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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 234 98 214 it is the complementary color RGB 21 157 41. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 234 98 214. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 234 98 214 shade: RGB 239 98 209, RGB 255 116 228, RGB 255 134 247, RGB 255 152 255 and RGB 255 170 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 234 98 214. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 234 98 214 shade: RGB 234 98 214, RGB 217 80 195, RGB 200 62 176, RGB 183 44 157 and RGB 166 26 138

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 234 98 214 shade: RGB 233 97 213, RGB 233 97 177, RGB 233 97 140, RGB 233 97 103 and RGB 233 97 97

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 234 98 214 shade: RGB 233 97 213, RGB 216 97 233, RGB 180 97 233, RGB 143 97 233 and RGB 107 97 233

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 234 98 214 shade matches the following richer shades: RGB 233 97 213 and RGB 248 83 223

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 234 98 214 shade: RGB 233 97 213, RGB 219 112 203, RGB 204 126 193, RGB 190 141 183 and RGB 175 155 172

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 234 98 214 shade: RGB 179 97 233, RGB 215 97 233, RGB 233 97 215, RGB 233 97 179 and RGB 233 97 143

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 234 98 214 shade: RGB 219 29 191, RGB 228 61 204, RGB 233 97 213, RGB 238 134 223 and RGB 243 170 232

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 234 98 214 shade: RGB 234 98 214, RGB 233 143 97 and RGB 97 233 197

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 234 98 214 shade: RGB 234 98 214, RGB 215 233 97 and RGB 97 215 233

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 234 98 214 shade: RGB 234 98 214, RGB 233 143 97, RGB 97 233 116 and RGB 97 188 233

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 234 98 214 shade: RGB 234 98 214, RGB 233 183 97, RGB 97 233 116 and RGB 97 147 233

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 58 / 9 / 8

HEX #EA62D6

RGB 234 98 214

HSL 308.82, 0.76%, 0.65%

LAB 62.58, 66.1, -34.6

 

Complementary color

CMYK 87 / 0 / 74 / 38

HEX #159D29

RGB 21 157 41

HSL 128.82, 0.76%, 0.35%

LAB 56.52, -56.52, 48.33

 

CMYK 0 / 59 / 13 / 6

HEX #EF62D1

RGB 239 98 209

HSL 312.77, 0.82%, 0.66%

LAB 63.09, 66.67, -30.94

 

CMYK 0 / 55 / 11 / 0

HEX #FF74E4

RGB 255 116 228

HSL 311.65, 1%, 0.73%

LAB 69.01, 66.03, -32.2

 

CMYK 0 / 47 / 3 / 0

HEX #FF86F7

RGB 255 134 247

HSL 303.97, 1%, 0.76%

LAB 72.91, 60.77, -36.59

 

CMYK 0 / 40 / 0 / 0

HEX #FF98FF

RGB 255 152 255

HSL 300, 1%, 0.8%

LAB 76.64, 53.33, -35.15

 

CMYK 0 / 33 / 0 / 0

HEX #FFAAFF

RGB 255 170 255

HSL 300, 1%, 0.83%

LAB 80.31, 44.16, -29.5

 

CMYK 0 / 58 / 9 / 8

HEX #EA62D6

RGB 234 98 214

HSL 308.82, 0.76%, 0.65%

LAB 62.58, 66.1, -34.6

 

CMYK 0 / 63 / 10 / 15

HEX #D950C3

RGB 217 80 195

HSL 309.64, 0.64%, 0.58%

LAB 56.51, 66.25, -33.45

 

CMYK 0 / 69 / 12 / 22

HEX #C83EB0

RGB 200 62 176

HSL 310.43, 0.56%, 0.51%

LAB 50.52, 66.03, -31.99

 

CMYK 0 / 76 / 14 / 28

HEX #B72C9D

RGB 183 44 157

HSL 311.22, 0.61%, 0.45%

LAB 44.66, 65.22, -30.1

 

CMYK 0 / 84 / 17 / 35

HEX #A61A8A

RGB 166 26 138

HSL 312, 0.73%, 0.38%

LAB 39.04, 63.51, -27.6

 

CMYK 0 / 58 / 9 / 9

HEX #E961D5

RGB 233 97 213

HSL 308.82, 0.76%, 0.65%

LAB 62.23, 66.11, -34.58

 

CMYK 0 / 58 / 24 / 9

HEX #E961B1

RGB 233 97 177

HSL 324.71, 0.76%, 0.65%

LAB 60.82, 60.9, -16.29

 

CMYK 0 / 58 / 40 / 9

HEX #E9618C

RGB 233 97 140

HSL 341.03, 0.76%, 0.65%

LAB 59.68, 56.49, 3.41

 

CMYK 0 / 58 / 56 / 9

HEX #E96167

RGB 233 97 103

HSL 357.35, 0.76%, 0.65%

LAB 58.84, 53.14, 23.73

 

CMYK 0 / 58 / 58 / 9

HEX #E96161

RGB 233 97 97

HSL 0, 0.76%, 0.65%

LAB 58.73, 52.7, 27.04

 

CMYK 0 / 58 / 9 / 9

HEX #E961D5

RGB 233 97 213

HSL 308.82, 0.76%, 0.65%

LAB 62.23, 66.11, -34.58

 

CMYK 7 / 58 / 0 / 9

HEX #D861E9

RGB 216 97 233

HSL 292.5, 0.76%, 0.65%

LAB 60.81, 65.16, -48.19

 

CMYK 23 / 58 / 0 / 9

HEX #B461E9

RGB 180 97 233

HSL 276.62, 0.76%, 0.65%

LAB 56.22, 56.4, -55.76

 

CMYK 39 / 58 / 0 / 9

HEX #8F61E9

RGB 143 97 233

HSL 260.29, 0.76%, 0.65%

LAB 52.14, 47.88, -62.53

 

CMYK 54 / 58 / 0 / 9

HEX #6B61E9

RGB 107 97 233

HSL 244.41, 0.76%, 0.65%

LAB 48.96, 40.57, -67.84

 

CMYK 0 / 58 / 9 / 9

HEX #E961D5

RGB 233 97 213

HSL 308.82, 0.76%, 0.65%

LAB 62.23, 66.11, -34.58

 

CMYK 0 / 67 / 10 / 3

HEX #F853DF

RGB 248 83 223

HSL 309.09, 0.92%, 0.65%

LAB 62.9, 76.87, -38.99

 

CMYK 0 / 58 / 9 / 9

HEX #E961D5

RGB 233 97 213

HSL 308.82, 0.76%, 0.65%

LAB 62.23, 66.11, -34.58

 

CMYK 0 / 49 / 7 / 14

HEX #DB70CB

RGB 219 112 203

HSL 308.97, 0.6%, 0.65%

LAB 62.47, 53.71, -28.73

 

CMYK 0 / 38 / 5 / 20

HEX #CC7EC1

RGB 204 126 193

HSL 308.46, 0.43%, 0.65%

LAB 63.02, 40.2, -22.4

 

CMYK 0 / 26 / 4 / 25

HEX #BE8DB7

RGB 190 141 183

HSL 308.57, 0.27%, 0.65%

LAB 64.5, 25.55, -14.66

 

CMYK 0 / 11 / 2 / 31

HEX #AF9BAC

RGB 175 155 172

HSL 309, 0.11%, 0.65%

LAB 66.16, 10.43, -6.14

 

CMYK 23 / 58 / 0 / 9

HEX #B361E9

RGB 179 97 233

HSL 276.18, 0.76%, 0.65%

LAB 56.1, 56.16, -55.96

 

CMYK 8 / 58 / 0 / 9

HEX #D761E9

RGB 215 97 233

HSL 292.06, 0.76%, 0.65%

LAB 60.68, 64.91, -48.41

 

CMYK 0 / 58 / 8 / 9

HEX #E961D7

RGB 233 97 215

HSL 307.94, 0.76%, 0.65%

LAB 62.32, 66.43, -35.57

 

CMYK 0 / 58 / 23 / 9

HEX #E961B3

RGB 233 97 179

HSL 323.82, 0.76%, 0.65%

LAB 60.89, 61.17, -17.33

 

CMYK 0 / 58 / 39 / 9

HEX #E9618F

RGB 233 97 143

HSL 339.71, 0.76%, 0.65%

LAB 59.76, 56.81, 1.78

 

CMYK 0 / 87 / 13 / 14

HEX #DB1DBF

RGB 219 29 191

HSL 308.84, 0.77%, 0.49%

LAB 51.5, 80.79, -38.98

 

CMYK 0 / 73 / 11 / 11

HEX #E43DCC

RGB 228 61 204

HSL 308.62, 0.76%, 0.57%

LAB 56.28, 76.89, -38.85

 

CMYK 0 / 58 / 9 / 9

HEX #E961D5

RGB 233 97 213

HSL 308.82, 0.76%, 0.65%

LAB 62.23, 66.11, -34.58

 

CMYK 0 / 44 / 6 / 7

HEX #EE86DF

RGB 238 134 223

HSL 308.65, 0.75%, 0.73%

LAB 69.86, 51.8, -28.3

 

CMYK 0 / 30 / 5 / 5

HEX #F3AAE8

RGB 243 170 232

HSL 309.04, 0.75%, 0.81%

LAB 78.25, 36.31, -20.37

 

CMYK 0 / 58 / 9 / 8

HEX #EA62D6

RGB 234 98 214

HSL 308.82, 0.76%, 0.65%

LAB 62.58, 66.1, -34.6

 

CMYK 0 / 39 / 58 / 9

HEX #E98F61

RGB 233 143 97

HSL 20.29, 0.76%, 0.65%

LAB 67.9, 29.76, 38.65

 

CMYK 58 / 0 / 15 / 9

HEX #61E9C5

RGB 97 233 197

HSL 164.12, 0.76%, 0.65%

LAB 84.41, -45.57, 6.45

 

CMYK 0 / 58 / 9 / 8

HEX #EA62D6

RGB 234 98 214

HSL 308.82, 0.76%, 0.65%

LAB 62.58, 66.1, -34.6

 

CMYK 8 / 0 / 58 / 9

HEX #D7E961

RGB 215 233 97

HSL 67.94, 0.76%, 0.65%

LAB 88.73, -24.12, 62.52

 

CMYK 58 / 8 / 0 / 9

HEX #61D7E9

RGB 97 215 233

HSL 187.94, 0.76%, 0.65%

LAB 80.19, -28.02, -18.87

 

CMYK 0 / 58 / 9 / 8

HEX #EA62D6

RGB 234 98 214

HSL 308.82, 0.76%, 0.65%

LAB 62.58, 66.1, -34.6

 

CMYK 0 / 39 / 58 / 9

HEX #E98F61

RGB 233 143 97

HSL 20.29, 0.76%, 0.65%

LAB 67.9, 29.76, 38.65

 

CMYK 58 / 0 / 50 / 9

HEX #61E974

RGB 97 233 116

HSL 128.38, 0.76%, 0.65%

LAB 82.96, -60.73, 45.67

 

CMYK 58 / 19 / 0 / 9

HEX #61BCE9

RGB 97 188 233

HSL 199.85, 0.76%, 0.65%

LAB 72.49, -14.3, -30.63

 

CMYK 0 / 58 / 9 / 8

HEX #EA62D6

RGB 234 98 214

HSL 308.82, 0.76%, 0.65%

LAB 62.58, 66.1, -34.6

 

CMYK 0 / 21 / 58 / 9

HEX #E9B761

RGB 233 183 97

HSL 37.94, 0.76%, 0.65%

LAB 77.31, 8.54, 49.95

 

CMYK 58 / 0 / 50 / 9

HEX #61E974

RGB 97 233 116

HSL 128.38, 0.76%, 0.65%

LAB 82.96, -60.73, 45.67

 

CMYK 58 / 37 / 0 / 9

HEX #6193E9

RGB 97 147 233

HSL 217.94, 0.76%, 0.65%

LAB 61.04, 8.64, -48.51

 

Description

Color code: RGB 234 98 214 | qconv.com Color code: RGB 234 98 214 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 234 red, 98 green and 214 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
234 98 214 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 58 magenta, 9 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 58% 9% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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