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Color name
RGB 235 96 47

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 235 96 47 it is the complementary color RGB 20 159 208. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 235 96 47. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 235 96 47 shade: RGB 240 96 42, RGB 255 114 61, RGB 255 132 80, RGB 255 150 99 and RGB 255 168 118

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 235 96 47. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 235 96 47 shade: RGB 235 96 47, RGB 218 78 28, RGB 201 60 9, RGB 184 42 0 and RGB 167 24 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 235 96 47 shade: RGB 234 95 46 and RGB 234 46 46

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 235 96 47 shade: RGB 234 95 46, RGB 234 145 46, RGB 234 196 46, RGB 221 234 46 and RGB 170 234 46

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 235 96 47 shade matches the following richer shades: RGB 234 95 46 and RGB 252 86 27

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 235 96 47 shade: RGB 234 95 46, RGB 215 104 64, RGB 197 112 83, RGB 178 121 101 and RGB 160 130 120

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 235 96 47 shade: RGB 234 46 99, RGB 234 46 49, RGB 234 93 46, RGB 234 143 46 and RGB 234 193 46

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 235 96 47 shade: RGB 180 60 17, RGB 217 72 21, RGB 234 95 46, RGB 238 123 83 and RGB 241 152 121

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 235 96 47 shade: RGB 235 96 47, RGB 149 234 46 and RGB 46 74 234

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 235 96 47 shade: RGB 235 96 47, RGB 46 234 93 and RGB 93 46 234

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 235 96 47 shade: RGB 235 96 47, RGB 149 234 46, RGB 46 187 234 and RGB 130 46 234

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 235 96 47 shade: RGB 235 96 47, RGB 93 234 46, RGB 46 187 234 and RGB 187 46 234

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 59 / 80 / 8

HEX #EB602F

RGB 235 96 47

HSL 15.64, 0.82%, 0.55%

LAB 58.26, 51.33, 53.22

 

Complementary color

CMYK 90 / 24 / 0 / 18

HEX #149FD0

RGB 20 159 208

HSL 195.64, 0.82%, 0.45%

LAB 61.22, -16.5, -34.48

 

CMYK 0 / 60 / 83 / 6

HEX #F0602A

RGB 240 96 42

HSL 16.36, 0.87%, 0.55%

LAB 59.03, 52.96, 56.44

 

CMYK 0 / 55 / 76 / 0

HEX #FF723D

RGB 255 114 61

HSL 16.39, 1%, 0.62%

LAB 64.67, 50.74, 54.04

 

CMYK 0 / 48 / 69 / 0

HEX #FF8450

RGB 255 132 80

HSL 17.83, 1%, 0.66%

LAB 68.27, 42.9, 48.6

 

CMYK 0 / 41 / 61 / 0

HEX #FF9663

RGB 255 150 99

HSL 19.62, 1%, 0.69%

LAB 72.21, 34.91, 43.5

 

CMYK 0 / 34 / 54 / 0

HEX #FFA876

RGB 255 168 118

HSL 21.9, 1%, 0.73%

LAB 76.42, 26.98, 38.84

 

CMYK 0 / 59 / 80 / 8

HEX #EB602F

RGB 235 96 47

HSL 15.64, 0.82%, 0.55%

LAB 58.26, 51.33, 53.22

 

CMYK 0 / 64 / 87 / 15

HEX #DA4E1C

RGB 218 78 28

HSL 15.79, 0.77%, 0.48%

LAB 52.33, 52.76, 55.05

 

CMYK 0 / 70 / 96 / 21

HEX #C93C09

RGB 201 60 9

HSL 15.94, 0.91%, 0.41%

LAB 46.54, 53.99, 55.72

 

CMYK 0 / 77 / 100 / 28

HEX #B82A00

RGB 184 42 0

HSL 13.7, 1%, 0.36%

LAB 40.97, 54.75, 53.7

 

CMYK 0 / 86 / 100 / 35

HEX #A71800

RGB 167 24 0

HSL 8.62, 1%, 0.33%

LAB 35.73, 54.61, 49.38

 

CMYK 0 / 59 / 80 / 8

HEX #EA5F2E

RGB 234 95 46

HSL 15.64, 0.82%, 0.55%

LAB 57.92, 51.4, 53.29

 

CMYK 0 / 80 / 80 / 8

HEX #EA2E2E

RGB 234 46 46

HSL 0, 0.82%, 0.55%

LAB 51.43, 69.09, 47.06

 

CMYK 0 / 59 / 80 / 8

HEX #EA5F2E

RGB 234 95 46

HSL 15.64, 0.82%, 0.55%

LAB 57.92, 51.4, 53.29

 

CMYK 0 / 38 / 80 / 8

HEX #EA912E

RGB 234 145 46

HSL 31.6, 0.82%, 0.55%

LAB 67.98, 26.43, 62.59

 

CMYK 0 / 16 / 80 / 8

HEX #EAC42E

RGB 234 196 46

HSL 47.87, 0.82%, 0.55%

LAB 80.27, -0.44, 73.51

 

CMYK 6 / 0 / 80 / 8

HEX #DDEA2E

RGB 221 234 46

HSL 64.15, 0.82%, 0.55%

LAB 89.12, -24.81, 80.78

 

CMYK 27 / 0 / 80 / 8

HEX #AAEA2E

RGB 170 234 46

HSL 80.43, 0.82%, 0.55%

LAB 85.8, -44.83, 76.58

 

CMYK 0 / 59 / 80 / 8

HEX #EA5F2E

RGB 234 95 46

HSL 15.64, 0.82%, 0.55%

LAB 57.92, 51.4, 53.29

 

CMYK 0 / 66 / 89 / 1

HEX #FC561B

RGB 252 86 27

HSL 15.73, 0.97%, 0.55%

LAB 59.37, 60.95, 63.3

 

CMYK 0 / 59 / 80 / 8

HEX #EA5F2E

RGB 234 95 46

HSL 15.64, 0.82%, 0.55%

LAB 57.92, 51.4, 53.29

 

CMYK 0 / 52 / 70 / 16

HEX #D76840

RGB 215 104 64

HSL 15.89, 0.65%, 0.55%

LAB 56.8, 40.8, 42.33

 

CMYK 0 / 43 / 58 / 23

HEX #C57053

RGB 197 112 83

HSL 15.26, 0.5%, 0.55%

LAB 56.17, 30.79, 30.64

 

CMYK 0 / 32 / 43 / 30

HEX #B27965

RGB 178 121 101

HSL 15.58, 0.33%, 0.55%

LAB 56.17, 19.82, 19.98

 

CMYK 0 / 19 / 25 / 37

HEX #A08278

RGB 160 130 120

HSL 15, 0.17%, 0.55%

LAB 56.88, 9.92, 9.74

 

CMYK 0 / 80 / 58 / 8

HEX #EA2E63

RGB 234 46 99

HSL 343.09, 0.82%, 0.55%

LAB 52.23, 71.53, 17.24

 

CMYK 0 / 80 / 79 / 8

HEX #EA2E31

RGB 234 46 49

HSL 359.04, 0.82%, 0.55%

LAB 51.46, 69.18, 45.5

 

CMYK 0 / 60 / 80 / 8

HEX #EA5D2E

RGB 234 93 46

HSL 15, 0.82%, 0.55%

LAB 57.58, 52.29, 52.97

 

CMYK 0 / 39 / 80 / 8

HEX #EA8F2E

RGB 234 143 46

HSL 30.96, 0.82%, 0.55%

LAB 67.53, 27.48, 62.18

 

CMYK 0 / 18 / 80 / 8

HEX #EAC12E

RGB 234 193 46

HSL 46.91, 0.82%, 0.55%

LAB 79.52, 1.11, 72.85

 

CMYK 0 / 67 / 91 / 29

HEX #B43C11

RGB 180 60 17

HSL 15.83, 0.83%, 0.39%

LAB 42.73, 46.91, 48.91

 

CMYK 0 / 67 / 90 / 15

HEX #D94815

RGB 217 72 21

HSL 15.61, 0.82%, 0.47%

LAB 51.2, 54.78, 56.66

 

CMYK 0 / 59 / 80 / 8

HEX #EA5F2E

RGB 234 95 46

HSL 15.64, 0.82%, 0.55%

LAB 57.92, 51.4, 53.29

 

CMYK 0 / 48 / 65 / 7

HEX #EE7B53

RGB 238 123 83

HSL 15.48, 0.82%, 0.63%

LAB 64.13, 41.1, 41.66

 

CMYK 0 / 37 / 50 / 5

HEX #F19879

RGB 241 152 121

HSL 15.5, 0.81%, 0.71%

LAB 71.24, 30.15, 30.25

 

CMYK 0 / 59 / 80 / 8

HEX #EB602F

RGB 235 96 47

HSL 15.64, 0.82%, 0.55%

LAB 58.26, 51.33, 53.22

 

CMYK 36 / 0 / 80 / 8

HEX #95EA2E

RGB 149 234 46

HSL 87.13, 0.82%, 0.55%

LAB 84.71, -52.3, 75.19

 

CMYK 80 / 68 / 0 / 8

HEX #2E4AEA

RGB 46 74 234

HSL 231.06, 0.82%, 0.55%

LAB 40.28, 46.81, -82.74

 

CMYK 0 / 59 / 80 / 8

HEX #EB602F

RGB 235 96 47

HSL 15.64, 0.82%, 0.55%

LAB 58.26, 51.33, 53.22

 

CMYK 80 / 0 / 60 / 8

HEX #2EEA5D

RGB 46 234 93

HSL 135, 0.82%, 0.55%

LAB 81.96, -72.5, 54.7

 

CMYK 60 / 80 / 0 / 8

HEX #5D2EEA

RGB 93 46 234

HSL 255, 0.82%, 0.55%

LAB 38.24, 65.3, -86.01

 

CMYK 0 / 59 / 80 / 8

HEX #EB602F

RGB 235 96 47

HSL 15.64, 0.82%, 0.55%

LAB 58.26, 51.33, 53.22

 

CMYK 36 / 0 / 80 / 8

HEX #95EA2E

RGB 149 234 46

HSL 87.13, 0.82%, 0.55%

LAB 84.71, -52.3, 75.19

 

CMYK 80 / 20 / 0 / 8

HEX #2EBBEA

RGB 46 187 234

HSL 195, 0.82%, 0.55%

LAB 70.91, -20.57, -33.71

 

CMYK 44 / 80 / 0 / 8

HEX #822EEA

RGB 130 46 234

HSL 266.81, 0.82%, 0.55%

LAB 42.22, 69.57, -79.31

 

CMYK 0 / 59 / 80 / 8

HEX #EB602F

RGB 235 96 47

HSL 15.64, 0.82%, 0.55%

LAB 58.26, 51.33, 53.22

 

CMYK 60 / 0 / 80 / 8

HEX #5DEA2E

RGB 93 234 46

HSL 105, 0.82%, 0.55%

LAB 82.58, -68.48, 72.46

 

CMYK 80 / 20 / 0 / 8

HEX #2EBBEA

RGB 46 187 234

HSL 195, 0.82%, 0.55%

LAB 70.91, -20.57, -33.71

 

CMYK 20 / 80 / 0 / 8

HEX #BB2EEA

RGB 187 46 234

HSL 285, 0.82%, 0.55%

LAB 50.05, 78.15, -66.21

 

Description

Color code: RGB 235 96 47 | qconv.com Color code: RGB 235 96 47 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 96 green and 47 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 96 47 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 59 magenta, 80 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 59% 80% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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