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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 236 47 140 it is the complementary color RGB 19 208 115. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 236 47 140. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 236 47 140 shade: RGB 241 47 135, RGB 255 65 154, RGB 255 83 173, RGB 255 101 192 and RGB 255 119 211

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 236 47 140. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 236 47 140 shade: RGB 236 47 140, RGB 219 29 121, RGB 202 11 102, RGB 185 0 83 and RGB 168 0 64

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 236 47 140 shade: RGB 235 45 138, RGB 235 45 87 and RGB 235 45 45

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 236 47 140 shade: RGB 235 45 138, RGB 235 45 190, RGB 229 45 235, RGB 178 45 235 and RGB 126 45 235

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 236 47 140 shade matches the following richer shades: RGB 235 45 138 and RGB 254 26 138

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 236 47 140 shade: RGB 235 45 138, RGB 216 63 139, RGB 198 82 139, RGB 179 100 139 and RGB 161 119 139

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 236 47 140 shade: RGB 229 45 235, RGB 235 45 191, RGB 235 45 140, RGB 235 45 89 and RGB 235 51 45

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 236 47 140 shade: RGB 181 16 97, RGB 218 20 118, RGB 235 45 138, RGB 238 82 159 and RGB 242 120 180

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 236 47 140 shade: RGB 236 47 140, RGB 235 178 45 and RGB 45 216 235

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 236 47 140 shade: RGB 236 47 140, RGB 140 235 45 and RGB 45 140 235

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 236 47 140 shade: RGB 236 47 140, RGB 235 178 45, RGB 45 235 140 and RGB 45 102 235

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 236 47 140 shade: RGB 236 47 140, RGB 235 235 45, RGB 45 235 140 and RGB 45 45 235

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 80 / 41 / 7

HEX #EC2F8C

RGB 236 47 140

HSL 330.48, 0.83%, 0.55%

LAB 53.77, 75.02, -5.18

 

Complementary color

CMYK 91 / 0 / 45 / 18

HEX #13D073

RGB 19 208 115

HSL 150.48, 0.83%, 0.45%

LAB 73.86, -63.09, 34.41

 

CMYK 0 / 80 / 44 / 5

HEX #F12F87

RGB 241 47 135

HSL 332.78, 0.87%, 0.56%

LAB 54.54, 75.79, -0.96

 

CMYK 0 / 75 / 40 / 0

HEX #FF419A

RGB 255 65 154

HSL 331.89, 1%, 0.63%

LAB 59.32, 76.17, -4.86

 

CMYK 0 / 67 / 32 / 0

HEX #FF53AD

RGB 255 83 173

HSL 328.6, 1%, 0.66%

LAB 62.05, 72.18, -11.8

 

CMYK 0 / 60 / 25 / 0

HEX #FF65C0

RGB 255 101 192

HSL 324.55, 1%, 0.7%

LAB 65.26, 67.44, -17.8

 

CMYK 0 / 53 / 17 / 0

HEX #FF77D3

RGB 255 119 211

HSL 319.41, 1%, 0.73%

LAB 68.86, 62.15, -22.98

 

CMYK 0 / 80 / 41 / 7

HEX #EC2F8C

RGB 236 47 140

HSL 330.48, 0.83%, 0.55%

LAB 53.77, 75.02, -5.18

 

CMYK 0 / 87 / 45 / 14

HEX #DB1D79

RGB 219 29 121

HSL 330.95, 0.77%, 0.49%

LAB 48.66, 73.08, -1.61

 

CMYK 0 / 95 / 50 / 21

HEX #CA0B66

RGB 202 11 102

HSL 331.41, 0.9%, 0.42%

LAB 43.88, 70.07, 2.76

 

CMYK 0 / 100 / 55 / 27

HEX #B90053

RGB 185 0 83

HSL 333.08, 1%, 0.36%

LAB 39.48, 65.85, 8.02

 

CMYK 0 / 100 / 62 / 34

HEX #A80040

RGB 168 0 64

HSL 337.14, 1%, 0.33%

LAB 35.39, 60.61, 14.1

 

CMYK 0 / 81 / 41 / 8

HEX #EB2D8A

RGB 235 45 138

HSL 330.63, 0.83%, 0.55%

LAB 53.36, 75.08, -4.62

 

CMYK 0 / 81 / 63 / 8

HEX #EB2D57

RGB 235 45 87

HSL 346.74, 0.83%, 0.55%

LAB 52.09, 71.31, 24.32

 

CMYK 0 / 81 / 81 / 8

HEX #EB2D2D

RGB 235 45 45

HSL 0, 0.83%, 0.55%

LAB 51.53, 69.59, 47.74

 

CMYK 0 / 81 / 41 / 8

HEX #EB2D8A

RGB 235 45 138

HSL 330.63, 0.83%, 0.55%

LAB 53.36, 75.08, -4.62

 

CMYK 0 / 81 / 19 / 8

HEX #EB2DBE

RGB 235 45 190

HSL 314.21, 0.83%, 0.55%

LAB 55.34, 80.75, -32.19

 

CMYK 3 / 81 / 0 / 8

HEX #E52DEB

RGB 229 45 235

HSL 298.11, 0.83%, 0.55%

LAB 56.62, 85.85, -55.86

 

CMYK 24 / 81 / 0 / 8

HEX #B22DEB

RGB 178 45 235

HSL 282, 0.83%, 0.55%

LAB 48.69, 77.14, -69.05

 

CMYK 46 / 81 / 0 / 8

HEX #7E2DEB

RGB 126 45 235

HSL 265.58, 0.83%, 0.55%

LAB 41.71, 69.64, -80.74

 

CMYK 0 / 81 / 41 / 8

HEX #EB2D8A

RGB 235 45 138

HSL 330.63, 0.83%, 0.55%

LAB 53.36, 75.08, -4.62

 

CMYK 0 / 90 / 46 / 0

HEX #FE1A8A

RGB 254 26 138

HSL 330.53, 0.99%, 0.55%

LAB 55.73, 82.9, -0.71

 

CMYK 0 / 81 / 41 / 8

HEX #EB2D8A

RGB 235 45 138

HSL 330.63, 0.83%, 0.55%

LAB 53.36, 75.08, -4.62

 

CMYK 0 / 71 / 36 / 15

HEX #D83F8B

RGB 216 63 139

HSL 330.2, 0.66%, 0.55%

LAB 51.86, 65.06, -7.81

 

CMYK 0 / 59 / 30 / 22

HEX #C6528B

RGB 198 82 139

HSL 330.52, 0.5%, 0.55%

LAB 51.73, 52.11, -8.31

 

CMYK 0 / 44 / 22 / 30

HEX #B3648B

RGB 179 100 139

HSL 330.38, 0.34%, 0.55%

LAB 52.47, 36.81, -7.49

 

CMYK 0 / 26 / 14 / 37

HEX #A1778B

RGB 161 119 139

HSL 331.43, 0.18%, 0.55%

LAB 54.69, 19.67, -4.42

 

CMYK 3 / 81 / 0 / 8

HEX #E52DEB

RGB 229 45 235

HSL 298.11, 0.83%, 0.55%

LAB 56.62, 85.85, -55.86

 

CMYK 0 / 81 / 19 / 8

HEX #EB2DBF

RGB 235 45 191

HSL 313.89, 0.83%, 0.55%

LAB 55.38, 80.87, -32.69

 

CMYK 0 / 81 / 40 / 8

HEX #EB2D8C

RGB 235 45 140

HSL 330, 0.83%, 0.55%

LAB 53.42, 75.26, -5.72

 

CMYK 0 / 81 / 62 / 8

HEX #EB2D59

RGB 235 45 89

HSL 346.11, 0.83%, 0.55%

LAB 52.13, 71.43, 23.17

 

CMYK 0 / 78 / 81 / 8

HEX #EB332D

RGB 235 51 45

HSL 1.89, 0.83%, 0.55%

LAB 52.08, 68.02, 48.28

 

CMYK 0 / 91 / 46 / 29

HEX #B51061

RGB 181 16 97

HSL 330.55, 0.84%, 0.39%

LAB 39.68, 64.19, -0.73

 

CMYK 0 / 91 / 46 / 15

HEX #DA1476

RGB 218 20 118

HSL 330.3, 0.83%, 0.47%

LAB 47.9, 73.98, -0.92

 

CMYK 0 / 81 / 41 / 8

HEX #EB2D8A

RGB 235 45 138

HSL 330.63, 0.83%, 0.55%

LAB 53.36, 75.08, -4.62

 

CMYK 0 / 66 / 33 / 7

HEX #EE529F

RGB 238 82 159

HSL 330.38, 0.82%, 0.63%

LAB 58.71, 66.33, -8.99

 

CMYK 0 / 50 / 26 / 5

HEX #F278B4

RGB 242 120 180

HSL 330.49, 0.82%, 0.71%

LAB 66.22, 53.43, -9.75

 

CMYK 0 / 80 / 41 / 7

HEX #EC2F8C

RGB 236 47 140

HSL 330.48, 0.83%, 0.55%

LAB 53.77, 75.02, -5.18

 

CMYK 0 / 24 / 81 / 8

HEX #EBB22D

RGB 235 178 45

HSL 42, 0.83%, 0.55%

LAB 75.88, 9.35, 70.01

 

CMYK 81 / 8 / 0 / 8

HEX #2DD8EB

RGB 45 216 235

HSL 186, 0.83%, 0.55%

LAB 79.42, -34.65, -21.21

 

CMYK 0 / 80 / 41 / 7

HEX #EC2F8C

RGB 236 47 140

HSL 330.48, 0.83%, 0.55%

LAB 53.77, 75.02, -5.18

 

CMYK 40 / 0 / 81 / 8

HEX #8CEB2D

RGB 140 235 45

HSL 90, 0.83%, 0.55%

LAB 84.58, -55.74, 75.17

 

CMYK 81 / 40 / 0 / 8

HEX #2D8CEB

RGB 45 140 235

HSL 210, 0.83%, 0.55%

LAB 57.38, 6.01, -55.55

 

CMYK 0 / 80 / 41 / 7

HEX #EC2F8C

RGB 236 47 140

HSL 330.48, 0.83%, 0.55%

LAB 53.77, 75.02, -5.18

 

CMYK 0 / 24 / 81 / 8

HEX #EBB22D

RGB 235 178 45

HSL 42, 0.83%, 0.55%

LAB 75.88, 9.35, 70.01

 

CMYK 81 / 0 / 40 / 8

HEX #2DEB8C

RGB 45 235 140

HSL 150, 0.83%, 0.55%

LAB 82.84, -65.89, 33.57

 

CMYK 81 / 57 / 0 / 8

HEX #2D66EB

RGB 45 102 235

HSL 222, 0.83%, 0.55%

LAB 47.05, 29.67, -72.21

 

CMYK 0 / 80 / 41 / 7

HEX #EC2F8C

RGB 236 47 140

HSL 330.48, 0.83%, 0.55%

LAB 53.77, 75.02, -5.18

 

CMYK 0 / 0 / 81 / 8

HEX #EBEB2D

RGB 235 235 45

HSL 60, 0.83%, 0.55%

LAB 90.44, -19.56, 82.58

 

CMYK 81 / 0 / 40 / 8

HEX #2DEB8C

RGB 45 235 140

HSL 150, 0.83%, 0.55%

LAB 82.84, -65.89, 33.57

 

CMYK 81 / 81 / 0 / 8

HEX #2D2DEB

RGB 45 45 235

HSL 240, 0.83%, 0.55%

LAB 34.87, 62.54, -92.26

 

Description

Color code: RGB 236 47 140 | qconv.com Color code: RGB 236 47 140 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 236 red, 47 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
236 47 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 80 magenta, 41 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 80% 41% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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