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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 233 58 198 it is the complementary color RGB 22 197 57. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 233 58 198. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 233 58 198 shade: RGB 238 58 193, RGB 255 76 212, RGB 255 94 231, RGB 255 112 250 and RGB 255 130 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 233 58 198. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 233 58 198 shade: RGB 233 58 198, RGB 216 40 179, RGB 199 22 160, RGB 182 4 141 and RGB 165 0 122

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 233 58 198 shade: RGB 233 57 197, RGB 233 57 150, RGB 233 57 103 and RGB 233 57 57

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 233 58 198 shade: RGB 233 57 197, RGB 220 57 233, RGB 173 57 233, RGB 126 57 233 and RGB 78 57 233

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 233 58 198 shade matches the following richer shades: RGB 233 57 197 and RGB 250 39 208

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 233 58 198 shade: RGB 233 57 197, RGB 215 75 187, RGB 197 93 176, RGB 179 110 166 and RGB 162 128 155

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 233 58 198 shade: RGB 174 57 233, RGB 221 57 233, RGB 233 57 197, RGB 233 57 151 and RGB 233 57 104

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 233 58 198 shade: RGB 187 20 154, RGB 224 24 184, RGB 233 57 197, RGB 237 94 208 and RGB 241 131 219

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 233 58 198 shade: RGB 233 58 198, RGB 233 127 57 and RGB 57 233 197

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 233 58 198 shade: RGB 233 58 198, RGB 197 233 57 and RGB 57 197 233

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 233 58 198 shade: RGB 233 58 198, RGB 233 127 57, RGB 57 233 92 and RGB 57 162 233

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 233 58 198 shade: RGB 233 58 198, RGB 233 180 57, RGB 57 233 92 and RGB 57 110 233

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 75 / 15 / 9

HEX #E93AC6

RGB 233 58 198

HSL 312, 0.8%, 0.57%

LAB 56.51, 78.04, -34.98

 

Complementary color

CMYK 89 / 0 / 71 / 23

HEX #16C539

RGB 22 197 57

HSL 132, 0.8%, 0.43%

LAB 69.75, -67.18, 55.96

 

CMYK 0 / 76 / 19 / 7

HEX #EE3AC1

RGB 238 58 193

HSL 315, 0.84%, 0.58%

LAB 57.13, 78.49, -31.09

 

CMYK 0 / 70 / 17 / 0

HEX #FF4CD4

RGB 255 76 212

HSL 314.41, 1%, 0.65%

LAB 62.66, 79.38, -33.1

 

CMYK 0 / 63 / 9 / 0

HEX #FF5EE7

RGB 255 94 231

HSL 308.94, 1%, 0.68%

LAB 65.78, 75.64, -38.89

 

CMYK 0 / 56 / 2 / 0

HEX #FF70FA

RGB 255 112 250

HSL 302.1, 1%, 0.72%

LAB 69.29, 71.27, -43.87

 

CMYK 0 / 49 / 0 / 0

HEX #FF82FF

RGB 255 130 255

HSL 300, 1%, 0.75%

LAB 72.53, 64.02, -41.54

 

CMYK 0 / 75 / 15 / 9

HEX #E93AC6

RGB 233 58 198

HSL 312, 0.8%, 0.57%

LAB 56.51, 78.04, -34.98

 

CMYK 0 / 81 / 17 / 15

HEX #D828B3

RGB 216 40 179

HSL 312.61, 0.69%, 0.5%

LAB 51.12, 76.48, -32.62

 

CMYK 0 / 89 / 20 / 22

HEX #C716A0

RGB 199 22 160

HSL 313.22, 0.8%, 0.43%

LAB 45.98, 73.98, -29.63

 

CMYK 0 / 98 / 23 / 29

HEX #B6048D

RGB 182 4 141

HSL 313.82, 0.96%, 0.36%

LAB 41.14, 70.34, -25.93

 

CMYK 0 / 100 / 26 / 35

HEX #A5007A

RGB 165 0 122

HSL 315.64, 1%, 0.32%

LAB 36.75, 65.13, -21.25

 

CMYK 0 / 76 / 15 / 9

HEX #E939C5

RGB 233 57 197

HSL 312.27, 0.8%, 0.57%

LAB 56.37, 78.19, -34.63

 

CMYK 0 / 76 / 36 / 9

HEX #E93996

RGB 233 57 150

HSL 328.3, 0.8%, 0.57%

LAB 54.5, 72.58, -10.08

 

CMYK 0 / 76 / 56 / 9

HEX #E93967

RGB 233 57 103

HSL 344.32, 0.8%, 0.57%

LAB 53.2, 68.5, 16.13

 

CMYK 0 / 76 / 76 / 9

HEX #E93939

RGB 233 57 57

HSL 0, 0.8%, 0.57%

LAB 52.45, 66.08, 42.12

 

CMYK 0 / 76 / 15 / 9

HEX #E939C5

RGB 233 57 197

HSL 312.27, 0.8%, 0.57%

LAB 56.37, 78.19, -34.63

 

CMYK 6 / 76 / 0 / 9

HEX #DC39E9

RGB 220 57 233

HSL 295.57, 0.8%, 0.57%

LAB 56.11, 80.84, -55.63

 

CMYK 26 / 76 / 0 / 9

HEX #AD39E9

RGB 173 57 233

HSL 279.55, 0.8%, 0.57%

LAB 49.12, 72.15, -67.24

 

CMYK 46 / 76 / 0 / 9

HEX #7E39E9

RGB 126 57 233

HSL 263.52, 0.8%, 0.57%

LAB 43.13, 64.52, -77.27

 

CMYK 67 / 76 / 0 / 9

HEX #4E39E9

RGB 78 57 233

HSL 247.16, 0.8%, 0.57%

LAB 38.6, 58.6, -84.88

 

CMYK 0 / 76 / 15 / 9

HEX #E939C5

RGB 233 57 197

HSL 312.27, 0.8%, 0.57%

LAB 56.37, 78.19, -34.63

 

CMYK 0 / 84 / 17 / 2

HEX #FA27D0

RGB 250 39 208

HSL 311.94, 0.95%, 0.57%

LAB 58.35, 87.25, -37.62

 

CMYK 0 / 76 / 15 / 9

HEX #E939C5

RGB 233 57 197

HSL 312.27, 0.8%, 0.57%

LAB 56.37, 78.19, -34.63

 

CMYK 0 / 65 / 13 / 16

HEX #D74BBB

RGB 215 75 187

HSL 312, 0.64%, 0.57%

LAB 55.14, 66.51, -31.01

 

CMYK 0 / 53 / 11 / 23

HEX #C55DB0

RGB 197 93 176

HSL 312.12, 0.47%, 0.57%

LAB 54.9, 52.01, -25.23

 

CMYK 0 / 39 / 7 / 30

HEX #B36EA6

RGB 179 110 166

HSL 311.3, 0.31%, 0.57%

LAB 55.57, 35.86, -18.6

 

CMYK 0 / 21 / 4 / 36

HEX #A2809B

RGB 162 128 155

HSL 312.35, 0.15%, 0.57%

LAB 57.55, 17.79, -9.45

 

CMYK 25 / 76 / 0 / 9

HEX #AE39E9

RGB 174 57 233

HSL 279.89, 0.8%, 0.57%

LAB 49.26, 72.33, -67.01

 

CMYK 5 / 76 / 0 / 9

HEX #DD39E9

RGB 221 57 233

HSL 295.91, 0.8%, 0.57%

LAB 56.27, 81.03, -55.37

 

CMYK 0 / 76 / 15 / 9

HEX #E939C5

RGB 233 57 197

HSL 312.27, 0.8%, 0.57%

LAB 56.37, 78.19, -34.63

 

CMYK 0 / 76 / 35 / 9

HEX #E93997

RGB 233 57 151

HSL 327.95, 0.8%, 0.57%

LAB 54.54, 72.68, -10.63

 

CMYK 0 / 76 / 55 / 9

HEX #E93968

RGB 233 57 104

HSL 343.98, 0.8%, 0.57%

LAB 53.22, 68.57, 15.55

 

CMYK 0 / 89 / 18 / 27

HEX #BB149A

RGB 187 20 154

HSL 311.86, 0.81%, 0.41%

LAB 43.36, 71.11, -30.29

 

CMYK 0 / 89 / 18 / 12

HEX #E018B8

RGB 224 24 184

HSL 312, 0.81%, 0.49%

LAB 51.79, 81.6, -34.38

 

CMYK 0 / 76 / 15 / 9

HEX #E939C5

RGB 233 57 197

HSL 312.27, 0.8%, 0.57%

LAB 56.37, 78.19, -34.63

 

CMYK 0 / 60 / 12 / 7

HEX #ED5ED0

RGB 237 94 208

HSL 312.17, 0.8%, 0.65%

LAB 62.14, 67.67, -31.87

 

CMYK 0 / 46 / 9 / 5

HEX #F183DB

RGB 241 131 219

HSL 312, 0.8%, 0.73%

LAB 69.5, 53.54, -26.61

 

CMYK 0 / 75 / 15 / 9

HEX #E93AC6

RGB 233 58 198

HSL 312, 0.8%, 0.57%

LAB 56.51, 78.04, -34.98

 

CMYK 0 / 45 / 76 / 9

HEX #E97F39

RGB 233 127 57

HSL 23.86, 0.8%, 0.57%

LAB 64, 35.82, 54.19

 

CMYK 76 / 0 / 15 / 9

HEX #39E9C5

RGB 57 233 197

HSL 167.73, 0.8%, 0.57%

LAB 83.54, -51.54, 5.08

 

CMYK 0 / 75 / 15 / 9

HEX #E93AC6

RGB 233 58 198

HSL 312, 0.8%, 0.57%

LAB 56.51, 78.04, -34.98

 

CMYK 15 / 0 / 76 / 9

HEX #C5E939

RGB 197 233 57

HSL 72.27, 0.8%, 0.57%

LAB 87.21, -33.59, 75.4

 

CMYK 76 / 15 / 0 / 9

HEX #39C5E9

RGB 57 197 233

HSL 192.27, 0.8%, 0.57%

LAB 73.99, -24.91, -28.41

 

CMYK 0 / 75 / 15 / 9

HEX #E93AC6

RGB 233 58 198

HSL 312, 0.8%, 0.57%

LAB 56.51, 78.04, -34.98

 

CMYK 0 / 45 / 76 / 9

HEX #E97F39

RGB 233 127 57

HSL 23.86, 0.8%, 0.57%

LAB 64, 35.82, 54.19

 

CMYK 76 / 0 / 61 / 9

HEX #39E95C

RGB 57 233 92

HSL 131.93, 0.8%, 0.57%

LAB 81.79, -70.97, 54.99

 

CMYK 76 / 30 / 0 / 9

HEX #39A2E9

RGB 57 162 233

HSL 204.2, 0.8%, 0.57%

LAB 63.83, -6.27, -44.2

 

CMYK 0 / 75 / 15 / 9

HEX #E93AC6

RGB 233 58 198

HSL 312, 0.8%, 0.57%

LAB 56.51, 78.04, -34.98

 

CMYK 0 / 23 / 76 / 9

HEX #E9B439

RGB 233 180 57

HSL 41.93, 0.8%, 0.57%

LAB 76.23, 7.87, 66.15

 

CMYK 76 / 0 / 61 / 9

HEX #39E95C

RGB 57 233 92

HSL 131.93, 0.8%, 0.57%

LAB 81.79, -70.97, 54.99

 

CMYK 76 / 53 / 0 / 9

HEX #396EE9

RGB 57 110 233

HSL 221.93, 0.8%, 0.57%

LAB 49.38, 25.05, -67.28

 

Description

Color code: RGB 233 58 198 | qconv.com Color code: RGB 233 58 198 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 233 red, 58 green and 198 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
233 58 198 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 75 magenta, 15 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 75% 15% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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