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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 236 71 187 it is the complementary color RGB 19 184 68. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 236 71 187. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 236 71 187 shade: RGB 241 71 182, RGB 255 89 201, RGB 255 107 220, RGB 255 125 239 and RGB 255 143 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 236 71 187. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 236 71 187 shade: RGB 236 71 187, RGB 219 53 168, RGB 202 35 149, RGB 185 17 130 and RGB 168 0 111

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 236 71 187 shade: RGB 235 70 186, RGB 235 70 141, RGB 235 70 97 and RGB 235 70 70

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 236 71 187 shade: RGB 235 70 186, RGB 235 70 231, RGB 195 70 235, RGB 151 70 235 and RGB 106 70 235

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 236 71 187 shade matches the following richer shades: RGB 235 70 186 and RGB 252 53 193

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 236 71 187 shade: RGB 235 70 186, RGB 219 86 179, RGB 202 103 173, RGB 186 119 166 and RGB 169 136 159

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 236 71 187 shade: RGB 194 70 235, RGB 235 70 232, RGB 235 70 188, RGB 235 70 144 and RGB 235 70 100

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 236 71 187 shade: RGB 202 21 148, RGB 231 33 172, RGB 235 70 186, RGB 239 107 200 and RGB 243 145 214

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 236 71 187 shade: RGB 236 71 187, RGB 235 150 70 and RGB 70 235 216

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 236 71 187 shade: RGB 236 71 187, RGB 188 235 70 and RGB 70 188 235

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 236 71 187 shade: RGB 236 71 187, RGB 235 150 70, RGB 70 235 117 and RGB 70 155 235

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 236 71 187 shade: RGB 236 71 187, RGB 235 199 70, RGB 70 235 117 and RGB 70 106 235

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 70 / 21 / 7

HEX #EC47BB

RGB 236 71 187

HSL 317.82, 0.81%, 0.6%

LAB 57.97, 73.21, -26.36

 

Complementary color

CMYK 90 / 0 / 63 / 28

HEX #13B844

RGB 19 184 68

HSL 137.82, 0.81%, 0.4%

LAB 65.62, -62.3, 46.96

 

CMYK 0 / 71 / 24 / 5

HEX #F147B6

RGB 241 71 182

HSL 320.82, 0.86%, 0.61%

LAB 58.59, 73.81, -22.46

 

CMYK 0 / 65 / 21 / 0

HEX #FF59C9

RGB 255 89 201

HSL 319.52, 1%, 0.67%

LAB 63.85, 73.35, -25.04

 

CMYK 0 / 58 / 14 / 0

HEX #FF6BDC

RGB 255 107 220

HSL 314.19, 1%, 0.71%

LAB 67.23, 68.75, -30.5

 

CMYK 0 / 51 / 6 / 0

HEX #FF7DEF

RGB 255 125 239

HSL 307.38, 1%, 0.75%

LAB 70.98, 63.68, -35.21

 

CMYK 0 / 44 / 0 / 0

HEX #FF8FFF

RGB 255 143 255

HSL 300, 1%, 0.78%

LAB 74.9, 57.79, -37.84

 

CMYK 0 / 70 / 21 / 7

HEX #EC47BB

RGB 236 71 187

HSL 317.82, 0.81%, 0.6%

LAB 57.97, 73.21, -26.36

 

CMYK 0 / 76 / 23 / 14

HEX #DB35A8

RGB 219 53 168

HSL 318.43, 0.7%, 0.53%

LAB 52.32, 72.4, -24.25

 

CMYK 0 / 83 / 26 / 21

HEX #CA2395

RGB 202 35 149

HSL 319.04, 0.7%, 0.46%

LAB 46.88, 70.84, -21.59

 

CMYK 0 / 91 / 30 / 27

HEX #B91182

RGB 185 17 130

HSL 319.64, 0.83%, 0.4%

LAB 41.73, 68.23, -18.21

 

CMYK 0 / 100 / 34 / 34

HEX #A8006F

RGB 168 0 111

HSL 320.36, 1%, 0.33%

LAB 36.88, 64.52, -14.07

 

CMYK 0 / 70 / 21 / 8

HEX #EB46BA

RGB 235 70 186

HSL 317.82, 0.8%, 0.6%

LAB 57.64, 73.17, -26.3

 

CMYK 0 / 70 / 40 / 8

HEX #EB468D

RGB 235 70 141

HSL 334.18, 0.8%, 0.6%

LAB 56.05, 68.01, -2.42

 

CMYK 0 / 70 / 59 / 8

HEX #EB4661

RGB 235 70 97

HSL 350.18, 0.8%, 0.6%

LAB 54.97, 64.37, 22.16

 

CMYK 0 / 70 / 70 / 8

HEX #EB4646

RGB 235 70 70

HSL 0, 0.8%, 0.6%

LAB 54.54, 62.86, 37.31

 

CMYK 0 / 70 / 21 / 8

HEX #EB46BA

RGB 235 70 186

HSL 317.82, 0.8%, 0.6%

LAB 57.64, 73.17, -26.3

 

CMYK 0 / 70 / 2 / 8

HEX #EB46E7

RGB 235 70 231

HSL 301.45, 0.8%, 0.6%

LAB 59.72, 79.6, -48.62

 

CMYK 17 / 70 / 0 / 8

HEX #C346EB

RGB 195 70 235

HSL 285.45, 0.8%, 0.6%

LAB 54.01, 71.98, -60.33

 

CMYK 36 / 70 / 0 / 8

HEX #9746EB

RGB 151 70 235

HSL 269.45, 0.8%, 0.6%

LAB 48.21, 63.48, -69.99

 

CMYK 55 / 70 / 0 / 8

HEX #6A46EB

RGB 106 70 235

HSL 253.09, 0.8%, 0.6%

LAB 43.42, 56.03, -78

 

CMYK 0 / 70 / 21 / 8

HEX #EB46BA

RGB 235 70 186

HSL 317.82, 0.8%, 0.6%

LAB 57.64, 73.17, -26.3

 

CMYK 0 / 79 / 23 / 1

HEX #FC35C1

RGB 252 53 193

HSL 317.79, 0.97%, 0.6%

LAB 59.06, 82.88, -27.91

 

CMYK 0 / 70 / 21 / 8

HEX #EB46BA

RGB 235 70 186

HSL 317.82, 0.8%, 0.6%

LAB 57.64, 73.17, -26.3

 

CMYK 0 / 61 / 18 / 14

HEX #DB56B3

RGB 219 86 179

HSL 318.05, 0.65%, 0.6%

LAB 57.05, 61.94, -23.39

 

CMYK 0 / 49 / 14 / 21

HEX #CA67AD

RGB 202 103 173

HSL 317.58, 0.48%, 0.6%

LAB 57.34, 48.13, -19.69

 

CMYK 0 / 36 / 11 / 27

HEX #BA77A6

RGB 186 119 166

HSL 317.91, 0.33%, 0.6%

LAB 58.4, 33.3, -14.23

 

CMYK 0 / 20 / 6 / 34

HEX #A9889F

RGB 169 136 159

HSL 318.18, 0.16%, 0.6%

LAB 60.38, 16.52, -7.44

 

CMYK 17 / 70 / 0 / 8

HEX #C246EB

RGB 194 70 235

HSL 285.09, 0.8%, 0.6%

LAB 53.87, 71.77, -60.57

 

CMYK 0 / 70 / 1 / 8

HEX #EB46E8

RGB 235 70 232

HSL 301.09, 0.8%, 0.6%

LAB 59.77, 79.75, -49.1

 

CMYK 0 / 70 / 20 / 8

HEX #EB46BC

RGB 235 70 188

HSL 317.09, 0.8%, 0.6%

LAB 57.73, 73.43, -27.32

 

CMYK 0 / 70 / 39 / 8

HEX #EB4690

RGB 235 70 144

HSL 333.09, 0.8%, 0.6%

LAB 56.14, 68.31, -4.06

 

CMYK 0 / 70 / 57 / 8

HEX #EB4664

RGB 235 70 100

HSL 349.09, 0.8%, 0.6%

LAB 55.03, 64.57, 20.47

 

CMYK 0 / 90 / 27 / 21

HEX #CA1594

RGB 202 21 148

HSL 317.9, 0.81%, 0.44%

LAB 45.95, 73.3, -22.43

 

CMYK 0 / 86 / 26 / 9

HEX #E721AC

RGB 231 33 172

HSL 317.88, 0.8%, 0.52%

LAB 53.01, 80.17, -25.37

 

CMYK 0 / 70 / 21 / 8

HEX #EB46BA

RGB 235 70 186

HSL 317.82, 0.8%, 0.6%

LAB 57.64, 73.17, -26.3

 

CMYK 0 / 55 / 16 / 6

HEX #EF6BC8

RGB 239 107 200

HSL 317.73, 0.8%, 0.68%

LAB 64.19, 61.39, -24.16

 

CMYK 0 / 40 / 12 / 5

HEX #F391D6

RGB 243 145 214

HSL 317.76, 0.8%, 0.76%

LAB 72.34, 46.31, -19.5

 

CMYK 0 / 70 / 21 / 7

HEX #EC47BB

RGB 236 71 187

HSL 317.82, 0.81%, 0.6%

LAB 57.97, 73.21, -26.36

 

CMYK 0 / 36 / 70 / 8

HEX #EB9646

RGB 235 150 70

HSL 29.09, 0.8%, 0.6%

LAB 69.41, 25.19, 53.94

 

CMYK 70 / 0 / 8 / 8

HEX #46EBD8

RGB 70 235 216

HSL 173.09, 0.8%, 0.6%

LAB 84.83, -45.99, -3.01

 

CMYK 0 / 70 / 21 / 7

HEX #EC47BB

RGB 236 71 187

HSL 317.82, 0.81%, 0.6%

LAB 57.97, 73.21, -26.36

 

CMYK 20 / 0 / 70 / 8

HEX #BCEB46

RGB 188 235 70

HSL 77.09, 0.8%, 0.6%

LAB 87.27, -37.35, 71

 

CMYK 70 / 20 / 0 / 8

HEX #46BCEB

RGB 70 188 235

HSL 197.09, 0.8%, 0.6%

LAB 71.74, -18.08, -32.94

 

CMYK 0 / 70 / 21 / 7

HEX #EC47BB

RGB 236 71 187

HSL 317.82, 0.81%, 0.6%

LAB 57.97, 73.21, -26.36

 

CMYK 0 / 36 / 70 / 8

HEX #EB9646

RGB 235 150 70

HSL 29.09, 0.8%, 0.6%

LAB 69.41, 25.19, 53.94

 

CMYK 70 / 0 / 50 / 8

HEX #46EB75

RGB 70 235 117

HSL 137.09, 0.8%, 0.6%

LAB 82.92, -66.46, 45

 

CMYK 70 / 34 / 0 / 8

HEX #469BEB

RGB 70 155 235

HSL 209.09, 0.8%, 0.6%

LAB 62.29, 0.09, -47.71

 

CMYK 0 / 70 / 21 / 7

HEX #EC47BB

RGB 236 71 187

HSL 317.82, 0.81%, 0.6%

LAB 57.97, 73.21, -26.36

 

CMYK 0 / 15 / 70 / 8

HEX #EBC746

RGB 235 199 70

HSL 46.91, 0.8%, 0.6%

LAB 81.26, -0.6, 66.2

 

CMYK 70 / 0 / 50 / 8

HEX #46EB75

RGB 70 235 117

HSL 137.09, 0.8%, 0.6%

LAB 82.92, -66.46, 45

 

CMYK 70 / 55 / 0 / 8

HEX #466AEB

RGB 70 106 235

HSL 226.91, 0.8%, 0.6%

LAB 49.02, 29.86, -68.97

 

Description

Color code: RGB 236 71 187 | qconv.com Color code: RGB 236 71 187 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 236 red, 71 green and 187 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
236 71 187 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 70 magenta, 21 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 70% 21% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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