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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 236 14 46 it is the complementary color RGB 19 241 209. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 236 14 46. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 236 14 46 shade: RGB 241 14 41, RGB 255 32 60, RGB 255 50 79, RGB 255 68 98 and RGB 255 86 117

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 236 14 46. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 236 14 46 shade: RGB 236 14 46, RGB 219 0 27, RGB 202 0 8, RGB 185 0 0 and RGB 168 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 236 14 46 shade: RGB 236 13 45 and RGB 236 13 13

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 236 14 46 shade: RGB 236 13 45, RGB 236 13 105, RGB 236 13 165, RGB 236 13 225 and RGB 186 13 236

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 236 14 46 shade matches the following richer shades: RGB 236 13 45

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 236 14 46 shade: RGB 236 13 45, RGB 215 33 60, RGB 195 54 74, RGB 175 74 88 and RGB 155 94 103

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 236 14 46 shade: RGB 236 13 165, RGB 236 13 106, RGB 236 13 47, RGB 236 39 13 and RGB 236 99 13

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 236 14 46 shade: RGB 158 9 30, RGB 197 11 38, RGB 236 13 45, RGB 242 48 76 and RGB 245 87 109

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 236 14 46 shade: RGB 236 14 46, RGB 225 236 13 and RGB 13 136 236

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 236 14 46 shade: RGB 236 14 46, RGB 47 236 13 and RGB 13 47 236

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 236 14 46 shade: RGB 236 14 46, RGB 225 236 13, RGB 13 236 202 and RGB 24 13 236

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 236 14 46 shade: RGB 236 14 46, RGB 158 236 13, RGB 13 236 202 and RGB 91 13 236

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 94 / 81 / 7

HEX #EC0E2E

RGB 236 14 46

HSL 351.35, 0.89%, 0.49%

LAB 49.91, 75.11, 45.7

 

Complementary color

CMYK 92 / 0 / 13 / 5

HEX #13F1D1

RGB 19 241 209

HSL 171.35, 0.89%, 0.51%

LAB 85.83, -54.41, 2.06

 

CMYK 0 / 94 / 83 / 5

HEX #F10E29

RGB 241 14 41

HSL 352.86, 0.89%, 0.5%

LAB 50.89, 76.21, 49.64

 

CMYK 0 / 87 / 76 / 0

HEX #FF203C

RGB 255 32 60

HSL 352.47, 1%, 0.56%

LAB 54.68, 77.91, 44.11

 

CMYK 0 / 80 / 69 / 0

HEX #FF324F

RGB 255 50 79

HSL 351.51, 1%, 0.6%

LAB 56.19, 75, 35.02

 

CMYK 0 / 73 / 62 / 0

HEX #FF4462

RGB 255 68 98

HSL 350.37, 1%, 0.63%

LAB 58.3, 70.92, 26.61

 

CMYK 0 / 66 / 54 / 0

HEX #FF5675

RGB 255 86 117

HSL 348.99, 1%, 0.67%

LAB 60.96, 65.85, 19.1

 

CMYK 0 / 94 / 81 / 7

HEX #EC0E2E

RGB 236 14 46

HSL 351.35, 0.89%, 0.49%

LAB 49.91, 75.11, 45.7

 

CMYK 0 / 100 / 88 / 14

HEX #DB001B

RGB 219 0 27

HSL 352.6, 1%, 0.43%

LAB 45.82, 71.71, 50.45

 

CMYK 0 / 100 / 96 / 21

HEX #CA0008

RGB 202 0 8

HSL 357.62, 1%, 0.4%

LAB 42.11, 67.29, 53.67

 

CMYK 0 / 100 / 100 / 27

HEX #B90000

RGB 185 0 0

HSL 0, 1%, 0.36%

LAB 38.4, 62.95, 52.82

 

CMYK 0 / 100 / 100 / 34

HEX #A80000

RGB 168 0 0

HSL 0, 1%, 0.33%

LAB 34.65, 58.61, 48.93

 

CMYK 0 / 94 / 81 / 7

HEX #EC0D2D

RGB 236 13 45

HSL 351.39, 0.9%, 0.49%

LAB 49.87, 75.17, 46.2

 

CMYK 0 / 94 / 94 / 7

HEX #EC0D0D

RGB 236 13 13

HSL 0, 0.9%, 0.49%

LAB 49.68, 74.64, 60.04

 

CMYK 0 / 94 / 81 / 7

HEX #EC0D2D

RGB 236 13 45

HSL 351.39, 0.9%, 0.49%

LAB 49.87, 75.17, 46.2

 

CMYK 0 / 94 / 56 / 7

HEX #EC0D69

RGB 236 13 105

HSL 335.25, 0.9%, 0.49%

LAB 50.85, 77.87, 11.75

 

CMYK 0 / 94 / 30 / 7

HEX #EC0DA5

RGB 236 13 165

HSL 319.1, 0.9%, 0.49%

LAB 52.77, 82.98, -21.53

 

CMYK 0 / 94 / 5 / 7

HEX #EC0DE1

RGB 236 13 225

HSL 302.96, 0.9%, 0.49%

LAB 55.64, 90.27, -51.71

 

CMYK 21 / 94 / 0 / 7

HEX #BA0DEC

RGB 186 13 236

HSL 286.55, 0.9%, 0.49%

LAB 47.99, 84.4, -70.69

 

CMYK 0 / 94 / 81 / 7

HEX #EC0D2D

RGB 236 13 45

HSL 351.39, 0.9%, 0.49%

LAB 49.87, 75.17, 46.2

 

CMYK 0 / 94 / 81 / 7

HEX #EC0D2D

RGB 236 13 45

HSL 351.39, 0.9%, 0.49%

LAB 49.87, 75.17, 46.2

 

CMYK 0 / 85 / 72 / 16

HEX #D7213C

RGB 215 33 60

HSL 351.1, 0.73%, 0.49%

LAB 46.79, 67.43, 33.06

 

CMYK 0 / 72 / 62 / 24

HEX #C3364A

RGB 195 54 74

HSL 351.49, 0.57%, 0.49%

LAB 45.27, 56.53, 21.86

 

CMYK 0 / 58 / 50 / 31

HEX #AF4A58

RGB 175 74 88

HSL 351.68, 0.41%, 0.49%

LAB 45.24, 42.5, 12.67

 

CMYK 0 / 39 / 34 / 39

HEX #9B5E67

RGB 155 94 103

HSL 351.15, 0.24%, 0.49%

LAB 46.91, 26.06, 5.5

 

CMYK 0 / 94 / 30 / 7

HEX #EC0DA5

RGB 236 13 165

HSL 319.1, 0.9%, 0.49%

LAB 52.77, 82.98, -21.53

 

CMYK 0 / 94 / 55 / 7

HEX #EC0D6A

RGB 236 13 106

HSL 334.98, 0.9%, 0.49%

LAB 50.88, 77.93, 11.17

 

CMYK 0 / 94 / 80 / 7

HEX #EC0D2F

RGB 236 13 47

HSL 350.85, 0.9%, 0.49%

LAB 49.89, 75.23, 45.13

 

CMYK 0 / 83 / 94 / 7

HEX #EC270D

RGB 236 39 13

HSL 7, 0.9%, 0.49%

LAB 51.05, 70.69, 60.78

 

CMYK 0 / 58 / 94 / 7

HEX #EC630D

RGB 236 99 13

HSL 23.14, 0.9%, 0.49%

LAB 58.78, 49.64, 65.4

 

CMYK 0 / 94 / 81 / 38

HEX #9E091E

RGB 158 9 30

HSL 351.54, 0.89%, 0.33%

LAB 33.05, 55.35, 32.45

 

CMYK 0 / 94 / 81 / 23

HEX #C50B26

RGB 197 11 38

HSL 351.29, 0.89%, 0.41%

LAB 41.61, 65.48, 39.19

 

CMYK 0 / 94 / 81 / 7

HEX #EC0D2D

RGB 236 13 45

HSL 351.39, 0.9%, 0.49%

LAB 49.87, 75.17, 46.2

 

CMYK 0 / 80 / 69 / 5

HEX #F2304C

RGB 242 48 76

HSL 351.34, 0.88%, 0.57%

LAB 53.51, 71.88, 32.93

 

CMYK 0 / 64 / 56 / 4

HEX #F5576D

RGB 245 87 109

HSL 351.65, 0.89%, 0.65%

LAB 59.28, 61.79, 21.19

 

CMYK 0 / 94 / 81 / 7

HEX #EC0E2E

RGB 236 14 46

HSL 351.35, 0.89%, 0.49%

LAB 49.91, 75.11, 45.7

 

CMYK 5 / 0 / 94 / 7

HEX #E1EC0D

RGB 225 236 13

HSL 62.96, 0.9%, 0.49%

LAB 89.87, -24.78, 87.09

 

CMYK 94 / 42 / 0 / 7

HEX #0D88EC

RGB 13 136 236

HSL 206.91, 0.9%, 0.49%

LAB 55.84, 6.87, -58.6

 

CMYK 0 / 94 / 81 / 7

HEX #EC0E2E

RGB 236 14 46

HSL 351.35, 0.89%, 0.49%

LAB 49.91, 75.11, 45.7

 

CMYK 80 / 0 / 94 / 7

HEX #2FEC0D

RGB 47 236 13

HSL 110.85, 0.9%, 0.49%

LAB 82.18, -78.11, 77.74

 

CMYK 94 / 80 / 0 / 7

HEX #0D2FEC

RGB 13 47 236

HSL 230.85, 0.9%, 0.49%

LAB 34.34, 60.92, -93.73

 

CMYK 0 / 94 / 81 / 7

HEX #EC0E2E

RGB 236 14 46

HSL 351.35, 0.89%, 0.49%

LAB 49.91, 75.11, 45.7

 

CMYK 5 / 0 / 94 / 7

HEX #E1EC0D

RGB 225 236 13

HSL 62.96, 0.9%, 0.49%

LAB 89.87, -24.78, 87.09

 

CMYK 94 / 0 / 14 / 7

HEX #0DECCA

RGB 13 236 202

HSL 170.85, 0.9%, 0.49%

LAB 84.14, -54.41, 3.28

 

CMYK 90 / 94 / 0 / 7

HEX #180DEC

RGB 24 13 236

HSL 242.96, 0.9%, 0.49%

LAB 30.73, 72.68, -99.74

 

CMYK 0 / 94 / 81 / 7

HEX #EC0E2E

RGB 236 14 46

HSL 351.35, 0.89%, 0.49%

LAB 49.91, 75.11, 45.7

 

CMYK 33 / 0 / 94 / 7

HEX #9EEC0D

RGB 158 236 13

HSL 80.99, 0.9%, 0.49%

LAB 85.65, -50.86, 81.99

 

CMYK 94 / 0 / 14 / 7

HEX #0DECCA

RGB 13 236 202

HSL 170.85, 0.9%, 0.49%

LAB 84.14, -54.41, 3.28

 

CMYK 61 / 94 / 0 / 7

HEX #5B0DEC

RGB 91 13 236

HSL 260.99, 0.9%, 0.49%

LAB 35.14, 74.97, -92.28

 

Description

Color code: RGB 236 14 46 | qconv.com Color code: RGB 236 14 46 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 236 red, 14 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
236 14 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 94 magenta, 81 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 94% 81% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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