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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 236 46 150 it is the complementary color RGB 19 209 105. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 236 46 150. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 236 46 150 shade: RGB 241 46 145, RGB 255 64 164, RGB 255 82 183, RGB 255 100 202 and RGB 255 118 221

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 236 46 150. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 236 46 150 shade: RGB 236 46 150, RGB 219 28 131, RGB 202 10 112, RGB 185 0 93 and RGB 168 0 74

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 236 46 150 shade: RGB 235 45 149, RGB 235 45 97, RGB 235 45 46 and RGB 235 45 45

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 236 46 150 shade: RGB 235 45 149, RGB 235 45 200, RGB 218 45 235, RGB 167 45 235 and RGB 116 45 235

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 236 46 150 shade matches the following richer shades: RGB 235 45 149 and RGB 254 26 151

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 236 46 150 shade: RGB 235 45 149, RGB 216 63 147, RGB 198 82 145, RGB 179 100 143 and RGB 161 119 142

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 236 46 150 shade: RGB 219 45 235, RGB 235 45 200, RGB 235 45 149, RGB 235 45 98 and RGB 235 45 48

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 236 46 150 shade: RGB 181 16 106, RGB 218 20 129, RGB 235 45 149, RGB 238 82 168 and RGB 242 120 187

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 236 46 150 shade: RGB 236 46 150, RGB 235 168 45 and RGB 45 225 235

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 236 46 150 shade: RGB 236 46 150, RGB 149 235 45 and RGB 45 149 235

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 236 46 150 shade: RGB 236 46 150, RGB 235 168 45, RGB 45 235 130 and RGB 45 111 235

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 236 46 150 shade: RGB 236 46 150, RGB 235 225 45, RGB 45 235 130 and RGB 45 54 235

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 81 / 36 / 7

HEX #EC2E96

RGB 236 46 150

HSL 327.16, 0.83%, 0.55%

LAB 54.02, 76.23, -10.76

 

Complementary color

CMYK 91 / 0 / 50 / 18

HEX #13D169

RGB 19 209 105

HSL 147.16, 0.83%, 0.45%

LAB 74.04, -65.1, 39.61

 

CMYK 0 / 81 / 40 / 5

HEX #F12E91

RGB 241 46 145

HSL 329.54, 0.87%, 0.56%

LAB 54.76, 76.93, -6.58

 

CMYK 0 / 75 / 36 / 0

HEX #FF40A4

RGB 255 64 164

HSL 328.59, 1%, 0.63%

LAB 59.53, 77.45, -10.37

 

CMYK 0 / 68 / 28 / 0

HEX #FF52B7

RGB 255 82 183

HSL 324.97, 1%, 0.66%

LAB 62.27, 73.69, -17.22

 

CMYK 0 / 61 / 21 / 0

HEX #FF64CA

RGB 255 100 202

HSL 320.52, 1%, 0.7%

LAB 65.47, 69.16, -23.13

 

CMYK 0 / 54 / 13 / 0

HEX #FF76DD

RGB 255 118 221

HSL 314.89, 1%, 0.73%

LAB 69.07, 64.08, -28.23

 

CMYK 0 / 81 / 36 / 7

HEX #EC2E96

RGB 236 46 150

HSL 327.16, 0.83%, 0.55%

LAB 54.02, 76.23, -10.76

 

CMYK 0 / 87 / 40 / 14

HEX #DB1C83

RGB 219 28 131

HSL 327.64, 0.77%, 0.48%

LAB 48.92, 74.15, -7.32

 

CMYK 0 / 95 / 45 / 21

HEX #CA0A70

RGB 202 10 112

HSL 328.13, 0.91%, 0.42%

LAB 44.15, 70.99, -3.08

 

CMYK 0 / 100 / 50 / 27

HEX #B9005D

RGB 185 0 93

HSL 329.84, 1%, 0.36%

LAB 39.76, 66.59, 2.03

 

CMYK 0 / 100 / 56 / 34

HEX #A8004A

RGB 168 0 74

HSL 333.57, 1%, 0.33%

LAB 35.63, 61.26, 7.91

 

CMYK 0 / 81 / 37 / 8

HEX #EB2D95

RGB 235 45 149

HSL 327.16, 0.83%, 0.55%

LAB 53.72, 76.13, -10.64

 

CMYK 0 / 81 / 59 / 8

HEX #EB2D61

RGB 235 45 97

HSL 343.58, 0.83%, 0.55%

LAB 52.29, 71.91, 18.56

 

CMYK 0 / 81 / 80 / 8

HEX #EB2D2E

RGB 235 45 46

HSL 359.68, 0.83%, 0.55%

LAB 51.54, 69.62, 47.23

 

CMYK 0 / 81 / 81 / 8

HEX #EB2D2D

RGB 235 45 45

HSL 0, 0.83%, 0.55%

LAB 51.53, 69.59, 47.74

 

CMYK 0 / 81 / 37 / 8

HEX #EB2D95

RGB 235 45 149

HSL 327.16, 0.83%, 0.55%

LAB 53.72, 76.13, -10.64

 

CMYK 0 / 81 / 15 / 8

HEX #EB2DC8

RGB 235 45 200

HSL 311.05, 0.83%, 0.55%

LAB 55.8, 82.03, -37.23

 

CMYK 7 / 81 / 0 / 8

HEX #DA2DEB

RGB 218 45 235

HSL 294.63, 0.83%, 0.55%

LAB 54.85, 83.89, -58.8

 

CMYK 29 / 81 / 0 / 8

HEX #A72DEB

RGB 167 45 235

HSL 278.53, 0.83%, 0.55%

LAB 47.09, 75.41, -71.71

 

CMYK 51 / 81 / 0 / 8

HEX #742DEB

RGB 116 45 235

HSL 262.42, 0.83%, 0.55%

LAB 40.55, 68.43, -82.67

 

CMYK 0 / 81 / 37 / 8

HEX #EB2D95

RGB 235 45 149

HSL 327.16, 0.83%, 0.55%

LAB 53.72, 76.13, -10.64

 

CMYK 0 / 90 / 41 / 0

HEX #FE1A97

RGB 254 26 151

HSL 327.11, 0.99%, 0.55%

LAB 56.13, 83.99, -7.84

 

CMYK 0 / 81 / 37 / 8

HEX #EB2D95

RGB 235 45 149

HSL 327.16, 0.83%, 0.55%

LAB 53.72, 76.13, -10.64

 

CMYK 0 / 71 / 32 / 15

HEX #D83F93

RGB 216 63 147

HSL 327.06, 0.66%, 0.55%

LAB 52.13, 65.95, -12.17

 

CMYK 0 / 59 / 27 / 22

HEX #C65291

RGB 198 82 145

HSL 327.41, 0.5%, 0.55%

LAB 51.93, 52.9, -11.57

 

CMYK 0 / 44 / 20 / 30

HEX #B3648F

RGB 179 100 143

HSL 327.34, 0.34%, 0.55%

LAB 52.6, 37.43, -9.66

 

CMYK 0 / 26 / 12 / 37

HEX #A1778E

RGB 161 119 142

HSL 327.14, 0.18%, 0.55%

LAB 54.79, 20.2, -6.04

 

CMYK 7 / 81 / 0 / 8

HEX #DB2DEB

RGB 219 45 235

HSL 294.95, 0.83%, 0.55%

LAB 55.01, 84.06, -58.53

 

CMYK 0 / 81 / 15 / 8

HEX #EB2DC8

RGB 235 45 200

HSL 311.05, 0.83%, 0.55%

LAB 55.8, 82.03, -37.23

 

CMYK 0 / 81 / 37 / 8

HEX #EB2D95

RGB 235 45 149

HSL 327.16, 0.83%, 0.55%

LAB 53.72, 76.13, -10.64

 

CMYK 0 / 81 / 58 / 8

HEX #EB2D62

RGB 235 45 98

HSL 343.26, 0.83%, 0.55%

LAB 52.31, 71.97, 17.98

 

CMYK 0 / 81 / 80 / 8

HEX #EB2D30

RGB 235 45 48

HSL 359.05, 0.83%, 0.55%

LAB 51.56, 69.68, 46.19

 

CMYK 0 / 91 / 41 / 29

HEX #B5106A

RGB 181 16 106

HSL 327.27, 0.84%, 0.39%

LAB 39.97, 65, -5.99

 

CMYK 0 / 91 / 41 / 15

HEX #DA1481

RGB 218 20 129

HSL 326.97, 0.83%, 0.47%

LAB 48.25, 74.94, -7.12

 

CMYK 0 / 81 / 37 / 8

HEX #EB2D95

RGB 235 45 149

HSL 327.16, 0.83%, 0.55%

LAB 53.72, 76.13, -10.64

 

CMYK 0 / 66 / 29 / 7

HEX #EE52A8

RGB 238 82 168

HSL 326.92, 0.82%, 0.63%

LAB 59.01, 67.37, -13.76

 

CMYK 0 / 50 / 23 / 5

HEX #F278BB

RGB 242 120 187

HSL 327.05, 0.82%, 0.71%

LAB 66.44, 54.38, -13.37

 

CMYK 0 / 81 / 36 / 7

HEX #EC2E96

RGB 236 46 150

HSL 327.16, 0.83%, 0.55%

LAB 54.02, 76.23, -10.76

 

CMYK 0 / 29 / 81 / 8

HEX #EBA82D

RGB 235 168 45

HSL 38.84, 0.83%, 0.55%

LAB 73.45, 14.63, 67.87

 

CMYK 81 / 4 / 0 / 8

HEX #2DE1EB

RGB 45 225 235

HSL 183.16, 0.83%, 0.55%

LAB 82.06, -38.82, -17.22

 

CMYK 0 / 81 / 36 / 7

HEX #EC2E96

RGB 236 46 150

HSL 327.16, 0.83%, 0.55%

LAB 54.02, 76.23, -10.76

 

CMYK 37 / 0 / 81 / 8

HEX #95EB2D

RGB 149 235 45

HSL 87.16, 0.83%, 0.55%

LAB 84.99, -52.75, 75.7

 

CMYK 81 / 37 / 0 / 8

HEX #2D95EB

RGB 45 149 235

HSL 207.16, 0.83%, 0.55%

LAB 59.93, 0.67, -51.48

 

CMYK 0 / 81 / 36 / 7

HEX #EC2E96

RGB 236 46 150

HSL 327.16, 0.83%, 0.55%

LAB 54.02, 76.23, -10.76

 

CMYK 0 / 29 / 81 / 8

HEX #EBA82D

RGB 235 168 45

HSL 38.84, 0.83%, 0.55%

LAB 73.45, 14.63, 67.87

 

CMYK 81 / 0 / 45 / 8

HEX #2DEB82

RGB 45 235 130

HSL 146.84, 0.83%, 0.55%

LAB 82.69, -67.63, 38.35

 

CMYK 81 / 53 / 0 / 8

HEX #2D6FEB

RGB 45 111 235

HSL 219.16, 0.83%, 0.55%

LAB 49.4, 23.97, -68.39

 

CMYK 0 / 81 / 36 / 7

HEX #EC2E96

RGB 236 46 150

HSL 327.16, 0.83%, 0.55%

LAB 54.02, 76.23, -10.76

 

CMYK 0 / 4 / 81 / 8

HEX #EBE12D

RGB 235 225 45

HSL 56.84, 0.83%, 0.55%

LAB 87.82, -14.68, 80.34

 

CMYK 81 / 0 / 45 / 8

HEX #2DEB82

RGB 45 235 130

HSL 146.84, 0.83%, 0.55%

LAB 82.69, -67.63, 38.35

 

CMYK 81 / 77 / 0 / 8

HEX #2D36EB

RGB 45 54 235

HSL 237.16, 0.83%, 0.55%

LAB 36.36, 58.22, -89.79

 

Description

Color code: RGB 236 46 150 | qconv.com Color code: RGB 236 46 150 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 236 red, 46 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
236 46 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 81 magenta, 36 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 81% 36% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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