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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 234 23 236 it is the complementary color RGB 21 232 19. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 234 23 236. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 234 23 236 shade: RGB 239 23 231, RGB 255 41 250, RGB 255 59 255, RGB 255 77 255 and RGB 255 95 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 234 23 236. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 234 23 236 shade: RGB 234 23 236, RGB 217 5 217, RGB 200 0 198, RGB 183 0 179 and RGB 166 0 160

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 234 23 236 shade: RGB 234 23 236, RGB 236 23 180, RGB 236 23 123, RGB 236 23 66 and RGB 236 23 23

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 234 23 236 shade: RGB 234 23 236, RGB 176 23 236, RGB 119 23 236, RGB 62 23 236 and RGB 23 23 236

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 234 23 236 shade matches the following richer shades: RGB 234 23 236

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 234 23 236 shade: RGB 234 23 236, RGB 214 44 216, RGB 194 64 195, RGB 174 84 175 and RGB 154 104 155

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 234 23 236 shade: RGB 119 23 236, RGB 176 23 236, RGB 232 23 236, RGB 236 23 183 and RGB 236 23 126

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 234 23 236 shade: RGB 162 13 164, RGB 200 16 202, RGB 234 23 236, RGB 237 62 239 and RGB 241 100 242

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 234 23 236 shade: RGB 234 23 236, RGB 236 62 23 and RGB 23 236 147

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 234 23 236 shade: RGB 234 23 236, RGB 236 232 23 and RGB 23 236 232

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 234 23 236 shade: RGB 234 23 236, RGB 236 62 23, RGB 27 236 23 and RGB 23 197 236

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 234 23 236 shade: RGB 234 23 236, RGB 236 126 23, RGB 27 236 23 and RGB 23 133 236

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 90 / 0 / 7

HEX #EA17EC

RGB 234 23 236

HSL 299.44, 0.85%, 0.51%

LAB 56.25, 90.53, -56.96

 

Complementary color

CMYK 91 / 0 / 92 / 9

HEX #15E813

RGB 21 232 19

HSL 119.44, 0.85%, 0.49%

LAB 80.69, -79.08, 75.73

 

CMYK 0 / 90 / 3 / 6

HEX #EF17E7

RGB 239 23 231

HSL 302.22, 0.87%, 0.51%

LAB 56.81, 90.65, -53.2

 

CMYK 0 / 84 / 2 / 0

HEX #FF29FA

RGB 255 41 250

HSL 301.4, 1%, 0.58%

LAB 61.44, 93.44, -56.29

 

CMYK 0 / 77 / 0 / 0

HEX #FF3BFF

RGB 255 59 255

HSL 300, 1%, 0.62%

LAB 63.02, 90.35, -56.54

 

CMYK 0 / 70 / 0 / 0

HEX #FF4DFF

RGB 255 77 255

HSL 300, 1%, 0.65%

LAB 64.79, 85.25, -53.71

 

CMYK 0 / 63 / 0 / 0

HEX #FF5FFF

RGB 255 95 255

HSL 300, 1%, 0.69%

LAB 67.02, 78.97, -50.18

 

CMYK 1 / 90 / 0 / 7

HEX #EA17EC

RGB 234 23 236

HSL 299.44, 0.85%, 0.51%

LAB 56.25, 90.53, -56.96

 

CMYK 0 / 98 / 0 / 15

HEX #D905D9

RGB 217 5 217

HSL 300, 0.95%, 0.44%

LAB 51.69, 86.62, -53.67

 

CMYK 0 / 100 / 1 / 22

HEX #C800C6

RGB 200 0 198

HSL 300.6, 1%, 0.39%

LAB 47.44, 81.54, -49.7

 

CMYK 0 / 100 / 2 / 28

HEX #B700B3

RGB 183 0 179

HSL 301.31, 1%, 0.36%

LAB 43.24, 76, -45.45

 

CMYK 0 / 100 / 4 / 35

HEX #A600A0

RGB 166 0 160

HSL 302.17, 1%, 0.33%

LAB 38.98, 70.36, -41.1

 

CMYK 1 / 90 / 0 / 7

HEX #EA17EC

RGB 234 23 236

HSL 299.44, 0.85%, 0.51%

LAB 56.25, 90.53, -56.96

 

CMYK 0 / 90 / 24 / 7

HEX #EC17B4

RGB 236 23 180

HSL 315.77, 0.85%, 0.51%

LAB 53.75, 83.59, -28.83

 

CMYK 0 / 90 / 48 / 7

HEX #EC177B

RGB 236 23 123

HSL 331.83, 0.85%, 0.51%

LAB 51.7, 78.07, 2

 

CMYK 0 / 90 / 72 / 7

HEX #EC1742

RGB 236 23 66

HSL 347.89, 0.85%, 0.51%

LAB 50.5, 74.74, 34.92

 

CMYK 0 / 90 / 90 / 7

HEX #EC1717

RGB 236 23 23

HSL 0, 0.85%, 0.51%

LAB 50.11, 73.62, 56.86

 

CMYK 1 / 90 / 0 / 7

HEX #EA17EC

RGB 234 23 236

HSL 299.44, 0.85%, 0.51%

LAB 56.25, 90.53, -56.96

 

CMYK 25 / 90 / 0 / 7

HEX #B017EC

RGB 176 23 236

HSL 283.1, 0.85%, 0.51%

LAB 46.84, 81.79, -72.62

 

CMYK 50 / 90 / 0 / 7

HEX #7717EC

RGB 119 23 236

HSL 267.04, 0.85%, 0.51%

LAB 38.88, 75.26, -85.99

 

CMYK 74 / 90 / 0 / 7

HEX #3E17EC

RGB 62 23 236

HSL 250.99, 0.85%, 0.51%

LAB 33.34, 71.43, -95.35

 

CMYK 90 / 90 / 0 / 7

HEX #1717EC

RGB 23 23 236

HSL 240, 0.85%, 0.51%

LAB 31.47, 70.33, -98.52

 

CMYK 1 / 90 / 0 / 7

HEX #EA17EC

RGB 234 23 236

HSL 299.44, 0.85%, 0.51%

LAB 56.25, 90.53, -56.96

 

CMYK 1 / 90 / 0 / 7

HEX #EA17EC

RGB 234 23 236

HSL 299.44, 0.85%, 0.51%

LAB 56.25, 90.53, -56.96

 

CMYK 1 / 80 / 0 / 15

HEX #D62CD8

RGB 214 44 216

HSL 299.3, 0.69%, 0.51%

LAB 53.01, 80.42, -51.02

 

CMYK 1 / 67 / 0 / 24

HEX #C240C3

RGB 194 64 195

HSL 299.54, 0.52%, 0.51%

LAB 50.78, 66.87, -42.71

 

CMYK 1 / 52 / 0 / 31

HEX #AE54AF

RGB 174 84 175

HSL 299.34, 0.36%, 0.51%

LAB 50.02, 49.56, -32.48

 

CMYK 1 / 33 / 0 / 39

HEX #9A689B

RGB 154 104 155

HSL 298.82, 0.2%, 0.51%

LAB 50.85, 28.74, -19.67

 

CMYK 50 / 90 / 0 / 7

HEX #7717EC

RGB 119 23 236

HSL 267.04, 0.85%, 0.51%

LAB 38.88, 75.26, -85.99

 

CMYK 25 / 90 / 0 / 7

HEX #B017EC

RGB 176 23 236

HSL 283.1, 0.85%, 0.51%

LAB 46.84, 81.79, -72.62

 

CMYK 2 / 90 / 0 / 7

HEX #E817EC

RGB 232 23 236

HSL 298.87, 0.85%, 0.51%

LAB 55.91, 90.2, -57.52

 

CMYK 0 / 90 / 22 / 7

HEX #EC17B7

RGB 236 23 183

HSL 314.93, 0.85%, 0.51%

LAB 53.88, 83.94, -30.37

 

CMYK 0 / 90 / 47 / 7

HEX #EC177E

RGB 236 23 126

HSL 330.99, 0.85%, 0.51%

LAB 51.78, 78.31, 0.31

 

CMYK 1 / 92 / 0 / 36

HEX #A20DA4

RGB 162 13 164

HSL 299.21, 0.85%, 0.35%

LAB 38.98, 68.81, -43.54

 

CMYK 1 / 92 / 0 / 21

HEX #C810CA

RGB 200 16 202

HSL 299.35, 0.85%, 0.43%

LAB 48.15, 80.72, -50.88

 

CMYK 1 / 90 / 0 / 7

HEX #EA17EC

RGB 234 23 236

HSL 299.44, 0.85%, 0.51%

LAB 56.25, 90.53, -56.96

 

CMYK 1 / 74 / 0 / 6

HEX #ED3EEF

RGB 237 62 239

HSL 299.32, 0.85%, 0.59%

LAB 59.6, 83.67, -53.27

 

CMYK 0 / 59 / 0 / 5

HEX #F164F2

RGB 241 100 242

HSL 299.58, 0.85%, 0.67%

LAB 65.14, 71.55, -46.12

 

CMYK 1 / 90 / 0 / 7

HEX #EA17EC

RGB 234 23 236

HSL 299.44, 0.85%, 0.51%

LAB 56.25, 90.53, -56.96

 

CMYK 0 / 74 / 90 / 7

HEX #EC3E17

RGB 236 62 23

HSL 10.99, 0.85%, 0.51%

LAB 53.32, 64.54, 59.06

 

CMYK 90 / 0 / 38 / 7

HEX #17EC93

RGB 23 236 147

HSL 154.93, 0.85%, 0.51%

LAB 83.06, -66.52, 30.3

 

CMYK 1 / 90 / 0 / 7

HEX #EA17EC

RGB 234 23 236

HSL 299.44, 0.85%, 0.51%

LAB 56.25, 90.53, -56.96

 

CMYK 0 / 2 / 90 / 7

HEX #ECE817

RGB 236 232 23

HSL 58.87, 0.85%, 0.51%

LAB 89.68, -18.17, 86.17

 

CMYK 90 / 0 / 2 / 7

HEX #17ECE8

RGB 23 236 232

HSL 178.87, 0.85%, 0.51%

LAB 85, -45.88, -11.25

 

CMYK 1 / 90 / 0 / 7

HEX #EA17EC

RGB 234 23 236

HSL 299.44, 0.85%, 0.51%

LAB 56.25, 90.53, -56.96

 

CMYK 0 / 74 / 90 / 7

HEX #EC3E17

RGB 236 62 23

HSL 10.99, 0.85%, 0.51%

LAB 53.32, 64.54, 59.06

 

CMYK 89 / 0 / 90 / 7

HEX #1BEC17

RGB 27 236 23

HSL 118.87, 0.85%, 0.51%

LAB 81.99, -79.69, 76.28

 

CMYK 90 / 17 / 0 / 7

HEX #17C5EC

RGB 23 197 236

HSL 190.99, 0.85%, 0.51%

LAB 73.66, -26.5, -30.58

 

CMYK 1 / 90 / 0 / 7

HEX #EA17EC

RGB 234 23 236

HSL 299.44, 0.85%, 0.51%

LAB 56.25, 90.53, -56.96

 

CMYK 0 / 47 / 90 / 7

HEX #EC7E17

RGB 236 126 23

HSL 29.01, 0.85%, 0.51%

LAB 64.01, 36.59, 66.71

 

CMYK 89 / 0 / 90 / 7

HEX #1BEC17

RGB 27 236 23

HSL 118.87, 0.85%, 0.51%

LAB 81.99, -79.69, 76.28

 

CMYK 90 / 44 / 0 / 7

HEX #1785EC

RGB 23 133 236

HSL 209.01, 0.85%, 0.51%

LAB 55.09, 9.1, -59.8

 

Description

Color code: RGB 234 23 236 | qconv.com Color code: RGB 234 23 236 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 234 red, 23 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
234 23 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, 90 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 90% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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