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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 235 40 146 it is the complementary color RGB 20 215 109. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 235 40 146. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 235 40 146 shade: RGB 240 40 141, RGB 255 58 160, RGB 255 76 179, RGB 255 94 198 and RGB 255 112 217

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 235 40 146. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 235 40 146 shade: RGB 235 40 146, RGB 218 22 127, RGB 201 4 108, RGB 184 0 89 and RGB 167 0 70

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 235 40 146 shade: RGB 235 40 146, RGB 235 40 93, RGB 235 40 41 and RGB 235 40 40

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 235 40 146 shade: RGB 235 40 146, RGB 235 40 198, RGB 218 40 235, RGB 166 40 235 and RGB 113 40 235

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 235 40 146 shade matches the following richer shades: RGB 235 40 146 and RGB 254 21 147

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 235 40 146 shade: RGB 235 40 146, RGB 216 59 144, RGB 197 78 142, RGB 178 97 141 and RGB 159 116 139

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 235 40 146 shade: RGB 218 40 235, RGB 235 40 199, RGB 235 40 147, RGB 235 40 95 and RGB 235 40 43

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 235 40 146 shade: RGB 176 16 103, RGB 214 19 125, RGB 235 40 146, RGB 238 78 165 and RGB 242 115 184

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 235 40 146 shade: RGB 235 40 146, RGB 235 166 40 and RGB 40 225 235

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 235 40 146 shade: RGB 235 40 146, RGB 147 235 40 and RGB 40 147 235

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 235 40 146 shade: RGB 235 40 146, RGB 235 166 40, RGB 40 235 127 and RGB 40 108 235

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 235 40 146 shade: RGB 235 40 146, RGB 235 225 40, RGB 40 235 127 and RGB 40 50 235

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 83 / 38 / 8

HEX #EB2892

RGB 235 40 146

HSL 327.38, 0.83%, 0.54%

LAB 53.23, 76.95, -9.58

 

Complementary color

CMYK 91 / 0 / 49 / 16

HEX #14D76D

RGB 20 215 109

HSL 147.38, 0.83%, 0.46%

LAB 75.98, -66.37, 40.08

 

CMYK 0 / 83 / 41 / 6

HEX #F0288D

RGB 240 40 141

HSL 329.7, 0.87%, 0.55%

LAB 53.99, 77.64, -5.37

 

CMYK 0 / 77 / 37 / 0

HEX #FF3AA0

RGB 255 58 160

HSL 328.93, 1%, 0.61%

LAB 58.81, 78.72, -9.12

 

CMYK 0 / 70 / 30 / 0

HEX #FF4CB3

RGB 255 76 179

HSL 325.47, 1%, 0.65%

LAB 61.38, 75.3, -16.26

 

CMYK 0 / 63 / 22 / 0

HEX #FF5EC6

RGB 255 94 198

HSL 321.24, 1%, 0.68%

LAB 64.44, 71.04, -22.45

 

CMYK 0 / 56 / 15 / 0

HEX #FF70D9

RGB 255 112 217

HSL 315.94, 1%, 0.72%

LAB 67.92, 66.16, -27.78

 

CMYK 0 / 83 / 38 / 8

HEX #EB2892

RGB 235 40 146

HSL 327.38, 0.83%, 0.54%

LAB 53.23, 76.95, -9.58

 

CMYK 0 / 90 / 42 / 15

HEX #DA167F

RGB 218 22 127

HSL 327.86, 0.82%, 0.47%

LAB 48.27, 74.49, -5.86

 

CMYK 0 / 98 / 46 / 21

HEX #C9046C

RGB 201 4 108

HSL 328.32, 0.96%, 0.4%

LAB 43.63, 70.98, -1.37

 

CMYK 0 / 100 / 52 / 28

HEX #B80059

RGB 184 0 89

HSL 330.98, 1%, 0.36%

LAB 39.43, 66.06, 4.09

 

CMYK 0 / 100 / 58 / 35

HEX #A70046

RGB 167 0 70

HSL 334.85, 1%, 0.33%

LAB 35.32, 60.75, 10.04

 

CMYK 0 / 83 / 38 / 8

HEX #EB2892

RGB 235 40 146

HSL 327.38, 0.83%, 0.54%

LAB 53.23, 76.95, -9.58

 

CMYK 0 / 83 / 60 / 8

HEX #EB285D

RGB 235 40 93

HSL 343.69, 0.83%, 0.54%

LAB 51.8, 72.81, 20.32

 

CMYK 0 / 83 / 83 / 8

HEX #EB2829

RGB 235 40 41

HSL 359.69, 0.83%, 0.54%

LAB 51.08, 70.66, 49.37

 

CMYK 0 / 83 / 83 / 8

HEX #EB2828

RGB 235 40 40

HSL 0, 0.83%, 0.54%

LAB 51.07, 70.64, 49.87

 

CMYK 0 / 83 / 38 / 8

HEX #EB2892

RGB 235 40 146

HSL 327.38, 0.83%, 0.54%

LAB 53.23, 76.95, -9.58

 

CMYK 0 / 83 / 16 / 8

HEX #EB28C6

RGB 235 40 198

HSL 311.38, 0.83%, 0.54%

LAB 55.34, 82.83, -36.8

 

CMYK 7 / 83 / 0 / 8

HEX #DA28EB

RGB 218 40 235

HSL 294.77, 0.83%, 0.54%

LAB 54.47, 84.98, -59.4

 

CMYK 29 / 83 / 0 / 8

HEX #A628EB

RGB 166 40 235

HSL 278.77, 0.83%, 0.54%

LAB 46.48, 76.65, -72.72

 

CMYK 52 / 83 / 0 / 8

HEX #7128EB

RGB 113 40 235

HSL 262.46, 0.83%, 0.54%

LAB 39.62, 69.83, -84.22

 

CMYK 0 / 83 / 38 / 8

HEX #EB2892

RGB 235 40 146

HSL 327.38, 0.83%, 0.54%

LAB 53.23, 76.95, -9.58

 

CMYK 0 / 92 / 42 / 0

HEX #FE1593

RGB 254 21 147

HSL 327.55, 0.99%, 0.54%

LAB 55.8, 84.24, -5.96

 

CMYK 0 / 83 / 38 / 8

HEX #EB2892

RGB 235 40 146

HSL 327.38, 0.83%, 0.54%

LAB 53.23, 76.95, -9.58

 

CMYK 0 / 73 / 33 / 15

HEX #D83B90

RGB 216 59 144

HSL 327.52, 0.67%, 0.54%

LAB 51.54, 66.97, -11.27

 

CMYK 0 / 60 / 28 / 23

HEX #C54E8E

RGB 197 78 142

HSL 327.73, 0.51%, 0.54%

LAB 51, 54, -11.2

 

CMYK 0 / 46 / 21 / 30

HEX #B2618D

RGB 178 97 141

HSL 327.41, 0.34%, 0.54%

LAB 51.77, 38.37, -9.74

 

CMYK 0 / 27 / 13 / 38

HEX #9F748B

RGB 159 116 139

HSL 327.91, 0.18%, 0.54%

LAB 53.73, 20.65, -5.87

 

CMYK 7 / 83 / 0 / 8

HEX #DA28EB

RGB 218 40 235

HSL 294.77, 0.83%, 0.54%

LAB 54.47, 84.98, -59.4

 

CMYK 0 / 83 / 15 / 8

HEX #EB28C7

RGB 235 40 199

HSL 311.08, 0.83%, 0.54%

LAB 55.38, 82.96, -37.3

 

CMYK 0 / 83 / 37 / 8

HEX #EB2893

RGB 235 40 147

HSL 327.08, 0.83%, 0.54%

LAB 53.26, 77.05, -10.13

 

CMYK 0 / 83 / 60 / 8

HEX #EB285F

RGB 235 40 95

HSL 343.08, 0.83%, 0.54%

LAB 51.84, 72.93, 19.17

 

CMYK 0 / 83 / 82 / 8

HEX #EB282B

RGB 235 40 43

HSL 359.08, 0.83%, 0.54%

LAB 51.1, 70.71, 48.37

 

CMYK 0 / 91 / 41 / 31

HEX #B01067

RGB 176 16 103

HSL 327.38, 0.83%, 0.38%

LAB 38.86, 63.56, -5.85

 

CMYK 0 / 91 / 42 / 16

HEX #D6137D

RGB 214 19 125

HSL 327.38, 0.84%, 0.46%

LAB 47.29, 73.81, -6.19

 

CMYK 0 / 83 / 38 / 8

HEX #EB2892

RGB 235 40 146

HSL 327.38, 0.83%, 0.54%

LAB 53.23, 76.95, -9.58

 

CMYK 0 / 67 / 31 / 7

HEX #EE4EA5

RGB 238 78 165

HSL 327.38, 0.82%, 0.62%

LAB 58.36, 68.53, -13

 

CMYK 0 / 52 / 24 / 5

HEX #F273B8

RGB 242 115 184

HSL 327.4, 0.83%, 0.7%

LAB 65.44, 56.35, -13.19

 

CMYK 0 / 83 / 38 / 8

HEX #EB2892

RGB 235 40 146

HSL 327.38, 0.83%, 0.54%

LAB 53.23, 76.95, -9.58

 

CMYK 0 / 29 / 83 / 8

HEX #EBA628

RGB 235 166 40

HSL 38.77, 0.83%, 0.54%

LAB 72.95, 15.54, 69.02

 

CMYK 83 / 4 / 0 / 8

HEX #28E1EB

RGB 40 225 235

HSL 183.08, 0.83%, 0.54%

LAB 82, -39.19, -17.32

 

CMYK 0 / 83 / 38 / 8

HEX #EB2892

RGB 235 40 146

HSL 327.38, 0.83%, 0.54%

LAB 53.23, 76.95, -9.58

 

CMYK 37 / 0 / 83 / 8

HEX #93EB28

RGB 147 235 40

HSL 87.08, 0.83%, 0.54%

LAB 84.88, -53.62, 76.77

 

CMYK 83 / 37 / 0 / 8

HEX #2893EB

RGB 40 147 235

HSL 207.08, 0.83%, 0.54%

LAB 59.27, 1.41, -52.55

 

CMYK 0 / 83 / 38 / 8

HEX #EB2892

RGB 235 40 146

HSL 327.38, 0.83%, 0.54%

LAB 53.23, 76.95, -9.58

 

CMYK 0 / 29 / 83 / 8

HEX #EBA628

RGB 235 166 40

HSL 38.77, 0.83%, 0.54%

LAB 72.95, 15.54, 69.02

 

CMYK 83 / 0 / 46 / 8

HEX #28EB7F

RGB 40 235 127

HSL 146.77, 0.83%, 0.54%

LAB 82.59, -68.6, 39.68

 

CMYK 83 / 54 / 0 / 8

HEX #286CEB

RGB 40 108 235

HSL 219.08, 0.83%, 0.54%

LAB 48.48, 25.46, -69.89

 

CMYK 0 / 83 / 38 / 8

HEX #EB2892

RGB 235 40 146

HSL 327.38, 0.83%, 0.54%

LAB 53.23, 76.95, -9.58

 

CMYK 0 / 4 / 83 / 8

HEX #EBE128

RGB 235 225 40

HSL 56.92, 0.83%, 0.54%

LAB 87.81, -14.82, 81.53

 

CMYK 83 / 0 / 46 / 8

HEX #28EB7F

RGB 40 235 127

HSL 146.77, 0.83%, 0.54%

LAB 82.59, -68.6, 39.68

 

CMYK 83 / 79 / 0 / 8

HEX #2832EB

RGB 40 50 235

HSL 236.92, 0.83%, 0.54%

LAB 35.46, 59.96, -91.28

 

Description

Color code: RGB 235 40 146 | qconv.com Color code: RGB 235 40 146 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 40 green and 146 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 40 146 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 83 magenta, 38 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 83% 38% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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