 66.33, -42.9

 

CMYK 0 / 44 / 0 / 0

HEX #FF8FFF

RGB 255 143 255

HSL 300, 1%, 0.78%

LAB 74.9, 57.79, -37.84

 

CMYK 0 / 37 / 0 / 0

HEX #FFA1FF

RGB 255 161 255

HSL 300, 1%, 0.82%

LAB 78.44, 48.78, -32.36

 

CMYK 0 / 62 / 3 / 7

HEX #EC59E5

RGB 236 89 229

HSL 302.86, 0.79%, 0.64%

LAB 62.2, 72.68, -43.58

 

CMYK 0 / 68 / 4 / 14

HEX #DB47D2

RGB 219 71 210

HSL 303.65, 0.67%, 0.57%

LAB 56.31, 72.46, -42.32

 

CMYK 0 / 74 / 5 / 21

HEX #CA35BF

RGB 202 53 191

HSL 304.43, 0.58%, 0.5%

LAB 50.53, 71.74, -40.7

 

CMYK 0 / 81 / 7 / 27

HEX #B923AC

RGB 185 35 172

HSL 305.2, 0.68%, 0.43%

LAB 44.93, 70.26, -38.6

 

CMYK 0 / 90 / 9 / 34

HEX #A81199

RGB 168 17 153

HSL 305.96, 0.82%, 0.36%

LAB 39.62, 67.7, -35.81

 

CMYK 0 / 62 / 3 / 8

HEX #EB5AE4

RGB 235 90 228

HSL 302.9, 0.78%, 0.64%

LAB 62.15, 71.89, -43.11

 

CMYK 0 / 62 / 20 / 8

HEX #EB5ABD

RGB 235 90 189

HSL 319.03, 0.78%, 0.64%

LAB 60.47, 66.06, -23.67

 

CMYK 0 / 62 / 36 / 8

HEX #EB5A96

RGB 235 90 150

HSL 335.17, 0.78%, 0.64%

LAB 59.14, 61.22, -3.16

 

CMYK 0 / 62 / 53 / 8

HEX #EB5A6F

RGB 235 90 111

HSL 351.31, 0.78%, 0.64%

LAB 58.15, 57.51, 18.22

 

CMYK 0 / 62 / 62 / 8

HEX #EB5A5A

RGB 235 90 90

HSL 0, 0.78%, 0.64%

LAB 57.76, 56.01, 29.87

 

CMYK 0 / 62 / 3 / 8

HEX #EB5AE4

RGB 235 90 228

HSL 302.9, 0.78%, 0.64%

LAB 62.15, 71.89, -43.11

 

CMYK 14 / 62 / 0 / 8

HEX #CB5AEB

RGB 203 90 235

HSL 286.76, 0.78%, 0.64%

LAB 58.04, 65.51, -53.81

 

CMYK 30 / 62 / 0 / 8

HEX #A45AEB

RGB 164 90 235

HSL 270.62, 0.78%, 0.64%

LAB 53.17, 56.65, -61.88

 

CMYK 47 / 62 / 0 / 8

HEX #7D5AEB

RGB 125 90 235

HSL 254.48, 0.78%, 0.64%

LAB 49.09, 48.55, -68.67

 

CMYK 62 / 62 / 0 / 8

HEX #5A5AEB

RGB 90 90 235

HSL 240, 0.78%, 0.64%

LAB 46.29, 42.49, -73.36

 

CMYK 0 / 62 / 3 / 8

HEX #EB5AE4

RGB 235 90 228

HSL 302.9, 0.78%, 0.64%

LAB 62.15, 71.89, -43.11

 

CMYK 0 / 70 / 3 / 2

HEX #FA4BF2

RGB 250 75 242

HSL 302.74, 0.95%, 0.64%

LAB 63.15, 82.86, -49.18

 

CMYK 0 / 62 / 3 / 8

HEX #EB5AE4

RGB 235 90 228

HSL 302.9, 0.78%, 0.64%

LAB 62.15, 71.89, -43.11

 

CMYK 0 / 52 / 2 / 14

HEX #DC69D7

RGB 220 105 215

HSL 302.61, 0.62%, 0.64%

LAB 61.85, 59.37, -36.44

 

CMYK 0 / 42 / 2 / 19

HEX #CE78C9

RGB 206 120 201

HSL 303.49, 0.47%, 0.64%

LAB 62.31, 45.42, -27.98

 

CMYK 0 / 29 / 2 / 25

HEX #BF87BC

RGB 191 135 188

HSL 303.21, 0.3%, 0.64%

LAB 63.37, 30.14, -19.17

 

CMYK 0 / 15 / 1 / 31

HEX #B096AF

RGB 176 150 175

HSL 302.31, 0.14%, 0.64%

LAB 65.07, 14.14, -9.44

 

CMYK 31 / 62 / 0 / 8

HEX #A35AEB

RGB 163 90 235

HSL 270.21, 0.78%, 0.64%

LAB 53.06, 56.43, -62.08

 

CMYK 14 / 62 / 0 / 8

HEX #C95AEB

RGB 201 90 235

HSL 285.93, 0.78%, 0.64%

LAB 57.78, 65.05, -54.25

 

CMYK 0 / 62 / 2 / 8

HEX #EB5AE6

RGB 235 90 230

HSL 302.07, 0.78%, 0.64%

LAB 62.24, 72.21, -44.08

 

CMYK 0 / 62 / 18 / 8

HEX #EB5AC0

RGB 235 90 192

HSL 317.79, 0.78%, 0.64%

LAB 60.59, 66.48, -25.2

 

CMYK 0 / 62 / 35 / 8

HEX #EB5A99

RGB 235 90 153

HSL 333.93, 0.78%, 0.64%

LAB 59.23, 61.55, -4.78

 

CMYK 0 / 89 / 4 / 15

HEX #DA19D1

RGB 218 25 209

HSL 302.8, 0.79%, 0.48%

LAB 52.07, 83.69, -48.48

 

CMYK 0 / 77 / 4 / 9

HEX #E735DE

RGB 231 53 222

HSL 303.03, 0.79%, 0.56%

LAB 56.89, 82.37, -48.08

 

CMYK 0 / 62 / 3 / 8

HEX #EB5AE4

RGB 235 90 228

HSL 302.9, 0.78%, 0.64%

LAB 62.15, 71.89, -43.11

 

CMYK 0 / 47 / 3 / 6

HEX #F07FEA

RGB 240 127 234

HSL 303.19, 0.79%, 0.72%

LAB 69.22, 57.7, -35.35

 

CMYK 0 / 33 / 2 / 4

HEX #F4A4F0

RGB 244 164 240

HSL 303, 0.78%, 0.8%

LAB 77.33, 41.19, -26.09

 

CMYK 0 / 62 / 3 / 7

HEX #EC59E5

RGB 236 89 229

HSL 302.86, 0.79%, 0.64%

LAB 62.2, 72.68, -43.58

 

CMYK 0 / 47 / 62 / 8

HEX #EB7C5A

RGB 235 124 90

HSL 14.07, 0.78%, 0.64%

LAB 64.01, 39.89, 37.67

 

CMYK 62 / 0 / 23 / 8

HEX #5AEBB6

RGB 90 235 182

HSL 158.07, 0.78%, 0.64%

LAB 84.47, -51.1, 14.36

 

CMYK 0 / 62 / 3 / 7

HEX #EC59E5

RGB 236 89 229

HSL 302.86, 0.79%, 0.64%

LAB 62.2, 72.68, -43.58

 

CMYK 2 / 0 / 62 / 8

HEX #E6EB5A

RGB 230 235 90

HSL 62.07, 0.78%, 0.64%

LAB 90.31, -19.57, 67.47

 

CMYK 62 / 2 / 0 / 8

HEX #5AE6EB

RGB 90 230 235

HSL 182.07, 0.78%, 0.64%

LAB 84.36, -35.79, -13.68

 

CMYK 0 / 62 / 3 / 7

HEX #EC59E5

RGB 236 89 229

HSL 302.86, 0.79%, 0.64%

LAB 62.2, 72.68, -43.58

 

CMYK 0 / 47 / 62 / 8

HEX #EB7C5A

RGB 235 124 90

HSL 14.07, 0.78%, 0.64%

LAB 64.01, 39.89, 37.67

 

CMYK 62 / 0 / 60 / 8

HEX #5AEB5F

RGB 90 235 95

HSL 122.07, 0.78%, 0.64%

LAB 83.13, -65.57, 55.41

 

CMYK 62 / 14 / 0 / 8

HEX #5AC9EB

RGB 90 201 235

HSL 194.07, 0.78%, 0.64%

LAB 76.04, -21.7, -26.28

 

CMYK 0 / 62 / 3 / 7

HEX #EC59E5

RGB 236 89 229

HSL 302.86, 0.79%, 0.64%

LAB 62.2, 72.68, -43.58

 

CMYK 0 / 29 / 62 / 8

HEX #EBA85A

RGB 235 168 90

HSL 32.28, 0.78%, 0.64%

LAB 73.81, 16.82, 49.33

 

CMYK 62 / 0 / 60 / 8

HEX #5AEB5F

RGB 90 235 95

HSL 122.07, 0.78%, 0.64%

LAB 83.13, -65.57, 55.41

 

CMYK 62 / 33 / 0 / 8

HEX #5A9EEB

RGB 90 158 235

HSL 211.86, 0.78%, 0.64%

LAB 63.86, 1.58, -45.19

 

Description

Color code: RGB 236 89 229 | qconv.com Color code: RGB 236 89 229 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 236 red, 89 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
236 89 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 62 magenta, 3 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 62% 3% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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