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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 234 217 236 it is the complementary color RGB 21 38 19. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 234 217 236. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 234 217 236 shade: RGB 239 217 231, RGB 255 235 250 and RGB 255 253 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 234 217 236. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 234 217 236 shade: RGB 234 217 236, RGB 217 199 217, RGB 200 181 198, RGB 183 163 179 and RGB 166 145 160

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 234 217 236 shade: RGB 234 217 236, RGB 236 217 233, RGB 236 217 228, RGB 236 217 223 and RGB 236 217 218

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 234 217 236 shade: RGB 234 217 236, RGB 229 217 236, RGB 224 217 236, RGB 219 217 236 and RGB 217 217 236

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 234 217 236 shade matches the following richer shades: RGB 234 217 236, RGB 237 213 240, RGB 241 208 245, RGB 245 204 249 and RGB 248 199 254

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 234 217 236 shade: RGB 234 217 236, RGB 230 222 231, RGB 227 226 227, RGB 223 231 222 and RGB 219 235 218

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 234 217 236 shade: RGB 224 217 236, RGB 229 217 236, RGB 234 217 236, RGB 236 217 233 and RGB 236 217 228

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 234 217 236 shade: RGB 203 162 208, RGB 219 190 222, RGB 234 217 236 and RGB 249 245 250

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 234 217 236 shade: RGB 234 217 236, RGB 236 219 217 and RGB 217 236 226

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 234 217 236 shade: RGB 234 217 236, RGB 236 234 217 and RGB 217 236 234

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 234 217 236 shade: RGB 234 217 236, RGB 236 219 217, RGB 219 236 217 and RGB 217 234 236

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 234 217 236 shade: RGB 234 217 236, RGB 236 224 217, RGB 219 236 217 and RGB 217 229 236

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 8 / 0 / 7

HEX #EAD9EC

RGB 234 217 236

HSL 293.68, 0.33%, 0.89%

LAB 88.53, 9.17, -7.18

 

Complementary color

CMYK 45 / 0 / 50 / 85

HEX #152613

RGB 21 38 19

HSL 113.68, 0.33%, 0.11%

LAB 13.19, -12.02, 10.37

 

CMYK 0 / 9 / 3 / 6

HEX #EFD9E7

RGB 239 217 231

HSL 321.82, 0.41%, 0.89%

LAB 88.8, 9.96, -4.1

 

CMYK 0 / 8 / 2 / 0

HEX #FFEBFA

RGB 255 235 250

HSL 315, 1%, 0.96%

LAB 94.98, 9.32, -4.79

 

CMYK 0 / 1 / 0 / 0

HEX #FFFDFF

RGB 255 253 255

HSL 300, 1%, 1%

LAB 99.51, 1.01, -0.73

 

CMYK 1 / 8 / 0 / 7

HEX #EAD9EC

RGB 234 217 236

HSL 293.68, 0.33%, 0.89%

LAB 88.53, 9.17, -7.18

 

CMYK 0 / 8 / 0 / 15

HEX #D9C7D9

RGB 217 199 217

HSL 300, 0.19%, 0.82%

LAB 82.17, 9.47, -6.67

 

CMYK 0 / 10 / 1 / 22

HEX #C8B5C6

RGB 200 181 198

HSL 306.32, 0.15%, 0.75%

LAB 75.7, 9.8, -6.13

 

CMYK 0 / 11 / 2 / 28

HEX #B7A3B3

RGB 183 163 179

HSL 312, 0.12%, 0.68%

LAB 69.12, 10.15, -5.58

 

CMYK 0 / 13 / 4 / 35

HEX #A691A0

RGB 166 145 160

HSL 317.14, 0.11%, 0.61%

LAB 62.42, 10.53, -5.02

 

CMYK 1 / 8 / 0 / 7

HEX #EAD9EC

RGB 234 217 236

HSL 293.68, 0.33%, 0.89%

LAB 88.53, 9.17, -7.18

 

CMYK 0 / 8 / 1 / 7

HEX #ECD9E9

RGB 236 217 233

HSL 309.47, 0.33%, 0.89%

LAB 88.61, 9.3, -5.47

 

CMYK 0 / 8 / 3 / 7

HEX #ECD9E4

RGB 236 217 228

HSL 325.26, 0.33%, 0.89%

LAB 88.48, 8.42, -3.03

 

CMYK 0 / 8 / 6 / 7

HEX #ECD9DF

RGB 236 217 223

HSL 341.05, 0.33%, 0.89%

LAB 88.35, 7.55, -0.59

 

CMYK 0 / 8 / 8 / 7

HEX #ECD9DA

RGB 236 217 218

HSL 356.84, 0.33%, 0.89%

LAB 88.22, 6.7, 1.86

 

CMYK 1 / 8 / 0 / 7

HEX #EAD9EC

RGB 234 217 236

HSL 293.68, 0.33%, 0.89%

LAB 88.53, 9.17, -7.18

 

CMYK 3 / 8 / 0 / 7

HEX #E5D9EC

RGB 229 217 236

HSL 277.89, 0.33%, 0.89%

LAB 88.13, 7.51, -7.82

 

CMYK 5 / 8 / 0 / 7

HEX #E0D9EC

RGB 224 217 236

HSL 262.11, 0.33%, 0.89%

LAB 87.74, 5.86, -8.44

 

CMYK 7 / 8 / 0 / 7

HEX #DBD9EC

RGB 219 217 236

HSL 246.32, 0.33%, 0.89%

LAB 87.36, 4.22, -9.05

 

CMYK 8 / 8 / 0 / 7

HEX #D9D9EC

RGB 217 217 236

HSL 240, 0.33%, 0.89%

LAB 87.21, 3.57, -9.29

 

CMYK 1 / 8 / 0 / 7

HEX #EAD9EC

RGB 234 217 236

HSL 293.68, 0.33%, 0.89%

LAB 88.53, 9.17, -7.18

 

CMYK 1 / 11 / 0 / 6

HEX #EDD5F0

RGB 237 213 240

HSL 293.33, 0.47%, 0.89%

LAB 87.91, 13, -10.18

 

CMYK 2 / 15 / 0 / 4

HEX #F1D0F5

RGB 241 208 245

HSL 293.51, 0.65%, 0.89%

LAB 87.2, 17.87, -13.86

 

CMYK 2 / 18 / 0 / 2

HEX #F5CCF9

RGB 245 204 249

HSL 294.67, 0.79%, 0.89%

LAB 86.72, 22.03, -16.65

 

CMYK 2 / 22 / 0 / 0

HEX #F8C7FE

RGB 248 199 254

HSL 293.45, 0.96%, 0.89%

LAB 85.99, 26.56, -20.38

 

CMYK 1 / 8 / 0 / 7

HEX #EAD9EC

RGB 234 217 236

HSL 293.68, 0.33%, 0.89%

LAB 88.53, 9.17, -7.18

 

CMYK 0 / 4 / 0 / 9

HEX #E6DEE7

RGB 230 222 231

HSL 293.33, 0.16%, 0.89%

LAB 89.32, 4.32, -3.43

 

CMYK 0 / 0 / 0 / 11

HEX #E3E2E3

RGB 227 226 227

HSL 300, 0.02%, 0.89%

LAB 89.98, 0.52, -0.38

 

CMYK 3 / 0 / 4 / 9

HEX #DFE7DE

RGB 223 231 222

HSL 113.33, 0.16%, 0.89%

LAB 90.83, -4.28, 3.44

 

CMYK 7 / 0 / 7 / 8

HEX #DBEBDA

RGB 219 235 218

HSL 116.47, 0.3%, 0.89%

LAB 91.48, -8.37, 6.42

 

CMYK 5 / 8 / 0 / 7

HEX #E0D9EC

RGB 224 217 236

HSL 262.11, 0.33%, 0.89%

LAB 87.74, 5.86, -8.44

 

CMYK 3 / 8 / 0 / 7

HEX #E5D9EC

RGB 229 217 236

HSL 277.89, 0.33%, 0.89%

LAB 88.13, 7.51, -7.82

 

CMYK 1 / 8 / 0 / 7

HEX #EAD9EC

RGB 234 217 236

HSL 293.68, 0.33%, 0.89%

LAB 88.53, 9.17, -7.18

 

CMYK 0 / 8 / 1 / 7

HEX #ECD9E9

RGB 236 217 233

HSL 309.47, 0.33%, 0.89%

LAB 88.61, 9.3, -5.47

 

CMYK 0 / 8 / 3 / 7

HEX #ECD9E4

RGB 236 217 228

HSL 325.26, 0.33%, 0.89%

LAB 88.48, 8.42, -3.03

 

CMYK 2 / 22 / 0 / 18

HEX #CBA2D0

RGB 203 162 208

HSL 293.48, 0.33%, 0.73%

LAB 71.62, 23.08, -17.69

 

CMYK 1 / 14 / 0 / 13

HEX #DBBEDE

RGB 219 190 222

HSL 294.38, 0.33%, 0.81%

LAB 80.27, 15.89, -12.15

 

CMYK 1 / 8 / 0 / 7

HEX #EAD9EC

RGB 234 217 236

HSL 293.68, 0.33%, 0.89%

LAB 88.53, 9.17, -7.18

 

CMYK 0 / 2 / 0 / 2

HEX #F9F5FA

RGB 249 245 250

HSL 288, 0.33%, 0.97%

LAB 96.96, 2.21, -1.94

 

CMYK 1 / 8 / 0 / 7

HEX #EAD9EC

RGB 234 217 236

HSL 293.68, 0.33%, 0.89%

LAB 88.53, 9.17, -7.18

 

CMYK 0 / 7 / 8 / 7

HEX #ECDBD9

RGB 236 219 217

HSL 6.32, 0.33%, 0.89%

LAB 88.69, 5.49, 3.07

 

CMYK 8 / 0 / 4 / 7

HEX #D9ECE2

RGB 217 236 226

HSL 148.42, 0.33%, 0.89%

LAB 91.79, -8.1, 2.69

 

CMYK 1 / 8 / 0 / 7

HEX #EAD9EC

RGB 234 217 236

HSL 293.68, 0.33%, 0.89%

LAB 88.53, 9.17, -7.18

 

CMYK 0 / 1 / 8 / 7

HEX #ECEAD9

RGB 236 234 217

HSL 53.68, 0.33%, 0.89%

LAB 92.44, -2.22, 8.48

 

CMYK 8 / 0 / 1 / 7

HEX #D9ECEA

RGB 217 236 234

HSL 173.68, 0.33%, 0.89%

LAB 91.99, -6.62, -1.19

 

CMYK 1 / 8 / 0 / 7

HEX #EAD9EC

RGB 234 217 236

HSL 293.68, 0.33%, 0.89%

LAB 88.53, 9.17, -7.18

 

CMYK 0 / 7 / 8 / 7

HEX #ECDBD9

RGB 236 219 217

HSL 6.32, 0.33%, 0.89%

LAB 88.69, 5.49, 3.07

 

CMYK 7 / 0 / 8 / 7

HEX #DBECD9

RGB 219 236 217

HSL 113.68, 0.33%, 0.89%

LAB 91.71, -9.05, 7.28

 

CMYK 8 / 1 / 0 / 7

HEX #D9EAEC

RGB 217 234 236

HSL 186.32, 0.33%, 0.89%

LAB 91.53, -5.22, -2.91

 

CMYK 1 / 8 / 0 / 7

HEX #EAD9EC

RGB 234 217 236

HSL 293.68, 0.33%, 0.89%

LAB 88.53, 9.17, -7.18

 

CMYK 0 / 5 / 8 / 7

HEX #ECE0D9

RGB 236 224 217

HSL 22.11, 0.33%, 0.89%

LAB 89.93, 2.9, 4.87

 

CMYK 7 / 0 / 8 / 7

HEX #DBECD9

RGB 219 236 217

HSL 113.68, 0.33%, 0.89%

LAB 91.71, -9.05, 7.28

 

CMYK 8 / 3 / 0 / 7

HEX #D9E5EC

RGB 217 229 236

HSL 202.11, 0.33%, 0.89%

LAB 90.25, -2.66, -4.79

 

Description

Color code: RGB 234 217 236 | qconv.com Color code: RGB 234 217 236 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 234 red, 217 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
234 217 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, 8 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 8% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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