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Color name
RGB 234 245 209

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 234 245 209 it is the complementary color RGB 21 10 46. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 234 245 209. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 234 245 209 shade: RGB 239 245 204, RGB 255 255 223 and RGB 255 255 242

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 234 245 209. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 234 245 209 shade: RGB 234 245 209, RGB 217 227 190, RGB 200 209 171, RGB 183 191 152 and RGB 166 173 133

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 234 245 209 shade: RGB 233 244 208, RGB 243 244 208, RGB 244 236 208, RGB 244 226 208 and RGB 244 217 208

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 234 245 209 shade: RGB 233 244 208, RGB 224 244 208, RGB 214 244 208, RGB 208 244 213 and RGB 208 244 222

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 234 245 209 shade matches the following richer shades: RGB 233 244 208, RGB 235 249 204 and RGB 237 253 199

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 234 245 209 shade: RGB 233 244 208, RGB 232 240 213, RGB 230 235 218, RGB 228 231 222 and RGB 226 226 227

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 234 245 209 shade: RGB 244 236 208, RGB 243 244 208, RGB 234 244 208, RGB 224 244 208 and RGB 214 244 208

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 234 245 209 shade: RGB 202 230 141, RGB 218 237 175, RGB 233 244 208 and RGB 249 252 242

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 234 245 209 shade: RGB 234 245 209, RGB 208 244 226 and RGB 241 208 244

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 234 245 209 shade: RGB 234 245 209, RGB 208 234 244 and RGB 244 208 234

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 234 245 209 shade: RGB 234 245 209, RGB 208 244 226, RGB 219 208 244 and RGB 244 208 226

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 234 245 209 shade: RGB 234 245 209, RGB 208 244 237, RGB 219 208 244 and RGB 244 208 216

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 0 / 15 / 4

HEX #EAF5D1

RGB 234 245 209

HSL 78.33, 0.64%, 0.89%

LAB 94.91, -9.75, 16.11

 

Complementary color

CMYK 54 / 78 / 0 / 82

HEX #150A2E

RGB 21 10 46

HSL 258.33, 0.64%, 0.11%

LAB 5.18, 14.9, -21.42

 

CMYK 2 / 0 / 17 / 4

HEX #EFF5CC

RGB 239 245 204

HSL 68.78, 0.67%, 0.88%

LAB 95.17, -8.77, 19.1

 

CMYK 0 / 0 / 13 / 0

HEX #FFFFDF

RGB 255 255 223

HSL 60, 1%, 0.94%

LAB 99.26, -5.26, 15.31

 

CMYK 0 / 0 / 5 / 0

HEX #FFFFF2

RGB 255 255 242

HSL 60, 1%, 0.97%

LAB 99.69, -2.22, 6.2

 

CMYK 4 / 0 / 15 / 4

HEX #EAF5D1

RGB 234 245 209

HSL 78.33, 0.64%, 0.89%

LAB 94.91, -9.75, 16.11

 

CMYK 4 / 0 / 16 / 11

HEX #D9E3BE

RGB 217 227 190

HSL 76.22, 0.4%, 0.82%

LAB 88.64, -9.67, 16.96

 

CMYK 4 / 0 / 18 / 18

HEX #C8D1AB

RGB 200 209 171

HSL 74.21, 0.29%, 0.75%

LAB 82.28, -9.59, 17.85

 

CMYK 4 / 0 / 20 / 25

HEX #B7BF98

RGB 183 191 152

HSL 72.31, 0.23%, 0.67%

LAB 75.82, -9.5, 18.79

 

CMYK 4 / 0 / 23 / 32

HEX #A6AD85

RGB 166 173 133

HSL 70.5, 0.2%, 0.6%

LAB 69.25, -9.39, 19.78

 

CMYK 5 / 0 / 15 / 4

HEX #E9F4D0

RGB 233 244 208

HSL 78.33, 0.62%, 0.89%

LAB 94.56, -9.75, 16.13

 

CMYK 0 / 0 / 15 / 4

HEX #F3F4D0

RGB 243 244 208

HSL 61.67, 0.62%, 0.89%

LAB 95.29, -6.25, 17.26

 

CMYK 0 / 3 / 15 / 4

HEX #F4ECD0

RGB 244 236 208

HSL 46.67, 0.62%, 0.89%

LAB 93.35, -1.86, 14.54

 

CMYK 0 / 7 / 15 / 4

HEX #F4E2D0

RGB 244 226 208

HSL 30, 0.62%, 0.89%

LAB 90.86, 3.25, 11

 

CMYK 0 / 11 / 15 / 4

HEX #F4D9D0

RGB 244 217 208

HSL 15, 0.62%, 0.89%

LAB 88.64, 7.9, 7.83

 

CMYK 5 / 0 / 15 / 4

HEX #E9F4D0

RGB 233 244 208

HSL 78.33, 0.62%, 0.89%

LAB 94.56, -9.75, 16.13

 

CMYK 8 / 0 / 15 / 4

HEX #E0F4D0

RGB 224 244 208

HSL 93.33, 0.62%, 0.89%

LAB 93.93, -12.86, 15.15

 

CMYK 12 / 0 / 15 / 4

HEX #D6F4D0

RGB 214 244 208

HSL 110, 0.62%, 0.89%

LAB 93.26, -16.26, 14.1

 

CMYK 15 / 0 / 13 / 4

HEX #D0F4D5

RGB 208 244 213

HSL 128.33, 0.62%, 0.89%

LAB 92.98, -17.4, 11.07

 

CMYK 15 / 0 / 9 / 4

HEX #D0F4DE

RGB 208 244 222

HSL 143.33, 0.62%, 0.89%

LAB 93.18, -15.78, 6.71

 

CMYK 5 / 0 / 15 / 4

HEX #E9F4D0

RGB 233 244 208

HSL 78.33, 0.62%, 0.89%

LAB 94.56, -9.75, 16.13

 

CMYK 6 / 0 / 18 / 2

HEX #EBF9CC

RGB 235 249 204

HSL 78.67, 0.79%, 0.89%

LAB 95.9, -12.16, 20.08

 

CMYK 6 / 0 / 21 / 1

HEX #EDFDC7

RGB 237 253 199

HSL 77.78, 0.93%, 0.89%

LAB 96.97, -14.17, 24.14

 

CMYK 5 / 0 / 15 / 4

HEX #E9F4D0

RGB 233 244 208

HSL 78.33, 0.62%, 0.89%

LAB 94.56, -9.75, 16.13

 

CMYK 3 / 0 / 11 / 6

HEX #E8F0D5

RGB 232 240 213

HSL 77.78, 0.47%, 0.89%

LAB 93.57, -7.3, 12.14

 

CMYK 2 / 0 / 7 / 8

HEX #E6EBDA

RGB 230 235 218

HSL 77.65, 0.3%, 0.89%

LAB 92.27, -4.63, 7.66

 

CMYK 1 / 0 / 4 / 9

HEX #E4E7DE

RGB 228 231 222

HSL 80, 0.16%, 0.89%

LAB 91.2, -2.59, 4.01

 

CMYK 0 / 0 / 0 / 11

HEX #E2E2E3

RGB 226 226 227

HSL 240, 0.02%, 0.89%

LAB 89.91, 0.18, -0.5

 

CMYK 0 / 3 / 15 / 4

HEX #F4ECD0

RGB 244 236 208

HSL 46.67, 0.62%, 0.89%

LAB 93.35, -1.86, 14.54

 

CMYK 0 / 0 / 15 / 4

HEX #F3F4D0

RGB 243 244 208

HSL 61.67, 0.62%, 0.89%

LAB 95.29, -6.25, 17.26

 

CMYK 4 / 0 / 15 / 4

HEX #EAF4D0

RGB 234 244 208

HSL 76.67, 0.62%, 0.89%

LAB 94.63, -9.41, 16.24

 

CMYK 8 / 0 / 15 / 4

HEX #E0F4D0

RGB 224 244 208

HSL 93.33, 0.62%, 0.89%

LAB 93.93, -12.86, 15.15

 

CMYK 12 / 0 / 15 / 4

HEX #D6F4D0

RGB 214 244 208

HSL 110, 0.62%, 0.89%

LAB 93.26, -16.26, 14.1

 

CMYK 12 / 0 / 39 / 10

HEX #CAE68D

RGB 202 230 141

HSL 78.88, 0.64%, 0.73%

LAB 87.52, -23.43, 40.33

 

CMYK 8 / 0 / 26 / 7

HEX #DAEDAF

RGB 218 237 175

HSL 78.39, 0.63%, 0.81%

LAB 91.04, -16.53, 28.02

 

CMYK 5 / 0 / 15 / 4

HEX #E9F4D0

RGB 233 244 208

HSL 78.33, 0.62%, 0.89%

LAB 94.56, -9.75, 16.13

 

CMYK 1 / 0 / 4 / 1

HEX #F9FCF2

RGB 249 252 242

HSL 78, 0.63%, 0.97%

LAB 98.5, -2.72, 4.43

 

CMYK 4 / 0 / 15 / 4

HEX #EAF5D1

RGB 234 245 209

HSL 78.33, 0.64%, 0.89%

LAB 94.91, -9.75, 16.11

 

CMYK 15 / 0 / 7 / 4

HEX #D0F4E2

RGB 208 244 226

HSL 150, 0.62%, 0.89%

LAB 93.28, -15.04, 4.77

 

CMYK 1 / 15 / 0 / 4

HEX #F1D0F4

RGB 241 208 244

HSL 295, 0.62%, 0.89%

LAB 87.17, 17.69, -13.38

 

CMYK 4 / 0 / 15 / 4

HEX #EAF5D1

RGB 234 245 209

HSL 78.33, 0.64%, 0.89%

LAB 94.91, -9.75, 16.11

 

CMYK 15 / 4 / 0 / 4

HEX #D0EAF4

RGB 208 234 244

HSL 196.67, 0.62%, 0.89%

LAB 91.14, -6.51, -7.73

 

CMYK 0 / 15 / 4 / 4

HEX #F4D0EA

RGB 244 208 234

HSL 316.67, 0.62%, 0.89%

LAB 87.14, 16.9, -8.1

 

CMYK 4 / 0 / 15 / 4

HEX #EAF5D1

RGB 234 245 209

HSL 78.33, 0.64%, 0.89%

LAB 94.91, -9.75, 16.11

 

CMYK 15 / 0 / 7 / 4

HEX #D0F4E2

RGB 208 244 226

HSL 150, 0.62%, 0.89%

LAB 93.28, -15.04, 4.77

 

CMYK 10 / 15 / 0 / 4

HEX #DBD0F4

RGB 219 208 244

HSL 258.33, 0.62%, 0.89%

LAB 85.35, 10.54, -16.28

 

CMYK 0 / 15 / 7 / 4

HEX #F4D0E2

RGB 244 208 226

HSL 330, 0.62%, 0.89%

LAB 86.92, 15.52, -4.19

 

CMYK 4 / 0 / 15 / 4

HEX #EAF5D1

RGB 234 245 209

HSL 78.33, 0.64%, 0.89%

LAB 94.91, -9.75, 16.11

 

CMYK 15 / 0 / 3 / 4

HEX #D0F4ED

RGB 208 244 237

HSL 168.33, 0.62%, 0.89%

LAB 93.55, -12.94, -0.54

 

CMYK 10 / 15 / 0 / 4

HEX #DBD0F4

RGB 219 208 244

HSL 258.33, 0.62%, 0.89%

LAB 85.35, 10.54, -16.28

 

CMYK 0 / 15 / 11 / 4

HEX #F4D0D8

RGB 244 208 216

HSL 346.67, 0.62%, 0.89%

LAB 86.65, 13.87, 0.73

 

Description

Color code: RGB 234 245 209 | qconv.com Color code: RGB 234 245 209 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 234 red, 245 green and 209 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
234 245 209 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, none magenta, 15 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 0% 15% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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