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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 236 130 125 it is the complementary color RGB 19 125 130. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 236 130 125. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 236 130 125 shade: RGB 241 130 120, RGB 255 148 139, RGB 255 166 158, RGB 255 184 177 and RGB 255 202 196

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 236 130 125. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 236 130 125 shade: RGB 236 130 125, RGB 219 112 106, RGB 202 94 87, RGB 185 76 68 and RGB 168 58 49

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 236 130 125 shade: RGB 235 131 126 and RGB 235 126 126

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 236 130 125 shade: RGB 235 131 126, RGB 235 160 126, RGB 235 190 126, RGB 235 219 126 and RGB 222 235 126

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 236 130 125 shade matches the following richer shades: RGB 235 131 126 and RGB 247 120 114

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 236 130 125 shade: RGB 235 131 126, RGB 223 142 138, RGB 211 153 150, RGB 199 163 162 and RGB 187 174 174

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 236 130 125 shade: RGB 235 126 181, RGB 235 126 151, RGB 235 129 126, RGB 235 159 126 and RGB 235 188 126

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 236 130 125 shade: RGB 225 62 54, RGB 230 96 90, RGB 235 131 126, RGB 241 165 162 and RGB 246 200 198

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 236 130 125 shade: RGB 236 130 125, RGB 210 235 126 and RGB 126 166 235

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 236 130 125 shade: RGB 236 130 125, RGB 126 235 129 and RGB 129 126 235

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 236 130 125 shade: RGB 236 130 125, RGB 210 235 126, RGB 126 232 235 and RGB 151 126 235

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 236 130 125 shade: RGB 236 130 125, RGB 177 235 126, RGB 126 232 235 and RGB 184 126 235

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 45 / 47 / 7

HEX #EC827D

RGB 236 130 125

HSL 2.7, 0.74%, 0.71%

LAB 65.97, 40.05, 20.89

 

Complementary color

CMYK 85 / 4 / 0 / 49

HEX #137D82

RGB 19 125 130

HSL 182.7, 0.74%, 0.29%

LAB 47.52, -25.54, -10.75

 

CMYK 0 / 46 / 50 / 5

HEX #F18278

RGB 241 130 120

HSL 4.96, 0.81%, 0.71%

LAB 66.54, 41.44, 24.57

 

CMYK 0 / 42 / 45 / 0

HEX #FF948B

RGB 255 148 139

HSL 4.66, 1%, 0.77%

LAB 72.43, 39.22, 22.33

 

CMYK 0 / 35 / 38 / 0

HEX #FFA69E

RGB 255 166 158

HSL 4.95, 1%, 0.81%

LAB 76.68, 31.92, 17.79

 

CMYK 0 / 28 / 31 / 0

HEX #FFB8B1

RGB 255 184 177

HSL 5.38, 1%, 0.85%

LAB 81.13, 24.78, 13.76

 

CMYK 0 / 21 / 23 / 0

HEX #FFCAC4

RGB 255 202 196

HSL 6.1, 1%, 0.88%

LAB 85.75, 17.9, 10.16

 

CMYK 0 / 45 / 47 / 7

HEX #EC827D

RGB 236 130 125

HSL 2.7, 0.74%, 0.71%

LAB 65.97, 40.05, 20.89

 

CMYK 0 / 49 / 52 / 14

HEX #DB706A

RGB 219 112 106

HSL 3.19, 0.61%, 0.64%

LAB 59.61, 41.18, 22.67

 

CMYK 0 / 53 / 57 / 21

HEX #CA5E57

RGB 202 94 87

HSL 3.65, 0.52%, 0.57%

LAB 53.22, 42.36, 24.72

 

CMYK 0 / 59 / 63 / 27

HEX #B94C44

RGB 185 76 68

HSL 4.1, 0.46%, 0.5%

LAB 46.84, 43.54, 27.13

 

CMYK 0 / 65 / 71 / 34

HEX #A83A31

RGB 168 58 49

HSL 4.54, 0.55%, 0.43%

LAB 40.53, 44.62, 30

 

CMYK 0 / 44 / 46 / 8

HEX #EB837E

RGB 235 131 126

HSL 2.75, 0.73%, 0.71%

LAB 66.06, 39.26, 20.44

 

CMYK 0 / 46 / 46 / 8

HEX #EB7E7E

RGB 235 126 126

HSL 0, 0.73%, 0.71%

LAB 65.03, 41.82, 19.03

 

CMYK 0 / 44 / 46 / 8

HEX #EB837E

RGB 235 131 126

HSL 2.75, 0.73%, 0.71%

LAB 66.06, 39.26, 20.44

 

CMYK 0 / 32 / 46 / 8

HEX #EBA07E

RGB 235 160 126

HSL 18.72, 0.73%, 0.71%

LAB 72.44, 24.04, 28.99

 

CMYK 0 / 19 / 46 / 8

HEX #EBBE7E

RGB 235 190 126

HSL 35.23, 0.73%, 0.71%

LAB 79.61, 8.14, 38.32

 

CMYK 0 / 7 / 46 / 8

HEX #EBDB7E

RGB 235 219 126

HSL 51.19, 0.73%, 0.71%

LAB 86.91, -6.82, 47.47

 

CMYK 6 / 0 / 46 / 8

HEX #DEEB7E

RGB 222 235 126

HSL 67.16, 0.73%, 0.71%

LAB 90.07, -19.87, 51.1

 

CMYK 0 / 44 / 46 / 8

HEX #EB837E

RGB 235 131 126

HSL 2.75, 0.73%, 0.71%

LAB 66.06, 39.26, 20.44

 

CMYK 0 / 51 / 54 / 3

HEX #F77872

RGB 247 120 114

HSL 2.71, 0.89%, 0.71%

LAB 65.3, 48.07, 26.42

 

CMYK 0 / 44 / 46 / 8

HEX #EB837E

RGB 235 131 126

HSL 2.75, 0.73%, 0.71%

LAB 66.06, 39.26, 20.44

 

CMYK 0 / 36 / 38 / 13

HEX #DF8E8A

RGB 223 142 138

HSL 2.82, 0.57%, 0.71%

LAB 67.18, 30.28, 15.02

 

CMYK 0 / 27 / 29 / 17

HEX #D39996

RGB 211 153 150

HSL 2.95, 0.41%, 0.71%

LAB 68.63, 21.3, 10.17

 

CMYK 0 / 18 / 19 / 22

HEX #C7A3A2

RGB 199 163 162

HSL 1.62, 0.25%, 0.71%

LAB 70.14, 13.07, 5.5

 

CMYK 0 / 7 / 7 / 27

HEX #BBAEAE

RGB 187 174 174

HSL 0, 0.09%, 0.71%

LAB 72.16, 4.65, 1.67

 

CMYK 0 / 46 / 23 / 8

HEX #EB7EB5

RGB 235 126 181

HSL 329.72, 0.73%, 0.71%

LAB 66.46, 48.37, -10.06

 

CMYK 0 / 46 / 36 / 8

HEX #EB7E97

RGB 235 126 151

HSL 346.24, 0.73%, 0.71%

LAB 65.61, 44.49, 5.68

 

CMYK 0 / 45 / 46 / 8

HEX #EB817E

RGB 235 129 126

HSL 1.65, 0.73%, 0.71%

LAB 65.65, 40.29, 19.87

 

CMYK 0 / 32 / 46 / 8

HEX #EB9F7E

RGB 235 159 126

HSL 18.17, 0.73%, 0.71%

LAB 72.2, 24.57, 28.69

 

CMYK 0 / 20 / 46 / 8

HEX #EBBC7E

RGB 235 188 126

HSL 34.13, 0.73%, 0.71%

LAB 79.12, 9.2, 37.69

 

CMYK 0 / 72 / 76 / 12

HEX #E13E36

RGB 225 62 54

HSL 2.81, 0.74%, 0.55%

LAB 51.52, 61.95, 42.33

 

CMYK 0 / 58 / 61 / 10

HEX #E6605A

RGB 230 96 90

HSL 2.57, 0.74%, 0.63%

LAB 57.97, 51.64, 29.97

 

CMYK 0 / 44 / 46 / 8

HEX #EB837E

RGB 235 131 126

HSL 2.75, 0.73%, 0.71%

LAB 66.06, 39.26, 20.44

 

CMYK 0 / 32 / 33 / 5

HEX #F1A5A2

RGB 241 165 162

HSL 2.28, 0.74%, 0.79%

LAB 74.96, 27.71, 12.97

 

CMYK 0 / 19 / 20 / 4

HEX #F6C8C6

RGB 246 200 198

HSL 2.5, 0.73%, 0.87%

LAB 84.47, 15.98, 7.16

 

CMYK 0 / 45 / 47 / 7

HEX #EC827D

RGB 236 130 125

HSL 2.7, 0.74%, 0.71%

LAB 65.97, 40.05, 20.89

 

CMYK 11 / 0 / 46 / 8

HEX #D2EB7E

RGB 210 235 126

HSL 73.76, 0.73%, 0.71%

LAB 89.22, -24.48, 49.87

 

CMYK 46 / 29 / 0 / 8

HEX #7EA6EB

RGB 126 166 235

HSL 217.98, 0.73%, 0.71%

LAB 67.8, 4.63, -38.88

 

CMYK 0 / 45 / 47 / 7

HEX #EC827D

RGB 236 130 125

HSL 2.7, 0.74%, 0.71%

LAB 65.97, 40.05, 20.89

 

CMYK 46 / 0 / 45 / 8

HEX #7EEB81

RGB 126 235 129

HSL 121.65, 0.73%, 0.71%

LAB 84.71, -52.42, 41.82

 

CMYK 45 / 46 / 0 / 8

HEX #817EEB

RGB 129 126 235

HSL 241.65, 0.73%, 0.71%

LAB 57.64, 28.62, -54.9

 

CMYK 0 / 45 / 47 / 7

HEX #EC827D

RGB 236 130 125

HSL 2.7, 0.74%, 0.71%

LAB 65.97, 40.05, 20.89

 

CMYK 11 / 0 / 46 / 8

HEX #D2EB7E

RGB 210 235 126

HSL 73.76, 0.73%, 0.71%

LAB 89.22, -24.48, 49.87

 

CMYK 46 / 1 / 0 / 8

HEX #7EE8EB

RGB 126 232 235

HSL 181.65, 0.73%, 0.71%

LAB 86.08, -29.87, -10.99

 

CMYK 36 / 46 / 0 / 8

HEX #977EEB

RGB 151 126 235

HSL 253.76, 0.73%, 0.71%

LAB 59.43, 33.98, -51.94

 

CMYK 0 / 45 / 47 / 7

HEX #EC827D

RGB 236 130 125

HSL 2.7, 0.74%, 0.71%

LAB 65.97, 40.05, 20.89

 

CMYK 25 / 0 / 46 / 8

HEX #B1EB7E

RGB 177 235 126

HSL 91.93, 0.73%, 0.71%

LAB 87.13, -36.62, 46.83

 

CMYK 46 / 1 / 0 / 8

HEX #7EE8EB

RGB 126 232 235

HSL 181.65, 0.73%, 0.71%

LAB 86.08, -29.87, -10.99

 

CMYK 22 / 46 / 0 / 8

HEX #B87EEB

RGB 184 126 235

HSL 271.93, 0.73%, 0.71%

LAB 62.6, 42.72, -46.72

 

Description

Color code: RGB 236 130 125 | qconv.com Color code: RGB 236 130 125 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 236 red, 130 green and 125 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
236 130 125 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 45 magenta, 47 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 45% 47% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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