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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 233 72 228 it is the complementary color RGB 22 183 27. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 233 72 228. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 233 72 228 shade: RGB 238 72 223, RGB 255 90 242, RGB 255 108 255, RGB 255 126 255 and RGB 255 144 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 233 72 228. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 233 72 228 shade: RGB 233 72 228, RGB 216 54 209, RGB 199 36 190, RGB 182 18 171 and RGB 165 0 152

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 233 72 228 shade: RGB 233 72 228, RGB 233 72 185, RGB 233 72 141, RGB 233 72 98 and RGB 233 72 72

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 233 72 228 shade: RGB 233 72 228, RGB 195 72 233, RGB 151 72 233, RGB 108 72 233 and RGB 72 72 233

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 233 72 228 shade matches the following richer shades: RGB 233 72 228 and RGB 250 55 244

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 233 72 228 shade: RGB 233 72 228, RGB 217 88 213, RGB 200 105 197, RGB 184 121 182 and RGB 167 138 166

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 233 72 228 shade: RGB 150 72 233, RGB 193 72 233, RGB 233 72 230, RGB 233 72 187 and RGB 233 72 144

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 233 72 228 shade: RGB 200 23 194, RGB 229 35 223, RGB 233 72 228, RGB 237 109 233 and RGB 242 146 239

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 233 72 228 shade: RGB 233 72 228, RGB 233 107 72 and RGB 72 233 171

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 233 72 228 shade: RGB 233 72 228, RGB 230 233 72 and RGB 72 230 233

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 233 72 228 shade: RGB 233 72 228, RGB 233 107 72, RGB 72 233 75 and RGB 72 198 233

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 233 72 228 shade: RGB 233 72 228, RGB 233 155 72, RGB 72 233 75 and RGB 72 150 233

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 69 / 2 / 9

HEX #E948E4

RGB 233 72 228

HSL 301.86, 0.79%, 0.6%

LAB 59.49, 78.04, -47.33

 

Complementary color

CMYK 88 / 0 / 85 / 28

HEX #16B71B

RGB 22 183 27

HSL 121.86, 0.79%, 0.4%

LAB 65.06, -65.13, 60.78

 

CMYK 0 / 70 / 6 / 7

HEX #EE48DF

RGB 238 72 223

HSL 305.42, 0.83%, 0.61%

LAB 60.01, 78.38, -43.63

 

CMYK 0 / 65 / 5 / 0

HEX #FF5AF2

RGB 255 90 242

HSL 304.73, 1%, 0.68%

LAB 65.74, 78.8, -45.05

 

CMYK 0 / 58 / 0 / 0

HEX #FF6CFF

RGB 255 108 255

HSL 300, 1%, 0.71%

LAB 68.9, 73.78, -47.23

 

CMYK 0 / 51 / 0 / 0

HEX #FF7EFF

RGB 255 126 255

HSL 300, 1%, 0.75%

LAB 71.83, 65.87, -42.63

 

CMYK 0 / 44 / 0 / 0

HEX #FF90FF

RGB 255 144 255

HSL 300, 1%, 0.78%

LAB 75.09, 57.3, -37.55

 

CMYK 0 / 69 / 2 / 9

HEX #E948E4

RGB 233 72 228

HSL 301.86, 0.79%, 0.6%

LAB 59.49, 78.04, -47.33

 

CMYK 0 / 75 / 3 / 15

HEX #D836D1

RGB 216 54 209

HSL 302.59, 0.68%, 0.53%

LAB 53.86, 77.13, -45.65

 

CMYK 0 / 82 / 5 / 22

HEX #C724BE

RGB 199 36 190

HSL 303.31, 0.69%, 0.46%

LAB 48.41, 75.47, -43.51

 

CMYK 0 / 90 / 6 / 29

HEX #B612AB

RGB 182 18 171

HSL 304.02, 0.82%, 0.39%

LAB 43.24, 72.77, -40.73

 

CMYK 0 / 100 / 8 / 35

HEX #A50098

RGB 165 0 152

HSL 304.73, 1%, 0.32%

LAB 38.32, 69.03, -37.31

 

CMYK 0 / 69 / 2 / 9

HEX #E948E4

RGB 233 72 228

HSL 301.86, 0.79%, 0.6%

LAB 59.49, 78.04, -47.33

 

CMYK 0 / 69 / 21 / 9

HEX #E948B9

RGB 233 72 185

HSL 317.89, 0.79%, 0.6%

LAB 57.52, 71.86, -25.94

 

CMYK 0 / 69 / 39 / 9

HEX #E9488D

RGB 233 72 141

HSL 334.29, 0.79%, 0.6%

LAB 55.97, 66.75, -2.59

 

CMYK 0 / 69 / 58 / 9

HEX #E94862

RGB 233 72 98

HSL 350.31, 0.79%, 0.6%

LAB 54.91, 63.11, 21.42

 

CMYK 0 / 69 / 69 / 9

HEX #E94848

RGB 233 72 72

HSL 0, 0.79%, 0.6%

LAB 54.48, 61.61, 36.02

 

CMYK 0 / 69 / 2 / 9

HEX #E948E4

RGB 233 72 228

HSL 301.86, 0.79%, 0.6%

LAB 59.49, 78.04, -47.33

 

CMYK 16 / 69 / 0 / 9

HEX #C348E9

RGB 195 72 233

HSL 285.84, 0.79%, 0.6%

LAB 54.15, 70.84, -58.97

 

CMYK 35 / 69 / 0 / 9

HEX #9748E9

RGB 151 72 233

HSL 269.44, 0.79%, 0.6%

LAB 48.38, 62.12, -68.58

 

CMYK 54 / 69 / 0 / 9

HEX #6C48E9

RGB 108 72 233

HSL 253.42, 0.79%, 0.6%

LAB 43.81, 54.73, -76.23

 

CMYK 69 / 69 / 0 / 9

HEX #4848E9

RGB 72 72 233

HSL 240, 0.79%, 0.6%

LAB 41.05, 49.99, -80.86

 

CMYK 0 / 69 / 2 / 9

HEX #E948E4

RGB 233 72 228

HSL 301.86, 0.79%, 0.6%

LAB 59.49, 78.04, -47.33

 

CMYK 0 / 78 / 2 / 2

HEX #FA37F4

RGB 250 55 244

HSL 301.85, 0.95%, 0.6%

LAB 61.3, 88.76, -53.23

 

CMYK 0 / 69 / 2 / 9

HEX #E948E4

RGB 233 72 228

HSL 301.86, 0.79%, 0.6%

LAB 59.49, 78.04, -47.33

 

CMYK 0 / 59 / 2 / 15

HEX #D958D5

RGB 217 88 213

HSL 301.86, 0.63%, 0.6%

LAB 58.54, 65.83, -40.53

 

CMYK 0 / 48 / 1 / 22

HEX #C869C5

RGB 200 105 197

HSL 301.89, 0.46%, 0.6%

LAB 58.43, 50.57, -31.79

 

CMYK 0 / 34 / 1 / 28

HEX #B879B6

RGB 184 121 182

HSL 301.9, 0.31%, 0.6%

LAB 59.2, 34.42, -22.21

 

CMYK 0 / 17 / 1 / 35

HEX #A78AA6

RGB 167 138 166

HSL 302.07, 0.14%, 0.6%

LAB 60.91, 15.99, -10.66

 

CMYK 36 / 69 / 0 / 9

HEX #9648E9

RGB 150 72 233

HSL 269.07, 0.79%, 0.6%

LAB 48.26, 61.93, -68.78

 

CMYK 17 / 69 / 0 / 9

HEX #C148E9

RGB 193 72 233

HSL 285.09, 0.79%, 0.6%

LAB 53.87, 70.42, -59.44

 

CMYK 0 / 69 / 1 / 9

HEX #E948E6

RGB 233 72 230

HSL 301.12, 0.79%, 0.6%

LAB 59.59, 78.35, -48.29

 

CMYK 0 / 69 / 20 / 9

HEX #E948BB

RGB 233 72 187

HSL 317.14, 0.79%, 0.6%

LAB 57.6, 72.13, -26.96

 

CMYK 0 / 69 / 38 / 9

HEX #E94890

RGB 233 72 144

HSL 333.17, 0.79%, 0.6%

LAB 56.06, 67.05, -4.22

 

CMYK 0 / 89 / 3 / 22

HEX #C817C2

RGB 200 23 194

HSL 302.03, 0.79%, 0.44%

LAB 47.99, 78.64, -46.5

 

CMYK 0 / 85 / 3 / 10

HEX #E523DF

RGB 229 35 223

HSL 301.86, 0.79%, 0.52%

LAB 55.27, 86.05, -51.25

 

CMYK 0 / 69 / 2 / 9

HEX #E948E4

RGB 233 72 228

HSL 301.86, 0.79%, 0.6%

LAB 59.49, 78.04, -47.33

 

CMYK 0 / 54 / 2 / 7

HEX #ED6DE9

RGB 237 109 233

HSL 301.88, 0.78%, 0.68%

LAB 65.61, 65.14, -40.44

 

CMYK 0 / 40 / 1 / 5

HEX #F292EF

RGB 242 146 239

HSL 301.88, 0.79%, 0.76%

LAB 73.33, 49.7, -31.7

 

CMYK 0 / 69 / 2 / 9

HEX #E948E4

RGB 233 72 228

HSL 301.86, 0.79%, 0.6%

LAB 59.49, 78.04, -47.33

 

CMYK 0 / 54 / 69 / 9

HEX #E96B48

RGB 233 107 72

HSL 13.04, 0.79%, 0.6%

LAB 60.17, 46.5, 42.66

 

CMYK 69 / 0 / 27 / 9

HEX #48E9AB

RGB 72 233 171

HSL 156.89, 0.79%, 0.6%

LAB 83.23, -55.65, 18.29

 

CMYK 0 / 69 / 2 / 9

HEX #E948E4

RGB 233 72 228

HSL 301.86, 0.79%, 0.6%

LAB 59.49, 78.04, -47.33

 

CMYK 1 / 0 / 69 / 9

HEX #E6E948

RGB 230 233 72

HSL 61.12, 0.79%, 0.6%

LAB 89.66, -19.61, 73.64

 

CMYK 69 / 1 / 0 / 9

HEX #48E6E9

RGB 72 230 233

HSL 181.12, 0.79%, 0.6%

LAB 83.89, -38.92, -13.37

 

CMYK 0 / 69 / 2 / 9

HEX #E948E4

RGB 233 72 228

HSL 301.86, 0.79%, 0.6%

LAB 59.49, 78.04, -47.33

 

CMYK 0 / 54 / 69 / 9

HEX #E96B48

RGB 233 107 72

HSL 13.04, 0.79%, 0.6%

LAB 60.17, 46.5, 42.66

 

CMYK 69 / 0 / 68 / 9

HEX #48E94B

RGB 72 233 75

HSL 121.12, 0.79%, 0.6%

LAB 81.93, -70.39, 62.16

 

CMYK 69 / 15 / 0 / 9

HEX #48C6E9

RGB 72 198 233

HSL 193.04, 0.79%, 0.6%

LAB 74.6, -23.57, -27.44

 

CMYK 0 / 69 / 2 / 9

HEX #E948E4

RGB 233 72 228

HSL 301.86, 0.79%, 0.6%

LAB 59.49, 78.04, -47.33

 

CMYK 0 / 33 / 69 / 9

HEX #E99B48

RGB 233 155 72

HSL 30.93, 0.79%, 0.6%

LAB 70.34, 21.81, 53.94

 

CMYK 69 / 0 / 68 / 9

HEX #48E94B

RGB 72 233 75

HSL 121.12, 0.79%, 0.6%

LAB 81.93, -70.39, 62.16

 

CMYK 69 / 36 / 0 / 9

HEX #4896E9

RGB 72 150 233

HSL 210.93, 0.79%, 0.6%

LAB 60.85, 2.59, -48.88

 

Description

Color code: RGB 233 72 228 | qconv.com Color code: RGB 233 72 228 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 233 red, 72 green and 228 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
233 72 228 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 69 magenta, 2 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 69% 2% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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