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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 233 250 188 it is the complementary color RGB 22 5 67. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 233 250 188. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 233 250 188 shade: RGB 238 250 183, RGB 255 255 202, RGB 255 255 221 and RGB 255 255 240

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 233 250 188. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 233 250 188 shade: RGB 233 250 188, RGB 216 232 169, RGB 199 214 150, RGB 182 196 131 and RGB 165 178 112

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 233 250 188 shade: RGB 233 250 188, RGB 249 250 188, RGB 250 233 188, RGB 250 217 188 and RGB 250 200 188

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 233 250 188 shade: RGB 233 250 188, RGB 216 250 188, RGB 200 250 188, RGB 188 250 193 and RGB 188 250 210

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 233 250 188 shade matches the following richer shades: RGB 233 250 188

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 233 250 188 shade: RGB 233 250 188, RGB 230 244 194, RGB 227 238 200, RGB 225 232 205 and RGB 222 226 211

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 233 250 188 shade: RGB 250 233 188, RGB 250 250 188, RGB 233 250 188, RGB 217 250 188 and RGB 200 250 188

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 233 250 188 shade: RGB 207 244 111, RGB 220 247 150, RGB 233 250 188 and RGB 245 252 226

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 233 250 188 shade: RGB 233 250 188, RGB 188 250 217 and RGB 241 188 250

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 233 250 188 shade: RGB 233 250 188, RGB 188 233 250 and RGB 250 188 233

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 233 250 188 shade: RGB 233 250 188, RGB 188 250 217, RGB 204 188 250 and RGB 250 188 221

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 233 250 188 shade: RGB 233 250 188, RGB 188 250 235, RGB 204 188 250 and RGB 250 188 202

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 0 / 25 / 2

HEX #E9FABC

RGB 233 250 188

HSL 76.45, 0.86%, 0.86%

LAB 95.72, -15.7, 27.95

 

Complementary color

CMYK 67 / 93 / 0 / 74

HEX #160543

RGB 22 5 67

HSL 256.45, 0.86%, 0.14%

LAB 6.18, 26.9, -35.09

 

CMYK 5 / 0 / 27 / 2

HEX #EEFAB7

RGB 238 250 183

HSL 70.75, 0.87%, 0.85%

LAB 95.98, -14.58, 30.9

 

CMYK 0 / 0 / 21 / 0

HEX #FFFFCA

RGB 255 255 202

HSL 60, 1%, 0.9%

LAB 98.85, -8.33, 25.41

 

CMYK 0 / 0 / 13 / 0

HEX #FFFFDD

RGB 255 255 221

HSL 60, 1%, 0.93%

LAB 99.22, -5.56, 16.27

 

CMYK 0 / 0 / 6 / 0

HEX #FFFFF0

RGB 255 255 240

HSL 60, 1%, 0.97%

LAB 99.64, -2.55, 7.15

 

CMYK 7 / 0 / 25 / 2

HEX #E9FABC

RGB 233 250 188

HSL 76.45, 0.86%, 0.86%

LAB 95.72, -15.7, 27.95

 

CMYK 7 / 0 / 27 / 9

HEX #D8E8A9

RGB 216 232 169

HSL 75.24, 0.58%, 0.79%

LAB 89.48, -15.62, 28.95

 

CMYK 7 / 0 / 30 / 16

HEX #C7D696

RGB 199 214 150

HSL 74.06, 0.44%, 0.71%

LAB 83.15, -15.54, 30

 

CMYK 7 / 0 / 33 / 23

HEX #B6C483

RGB 182 196 131

HSL 72.92, 0.36%, 0.64%

LAB 76.72, -15.43, 31.1

 

CMYK 7 / 0 / 37 / 30

HEX #A5B270

RGB 165 178 112

HSL 71.82, 0.3%, 0.57%

LAB 70.18, -15.29, 32.25

 

CMYK 7 / 0 / 25 / 2

HEX #E9FABC

RGB 233 250 188

HSL 76.45, 0.86%, 0.86%

LAB 95.72, -15.7, 27.95

 

CMYK 0 / 0 / 25 / 2

HEX #F9FABC

RGB 249 250 188

HSL 60.97, 0.86%, 0.86%

LAB 96.88, -9.92, 29.72

 

CMYK 0 / 7 / 25 / 2

HEX #FAE9BC

RGB 250 233 188

HSL 43.55, 0.86%, 0.86%

LAB 92.68, -1.04, 23.99

 

CMYK 0 / 13 / 25 / 2

HEX #FAD9BC

RGB 250 217 188

HSL 28.06, 0.86%, 0.86%

LAB 88.72, 7.15, 18.51

 

CMYK 0 / 20 / 25 / 2

HEX #FAC8BC

RGB 250 200 188

HSL 11.61, 0.86%, 0.86%

LAB 84.62, 16.01, 12.74

 

CMYK 7 / 0 / 25 / 2

HEX #E9FABC

RGB 233 250 188

HSL 76.45, 0.86%, 0.86%

LAB 95.72, -15.7, 27.95

 

CMYK 14 / 0 / 25 / 2

HEX #D8FABC

RGB 216 250 188

HSL 92.9, 0.86%, 0.86%

LAB 94.57, -21.68, 26.2

 

CMYK 20 / 0 / 25 / 2

HEX #C8FABC

RGB 200 250 188

HSL 108.39, 0.86%, 0.86%

LAB 93.57, -27.13, 24.67

 

CMYK 25 / 0 / 23 / 2

HEX #BCFAC1

RGB 188 250 193

HSL 124.84, 0.86%, 0.86%

LAB 92.98, -30.23, 21.19

 

CMYK 25 / 0 / 16 / 2

HEX #BCFAD2

RGB 188 250 210

HSL 141.29, 0.86%, 0.86%

LAB 93.33, -27.23, 12.95

 

CMYK 7 / 0 / 25 / 2

HEX #E9FABC

RGB 233 250 188

HSL 76.45, 0.86%, 0.86%

LAB 95.72, -15.7, 27.95

 

CMYK 7 / 0 / 25 / 2

HEX #E9FABC

RGB 233 250 188

HSL 76.45, 0.86%, 0.86%

LAB 95.72, -15.7, 27.95

 

CMYK 6 / 0 / 20 / 4

HEX #E6F4C2

RGB 230 244 194

HSL 76.8, 0.69%, 0.86%

LAB 94.06, -12.95, 22.59

 

CMYK 5 / 0 / 16 / 7

HEX #E3EEC8

RGB 227 238 200

HSL 77.37, 0.53%, 0.86%

LAB 92.42, -10.11, 17.18

 

CMYK 3 / 0 / 12 / 9

HEX #E1E8CD

RGB 225 232 205

HSL 75.56, 0.37%, 0.86%

LAB 90.84, -6.99, 12.33

 

CMYK 2 / 0 / 7 / 11

HEX #DEE2D3

RGB 222 226 211

HSL 76, 0.21%, 0.86%

LAB 89.22, -3.98, 6.85

 

CMYK 0 / 7 / 25 / 2

HEX #FAE9BC

RGB 250 233 188

HSL 43.55, 0.86%, 0.86%

LAB 92.68, -1.04, 23.99

 

CMYK 0 / 0 / 25 / 2

HEX #FAFABC

RGB 250 250 188

HSL 60, 0.86%, 0.86%

LAB 96.95, -9.56, 29.84

 

CMYK 7 / 0 / 25 / 2

HEX #E9FABC

RGB 233 250 188

HSL 76.45, 0.86%, 0.86%

LAB 95.72, -15.7, 27.95

 

CMYK 13 / 0 / 25 / 2

HEX #D9FABC

RGB 217 250 188

HSL 91.94, 0.86%, 0.86%

LAB 94.63, -21.33, 26.29

 

CMYK 20 / 0 / 25 / 2

HEX #C8FABC

RGB 200 250 188

HSL 108.39, 0.86%, 0.86%

LAB 93.57, -27.13, 24.67

 

CMYK 15 / 0 / 55 / 4

HEX #CFF46F

RGB 207 244 111

HSL 76.69, 0.86%, 0.7%

LAB 91.29, -31.27, 59.18

 

CMYK 11 / 0 / 39 / 3

HEX #DCF796

RGB 220 247 150

HSL 76.7, 0.86%, 0.78%

LAB 93.42, -23.85, 43.7

 

CMYK 7 / 0 / 25 / 2

HEX #E9FABC

RGB 233 250 188

HSL 76.45, 0.86%, 0.86%

LAB 95.72, -15.7, 27.95

 

CMYK 3 / 0 / 10 / 1

HEX #F5FCE2

RGB 245 252 226

HSL 76.15, 0.81%, 0.94%

LAB 97.84, -6.73, 11.66

 

CMYK 7 / 0 / 25 / 2

HEX #E9FABC

RGB 233 250 188

HSL 76.45, 0.86%, 0.86%

LAB 95.72, -15.7, 27.95

 

CMYK 25 / 0 / 13 / 2

HEX #BCFAD9

RGB 188 250 217

HSL 148.06, 0.86%, 0.86%

LAB 93.48, -25.92, 9.56

 

CMYK 4 / 25 / 0 / 2

HEX #F1BCFA

RGB 241 188 250

HSL 291.29, 0.86%, 0.86%

LAB 82.68, 29.4, -23.32

 

CMYK 7 / 0 / 25 / 2

HEX #E9FABC

RGB 233 250 188

HSL 76.45, 0.86%, 0.86%

LAB 95.72, -15.7, 27.95

 

CMYK 25 / 7 / 0 / 2

HEX #BCE9FA

RGB 188 233 250

HSL 196.45, 0.86%, 0.86%

LAB 89.8, -10.75, -12.99

 

CMYK 0 / 25 / 7 / 2

HEX #FABCE9

RGB 250 188 233

HSL 316.45, 0.86%, 0.86%

LAB 83.01, 29.29, -13.66

 

CMYK 7 / 0 / 25 / 2

HEX #E9FABC

RGB 233 250 188

HSL 76.45, 0.86%, 0.86%

LAB 95.72, -15.7, 27.95

 

CMYK 25 / 0 / 13 / 2

HEX #BCFAD9

RGB 188 250 217

HSL 148.06, 0.86%, 0.86%

LAB 93.48, -25.92, 9.56

 

CMYK 18 / 25 / 0 / 2

HEX #CCBCFA

RGB 204 188 250

HSL 255.48, 0.86%, 0.86%

LAB 79.45, 17.85, -28.56

 

CMYK 0 / 25 / 12 / 2

HEX #FABCDD

RGB 250 188 221

HSL 328.06, 0.86%, 0.86%

LAB 82.65, 27.29, -7.76

 

CMYK 7 / 0 / 25 / 2

HEX #E9FABC

RGB 233 250 188

HSL 76.45, 0.86%, 0.86%

LAB 95.72, -15.7, 27.95

 

CMYK 25 / 0 / 6 / 2

HEX #BCFAEB

RGB 188 250 235

HSL 165.48, 0.86%, 0.86%

LAB 93.91, -22.39, 0.88

 

CMYK 18 / 25 / 0 / 2

HEX #CCBCFA

RGB 204 188 250

HSL 255.48, 0.86%, 0.86%

LAB 79.45, 17.85, -28.56

 

CMYK 0 / 25 / 19 / 2

HEX #FABCCA

RGB 250 188 202

HSL 346.45, 0.86%, 0.86%

LAB 82.14, 24.33, 1.69

 

Description

Color code: RGB 233 250 188 | qconv.com Color code: RGB 233 250 188 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 233 red, 250 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
233 250 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, none magenta, 25 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 0% 25% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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