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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 235 69 215 it is the complementary color RGB 20 186 40. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 235 69 215. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 235 69 215 shade: RGB 240 69 210, RGB 255 87 229, RGB 255 105 248, RGB 255 123 255 and RGB 255 141 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 235 69 215. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 235 69 215 shade: RGB 235 69 215, RGB 218 51 196, RGB 201 33 177, RGB 184 15 158 and RGB 167 0 139

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 235 69 215 shade: RGB 235 70 215, RGB 235 70 171, RGB 235 70 126, RGB 235 70 82 and RGB 235 70 70

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 235 69 215 shade: RGB 235 70 215, RGB 210 70 235, RGB 166 70 235, RGB 121 70 235 and RGB 77 70 235

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 235 69 215 shade matches the following richer shades: RGB 235 70 215 and RGB 252 53 228

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 235 69 215 shade: RGB 235 70 215, RGB 219 86 203, RGB 202 103 190, RGB 186 119 178 and RGB 169 136 165

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 235 69 215 shade: RGB 166 70 235, RGB 210 70 235, RGB 235 70 216, RGB 235 70 172 and RGB 235 70 128

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 235 69 215 shade: RGB 202 21 180, RGB 231 33 207, RGB 235 70 215, RGB 239 107 223 and RGB 243 145 231

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 235 69 215 shade: RGB 235 69 215, RGB 235 122 70 and RGB 70 235 188

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 235 69 215 shade: RGB 235 69 215, RGB 216 235 70 and RGB 70 216 235

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 235 69 215 shade: RGB 235 69 215, RGB 235 122 70, RGB 70 235 89 and RGB 70 183 235

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 235 69 215 shade: RGB 235 69 215, RGB 235 172 70, RGB 70 235 89 and RGB 70 133 235

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 71 / 9 / 8

HEX #EB45D7

RGB 235 69 215

HSL 307.23, 0.81%, 0.6%

LAB 58.81, 77.51, -41.04

 

Complementary color

CMYK 89 / 0 / 78 / 27

HEX #14BA28

RGB 20 186 40

HSL 127.23, 0.81%, 0.4%

LAB 66.07, -65.42, 58.15

 

CMYK 0 / 71 / 13 / 6

HEX #F045D2

RGB 240 69 210

HSL 310.53, 0.85%, 0.61%

LAB 59.37, 77.92, -37.27

 

CMYK 0 / 66 / 10 / 0

HEX #FF57E5

RGB 255 87 229

HSL 309.29, 1%, 0.67%

LAB 64.75, 77.96, -39.38

 

CMYK 0 / 59 / 3 / 0

HEX #FF69F8

RGB 255 105 248

HSL 302.8, 1%, 0.71%

LAB 68.12, 73.89, -44.61

 

CMYK 0 / 52 / 0 / 0

HEX #FF7BFF

RGB 255 123 255

HSL 300, 1%, 0.74%

LAB 71.31, 67.24, -43.44

 

CMYK 0 / 45 / 0 / 0

HEX #FF8DFF

RGB 255 141 255

HSL 300, 1%, 0.78%

LAB 74.53, 58.77, -38.42

 

CMYK 0 / 71 / 9 / 8

HEX #EB45D7

RGB 235 69 215

HSL 307.23, 0.81%, 0.6%

LAB 58.81, 77.51, -41.04

 

CMYK 0 / 77 / 10 / 15

HEX #DA33C4

RGB 218 51 196

HSL 307.9, 0.69%, 0.53%

LAB 53.23, 76.47, -39.16

 

CMYK 0 / 84 / 12 / 21

HEX #C921B1

RGB 201 33 177

HSL 308.57, 0.72%, 0.46%

LAB 47.85, 74.65, -36.75

 

CMYK 0 / 92 / 14 / 28

HEX #B80F9E

RGB 184 15 158

HSL 309.23, 0.85%, 0.39%

LAB 42.76, 71.74, -33.67

 

CMYK 0 / 100 / 17 / 35

HEX #A7008B

RGB 167 0 139

HSL 310.06, 1%, 0.33%

LAB 37.98, 67.63, -29.86

 

CMYK 0 / 70 / 9 / 8

HEX #EB46D7

RGB 235 70 215

HSL 307.27, 0.8%, 0.6%

LAB 58.93, 77.18, -40.86

 

CMYK 0 / 70 / 27 / 8

HEX #EB46AB

RGB 235 70 171

HSL 323.27, 0.8%, 0.6%

LAB 57.06, 71.3, -18.51

 

CMYK 0 / 70 / 46 / 8

HEX #EB467E

RGB 235 70 126

HSL 339.64, 0.8%, 0.6%

LAB 55.63, 66.61, 5.85

 

CMYK 0 / 70 / 65 / 8

HEX #EB4652

RGB 235 70 82

HSL 355.64, 0.8%, 0.6%

LAB 54.71, 63.47, 30.63

 

CMYK 0 / 70 / 70 / 8

HEX #EB4646

RGB 235 70 70

HSL 0, 0.8%, 0.6%

LAB 54.54, 62.86, 37.31

 

CMYK 0 / 70 / 9 / 8

HEX #EB46D7

RGB 235 70 215

HSL 307.27, 0.8%, 0.6%

LAB 58.93, 77.18, -40.86

 

CMYK 11 / 70 / 0 / 8

HEX #D246EB

RGB 210 70 235

HSL 290.91, 0.8%, 0.6%

LAB 56.17, 75.03, -56.75

 

CMYK 29 / 70 / 0 / 8

HEX #A646EB

RGB 166 70 235

HSL 274.91, 0.8%, 0.6%

LAB 50.08, 66.28, -66.86

 

CMYK 49 / 70 / 0 / 8

HEX #7946EB

RGB 121 70 235

HSL 258.55, 0.8%, 0.6%

LAB 44.86, 58.32, -75.58

 

CMYK 67 / 70 / 0 / 8

HEX #4D46EB

RGB 77 70 235

HSL 242.55, 0.8%, 0.6%

LAB 41.15, 52.29, -81.82

 

CMYK 0 / 70 / 9 / 8

HEX #EB46D7

RGB 235 70 215

HSL 307.27, 0.8%, 0.6%

LAB 58.93, 77.18, -40.86

 

CMYK 0 / 79 / 10 / 1

HEX #FC35E4

RGB 252 53 228

HSL 307.24, 0.97%, 0.6%

LAB 60.64, 87.36, -45.3

 

CMYK 0 / 70 / 9 / 8

HEX #EB46D7

RGB 235 70 215

HSL 307.27, 0.8%, 0.6%

LAB 58.93, 77.18, -40.86

 

CMYK 0 / 61 / 7 / 14

HEX #DB56CB

RGB 219 86 203

HSL 307.22, 0.65%, 0.6%

LAB 58.06, 65.55, -35.58

 

CMYK 0 / 49 / 6 / 21

HEX #CA67BE

RGB 202 103 190

HSL 307.27, 0.48%, 0.6%

LAB 58.01, 50.93, -28.42

 

CMYK 0 / 36 / 4 / 27

HEX #BA77B2

RGB 186 119 178

HSL 307.16, 0.33%, 0.6%

LAB 58.83, 35.43, -20.46

 

CMYK 0 / 20 / 2 / 34

HEX #A988A5

RGB 169 136 165

HSL 307.27, 0.16%, 0.6%

LAB 60.57, 17.64, -10.58

 

CMYK 29 / 70 / 0 / 8

HEX #A646EB

RGB 166 70 235

HSL 274.91, 0.8%, 0.6%

LAB 50.08, 66.28, -66.86

 

CMYK 11 / 70 / 0 / 8

HEX #D246EB

RGB 210 70 235

HSL 290.91, 0.8%, 0.6%

LAB 56.17, 75.03, -56.75

 

CMYK 0 / 70 / 8 / 8

HEX #EB46D8

RGB 235 70 216

HSL 306.91, 0.8%, 0.6%

LAB 58.97, 77.33, -41.35

 

CMYK 0 / 70 / 27 / 8

HEX #EB46AC

RGB 235 70 172

HSL 322.91, 0.8%, 0.6%

LAB 57.1, 71.42, -19.03

 

CMYK 0 / 70 / 46 / 8

HEX #EB4680

RGB 235 70 128

HSL 338.91, 0.8%, 0.6%

LAB 55.69, 66.78, 4.74

 

CMYK 0 / 90 / 11 / 21

HEX #CA15B4

RGB 202 21 180

HSL 307.29, 0.81%, 0.44%

LAB 47.48, 77.32, -39.1

 

CMYK 0 / 86 / 10 / 9

HEX #E721CF

RGB 231 33 207

HSL 307.27, 0.8%, 0.52%

LAB 54.64, 84.53, -43.11

 

CMYK 0 / 70 / 9 / 8

HEX #EB46D7

RGB 235 70 215

HSL 307.27, 0.8%, 0.6%

LAB 58.93, 77.18, -40.86

 

CMYK 0 / 55 / 7 / 6

HEX #EF6BDF

RGB 239 107 223

HSL 307.27, 0.8%, 0.68%

LAB 65.12, 64.92, -35.63

 

CMYK 0 / 40 / 5 / 5

HEX #F391E7

RGB 243 145 231

HSL 307.35, 0.8%, 0.76%

LAB 72.94, 49.12, -27.92

 

CMYK 0 / 71 / 9 / 8

HEX #EB45D7

RGB 235 69 215

HSL 307.23, 0.81%, 0.6%

LAB 58.81, 77.51, -41.04

 

CMYK 0 / 48 / 70 / 8

HEX #EB7A46

RGB 235 122 70

HSL 18.91, 0.8%, 0.6%

LAB 63.36, 39.74, 47.37

 

CMYK 70 / 0 / 20 / 8

HEX #46EBBC

RGB 70 235 188

HSL 162.91, 0.8%, 0.6%

LAB 84.15, -52.93, 10.71

 

CMYK 0 / 71 / 9 / 8

HEX #EB45D7

RGB 235 69 215

HSL 307.23, 0.81%, 0.6%

LAB 58.81, 77.51, -41.04

 

CMYK 8 / 0 / 70 / 8

HEX #D8EB46

RGB 216 235 70

HSL 66.91, 0.8%, 0.6%

LAB 89.14, -26.34, 73.47

 

CMYK 70 / 8 / 0 / 8

HEX #46D8EB

RGB 70 216 235

HSL 186.91, 0.8%, 0.6%

LAB 79.85, -32.07, -20.52

 

CMYK 0 / 71 / 9 / 8

HEX #EB45D7

RGB 235 69 215

HSL 307.23, 0.81%, 0.6%

LAB 58.81, 77.51, -41.04

 

CMYK 0 / 48 / 70 / 8

HEX #EB7A46

RGB 235 122 70

HSL 18.91, 0.8%, 0.6%

LAB 63.36, 39.74, 47.37

 

CMYK 70 / 0 / 62 / 8

HEX #46EB59

RGB 70 235 89

HSL 126.91, 0.8%, 0.6%

LAB 82.61, -70, 57.26

 

CMYK 70 / 22 / 0 / 8

HEX #46B7EB

RGB 70 183 235

HSL 198.91, 0.8%, 0.6%

LAB 70.29, -15.44, -35.18

 

CMYK 0 / 71 / 9 / 8

HEX #EB45D7

RGB 235 69 215

HSL 307.23, 0.81%, 0.6%

LAB 58.81, 77.51, -41.04

 

CMYK 0 / 27 / 70 / 8

HEX #EBAC46

RGB 235 172 70

HSL 37.09, 0.8%, 0.6%

LAB 74.58, 13.53, 59.38

 

CMYK 70 / 0 / 62 / 8

HEX #46EB59

RGB 70 235 89

HSL 126.91, 0.8%, 0.6%

LAB 82.61, -70, 57.26

 

CMYK 70 / 43 / 0 / 8

HEX #4685EB

RGB 70 133 235

HSL 217.09, 0.8%, 0.6%

LAB 56.16, 13.15, -57.45

 

Description

Color code: RGB 235 69 215 | qconv.com Color code: RGB 235 69 215 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 69 green and 215 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 69 215 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 71 magenta, 9 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 71% 9% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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