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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 234 50 134 it is the complementary color RGB 21 205 121. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 234 50 134. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 234 50 134 shade: RGB 239 50 129, RGB 255 68 148, RGB 255 86 167, RGB 255 104 186 and RGB 255 122 205

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 234 50 134. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 234 50 134 shade: RGB 234 50 134, RGB 217 32 115, RGB 200 14 96, RGB 183 0 77 and RGB 166 0 58

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 234 50 134 shade: RGB 233 51 134, RGB 233 51 85 and RGB 233 51 51

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 234 50 134 shade: RGB 233 51 134, RGB 233 51 183, RGB 233 51 232, RGB 185 51 233 and RGB 136 51 233

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 234 50 134 shade matches the following richer shades: RGB 233 51 134 and RGB 251 33 133

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 234 50 134 shade: RGB 233 51 134, RGB 215 70 136, RGB 197 88 138, RGB 179 106 139 and RGB 161 124 141

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 234 50 134 shade: RGB 233 51 233, RGB 233 51 185, RGB 233 51 136, RGB 233 51 88 and RGB 233 64 51

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 234 50 134 shade: RGB 183 19 94, RGB 221 23 113, RGB 233 51 134, RGB 237 89 156 and RGB 241 126 179

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 234 50 134 shade: RGB 234 50 134, RGB 233 185 51 and RGB 51 209 233

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 234 50 134 shade: RGB 234 50 134, RGB 136 233 51 and RGB 51 136 233

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 234 50 134 shade: RGB 234 50 134, RGB 233 185 51, RGB 51 233 148 and RGB 51 100 233

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 234 50 134 shade: RGB 234 50 134, RGB 227 233 51, RGB 51 233 148 and RGB 57 51 233

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 79 / 43 / 8

HEX #EA3286

RGB 234 50 134

HSL 332.61, 0.81%, 0.56%

LAB 53.49, 73.22, -2.05

 

Complementary color

CMYK 90 / 0 / 41 / 20

HEX #15CD79

RGB 21 205 121

HSL 152.61, 0.81%, 0.44%

LAB 73.03, -60.86, 30.27

 

CMYK 0 / 79 / 46 / 6

HEX #EF3281

RGB 239 50 129

HSL 334.92, 0.86%, 0.57%

LAB 54.26, 74.04, 2.17

 

CMYK 0 / 73 / 42 / 0

HEX #FF4494

RGB 255 68 148

HSL 334.33, 1%, 0.63%

LAB 59.46, 74.69, -1.13

 

CMYK 0 / 66 / 35 / 0

HEX #FF56A7

RGB 255 86 167

HSL 331.24, 1%, 0.67%

LAB 62.26, 70.42, -8.04

 

CMYK 0 / 59 / 27 / 0

HEX #FF68BA

RGB 255 104 186

HSL 327.42, 1%, 0.7%

LAB 65.52, 65.42, -14.01

 

CMYK 0 / 52 / 20 / 0

HEX #FF7ACD

RGB 255 122 205

HSL 322.56, 1%, 0.74%

LAB 69.17, 59.92, -19.17

 

CMYK 0 / 79 / 43 / 8

HEX #EA3286

RGB 234 50 134

HSL 332.61, 0.81%, 0.56%

LAB 53.49, 73.22, -2.05

 

CMYK 0 / 85 / 47 / 15

HEX #D92073

RGB 217 32 115

HSL 333.08, 0.74%, 0.49%

LAB 48.29, 71.55, 1.47

 

CMYK 0 / 93 / 52 / 22

HEX #C80E60

RGB 200 14 96

HSL 333.55, 0.87%, 0.42%

LAB 43.42, 68.84, 5.8

 

CMYK 0 / 100 / 58 / 28

HEX #B7004D

RGB 183 0 77

HSL 334.75, 1%, 0.36%

LAB 38.9, 64.98, 11.01

 

CMYK 0 / 100 / 65 / 35

HEX #A6003A

RGB 166 0 58

HSL 339.04, 1%, 0.33%

LAB 34.83, 59.78, 17.19

 

CMYK 0 / 78 / 42 / 9

HEX #E93386

RGB 233 51 134

HSL 332.64, 0.81%, 0.56%

LAB 53.4, 72.71, -2.2

 

CMYK 0 / 78 / 64 / 9

HEX #E93355

RGB 233 51 85

HSL 348.79, 0.81%, 0.56%

LAB 52.23, 69.11, 25.62

 

CMYK 0 / 78 / 78 / 9

HEX #E93333

RGB 233 51 51

HSL 0, 0.81%, 0.56%

LAB 51.76, 67.63, 44.67

 

CMYK 0 / 78 / 42 / 9

HEX #E93386

RGB 233 51 134

HSL 332.64, 0.81%, 0.56%

LAB 53.4, 72.71, -2.2

 

CMYK 0 / 78 / 21 / 9

HEX #E933B7

RGB 233 51 183

HSL 316.48, 0.81%, 0.56%

LAB 55.19, 78, -28.39

 

CMYK 0 / 78 / 0 / 9

HEX #E933E8

RGB 233 51 232

HSL 300.33, 0.81%, 0.56%

LAB 57.58, 84.74, -52.61

 

CMYK 21 / 78 / 0 / 9

HEX #B933E9

RGB 185 51 233

HSL 284.18, 0.81%, 0.56%

LAB 50.17, 76.19, -65.46

 

CMYK 42 / 78 / 0 / 9

HEX #8833E9

RGB 136 51 233

HSL 268.02, 0.81%, 0.56%

LAB 43.49, 68.36, -76.64

 

CMYK 0 / 78 / 42 / 9

HEX #E93386

RGB 233 51 134

HSL 332.64, 0.81%, 0.56%

LAB 53.4, 72.71, -2.2

 

CMYK 0 / 87 / 47 / 2

HEX #FB2185

RGB 251 33 133

HSL 332.48, 0.96%, 0.56%

LAB 55.37, 80.8, 1.68

 

CMYK 0 / 78 / 42 / 9

HEX #E93386

RGB 233 51 134

HSL 332.64, 0.81%, 0.56%

LAB 53.4, 72.71, -2.2

 

CMYK 0 / 67 / 37 / 16

HEX #D74688

RGB 215 70 136

HSL 332.69, 0.64%, 0.56%

LAB 52.51, 61.89, -5.06

 

CMYK 0 / 55 / 30 / 23

HEX #C5588A

RGB 197 88 138

HSL 332.48, 0.48%, 0.56%

LAB 52.6, 48.85, -6.43

 

CMYK 0 / 41 / 22 / 30

HEX #B36A8B

RGB 179 106 139

HSL 332.88, 0.32%, 0.56%

LAB 53.77, 33.57, -5.56

 

CMYK 0 / 23 / 12 / 37

HEX #A17C8D

RGB 161 124 141

HSL 332.43, 0.16%, 0.56%

LAB 56, 17.16, -3.65

 

CMYK 0 / 78 / 0 / 9

HEX #E933E9

RGB 233 51 233

HSL 300, 0.81%, 0.56%

LAB 57.63, 84.89, -53.08

 

CMYK 0 / 78 / 21 / 9

HEX #E933B9

RGB 233 51 185

HSL 315.82, 0.81%, 0.56%

LAB 55.27, 78.25, -29.42

 

CMYK 0 / 78 / 42 / 9

HEX #E93388

RGB 233 51 136

HSL 331.98, 0.81%, 0.56%

LAB 53.46, 72.89, -3.31

 

CMYK 0 / 78 / 62 / 9

HEX #E93358

RGB 233 51 88

HSL 347.8, 0.81%, 0.56%

LAB 52.28, 69.28, 23.9

 

CMYK 0 / 73 / 78 / 9

HEX #E94033

RGB 233 64 51

HSL 4.29, 0.81%, 0.56%

LAB 53.2, 63.61, 46.15

 

CMYK 0 / 90 / 49 / 28

HEX #B7135E

RGB 183 19 94

HSL 332.56, 0.81%, 0.4%

LAB 40.15, 63.95, 1.91

 

CMYK 0 / 90 / 49 / 13

HEX #DD1771

RGB 221 23 113

HSL 332.73, 0.81%, 0.48%

LAB 48.48, 73.85, 3.08

 

CMYK 0 / 78 / 42 / 9

HEX #E93386

RGB 233 51 134

HSL 332.64, 0.81%, 0.56%

LAB 53.4, 72.71, -2.2

 

CMYK 0 / 62 / 34 / 7

HEX #ED599C

RGB 237 89 156

HSL 332.84, 0.8%, 0.64%

LAB 59.48, 62.9, -6.11

 

CMYK 0 / 48 / 26 / 5

HEX #F17EB3

RGB 241 126 179

HSL 332.35, 0.8%, 0.72%

LAB 67.18, 50.05, -7.76

 

CMYK 0 / 79 / 43 / 8

HEX #EA3286

RGB 234 50 134

HSL 332.61, 0.81%, 0.56%

LAB 53.49, 73.22, -2.05

 

CMYK 0 / 21 / 78 / 9

HEX #E9B933

RGB 233 185 51

HSL 44.18, 0.81%, 0.56%

LAB 77.44, 5.01, 69.38

 

CMYK 78 / 10 / 0 / 9

HEX #33D1E9

RGB 51 209 233

HSL 187.91, 0.81%, 0.56%

LAB 77.39, -31.41, -23.22

 

CMYK 0 / 79 / 43 / 8

HEX #EA3286

RGB 234 50 134

HSL 332.61, 0.81%, 0.56%

LAB 53.49, 73.22, -2.05

 

CMYK 42 / 0 / 78 / 9

HEX #88E933

RGB 136 233 51

HSL 91.98, 0.81%, 0.56%

LAB 83.84, -55.98, 72.81

 

CMYK 78 / 42 / 0 / 9

HEX #3388E9

RGB 51 136 233

HSL 211.98, 0.81%, 0.56%

LAB 56.28, 8.27, -56.18

 

CMYK 0 / 79 / 43 / 8

HEX #EA3286

RGB 234 50 134

HSL 332.61, 0.81%, 0.56%

LAB 53.49, 73.22, -2.05

 

CMYK 0 / 21 / 78 / 9

HEX #E9B933

RGB 233 185 51

HSL 44.18, 0.81%, 0.56%

LAB 77.44, 5.01, 69.38

 

CMYK 78 / 0 / 36 / 9

HEX #33E994

RGB 51 233 148

HSL 151.98, 0.81%, 0.56%

LAB 82.44, -63.07, 29.01

 

CMYK 78 / 57 / 0 / 9

HEX #3364E9

RGB 51 100 233

HSL 223.85, 0.81%, 0.56%

LAB 46.58, 30.75, -71.84

 

CMYK 0 / 79 / 43 / 8

HEX #EA3286

RGB 234 50 134

HSL 332.61, 0.81%, 0.56%

LAB 53.49, 73.22, -2.05

 

CMYK 3 / 0 / 78 / 9

HEX #E3E933

RGB 227 233 51

HSL 61.98, 0.81%, 0.56%

LAB 89.32, -21.71, 79.83

 

CMYK 78 / 0 / 36 / 9

HEX #33E994

RGB 51 233 148

HSL 151.98, 0.81%, 0.56%

LAB 82.44, -63.07, 29.01

 

CMYK 76 / 78 / 0 / 9

HEX #3933E9

RGB 57 51 233

HSL 241.98, 0.81%, 0.56%

LAB 36.22, 59.81, -88.87

 

Description

Color code: RGB 234 50 134 | qconv.com Color code: RGB 234 50 134 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 234 red, 50 green and 134 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
234 50 134 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 79 magenta, 43 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 79% 43% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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